HOW TO SEE THE MUSIC

SOUND OF SHAPE
•CAN WE HEAR THE SHAPES?
•ARE WE ABLE TO SEE THE SOUNDS?
•I BELIEVE WE ARE !
•WHY?
•BECAUSE OF THE MUSIC AND
VISUAL INTELLIGENCE
 SYNAESTHESIA
•CONECTED THE SENSES
• ?831NA9JOP62!
•GRAPHEME-COLOR SYNAESTHESIA
 SEEING THE PITCH
• A COMMON STRUCTURAL ELEMENTS FOR
DIFFERENT TYPES OF ART: THE COLOR, RHYTHM,
THE CONCEPT OF FORM AND LINE.
• GOETHE ARCHITECTURE IS FROZEN MUSIC
• DELACROIX COLOR SOUNDS
• CONSONANCE AND DISSONANCE TERM APPLIES
EQUALLY IN MUSIC, PAINTING, POETRY AND SO
ON
 SEEING THE PITCH
• ISAAC NEWTON LINKED THE 7 TONES OF THE
SCALE WITH 7 COLORS OF THE RAINBOW AND
ASSUMED THAT EACH COLOR VIBRATES
ACCORDINGLY.
• THEREFORE, RED HAS THE LEAST AMOUNT OF
VIBRATION, WHILE PURPLE VIBRATES THE MOST
PITCH BY HAND
 PITCH BY HAND
•THE CREATOR OF THIS CONCEPT OF
LEARNING MUSIC USING HAND
SIGNS, THE HUNGARIAN
COMPOSER, ETHNOMUSICOLOGIST,
EDUCATOR, LINGUIST AND
PHILOSOPHER ZOLTÁN KODÁLY AND
SO THIS METHOD IS KNOWN AS
THE '' CODALY METHOD '' OR ''
CODALY CONCEPT ''.
 PITCH BY HAND
• THE COMBINATION OF NEWTON'S SCALE OF
COLORS AND CODALYS METHOD, WE COME TO
DIFFERENT VISUAL ASSOCIATIONS TONES, AND
MOST INTERESTING IS THAT THE POSSIBILITIES
ARE ENDLESS
 HEARING - SEEING
• ASSOCIATIVE MUSIC VISUAL INTELLIGENCE
(AMVI) IS THE KIND OF INTELLIGENCE THAT
IS HARD TO DEFINE.
• THIS TEST, AS A RESULT OF NUMEROUS
STUDIES MANAGED JUST THAT, TO DEFINE
AND MEASURE MUSIC AND VISUAL
INTELLIGENCE.
HEARING - SEEING
HEARING - SEEING
HEARING - SEEING
 HEARING - SEEING
• MUSIC APPEARS AS AN INFINITE NUMBER OF
DIFFERENT EVENTS IN OUR CONSCIOUSNESS, AND
IN DIFFERENT WAYS.
• IT CAN BE COLORED, ABSTRACT FORMS, CONCRETE
FORMS, SMELLS, TASTES, AND ALL OTHER
ASSOCIATIONS THAT WITHIN US AWAKENS THE
SOUND STIMULUS. IF WE ESTABLISH THE
RELATIONSHIP BETWEEN SOUND AND VISUAL
ASSOCIATION, WE ARE ON THE RIGHT TRACK TO
BECOME ACTIVE MEMBERS WHO PARTICIPATE IN
THE PROCESS, AS THE EMERGENCE OF MUSIC,
UNDERSTOOD IN THE WIDEST POSSIBLE WAY, AND
IN ITS INTERPRETATION AND RECOGNITION IN
OTHER FORMS.
 HEARING - SEEING
• HOW CAN WE SEE THE MUSIC - VERY SIMPLE -
CONNECT THE NOTES YOU SEE WRITTEN ON
PAPER IN THE FORM OF CIRCLES, WITH A PITCH
HEIGHT WHICH THEY WERE ASSIGNED IN OUR
CONSCIOUSNESS. THIS IS THE MOST OBVIOUS
AND THE MOST PREVALENT FORM OF
MANIFESTATION OF SYNAESTHESIA IN MUSIC,
WHICH EXISTS FOR CENTURIES, FROM THE
SIMPLEST FORM, UNTIL THE PRESENT SYSTEM OF
NOTATION, DEFINED IN DIFFERENT MUSICAL
KEYS.