Ray diagrams are used to trace the path of light rays when viewing an object through a mirror. They show the incident and reflected rays with arrows. Ray diagrams can show which parts of an object's image can be seen from a given position and what objects can be viewed when sighting into a mirror. The document then explains how to construct ray diagrams for concave mirrors and the different types of images formed depending on the position of the object relative to the mirror's focus and center of curvature. Real, inverted images are formed between the focus and center or beyond the center, while virtual, erect images occur between the pole and focus. Convex mirrors always produce virtual, erect images behind the mirror.
Ray diagrams are used to trace the path of light rays when viewing an object through a mirror. They show the incident and reflected rays with arrows. Ray diagrams can show which parts of an object's image can be seen from a given position and what objects can be viewed when sighting into a mirror. The document then explains how to construct ray diagrams for concave mirrors and the different types of images formed depending on the position of the object relative to the mirror's focus and center of curvature. Real, inverted images are formed between the focus and center or beyond the center, while virtual, erect images occur between the pole and focus. Convex mirrors always produce virtual, erect images behind the mirror.
Ray diagrams are used to trace the path of light rays when viewing an object through a mirror. They show the incident and reflected rays with arrows. Ray diagrams can show which parts of an object's image can be seen from a given position and what objects can be viewed when sighting into a mirror. The document then explains how to construct ray diagrams for concave mirrors and the different types of images formed depending on the position of the object relative to the mirror's focus and center of curvature. Real, inverted images are formed between the focus and center or beyond the center, while virtual, erect images occur between the pole and focus. Convex mirrors always produce virtual, erect images behind the mirror.
A RAY DIAGRAM IS A DIAGRAM THAT TRACES THE PATH THAT
LIGHT TAKES IN ORDER FOR A PERSON TO VIEW A POINT ON THE IMAGE OF AN OBJECT. ON THE DIAGRAM, RAYS (LINES WITH ARROWS) ARE DRAWN FOR THE INCIDENT RAY AND THE REFLECTED RAY. USE OF RAY DIAGRAMS RAY DIAGRAMS CAN BE PARTICULARLY USEFUL FOR DETERMINING AND EXPLAINING WHY ONLY A PORTION OF THE IMAGE OF AN OBJECT CAN BE SEEN FROM A GIVEN LOCATION. RAY DIAGRAMS ARE USEFUL TOOLS FOR DETERMINING AND EXPLAINING WHAT OBJECTS MIGHT BE VIEWED WHEN SIGHTING INTO A MIRROR FROM A GIVEN LOCATION. RAY DIAGRAM CONSTRUCTION FOR CONCAVE MIRROR FORMATION OF DIFFERENT TYPES OF IMAGES BY A CONCAVE MIRROR • CASE 1: OBJECT PLACED BETWEEN POLE AND FOCUS OF THE MIRROR . • CASE 2: OBJECT PLACED AT THE FOCUS. • CASE 3: OBJECT PLACED BETWEEN FOCUS AND CENTRE OF CURVATURE. • CASE 4: OBJECT PLACED AT THE CENTRE OF CURVATURE. • CASE 5: OBJECT PLACED BEYOND THE CENTRE OF CURVATURE. • CASE 6: OBJECT PLACED AT INFINITY. CASE 1: OBJECT PLACED BETWEEN POLE AND FOCUS OF THE MIRROR.
WHEN THE OBJECT IS PLACED BETWEEN
PRINCIPAL FOCUS AND POLE OF A CONCAVE MIRROR, AN ENLARGED, VIRTUAL AND ERECT IMAGE IS FORMED BEHIND THE MIRROR. PROPERTIES OF IMAGE: • BEHIND THE MIRROR • ENLARGED • VIRTUAL AND ERECT CASE 2 :OBJECT PLACED AT THE FOCUS WHEN THE OBJECT IS PLACED AT PRINCIPAL FOCUS (F) OF A CONCAVE MIRROR, A HIGHLY ENLARGED IMAGE IS FORMED AT INFINITY. PROPERTIES OF IMAGE: • AT INFINITY • HIGHLY ENLARGED • REAL AND INVERTED CASE 3: OBJECT PLACED BETWEEN FOCUS AND CENTRE OF CURVATURE WHEN THE OBJECT IS PLACED BETWEEN CENTRE OF CURVATURE AND PRINCIPAL FOCUS OF CONCAVE MIRROR, A REAL IMAGE IS FORMED BEYOND THE CENTRE OF CURVATURE (C). PROPERTIES OF IMAGE: • BEYOND THE CENTRE OF CURVATURE • LARGER THAN OBJECT • REAL AND INVERTED OBJECT PLACED AT THE CENTRE OF CURVATURE WHEN THE OBJECT IS PLACED AT CENTRE OF CURVATURE (C) OF A CONCAVE MIRROR, A REAL AND INVERTED IMAGE IS FORMED AT THE SAME POSITION. PROPERTIES OF IMAGE: • AT THE CENTRE OF CURVATURE • SAME SIZE AS OBJECT • REAL AND INVERTED OBJECT PLACED BEYOND THE CENTRE OF CURVATURE WHEN OBJECT IS PLACED BETWEEN INFINITY AND CENTRE OF CURVATURE OF A CONCAVE MIRROR THE IMAGE IS FORMED BETWEEN CENTRE OF CURVATURE (C) AND FOCUS (F). PROPERTIES OF IMAGE: • AT THE FOCUS • DIMINISHED COMPARED TO OBJECT • REAL AND INVERTED OBJECT PLACED AT INFINITY SINCE PARALLEL RAYS COMING FROM THE OBJECT CONVERGE AT PRINCIPAL FOCUS, F OF A CONCAVE MIRROR; AFTER REFLECTION. HENCE, WHEN THE OBJECT IS AT INFINITY THE IMAGE WILL FORM AT F. PROPERTIES OF IMAGE: • POINT SIZED • HIGHLY DIMINISHED • REAL AND INVERTED FORMATION OF DIFFERENT TYPES OF IMAGES BY A CONVEX MIRROR THE IMAGE FORMED IN A CONVEX MIRROR IS ALWAYS VIRTUAL AND ERECT, WHATEVER BE THE POSITION OF THE OBJECT. NOW, LET’S STUDY THE TYPES OF IMAGES FORMED BY A CONVEX MIRROR. CASE 1: WHEN THE OBJECT IS PLACED AT INFINITY WHEN THE OBJECT IS PLACED AT INFINITY, THE TWO RAYS AD AND BE WHICH RUN PARALLEL TO THE PRINCIPAL AXIS GETS DIVERGED IN THE DIRECTIONS DG AND EH RESPECTIVELY AFTER GETTING REFLECTED FROM THE CONVEX MIRROR. WHEN THE DIVERGED RAYS DG AND EH ARE EXTENDED BACKWARDS, THEY INTERSECT EACH OTHER AT THE PRINCIPAL FOCUS F. THEREFORE, IN CONVEX MIRROR IF THE OBJECT IS PRESENT AT INFINITY THEN THE IMAGE IS FORMED BEHIND THE MIRROR AT THE PRINCIPAL FOCUS, WHICH IS HIGHLY DIMINISHED, VIRTUAL AND ERECT. WHEN THE OBJECT IS PLACED ANYWHERE BETWEEN POLE AND INFINITY IF THE OBJECT IS PLACED ANYWHERE BETWEEN THE POLE AND INFINITY, A RAY OF LIGHT AD STARTING FROM POINT A OF THE OBJECT WHICH RUN PARALLEL TO THE PRINCIPAL AXIS GETS REFLECTED ALONG DX. ON PRODUCING BACK, DX APPEARS TO COME FROM F. ANOTHER RAY AE FROM POINT A OF THE OBJECT WHICH GO TOWARDS THE CENTRE OF CURVATURE IS REFLECTED BACK ALONG EA THESE TWO REFLECTED RAYS I.E. DX AND EA ARE DIVERGING RAYS AND APPEARS TO INTERSECT EACH OTHER AT POINT A’ WHEN PRODUCED BACK. SO IN THIS CASE THE IMAGE IS FORMED BEHIND THE MIRROR, BETWEEN THE POLE AND THE PRINCIPAL FOCUS, WHICH IS DIMINISHED, VIRTUAL AND ERECT.