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Audio Culture - Converging Ideas & Practices
Audio Culture - Converging Ideas & Practices
Audio Culture - Converging Ideas & Practices
Music
Audio Culture
Themes Emerging – since 20th
C
Massive change influenced by :
Gradual increase in the noise around us
since industrial revolution
Recording and Radio – ability of fast
distribution
Deliberate inaccessibility of early 20th
century composers
Pop and jazz fill the void
New concepts of music
Separation and convergence
of musical cultures
Schoenberg, Stravinsky, et al – difficult
and inaccessible to most
Jazz and pop – alternatives quickly
adopted by the masses
By 1960s – convergence of ideas –
collaboration of jazz, pop and art
musicians
Popular styles build on and make
accessible ideas conceived much earlier
Overview of Themes Emerging
Early 20th century
Period of great experimentation
Rethinking what is music, what is sound,
silence
Exploring new modes of listening
Exploring the potential of electronic
(re)production
Overview of themes emerging
Later 20th century
The Open Work – chance, visual sounds,
indeterminacy, & other ideas
Experimental musics
Improvised music
Minimalisms
DJ Culture
Electronic Music & Electronica
The Open Work
Earle Brown – “December 1952”
graphic score
For 1 or more instruments/sound-producing
media
Perform in any direction from any point in
the defined space for any length of time
Shows radical shift in art music
Boundary between printed world
(conventional scores)and recorded world
Open work - Examples
John Cage – Music of Changes (1951)