•Expressionist artists created works

with more emotional force, rather

than with realistic or natural images.
•To achieve this, they distorted
outlines, applied strong colors, and
exaggerated forms.
•They worked more with their
imagination and feelings,
rather than with what their
eyes saw in the physical
world.
•Neoprimitivism
•Fauvism
•Dadaism
•Surrealism
•Social Realism
• an art style that incorporated elements from the
native arts of the South Sea Islanders and the
wood carvings of African tribes which suddenly
became popular at that time.
• Amedeo Modigliani - used the oval faces and
elongated shapes of African art in both his
sculptures and paintings.
•was a style that used bold, vibrant
colors and visual distortions.
• Its name was derived from les fauves
(“wild beasts”), referring to the group of
French expressionist painters who
painted in this style.
•a style characterized by dream
fantasies, memory images, and
visual tricks and surprises.
•dada, to refer to their new
“non-style.”
•was a style that depicted an
illogical, subconscious dream world
beyond the logical, conscious,
physical one.
• Its name came from the term
“super realism”
•Artists used their works to
protest against the injustices,
inequalities, immorality, and
ugliness of the human
condition.
•Pablo Picasso’s Guernica has
been recognized as the most
monumental and comprehensive
statement of social realism
against the brutality of war.
•Another movement of modern
art in Europe in the early 1900s.
While expressionism was
emotional, abstractionism was
logical and rational.
•It reduced an image into
geometrical shapes, patterns,
lines, angles, textures, and
fields or strokes of color—in
effect, the elements of art.
1. Representational Abstractionism
depicting still recognizable subjects
2. Pure abstractionism
no recognizable subject could be
discerned.
•cubism
•futurism
•mechanical style
•nonobjectivism
•derived its name from the cube,
a three dimensional geometric
figure composed of strictly
measured lines, planes, and
angles.
•As the name implies, the
futurists created art for a
fast-paced, machine-
propelled age.
•In this style, basic forms such
as planes, cones, spheres,
and cylinders all fit together
precisely and neatly in their
appointed places.
•From the very term “non-object,”
works in this style did not make use
of figures or even representations
of figures. They did not refer to
recognizable objects or forms in the
outside world.