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Lesson 14: Video Information and Media: Jackie Lou Santos Ponds Cristy Gulle Irish Joy Lauron Carl Vencint Leal
Lesson 14: Video Information and Media: Jackie Lou Santos Ponds Cristy Gulle Irish Joy Lauron Carl Vencint Leal
1. Pre-production
involves storyboarding, scriptwriting, casting, etc.
2. Production
includes shooting, filming, etc.
3. Post-production
involves sequencing, editing, adding audio, file
compression, etc.
4. Video Release
posting of video on television, internet, etc.; public
viewing
PRE-PRODUCTION
- Revolves around the planning.
1. CONCEPTUALIZE THE STORY OF YOUR
VIDEO
1. High Angle
Camera is held higher than
or shooting down a subject
Often portrays the subject
as weak or child-like
Used to shoot wide shots
2. LOW ANGLE
Camera is held lower
than the subject.
Gives the subject a
powerful, aggressive,
dominant aura.
3. EYE LEVEL
Portrays neutrality
Often used in
corporate videos, news,
and comedies.
CAMERA SHOTS
1. ESTABLISHING SHOT
shows the vastness
usually shown at the
beginning to introduce the
setting to the viewer
2. LONG SHOT
shows the whole body of
the subject
used to establish scene or
subject
3. MEDIUM SHOT
shows subject from waist
up
used to focus on the
subject while providing
room for gestures
most commonly used
camera shot
4. BUST SHOT
shows object from chest
up
provides intimate view of
subject, focusing on her/his
face
5. TIGHT SHOT/ CLOSE UP
shows the face of the subject
provides emotion to the scene
6. EXTREME TIGHT
SHOT/ EXTREME CLOSE
UP
shows a particular part of
the subject (ex. Eyes, nose,
mouth, etc.)
used to draw attention to
minute details
7. POINT OF VIEW
shot in eye level angle, it
aims to make the viewer
feel that she/he is the
character or she/ he is
part of the scene.
CAMERA TECHNIQUES
3. PEDESTAL
moving the camera up or down without changing
its vertical axis
adds suspense or surprise
4. DOLLY
moving the camera forward (dolly in) or
backward (dolly out) to make a subject appear
closer or farther
5. TRUCK
Similar to dolly, only with sideward movement
Adds dimension in the scene
Show the relationship of the subject with the
objects in the surroundings
POST-PRODUCTION
- Directors and all technical staff must coordinate
well with each other. The editors should be adept in
using a video editing software.
1. Watch all the clips that you have recorded and
pick out the best clips that you will use.
2. Trim the clips that you have chosen. Label it
accordingly.
3. Move the clips into your project timeline.
4. Add transitions, effects, color tone, etc.
5. Choose the proper music for each scene.
6. Record the voice over (if necessary).
7. Apply the voice over to the project timeline.
8. Watch the output with other crew members. Elicit
opinions from them.
9. Edit the output (if necessary).
10. Re-watch the output.
11. Render the video.
REFERENCES
100 Photographs | The Most Influential Images of All Time. (2019). See The
First Time A Photo Proved What The Eye Couldn't See. [online] Available
at: http://100photos.time.com/photos/eadweard-muybridge-horse-in
motion
YouTube. (2013). The horse in motion (Eadweard Muybridge) 1878 First
FilmEver. [online] Available at https://www.youtube.com/
watch?v=heRuLp7CyTM
Ecosia.org. (n.d.). Ecosia - the search engine that plants trees. [online] Available
at:https://www.ecosia.org/images?q=film+reel#id=79F1D129D2E06D
1CEE88F651A3B2B3584BEC7643