Professional Documents
Culture Documents
200a American (Music) Studies
200a American (Music) Studies
Eithne Quinn, “Occupy Wall Street, Racial Neoliberalism, and New York’s Hip Hop
Moguls” AQ 68, No. 1 (March, 2016): 75–99
Eric Weisbard, “How Do You Solve a Problem Like a Mainstream? Charting The
Musical Middle” AQ 67, No. 1 (March, 2015): 253–265 (Review Essay)
Bridget Cooks and Graham Eng-Wilmot, “Sound of The Break: Jazz and The
Failures of Emancipation” AQ 68, No. 2 (June 2016): 315–340
Eithne Quinn, “Occupy Wall Street, Racial Neoliberalism, and New York’s Hip Hop
Moguls” AQ 68, No. 1 (March, 2016): 75–99
Tyina Steptoe, “Big Mama Thornton, Little Richard, and The Queer Roots of
Rock’n’Roll” AQ 70, No. 1 (March, 2018): 55–77
Bridget Cooks and Graham Eng-Wilmot, “Sound of The Break: Jazz and The
Failures of Emancipation” AQ 68, No. 2 (June 2016): 315–340
Eithne Quinn, “Occupy Wall Street, Racial Neoliberalism, and New York’s Hip Hop
Moguls” AQ 68, No. 1 (March, 2016): 75–99
Tyina Steptoe, “Big Mama Thornton, Little Richard, and The Queer Roots of
Rock’n’Roll” AQ 70, No. 1 (March, 2018): 55–77
Celeste Moore, “Ray Charles in Paris: Race, Protest and The Soundscape of the
Algerian War” AQ 71, No. 2 (June 2019): 449–472
Byrd McDaniel, “Air Apparent: Amplifying the History of Air Guitar, Air Bands, and Air
Playing in The Twentieth Century” AQ 70, No. 4 (December 2018): 807–829
Ruth Nicole Brown, et al., “Doing Digital Wrongly (How Does Black Girlhood
Sound?)” AQ 70, No. 3 (September, 2018): 395–416
Eric Weisbard, “How Do You Solve a Problem Like a Mainstream? Charting The
Musical Middle” AQ 67, No. 1 (March, 2015): 253–265 (Review Essay)
Lisa Nakamura, “Indigenous Circuits: Navajo Women and The Racialization of Early
Electronic Manufacture,” AQ 66, No. 4 (December, 2014): 919–941
Celeste Moore, “Ray Charles in Paris: Race, Protest and The Soundscape of the
Algerian War” AQ 71, No. 2 (June 2019): 449–472
Byrd McDaniel, “Air Apparent: Amplifying the History of Air Guitar, Air Bands, and Air
Playing in The Twentieth Century” AQ 70, No. 4 (December 2018): 807–829
Ruth Nicole Brown, et al., “Doing Digital Wrongly (How Does Black Girlhood
Sound?)” AQ 70, No. 3 (September, 2018): 395–416
Eric Weisbard, “How Do You Solve a Problem Like a Mainstream? Charting The
Musical Middle” AQ 67, No. 1 (March, 2015): 253–265 (Review Essay)
Lisa Nakamura, “Indigenous Circuits: Navajo Women and The Racialization of Early
Electronic Manufacture,” AQ 66, No. 4 (December, 2014): 919–941
Celeste Moore, “Ray Charles in Paris: Race, Protest and The Soundscape of the
Algerian War” AQ 71, No. 2 (June 2019): 449–472
Byrd McDaniel, “Air Apparent: Amplifying the History of Air Guitar, Air Bands, and Air
Playing in The Twentieth Century” AQ 70, No. 4 (December 2018): 807–829
Ruth Nicole Brown, et al., “Doing Digital Wrongly (How Does Black Girlhood
Sound?)” AQ 70, No. 3 (September, 2018): 395–416
Eric Weisbard, “How Do You Solve a Problem Like a Mainstream? Charting The
Musical Middle” AQ 67, No. 1 (March, 2015): 253–265 (Review Essay)
Lisa Nakamura, “Indigenous Circuits: Navajo Women and The Racialization of Early
Electronic Manufacture,” AQ 66, No. 4 (December, 2014): 919–941
Digital Culture
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Technology Studies
Disability Studies
Pre-19th-c. Studies