SPANISH COLONIZATION AMERICAN COLONIZATION

spanish-american war by granger

first mass at limasawa by carlos botong francisco
 SPANISH COLONIZATION (1521-1898)
SPOLARIUM BY JUAN LUNA

PANDANGGO SA ILAW BY BENJIE LAYUG

MUSLIM WEDDING BY
CARLOS FRANCISCO

MANILA CATHEDRAL
ART UNDER SPANISH COLONIZATION

Virgin and chid by Vladimir icon Notre Dame Cathedral Rose Window Massacre of Innocents by Peter Paul Reubens Cupid a Captive by Francois Boucher
B -RELIGIOUS MESSAGE/IMAGERY -HALLMARKS
Y -BRIGHT STONES, GOLD MOSAICS, LIVELY
MURALS,
G INCLUDE SCULPTURE,
Z PAINTINGS ON
A
INTRICATE PATTERNS AND PRECIOUS METALS O PANELS, STAINED
GLASS AND
N T ILLUMINATES
T SCRIPTURES
H
H
I I
N C
E LANGIT LUPA AT IMPYERNO BY JOSEF LUCIANO DANS SAN SEBASTIAN CHURCH

- EXAGGERATED MOTION, CLEAR DETAIL USED - EASYGOING,

B TO PRODUCE DRAMA, EXUBERANCE AND
R
LIGHTHEARTED
GRANDEUR TREATMENTS OF
A - CHIAROSCURO TECHNIQUE
O MYTHOLOGICAL AND
R C
COURTSHIP THEMES,
RICH AND DELICATE
O O BRUSHWORK, A
Q RELATIVELY LIGHT
C TONAL KEY, AND
U O SENSUOUS
COLOURING
E
JUAN FLORES
MIAGAO CHURCH
UPRISING OF THE PHILIPPINE ARTS

- ILUSTRADOS, PAVED WAY FOR THE RICH LOCALS TO

STUDY ABROAD, A MORE “ACADEMIC” AND “WESTERN”
APPROACH HAS BEEN LEARNED.

- THE FILIPINO CLASSICISM IS FORMED THAT BORROWS

THE NEO- CLASSICISM, ROMANTICISM AND EVEN A HINT
OF IMPRESSIONISM

FÉLIX RESURRECCIÓN HIDALGO

 NEOCLASSICISM

ROMANTICISM
 ART MOVEMENT THAT
ORIGINATED IN EUROPE
 DRAW INSPIRATION TOWARD THE END OF THE
FROM THE "CLASSICAL" 18TH CENTURY
ART AND CULTURE OF  CHARACTERIZED BY ITS
PARNASSUS BY ANTON RAPHAEL MENGS
CLASSICAL ANTIQUITY. EMPHASIS ON EMOTION AND
INDIVIDUALISM AS WELL AS
 BEGAN APPROXIMATELY WANDERER ABOVE THE SEA OF FOG
GLORIFICATION OF ALL THE
IN 1760 IN EUROPE PAINTING BY CASPAR DAVID FRIEDRICH
PAST AND NATURE
 BEGAN IN ROME WITH  EMPHASIZED INTENSE
JOHANN JOACHIM EMOTION AS AN AUTHENTIC
WINCKELMANN'S SOURCE OF AESTHETIC
THOUGHTS ON THE EXPERIENCE, PLACING NEW
OATH OF THE HORATII BY JACQUES-LOUIS DAVID IMITATION OF GREEK EMPHASIS ON SUCH
WORKS IN PAINTING THE PARISIAN LIFE BY JUAN LUNA EMOTIONS AS APPREHENSION,
HORROR AND TERROR, AND
AND SCULPTURE (1750)
AWE—ESPECIALLY THAT
EXPERIENCED IN
CONFRONTING THE NEW
AESTHETIC CATEGORIES OF
THE SUBLIMITY AND BEAUTY OF
NATURE.

VENUS INDUCES HELEN TO FALL IN LOVE WITH PARIS; ANGELICA KAUFFMAN PICNIC IN NORMANDY BY JUAN LUNA
  BORN AND RAISED IN TONDO, MANILA AND IS
A CHINESE FILIPINO MESTIZO
 FIRST FILIPINO PAINTER TO SPECIALIZE IN
SECULAR (NON-RELIGIOUS) PAINTING
 KNOWN FOR TIPOS DEL PAIS WATERCOLOR
PAINTINGS THAT DEPICT LOCAL COSTUMES
DAMIAN DOMINGO

 ON 2 DEC 1823, THE SOCIECIAD ECONOMICA

TIPOS DEL PAIS BY DE AMIGOS DE PAIS FORMALIZED HIS
DAMIAN DOMINGO WORKSHOP INTO THE ACADEMIA DE DIBUJO Y
PINTURA.
 THE ACADEMY ABOLISHED RACIAL
DISCRIMATION AND GAVE SPANIARDS,
SELF PORTRAIT BY
DAMIAN DOMINGO MESTIZOS AND FILIPINOS EQUAL STANDING
AND PRIVILEGE.
 EMPLOYING THE MINIATURISMO TECHNIQUE OF
PAINTING, HIS BRUSHSTROKES WERE ALMOST
INVISIBLE IN PORTRAITS, SHOWING A SENSE OF
REFINEMENT.
CHAIR OF ST. PETER BY OUR LADY OF THE HOLY ROSARY BY
DAMIAN DOMINGO DAMIAN DOMINGO
SPOLARIUM BY JUAN LUNA

 PAINTER, SCULPTOR AND A POLITICAL

ACTIVIST
 ONE OF THE FIRST RECOGNIZED
PHILIPPINE ARTISTS
 PAINTED LITERARY AND HISTORICAL
SCENES, SOME WITH AN
UNDERSCORE OF POLITICAL
COMMENTARY.
 HIS WORKS WERE INSPIRED WITH
CLASSICAL BALANCE, AND OFTEN
JUAN LUNA Y NOVICIO SHOWED FIGURES IN THEATRICAL
POSES.
 HE ENTERED SPOLARIUM IN THE
EXPOSICION GENERAL DE BELLAS
ARTES IN MADRID IN 1884, AND IT
WON ONE OF THE THREE GOLD
MEDALS. IN THE SAME EXPOSITION,
HIDALGO WON A SILVER MEDAL FOR
HIS “VIRGENES CRISTIANAS
ESPANYA Y FILIPINAS BY PORTRAIT OF A WOMAN BY EXPUESTAS AL POPULACHO.”
JUAN LUNA JUAN LUNA
FÉLIX RESURRECCIÓN HIDALGO
• WON THE SILVER MEDAL AT 1884 MADRID
EXPOSITION OF FINE ARTS

• PRODUCED OVER A THOUSAND WORKS

WHICH INCLUDE OIL PAINTINGS, WATER-
COLOR, PASTELS AND CHARCOAL
DRAWINGS.

• HIS SUBJECTS RANGE FROM THE

MYTHOLOGICAL AND HISTORICAL TO
LAS VIRGENES CRISTIANAS EXPUESTAS AL POPULACHO BY LANDSCAPES, SEASCAPES, PORTRAITS
FELIX HIDALGO
AND FIGURES OF THE GENRE.

• IMPRESSIONISM: SMALL, THIN, YET VISIBLE

BRUSH STROKES, OPEN COMPOSITION,
EMPHASIS ON ACCURATE DEPICTION OF
LIGHT IN ITS CHANGING QUALITIES
(OFTEN ACCENTUATING THE EFFECTS OF
THE PASSAGE OF TIME), ORDINARY
SUBJECT MATTER, INCLUSION OF
MOVEMENT AS A CRUCIAL ELEMENT OF
HUMAN PERCEPTION AND EXPERIENCE,
AND UNUSUAL VISUAL ANGLES.
LA BARCA DE AQUERONTE BY FELIX HIDALGO
 -BRUSHSTROKES WERE
ALMOST INVISIBLE IN
PORTRAITS, SHOWING A
SENSE OF REFINEMENT.
MINIATURISMO

-PAYS ATTENTION TO THE

EMBROIDERY AND
TEXTURE OF THE
COSTUME

NUESTRA SEÑORA DEL SANTISIMO ROSARIO, DAMIAN DOMINGO

PORTRAIT OF CIRILO AND SEVERINA QUIASON AND THEIR TWO CHILDREN BY SIMON FLORES
THE QUIAZON FAMILY, 1880, SIMON FLORES
  GENRE OF PAINTING PIONEERED BY JOSÉ HONORATO
LOZANO DURING THE SPANISH COLONIAL PERIOD IN
THE PHILIPPINES.
 DISTINGUISHED BY THE DEPICTION OF LETTERS OF THE
ALPHABET USING A GENRE OF PAINTING THAT
CONTOURED SHAPES OF HUMAN FIGURES, ANIMALS,
PLANTS, AND OTHER OBJECTS CALLED TIPOS DEL PAÍS
POPULARIZED BY DAMIÁN DOMINGO.
LETRAS Y FIGURAS

 THE LETTERS DEPICTED SPELL OUT A PHRASE OR A

NAME, USUALLY THAT OF THE PATRON WHO
COMMISSIONED THE WORK.
 THE PAINTINGS WERE DONE WITH WATERCOLOR ON
MANILA PAPER.
 THE EARLIEST EXAMPLE OF THIS ART FORM DATES
FROM 1845; THE LATEST EXISTING SPECIMENS WERE
COMPLETED DURING THE LATTER PORTION OF THE
AMERICAN PERIOD IN THE 1930S DURING THE
ADMINISTRATION OF THE COMMONWEALTH OF THE
PHILIPPINES.
SPANISH COLONIAL
ARCHITECTURE
 ECCLESIASTICAL ARCHITECTURE
-MANILA BECAME -PLAZA MAYOR –
THE CAPITAL OF WAS THE TOWN
THE SPANISH CENTER
COLONY AND -CHURCH
THE MODEL FOR -CASA REAL
TOWN -SCHOOLS
DEVELOPMENT -TRIBUNAL
IT ALSO BECAME -HOUSES OF
THE CENTER FOR PROMINENT
POLITICAL, INDIVIDUALS
RELIGIOUS AND
ECONOMIC
POWER.
-CITY PLANNING
1.PRINCIPAL
PLAZA
2.SECONDARY
PLAZAS
3.GRIDIRON
PATTERN
 CHURCHES OF THE
PHILIPPINES
THESE FOUR CHURCHES WERE THE
FIRST BUILT BY THE SPANISH IN THE
LATE 16TH CENTURY. THEIR
ARCHITECTURAL STYLE IS UNIQUE
FOR ITS REINTERPRETATION OF
EUROPEAN BAROQUE BY CHINESE
AND PHILIPPINE ARTISANS.

SAN AGUSTIN
CHURCH MANILA

LA ASUNCION DE
LA NUESTRA
SENORA, SANTA
MARIA, ILOCOS
SUR

ST. AUGUSTINE
CHURCH, PAOAY,
ILOCOS NORTE

STO. TOMAS DE
VILLANUEVA
CHURCH, MIAG-
AO, ILIOILO
THE BAHAY NA BATO
PARTS OF THE BAHAY NA BATO: CHARACTERISTICS
WALL PARTITIONS WOOD WITH CALADO ABOVE
CEILINGS CANVAS, SAWALI OR TIN
GROUND FLOOR CHARCOAL, SAND OR GRAVEL
FLOORED OVER WITH MORTARED STONE OR BRICK
ROOF HIPPED AT A HIGH ANGLE
WITH WIDE OVERHANGS
HAD VENTS ALL AROUND
NIPA, TILE AND GALVANIZED IRON
WITH GUTTERS ALL AROUND
WINDOWS TALL AND WIDE (1M X 5M)
JALOUSIES OR CAPIZ SHELLS
HAD VENTANILLAS W BLANK BOARDS AS
COVER
FLOORS WOODEN ON THE SECOND FLOOR
SLATS ON THE KITCHEN OR DINING ROOMS
GALERIA, CORREDOR OR GALERIA VOLADA
AZOTEA TILED TERRACE FOR WORK AND
RELAXATION
WHERE THE WATER FROM THE RAINS WAS KEPT.
DANCE
 FANDAGGO, this dance is mainly performed during religious
rituals and processions. This dance was first created in the
Philippines during the 15th century when the country was for the
first time colonized by the Spanish. Apparently, this dance
originated from an island known as Lubang, and has been
heavily influenced by a Spanish dance known as Fandango.

LANCEROS, Lanceros de Tayabas is a Quezon provincial folk

dance that refers its name from the chivalrous knights and
lanciers of King Arthur’s court. The dance was performed in
grand ballrooms of majestic palaces where noble gentlemen
escorted graceful ladies
 RIGODDON-SPANISH DANCES
Typical attire for these dances are the formal Maria Clara
dress and barong tagalog, an embroidered long-sleeve shirt
made of pineapple fiber. The Rigodon de Honor is an elegant
dance which was brought to the Philippines by the Filipinos
who returned from their travels abroad during the Spanish
era.

CARINOSA,Cariñosa (Spanish pronunciation: [kaɾiˈɲosa],

meaning the loving or affectionate one) is a Philippine dance
of Hispanic origin from the Maria Clara suite of Philippine
folk dances, where the fan or handkerchief plays an
instrumental role as it places the couple in romance scenario.
first mass at limasawa by carlos botong francisco

SPANISH COLONIAL LIFESTYLE

Filipinos' Surnames and Change of Native Names
Before the Spanish invasion to the Philippines, the Filipinos had no surnames. The native Filipino parents were
acquainted in naming their sons and daughters according to their physical characteristics, qualities, or to some
coincidental events. Changes of name of the native Filipinos also happened when the Spaniards replace their names
into the names of Saints such as Santo Tomas, San Jose, San Carlos and many more.

Spanish Language Influence

The Filipino language, derived from the Tagalog language, which is the national language today, was even a
Spanish influence. The Filipino vocabulary came from the Spanish language and was only changed in spelling over
time. Learning the Spanish language as much as Spanish education as a whole was not really made public to the
Filipinos. However, Some natives, who had direct contacts with the Spaniards, learned the language.

Catholicism and its Patriarchal Politics and Cultures

The Spaniards brought with them the Catholic religion to the Philippines. They introduced it to the Filipinos which led
to some uprisings of the natives who did not want the new belief system. current ways of enculturation of the young
Filipinos.

Fiesta Culture
The social lives of the native Filipinos during the colonization of the Spaniards only revolved around the church since
the priest or friars was the so called over-all manager of the whole community. The fiesta was one of the religious
events of the Catholic church.