THEORIES OF

SOCIALIZATION
CANSON | EBOJO | GALAN | GEROCHE | GERVERO | SAMANIEGO | TAHINAY |
 Pierre Bourdieu

Cultural capital, habitus,

Charles Horton Cooley

The Looking Glass Self

George Herbert Mead

Role Taking
 CULTURAL CAPITAL
Collection of symbolic elements such as skills,
tastes, postures, clothing, mannerisms,
credentials, etc.
 CULTURAL
CAPITAL
sense of collective identity and
group position

PEOPLE
 CULTURAL
CAPITAL
EMBODI OBJECTI INSTITUTIONA
ED
“Meg, FIED LIZED
Credentials
taga-Iloilo and
ka man qualifications
gali?”
 HABITUS

The physical embodiment of

cultural capital
 HABITUS

Ingrained habits, skills, and

dispositions that we possess
due to our life experiences
 HABITUS
SO-OC, AREVALO, METROPOLIS/PUERTO
HandleILOILO
selvesCITY
in REAL/WESTWOODS
confrontations
“Hustle” for jobs and May find that the skills
money of those from the
Avoid authorities, e.g. “hood” are not useful-at
police and tanods worst, detrimental- to
their social scenario
 FIELD

Divisions of the social world

 FIELD

The social world is divided into

different “fields” of practice, each
with their own unique set of rules,
knowledges, and forms of capital
 FIELD

Each field has its own set of

positions and practices, as well as
its struggles as people mobilize
their capital to stake claims within
a particular domain
 THE LOOKING
GLASS SELF
A person’s self grows out of
society’s interpersonal interactions
and the perceptions of others
 THE LOOKING
GLASS SELF
Leads people to reinforce other
people’s perspectives on
themselves
People shape themselves based on
what others perceive and confirm
the opinions of others
 THE LOOKING
GLASS SELF

We imagine how we MUST APPEAR

to others
 THE LOOKING
GLASS SELF

R We imagine the JUDGMENT of that

appearance
 THE LOOKING
GLASS SELF

We develop ourselves through the

JUDGMENT OF OTHERS
 ROLE-
TAKING

The self develops through a

three-stage role-taking
process
 ROLE-
TAKING
THE PREPARATORY STAGE
THE PLAY STAGE
THE GAME STAGE