Professional Documents
Culture Documents
Early Christian Architecture
Early Christian Architecture
Abhinav Mishra
Abhishek Gaba
EARLY CHRISTIAN ARCHITECTURE Abhishek Singh
CONTENTS
The church building as we know it grew out of a number of features of the Ancient Roman period:
1. The house church
2. The atrium
3. The basilica
4. The bema
5. The mausoleum : centrally-planned building
6. The cruciform ground plan: Latin or Greek cross
1. THE HOUSE CHURCH
The first house church is where the disciples of Jesus met together in the "Upper Room“ of a house. For the first
three centuries of the church, known as Early Christianity, Christians typically met in homes, if only because
intermittent persecution (before the Edict of Milan in 313) did not allow the erection of public church buildings.
Clement of Alex andria, an early church father, wrote of worshipping in a house. The Dura-Europos church was
found to be used as a Christian meeting place in AD 232,with one small room serving as baptistery. At many
points in subsequent history, various Christian groups worshipped in homes, often due to persecution by the state
church or the civil government.
Greek cross the plans of SS. Martina e Luca) Latin cross plan building process of S. Pietro in Vaticano
Rotunda the plans of S. Bernardo alle Terme
BAPTISTERY
In Christian architecture the baptistery or baptistery is the separate centrally planned structure
surrounding the baptismal font. The baptistery may be incorporated within the body of a
church or cathedral and be provided with an altar as a chapel.
COLUMNS
•Differ both in design and size, of ten taken from
earlier Roman buildings.
It was natural that early Christian builders should
use materials and ornament of the pagan Romans.
•Used Tuscan, Doric, Ionic, Corinthian, or Composite
from ancient Roman buildings except those in S.
Paolo fuori le Mura.
•The carved capitals are governed by Roman
pagan precedent and sometimes by that of
Byzantine, and in both the acanthus leaf forms an
important part.
COMPARATIVE ANALYSIS-
MOULDINGS
• Coarse variations of old Roman
types and the carving though rich in
general effect, is crude ; for the
technique of the craftsman had
gradually declined.
• Enrichments were incised on moldings
in low relief and the acanthus
ornament, although still copied from
the antique, became more conventional
in form.
COMPARATIVE ANALYSIS-
ORNAMENTS
•The introduction of colour gave richness
and glimmering mystery to interiors.
•The mosaics which was the principal
form of interior ornament, lined the
domed apses generally represented
Christ surrounded by apostles and saints
with all those symbolic emblems Usually
made of glass.
•Fresco painting usually in figure forms.
A TYPICAL BASILICAN CHURCH
o Commonest form of the early church.
o Unlike the earlier Roman phase the interiors were given more
importance than exterior.
o Rectangular hall timber roofed with coffers richly glided
ceiling hiding the roof truss on nave.
o Usually with one or two aisles to each side of the
o central nave separated by rows of rustic marble columns
sometimes carrying flat entablatures & sometimes rows of
arches.
o The width of aisles was half that of the central nave
o Apse at one end facing the principal entrances at the other
end.
o Bema/Transept- a raised platform where altar was placed
from where the clergy officiated.
o A courtyard atrium having a central fountain for ablutions &
surrounded by colonnaded ambulatory.
Plan of a typical EC Basilica
A narthex- corresponding to entrance foyer preceding the nave.
The nave & bema received light from clerestory above the aisles were pierced with
windows.
Above aisles between clerestory windows, the walls may be faced with marble or
mosaics made up from small tesserae of coloured glass.
The nave terminates into a triumphal arch perhaps having iridescent (brightly coloured
changing) mosaics.
The semicircular walls of the apse ended into a dome whose interiors had mosaics
depicting narrative scenes from Bible or single figures seen against stylised landscapes or
plaing old grounds.
The flooring was of grey white black marble inlaid with geometric patterns of
coloured marble.
The columns, capitals similar features from old Roman buildings were frequently
reused to enhance the liveliness of the interiors.
EARLY CHRISTIAN ARCHITECTURE
Example 1-
ST. PETERS (OLD) ROME
320-330 A.D.
BASILICA OF ST. PETERS (OLD) ROME
Present day St. Peters in Vatican City are building of a totally different design on a substantially enlarged
scale.
Built over the historical site of the Circus of Nerounder the rule of Emperor Constantine Iinc. 320 AD
The original church survived without much change until towards the end of 15th Century the nave for
another century.
Remains of old foundation a represent below the present flooring but details of atrium are obscure.
Dimensions 1100m long x 640m wide with double aisles on both sides
The nave was divided from aisles by 22 varied si ze colour huge antique marble columns with equally
varied capitals supporting the nave walls on a horizontal entablature, while similar numbers of shorter
columns carrying arcades divided aisle from aisle.
It was built in the shape of Latin cross with a gable roof timbered on inside at 300m high at centre.
An atrium known as Garden of Paradise stood at the entrance with 5 doors.
The nave ended with an arch the wall shad parallel windows each with frescos.
EARLY CHRISTIAN ARCHITECTURE
Example 2-
ST. CLEMENTE ROME
(Early 12th Century)
ST. CLEMENTE, ROME
First Basilica - Dedicated to Pope St. Clemente I.
D i m e nsions: 450m x 250m with width of nave as
130m.
Most interesting example of the continued Roman use of
early basilican plan until well into Romanesque period.
The present day Roman Catholic minor basilic a church is
actually a 3 tiered complex of buildings.