PE 10 Third Quarter

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 streets

 dance parties
 parks

 school yards or
 in any available space
 often improvisational
 definitely social
 is a cultural
movement best
known for its
impact on music in
the form of the
musical genre of
the same name.
 in the Bronx in New York during the
1970s, mostly among Africans-
Americans and some influence of Latin
Americans.
 is composed of the
pillars of:
 DJ-ing
 Rapping
 Breakdancing
 Graffiti Art
 Refers to street dance styles
primarily performed to hip-hop
music or that have evolved as part of
hip-hop culture.
 it incorporates
a number of iconic
elements like:
 DJ-ing
 Rapping
 Beat boxing
 Sampling
 Juggling beats
on turntables
1. B-boying / Breakdancing
a. Toprock c. Freezes
b. Downrock d. Power Moves
2. Popping
3. Locking
4. Krumping
5. Tutting
6. Shuffling
7. Waacking
YIBOBNG
 it is a style of street dance and
the first hip-hop dance style that
originated among Black and
Puerto Rican youths in New
York City during the early 1970s.
 TOPROCK – footwork-oriented steps
performed while standing up
 DOWNROCK – footwork performed
with both hands and feet on the floor
 FREEZES – stylish poses done on your
hands
 POWER MOVES – comprise full-body
spins and rotations that give the
illusion of defying gravity
POIPPNG
 was popularized by Samuel
Boogaloo Sam Solomon and his crew
the Electric Boogaloos.
 it is based on the technique of
quickly contracting and relaxing
muscles to cause a jerk in a dancer’s
body.
KINGCOL
 also known as campbellocking
since it was created by Don
Campbellock Campbell in 1969
in Los Angeles, California.
 it was popularized by The
Lockers
 can be identified by its
distinctive stops.
 dancers hold their positions
longer.
 the LOCK is the primary
move used in locking.
RUMPIKNG
 is a form of dancing that
originated in the African-
American community of South
Central Los Angeles, California
and is a relatively new form of
the “Urban Black Dance
Movement.”
 Free
 Expressive

 Highly energetic

 Most people paint their faces in


different designs
 To release anger
UTGINTT
 derived from the positions
people were drawn in during the
days of the Ancient Egyptians.
 is still a greatly respected move
and King Tut aka Mark Benson
is widely acclaimed for
pioneering the style.
 Creative way of making
geometric shapes forming right
angle using your body parts
 The style was originally
practiced by young funk
dancers.
FUSHFGLIN
 also called the Melbourne
Shuffle, Rocking or The
Shuffle
 is a rave and club dance that
originated in the late 1980s in
Australia.
 Fastheel-and-toe action
 Some variants incorporate
arm movements
AWAKCING
 is an African American form of
street dance originating from the
1970s disco era of the
underground club scenes in Los
Angeles and New York City.
 consistsof stylized posing
and fast synchronized arm
movements to the beat of
music.
 Answer Check Up Nos. 1 – 5
in your Learner’s Material
page 130. Write your answers
on a whole sheet of paper and
to be submitted tomorrow.

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