The document discusses how moving pictures/films can serve as modern myths that provide consensus and meaning in society. It argues that films are a universal art form that appeal to all ages and social classes. When done well, films can celebrate life, transmit shared values, and enlighten viewers about what it means to be human. The author believes Americans need new myths to address anxieties of purposelessness and provide children with ideals to aspire to as they grow up. Science fiction films, for example, reassure viewers about humanity's ability to overcome challenges. Overall, films are uniquely suited to serve as myths for modern times by connecting people through shared visual stories and insights.
The document discusses how moving pictures/films can serve as modern myths that provide consensus and meaning in society. It argues that films are a universal art form that appeal to all ages and social classes. When done well, films can celebrate life, transmit shared values, and enlighten viewers about what it means to be human. The author believes Americans need new myths to address anxieties of purposelessness and provide children with ideals to aspire to as they grow up. Science fiction films, for example, reassure viewers about humanity's ability to overcome challenges. Overall, films are uniquely suited to serve as myths for modern times by connecting people through shared visual stories and insights.
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The document discusses how moving pictures/films can serve as modern myths that provide consensus and meaning in society. It argues that films are a universal art form that appeal to all ages and social classes. When done well, films can celebrate life, transmit shared values, and enlighten viewers about what it means to be human. The author believes Americans need new myths to address anxieties of purposelessness and provide children with ideals to aspire to as they grow up. Science fiction films, for example, reassure viewers about humanity's ability to overcome challenges. Overall, films are uniquely suited to serve as myths for modern times by connecting people through shared visual stories and insights.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPT, PDF, TXT or read online from Scribd
It is meant only for those with refined tastes History suggests otherwise – eg. Shakespearean plays, operas of Giuseppe Verdi Author’s idea • Art of the moving image – the only art of our time • It is our universal art – comprises all others, dance, music, literature, acting, stage design, beauty of nature and the use of light and color Why is the moving picture art • Always about us • Uniquely modern • Everybody can understand it 9like the religious art in the church) • All age groups like the experience • Appeals to all social and economic classes The essence of art according to Bettelheim
• Not art with a capital ‘A’ - art that appeals to everyone
• That wich creates a uniques, blissful spiritual experience • That which creates an awareness of an overarching, and a larger, important cosmos The detriment to the healthy devt. Of the art of Moving Pictures • Efforts by aesthetes and critics to isolate the art of film from popular movies and television • Is contrary to the true spirit of art • Reason – whenever art was vital, it was popular with everyone • Eg. Medieval pageants, mystery plays of Shakespeare, Michelangelo’s David Art in disparate terms • Should not think of art in varied terms • We need both – visions that lift us up and entertainment that is down to earth • Art should speak to common men and elites alike • Different ones would tear society apart and not lead us to the idea that we need visions that bind us together, which, in turn gives the feeling that life is a worthy expereince. Examples of three films • Kagemusha – the Japanese film – the story is set in 16th century, but the hero is of all times – of a petty thief who becomes an impostor, grows into greatness – a false existence is turned into a real existence – his sacrifice becomes meaningful at the end • Laugh (original title: the Last Man) – story of a doorman of a hotel demoted to cleaning washrooms • Patton – hero at the highest level of society • All three films affirm man and life – a celebration of life The purpose of using the three examples
• Choice – arbitrary • Purpose – to illustrate their celebration of life - in a form that is appropriate to the age The problem with our society
• Absence of consensus about what it should be, and what life in
the consensus ought to be • Such consensus cannot come from society’s present age or from imaginations about what it should be • Reason – present - too close, too diversified, future too uncertain • It can come only from a shared understanding of the past Consensus • Consensus – derived from a long history, one’s own language, common religion, or common ancestry – these contribute to the myths by which societies live • The USA – country of immigrants • Has a personality that is asocial and narcissistic – this prevents the society from achieving a consensus • Thee is widespread distress – at the declining of national morale and the loss of the earlier vision and purpose Individual diversity in the USA • The Americans need consensus about some overarching vision • It must be based on a myth, - a vision – about a common experience (like the conquest of Troy for Greeks) • A common myth offers relief from the fear that life is purposeless Myths • Myths are based on certain core values • They are shared fantasies that form the tie • Myths bind the individual to other members of his group • They lead us to introspect our place by comparing it to a shared idea • Myths help us in keeping away feeling so isolation, guilt, anxiety and purposelessness R W B Lewis’ idea of American Myth
• A new glorious world given by God - with a land that was
vacant, fertile • Inexhaustible natural resources • People who came to this world had a special energy, self reliance, intuitive intelligence and a pure heart • The mission of this land – to serve as a moral guide (The Great American Dream) Myths and the Western movies • The westerns – transmitted this myth • Presented the challenge of bringing civilization to places where there was none • The dangers involved • The wagon rail – symbol of the community that men must form on a journey to an untamed wilderness (symbol of all the untamed within ourselves) • The western taught us the need for cooperation and civilization • The rail road – link between wilderness and civilization Myths and the Western movies • The hero of the western – the gunfighter – symbolizes man’s potential – to become an outlaw or a sheriff • The role of the sheriff – a myth for Americans – experiencing victories and defeats, which made him wiser, learning to accept the limitations imposed by civilization Myths and the Western movies • This was a wonderful vision of man – made the American’s life meaningful – served as a consensus • But now it has lost most of its vitality, yet the nostalgic infatuation suggests our need for a myth – that could enlighten us about what it means to be an American today Myths for the growing -up • The child – needs myths to provide the ideas about difficulties involved in adulthood • Fairy tales – can do this to a certain extent • Disney films fail in this respect • The child needs something that deals with the world of the child, the problems that the child has to face in the process of growing up, to be free from all bonds and test his/her strength • The present shows for children talk down, insult the child’s intelligence, and lower his/her aspirations Analysis of popular shows for children
• Some provide fantasies that relive anxieties
• Example – Superman, Wonder Woman and the Bionic Woman – stimulate the child to be strong and invulnerable • The Incredible Hulk – confrontation with destructive anger – the Hulk attacks only bad people • Such shows have a certain value, but do not help in leading them to a higher level, as myths do Science Fiction Movies • Serve as myths about the Future • These present man’s powers in the future • They assure us that man would always emerge as the winner – man or life cannot be destroyed • Man’s basic concerns – that of overpowering the evil – to remain the same • Struggle of good against evil – not to have lost its importance Vision about the Future – based on the past
• Past and future – lasting dimensions of our life – present is a fleeting
moment • The visions about the future contain our past – examples from Star Wars and the Western • Modern myths about the future cannot go beyond the search for life’s deeper meaning, which is the choice between good and evil- if this conflict is permanently resolved, then the world has no place for man. What do the Americans need today
• A consensus that includes the idea of individual freedom, and acceptance
of various ethnic backgrounds and religious beliefs • Such consensus must rest on moral values • Art can do this – as it binds together disparate elements • While for other countries, it is their ancient art, for the USA, it is the art of moving picture Why –the art of moving picture • A visual art – based on sight and provides us with visions that connect us to the past • Gives insight into our lives • Tolstoy’s and Frost’s ideas • The mythopoetic idea of delight and wisdom – suitable to our modern life