• a brief and indirect reference to a person, place,
thing or idea of historical, cultural, literary or political significance. • It does not describe in detail the person or thing to which it refers. It is just a passing comment and the writer expects the reader to possess enough knowledge to spot the allusion and grasp its importance in a text. Examples of Allusion “Don’t act like a Romeo in front of her.” – “Romeo” is a reference to Shakespeare’s Romeo, a passionate lover of Juliet, in “Romeo and Juliet”. The rise in poverty will unlock the Pandora’s box of crimes. – This is an allusion to one of Greek Mythology’s origin myth, “Pandora’s box”. IRONY • A figure of speech in which words are used in such a way that their intended meaning is different from the actual meaning of the words. • It may also be a situation that ends up in quite a different way than what is generally anticipated. • In simple words, it is a difference between appearance and reality. EXAMPLES OF IRONY The name of Britain’s biggest dog was “Tiny.” You laugh at a person who slipped stepping on a banana peel, and the next thing you know, you’ve slipped too. The butter is as soft as a slab of marble. “Oh great! Now you have broken my new camera.” METONYMY • a figure of speech that replaces the name of a thing with the name of something else with which it is closely associated. • We can come across examples of metonymy both from literature and in everyday life. EXAMPLES OF METONYMY “England decides to keep check on immigration.” (England refers to the government.) “The pen is mightier than the sword.” (Pen refers to written words, and sword to military force.) “The Oval Office was busy in work.” (The Oval Office is a metonymy, as it stands for people who work in the office.) “Let me give you a hand.” (Hand means help.) OXYMORON • A figure of speech in which two opposite ideas are joined to create an effect. The common oxymoron phrase is a combination of an adjective proceeded by a noun with contrasting meanings, such as “cruel kindness,” or “living death”. • However, the contrasting words/phrases are not always glued together. The contrasting ideas may be spaced out in a sentence, such as, “In order to lead, you must walk behind.” EXAMPLES OF OXYMORON Open secret Tragic comedy Seriously funny Awfully pretty Foolish wisdom Original copies Liquid gas PARADOX • The term paradox is from the Greek word paradoxon, which means “contrary to expectations, existing belief, or perceived opinion.” • It is a statement that appears to be self- contradictory or silly, but which may include a latent truth. It is also used to illustrate an opinion or statement contrary to accepted traditional ideas. • A paradox is often used to make a reader think over an idea in innovative way. EXAMPLES OF PARADOX Your enemy’s friend is your enemy. I am nobody. “What a pity that youth must be wasted on the young.” – George Bernard Shaw Wise fool Truth is honey, which is bitter. “I can resist anything but temptation.” – Oscar Wilde DIFFERENCE BETWEEN PARADOX AND OXYMORON • It is important to understand the difference between an oxymoron and a paradox. • A paradox may consist of a sentence, or even a group of sentences. • An oxymoron, on the other hand, is a combination of two contradictory or opposite words. • A paradox seems contradictory to the general truth, but it does contain an implied truth. • An oxymoron, however, may produce a dramatic effect, but does not make literal sense. Examples of oxymoron are found both in casual conversations and in literature. LITOTES • Litotes, derived from a Greek word meaning “simple,” is a figure of speech that employs an understatement by using double negatives or, in other words, a positive statement expressed by negating its opposite expressions. LITOTES • For example, using the expression “not too bad” for “very good” is an understatement, as well as a double negative statement that confirms a positive idea by negating the opposite (meaning it’s good, by saying it’s not bad). Similarly, saying “She is not a beauty queen,” means she is ugly, or saying “I am not as young as I used to be,” in order to avoid saying I am old. Litotes, therefore, is an intentional use of understatement that renders an ironic effect. EXAMPLES OF LITOTES They do not seem the happiest couple around. The ice cream was not too bad. New York is not an ordinary city. Your comments on politics are not useless. ANALOGY An analogy is a comparison in which an idea or a thing is compared to another thing that is quite different from it. It aims at explaining that idea or thing by comparing it to something that is familiar. Metaphors and similes are tools used to draw an analogy. Therefore, analogy is more extensive and elaborate than either a simile or a metaphor. ANALOGY Consider the following example: The structure of an atom is like a solar system. The nucleus is the sun, and electrons are the planets revolving around their sun. • Here, an atomic structure is compared to a solar system by using the word “like.” Therefore, it is a simile. Metaphor is used to relate the nucleus to the sun, and the electrons to the planets, without using the words “like” or “as.” Hence, similes and metaphors are employed to develop an analogy. ALLEGORY • Allegory is a figure of speech in which abstract ideas and principles are described in terms of characters, figures, and events. It can be employed in prose and poetry to tell a story, with a purpose of teaching or explaining an idea or a principle. The objective of its use is to teach some kind of a moral lesson. Difference Between Allegory and Symbolism • Although an allegory uses symbols, it is different from symbolism. • An allegory is a complete narrative that involves characters and events that stand for an abstract idea or event. • A symbol, on the other hand, is an object that stands for another object, giving it a particular meaning. Unlike allegory, symbolism does not tell a story. For example, Plato, in his Allegory of Cave, tells a story of how some people are ignorant, while at the same time other people “see the light.” Plato’s allegory stands for an idea and does not tell an actual story. Difference Between Allegory and Symbolism • Although an allegory uses symbols, it is different from symbolism. • An allegory is a complete narrative that involves characters and events that stand for an abstract idea or event. • A symbol, on the other hand, is an object that stands for another object, giving it a particular meaning. Unlike allegory, symbolism does not tell a story. For example, Plato, in his Allegory of Cave, tells a story of how some people are ignorant, while at the same time other people “see the light.” Plato’s allegory stands for an idea and does not tell an actual story. EXAMPLES OF ALLEGORY • “All animals are equal but a few are more equal than others.” The animals on the farm represent different sections of Russian society after the revolution. For instance, the pigs represent those who came to power following the revolution; “Mr. Jones,” the owner of the farm, represents the overthrown Tsar Nicholas II; while “Boxer” the horse, represents the laborer class. The use of allegory in the novel allows Orwell to make his position clear about the Russian Revolution and expose its evils. CAESURA • Everyone speaks, and everyone breathes while speaking. For instance, when you say, “Maria has taken a break,” you take breath before further saying, “But Adam did not.” Then again you take a little breath and say, “He fell on his ankle.” Such pauses come from natural rhythm of your speech. Poetry also uses pauses in its lines. CAESURA • One such pause is known as “caesura,” which is a rhythmical pause in a poetic line or a sentence. It often occurs in the middle of a line, or sometimes at the beginning and the end. At times, it occurs with punctuation; at other times it does not. Poets indicate such a pause with a parallel symbol thus: ||. Caesura can be medial (occurring in the middle of line), initial (occurring at the beginning of poetic line), or terminal (occurring at the end of a poetic line). CAESURA • One such pause is known as “caesura,” which is a rhythmical pause in a poetic line or a sentence. It often occurs in the middle of a line, or sometimes at the beginning and the end. At times, it occurs with punctuation; at other times it does not. Poets indicate such a pause with a parallel symbol thus: ||. Caesura can be medial (occurring in the middle of line), initial (occurring at the beginning of poetic line), or terminal (occurring at the end of a poetic line). TYPES OF CAESURA 1. Feminine Caesura • A feminine caesural pause occurs after a non- stressed and short syllable in a poetic line. This is softer and less abrupt than the masculine version. For instance: “I hear lake water lapping || with low sounds by the shore…” TYPES OF CAESURA 2. Masculine Caesura • Masculine pause occurs after a long or accented syllable in a line. It creates a staccato effect in the poem, such as: “of reeds and stalk-crickets, || fiddling the dank air, lacing his boots with vines, || steering glazed beetles” DEUS EX MACHINA • The term deus ex machina refers to the circumstance where an implausible concept or a divine character is introduced into a storyline, for the purpose of resolving its conflict and procuring an interesting outcome. DEUS EX MACHINA • The use of deus ex machina is discouraged, for the reason that the presence of it within a plot is viewed as a sign of an ill-structured plot. • The explanation that the critics provide for this view is that the writer’s sudden resort to random, insupportable, and unbelievable twists for the purpose of procuring an ending, highlights the inherent deficiencies of the plot. Hence, deus ex machina is a rather debatable, and often criticized, form of literary device. DEUS EX MACHINA • The term is Latin for “god out of the machine,” and has its origins in ancient Greek theatre. It denotes scenes in which a crane (machine) was used to lower actors or statues playing a god or gods (deus) onto the stage to set things right, usually near the end of the play. FUNCTION OF DEUS EX MACHINA • The tool of deus ex machina remains a popular one even today, being employed in modern films, novels, and short stories. However the scope of the term has been effectively widened to present it as a multifaceted tool. • It can be employed for the purposes of moving a story forward, or when the writer has “painted himself into a corner” and finds no other escape. He uses this to surprise the audience, to bring a happy ending to the tale, or as a comedic device.