Leon Battista Alberti was an Italian Renaissance scholar, philosopher and architect born in 1404. As one of the first Renaissance architects, he incorporated classical principles of geometry, proportion and balance into his designs. Some of his most notable works include the Tempio Malatestiano in Rimini, the facade of Santa Maria Novella in Florence, the Palazzo Rucellai in Florence and the Basilica of Sant'Andrea in Mantua. Alberti's architectural writings emphasized the importance of painting and classical orders in architecture and had a significant influence on the development of Renaissance architecture.
Leon Battista Alberti was an Italian Renaissance scholar, philosopher and architect born in 1404. As one of the first Renaissance architects, he incorporated classical principles of geometry, proportion and balance into his designs. Some of his most notable works include the Tempio Malatestiano in Rimini, the facade of Santa Maria Novella in Florence, the Palazzo Rucellai in Florence and the Basilica of Sant'Andrea in Mantua. Alberti's architectural writings emphasized the importance of painting and classical orders in architecture and had a significant influence on the development of Renaissance architecture.
Leon Battista Alberti was an Italian Renaissance scholar, philosopher and architect born in 1404. As one of the first Renaissance architects, he incorporated classical principles of geometry, proportion and balance into his designs. Some of his most notable works include the Tempio Malatestiano in Rimini, the facade of Santa Maria Novella in Florence, the Palazzo Rucellai in Florence and the Basilica of Sant'Andrea in Mantua. Alberti's architectural writings emphasized the importance of painting and classical orders in architecture and had a significant influence on the development of Renaissance architecture.
Leon Battista Alberti was an Italian Renaissance scholar, philosopher and architect born in 1404. As one of the first Renaissance architects, he incorporated classical principles of geometry, proportion and balance into his designs. Some of his most notable works include the Tempio Malatestiano in Rimini, the facade of Santa Maria Novella in Florence, the Palazzo Rucellai in Florence and the Basilica of Sant'Andrea in Mantua. Alberti's architectural writings emphasized the importance of painting and classical orders in architecture and had a significant influence on the development of Renaissance architecture.
in Genoa. • His mother is not known, and his father was a wealthy Florentine who had been exiled from his own city, allowed to return in 1428. • Alberti was sent to boarding school in Padua, then studied Law at Bologna He lived for a time in Florence, then travelled to Rome in 1431 where he took holy orders and entered the service of the papal court. During this time he studied the ancient ruins, which excited his interest in architecture and strongly influenced the form of the buildings that he designed. Contribution of Alberti • Leon Battista Alberti (1404-1472) was an Italian architect • Leon Battista Alberti, as a scholar and philosopher who moved in humanist circles in Florence and the papal court in Rome, was involved in all the central concepts of the Renaissance • Humanist philosopher, writer, Renaissance architect and artistic theorist, Leon Battista Alberti is considered by many scholars to be the quintessential Renaissance "universal man" of learning. • Leon Battista Alberti wrote the first book on Italian grammar and a groundbreaking work on cryptography. He is credited with inventing the cypher wheel. • Alberti never received a formal architectural education. His architectural ideas were the product of his own studies and research. • Alberta's two main architectural writings are "De Pictura" (1435), in which he emphatically declares the importance of painting as a base for architecture and "De Re Aedificatoria" (1450) his theoretical masterpiece Principles by Alberti • Alberti drew upon principles of geometry and balance to describe an artificial system of ―perspective‖ a term whose etymology reveals its origins in Renaissance efforts to ―see through‖ the picture plane. The intricacies of the outline, the reception of light, and the necessity for a varied, yet balanced, composition are given detailed treatment. Nothing if not thorough, Alberti even prescribes the most pleasing way to depict branches, leaves, hair and clothing when a gentle breeze is blowing. Architectural works of Alberti The Gothic church of S.Francesco In 1450 Alberti was commissioned to transform the Gothic church of S. Francesco. The unfinished Tempio Malatestiano in Rimini (1450) was the first building that Alberti designed and attempted to build based on his architectural principals • The church is usually known as the Tempio Malatestiano. Its dominating form is the classical triumphal arch, Alberti's favorite structure, but the severe, restrained façade was never quite finished. • Tempio Malatestiano, the façade of Santa Maria Novella in Florence is considered to be a landmark in the formation of Renaissance architecture Santa Maria Novella • The facade of Santa Maria Novella (1458-71) is considered his greatest achievement since it allows the pre-existing and newly added parts of the building to merge into a clear statement of his new principles. S. Sebastiano • The only buildings Alberti designed entirely was S. Sebastiano (1460), still under work during Alberti's lifetime, and S. Andrea (1470), completed in the 18th century Palazzo Rucellai • Palazzo Rucellai is a fifteenth-century palace in the Piazza de' Rucellai, Florence, Italy, designed by Leon Battista Alberti between 1446 and 1451. • The three storeys of the facade have different classical orders, as in the Colosseum, but with the Tuscan order at the base, an Alberti original in place of Ionic order at the second level, and a very simplified Corinthian order at the top level. Basilica of Sant'Andrea • On the facade, [Ablerti] combined two of his favorite ancient images—the pedimented temple front (pilasters, entablature, trabeation, and triangular pediment) and the triadic triumphal arch (arched central section and lower portals on either side). • The height of the facade equals its width, but the barrel vault of the nave reached well above the apex of the pediment, which was also surmounted by a large canopy over the nave His work is not just limited to Architecture. He is a painter, writer and a philosopher. Most of his work is dedicated to humanism. Alberti’s interest related to art and proportion shown into its designs of architecturs elements. Proportion, harmony and geometry can be seen very clearly in his works Referance • https://en.wikipedia.org/wiki/Basilica_of_Sant%27Andrea,_Mantua • https://en.wikipedia.org/wiki/Leon_Battista_Alberti • https://en.wikipedia.org/wiki/Palazzo_Rucellai • https://en.wikipedia.org/wiki/San_Sebastiano_(Mantua) Thank you