Alonzo Saclag is a master of dance and performing arts from the Kalinga people in the Philippines. As a young boy, he was fascinated by the rituals and culture of his village life, even though he received no formal training. Through observation and experience, he mastered the Kalinga musical instruments and dances. It is his mission to preserve and promote appreciation of Kalinga culture both within the community and beyond, such as reviving the disappearing craft of Kalinga gongs. He travels extensively for his work with the support of his wife Rebecca.
Alonzo Saclag is a master of dance and performing arts from the Kalinga people in the Philippines. As a young boy, he was fascinated by the rituals and culture of his village life, even though he received no formal training. Through observation and experience, he mastered the Kalinga musical instruments and dances. It is his mission to preserve and promote appreciation of Kalinga culture both within the community and beyond, such as reviving the disappearing craft of Kalinga gongs. He travels extensively for his work with the support of his wife Rebecca.
Alonzo Saclag is a master of dance and performing arts from the Kalinga people in the Philippines. As a young boy, he was fascinated by the rituals and culture of his village life, even though he received no formal training. Through observation and experience, he mastered the Kalinga musical instruments and dances. It is his mission to preserve and promote appreciation of Kalinga culture both within the community and beyond, such as reviving the disappearing craft of Kalinga gongs. He travels extensively for his work with the support of his wife Rebecca.
performing arts, he has made it his mission to create and nurture a greater consciousness and appreciation of Kalinga culture, among the Kalinga themselves and beyond their borders. As a young boy in Lubuagan, Kalinga, Alonzo Saclag found endless fascination in the sights and sounds of day-to-day village life and ritual. According to his son, Robinson, he received no instruction, formal or otherwise, in the performing arts. Yethe has mastered not only the Kalinga musical instruments but also the dance patterns and movements associated with his people’s rituals. Histool was observation, his teacher, experience. Coupled with these was a keen interest in – a passion, if you would – the culture that was his inheritance. One such artifact is the Kalinga gong or the gangsa, the making of which is a disappearing trade. He has endeavored to revive this dying craft. Inthe meantime, he perseveres in his work, braving long hours of travel even in the face of a tribal war. His wife, Rebecca, who faithfully follows him wherever his travels take him, says this is his mission: to continue to nurture and uphold the Kalinga culture, the birthright of his children.