EASTERN

EASTERN ETHNIC
ETHNIC ART
ART PERFORMING
PERFORMING
1. Rastrya naach ghar, jamal, kathmandu
2. Pragya Pratisthan Bhawan, kamaladi, kathmandu CENTRE-
CENTRE-MANGALBARE-MORANG
MANGALBARE-MORANG
3. The Taragaon Museum, Baudha, Kathmandu
ARCHITECTURAL DATA
4. Kala Academy, Goa, India
5. Natioal Centre for performing art (NCPA), mumbai, Architect: Deepak pant and Sushil
India bajracharya
Land area: 5-2-0-0
Capacity: 750 (hall-590+balcony-160)
1. Rastrya naach ghar, jamal, kathmandu
Type: proscenium theatre
REASON FOR SELECTION No. of doors: 6
Inner part: theatre
 Similar project Auditorium size: 74’9‘‘x61‘9‘‘
 know the general requirement and inter-linkages Orchestra pit: 11‘x36‘
between various spaces of the performance hall. Front part: commercial Stage: 19.6, x 12.8m
Orchestra pit height: 4‘10‘‘
ACOUSTIC TREATMENT
Stage : 63‘9‘‘x41‘6‘‘
Rehearsal area : 36‘x28‘6‘‘
• 9‘‘ thick wall both internal and external with
Sound and light room: 24‘x8‘10‘‘
2.5‘‘ cavity.
Irregular ceiling profile
• soft wood to reduce the reverberation time
Acoustic tiles Acoustic pannel • Suspended acoustic tiles for sound absorbing

SEATING ARRANGEMENT
STAGE Concave shape
• The curtain used in the stage is velvet Riser between seat 15cm
which is good sound absorber Inclination of seat 11 degree
Concentric seating Theatre seating
FINISHES TECHNICAL AND MECHANICAL ROOM
1. wall: cavity wall with wooden pannels and Electrical and mechanical room located in basement
acoustical material 2. Pragyan pratisthan bhawan, kamaladi, kathmandu
2. Ceiling: acoustic tiles act as both sound absorbtion
and sound reducing barrier INTRODUCTION
3. Furniture: wooden and seats are upholstered for
Architect: shankar nath rimal
good sound absorbent
Land area: 50 ropani
4. Doors: heavy doors acts as sound insulation and Lighting in theatre Capacity:1200(hall-800+balcony-400)
transmission loss
Type: proscenium theatre
BACK STAGE Entry gate: 4
Entrance of physically • Green room- ladies and gents Est. : 2023-2027 B.S.
disable people from • Makeup room-boys and girls exhibition hall: provide hall, lobby,
backstage • Changing room with wardrobe outdoor space
• Rehearsal room Orchestra pit: 2’10’’x2’0’’
Light and sound control room above the
FINISHES balcony
1 Wall: For sound proofing, using wall and ceiling sound
panels acoustical panels offer great result by absorbing the
reflections and echoes and produce better quality of sound
Diffusion panel is used to help in dispersing the reflected
sound waves to balance live and dead spots in room
lobby
2. Sound reinforcement: loudspeakers are used on both sides
of proscenium .
3. Technical and mechanical room: sound and light control
room are above the balcony PARKING
• sufficient open space for
LIBRARY parking
• It is located on backside of the auditorium
hall INFERENCE
• Top floor of the library used as seminar hall
• Ramps are provided for differently abled people
• Buffering zone throughout the boundary wall to
Mini OAT control external noise
• An outdoor space used for
recreational space

TRIBHUWAN UNIVERSITY TITTLE: EASTERN ETHNIC ART PERFOR- SUBMITTED BY: SHEET NO
INSTITUTE OF ENGINEERING, PURWANCHAL CAMPUS MING CENTRE-case studies NAME:SUJAN CHAUDHARY
01
DEPARTMENT OF ARCHITECTURE ROLL NO.: 072/BAE/45
 EASTERN
EASTERN ETHNIC
ETHNIC ART
ART PERFORMING
PERFORMING
3.The Taragaon Museum and centre for art and culture
CENTRE-
CENTRE-MANGALBARE-MORANG
MANGALBARE-MORANG
REASON OF SELECTION INTRODUCTION
To study the gallery space, library The museum buiding is itself now a rich example of the built heritage of
space, OAT, the pattern of hard Nepal, and one of the few buildings from that era to be designed in the
landscape and soft landscape. modern style. The taragaon museum tells strong story of the
architectural transition in Kathmandu.
LIGHTING IN TARAGAON MUSEUM
Natural light
Taragaon museum doesnot have any high rise buildings around which
prevents the obstruction of light.
BUILDING SITE
Site building to maximize daylight
availability
• Calculate the sky exposure angle
between the top of the obstruction and
the vertical.
• The angle is measured at 2 m above
floor level.
• If the angle is greater than the required
BUILDING ORIENTATION sky exposure angle, then the site has
Maximum south exposure good daylight availability and shading is
Most desirable façade for day lighting and is not a major concern.
best suited for rooms where variability in
light levels is acceptable
Optimize northern exposure
Availability of diffuse skylight
Buildings where light uniformity and quality
is key, large north facing glazing areas can be
minimize electric light use 4. Kala academy, goa, india
Reason of selection
To study the space of open air
theatre for the outdoor performance
of cultural activities.

D.M KALA MANDIR (A. C AUDITORIUM)
Seating capacity - 1000
Stage opening - 9.6 m Area - 1300 sq.m
Orchestra pit- 7.2 x 2.1 m
· The auditorium allows a variety of acoustical
conditions ranging from speech, plays to sitar
recitals and orchestral arrangements
• The changes are made by manipulating
absorbent materials placed within inner
compartments hidden from view above this
ceiling.
 The walls of the auditorium are painted illusions
of an old goan theatre,
 Behind the figures in the boxes real curtains may
be pulled to reduce reverberation time in space.
 The stage is 80cm high from the first row.
 The raking height varies from 10-20 cm
 GENERAL INFORMATION
Location: goa, india BUILDING LAYOUT
Architect: Ar. Charles chorrea There are four entries to the site
Type: auditorium cum OAT ground coverage up to 40%
Plot area: 6.3 acre Well defined vernacular and pedestrian walk
Site gradient: gentle slope Site is divided into main building, parking area and
exhibition spaces
  MINI OPEN AIR THEATRE:
 The mini oat seats 300 people.
 It is mainly used as an outdoor
classroom and meeting space
however small performances
are also held here.
OPEN AIR AMPHITHEATRE:  The oat has a tread of 85cm
Seating capacity (no chair) - 2000 and a rise of 45 cm. the steep
Seating capacity (chair) - 1312 risers give it excellent sightlines.
Proscenium opening - 15m Depth  The stage is square is shape
from curtain line- 12m and has an area of 7.5 x 7.5 m
 The stage is raised at 75cm above
the ground floor level (eye level of the
first row)
 tread of 100 cm while higher ones
have a rise of 45 cm giving adequate
sight lines.

TRIBHUWAN UNIVERSITY TITTLE: EASTERN ETHNIC ART PERFOR- SUBMITTED BY: SHEET NO
INSTITUTE OF ENGINEERING, PURWANCHAL CAMPUS MING CENTRE-case studies NAME:SUJAN CHAUDHARY
02
DEPARTMENT OF ARCHITECTURE ROLL NO.: 072/BAE/45
 EASTERN
EASTERN ETHNIC
ETHNIC ART
ART PERFORMING
PERFORMING
5. National centre of performing art (NCPA),
mumbai, india CENTRE-
CENTRE-MANGALBARE-MORANG
MANGALBARE-MORANG
REASON OF SELECTION- To study the space of GENERAL INFORMATION
art performing Centre Location: niraman point on NCPA
Building type: institution
Completion: 1959 A.D.
Architect: philip johnson and patel battiwala
Plot area: 3200 sq. m
Capacity: 1109
Location map with wind direction
INTRODUCTION
NCPA is an cultural building, lift The indian culture in the society through events like dance, music,
drama
It consists 5 theatres,music library, small gallery, guest house appartment for the directors

1.JAMSHED BHABHA THEATRE 2.TATA THEATRE

a.          corporate office
b.          library and stuart-life collection
c.          little theatre-114 seats
d.          west & east room 1 & 2
e.          box office
f.           jamshed bhabha theatre- 1109 seats
g.         basement parking
h.         cafeteria
i.          sea view room
j.          tata theatre-1010 seats
k.         membership department
l.         amadeus
m.        central open air space
n.         piramal art gallery
o.         experimental theatre-285 seats
p.          dance theatre godrej-185 seats

3.EXPERIMENTAL THEATRE 4.GODREJ DANCE ACADEMY 5.LITTLE THEATRE

THEATRE

SOALTEE RIVER
STUDY AREA
Site information:
location: mangalbare, urlabari Proposed site
Total area: 41,126.64 m² (442,683.42 ft²)
Site name: 10bighe
Shape: irregular
Land form: plain land
3.7 km west from urlabari chowk.

Site justification:
• They are nature loving creatures, they worship nature, kuldevata. EAST-WEST M-HIGHWAY
Initially they lived on the bankside of river, their main occupation is ENTRY OF SITE
farming and hunting fishes. Madan bhandari memorial collage Proposed site( pc=google map, not in scale)
• Site is selected along the periphery of ethnic settlement
• There is existing office of dhimal ethnic development committee at
urlabari municipality.
• They still celebrate fair (mela) during 2nd ashar where cultural
activities are carried out in open space i.e. dashbighe , morang
• They will have not to travel all the way from jhapa, morang to ktm to
perform cultural activities

TITTLE: EASTERN ETHNIC ART PERFOR-

TRIBHUWAN UNIVERSITY MING CENTRE- Case studies SUBMITTED BY: SHEET NO
INSTITUTE OF ENGINEERING, PURWANCHAL CAMPUS NAME:SUJAN CHAUDHARY
03
DEPARTMENT OF ARCHITECTURE ROLL NO.: 072/BAE/45