Chicago blues evolved from classic blues during the Great Migration of African Americans from the rural South to industrial cities like Chicago in the 1940s. It is based on the standard 12-bar blues form using dominant 7th chords and features amplified electric guitar, harmonica, bass, drums, and sometimes piano. Chicago blues retains the blues vocals and simple harmonic structure of earlier blues but adds an amplified, electric sound centered around repetitive parts that support the vocals.
Chicago blues evolved from classic blues during the Great Migration of African Americans from the rural South to industrial cities like Chicago in the 1940s. It is based on the standard 12-bar blues form using dominant 7th chords and features amplified electric guitar, harmonica, bass, drums, and sometimes piano. Chicago blues retains the blues vocals and simple harmonic structure of earlier blues but adds an amplified, electric sound centered around repetitive parts that support the vocals.
Chicago blues evolved from classic blues during the Great Migration of African Americans from the rural South to industrial cities like Chicago in the 1940s. It is based on the standard 12-bar blues form using dominant 7th chords and features amplified electric guitar, harmonica, bass, drums, and sometimes piano. Chicago blues retains the blues vocals and simple harmonic structure of earlier blues but adds an amplified, electric sound centered around repetitive parts that support the vocals.
History • Evolved from classic blues during great migration (African Americans from south US to industrial North) • Heavily influenced by Mississippi bluesmen who came to Chicago in ‘40s • Started in Chicago and St. Louis, as street music and at rent parties • Musicians would start out playing on the streets and work up to playing blues clubs Form & harmony • Mainly based upon 12 bar blues • All dominant 7ths Instrumentation • Electric guitar • Harmonica (amplified) • Bass (first upright, later electric) • Drums • Piano (depending on song/performer) Standard patterns • Blues shuffle in the drums • For that swung triplet feel • Standard blues basslines • Sticking to the root, 3rd, 5th and 6th Mannish Boy Blues… but electric
Retains blues vocals and simple
harmony Adds amplified sound Repetitive sound centred around vocals