France in the 1860’s. • A literary or artistic style that seeks to capture a feeling or experience rather than to achieve accurate depiction. • Concerns with shifting effect of light and color THE HARBOR OF LORIENT Pre-Impressionism • Emerged in France • Combination of influence and rejection of Impressionism. • Rise of individual style, emphasizing use of broken colors and short brush strokes. Famous pre-impressionism artists include: • Paul Cezanne • Georges Seurat • Paul Gauguin • Vincent Van Gogh Paul Gauguin
Miraculous Source Paul Cezanne
• The Bay of Marseille, Seen from L'Estaque (1885)
• In scale and resolution, this is the culminating work of a series of landscapes that Paul Cézanne painted at L'Estaque, a Mediterranean fishing village a few miles from Marseilles. During the early 1880s, he came to cherish L'Estaque as a retreat from the complexities of family life. It inspired some of his grandest landscapes, which are remarkable for the sense of deliberation and structure in every brushstroke and the finely balanced palette of blues and ochers. Vincent Van Gogh • The Starry Night is an oil on canvas by the Dutch post-impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an idealized village]. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest . Regarded as among Van Gogh's finest works,[4] The Starry Night is one of the most recognized paintings in the history of Western culture. Neo-Impressionism • Response to empirical realism of impressionism • The movement rely on a systematic and scientific technique predetermined visual effects not only on the artwork itself but also how the audience perceived the art. Artists in neo-impressionism • George Seurat (Leading figure) • Henri-Edmond cross • Maximillien Luce • Camille Pissaro George Seurat • The leading figure of neo-impressionism. • Young Woman Powdering her Face • is a portrait of Seurat's mistress Madeleine Knobloch. It is an adoring likeness that jokingly contrasts the classical monumentality of the figure against the flimsy Rococo frivolity of the setting. It is also strongly marked by Seurat's increasing interest in caricature and popular art, sources which lent a new expressiveness to his work which accorded with the growing contemporary interest in Symbolism. Knobloch was a working-class woman with whom Seurat maintained a long term secret relationship, keeping her separate not only from his bourgeois family but also from his bohemian friends. When the painting was shown in 1890, her identity remained concealed. Knobloch was given some of Seurat's paintings as an inheritance but she cut off all communication with his family after his death. Camille Pissaro
Road to Versailles at Louveciennes
• Henri-Edmond cross • Maximillien Luce
• Ponte san trovaso • Pointillism. "La Seine a Herblay