MUS I C 1 0

SECOND QUARTER
POP MUSIC

•
POP MUSIC

•
POP MUSIC

•
 HIPHOP AND RAP
• IS A STYLIZES, HIGHLY RHYTHMIC TYPE OF MUSIC
THAT USUALLY INCLUDES PORTIONS OF
RHYTHMICALLY CHANTED WORDS CALLED “RAP”
• HIPHOP AROSE IN THE 1970S WITHIN THE AFRO-
AMERICAN AND LATINO YOUTH IN THE BRONX AREA
OF NEW YORK CITY
 HIPHOP AND RAP
• IN 1980S, IT HAD SPREAD TO MANY OTHER
COUNTRIES. IT HAS SINCE EVOLVED INTO A
SUBCULTURE THAT ENCOMPASSES MUSIC
(RAPPING, DJING, SCRATCHING, AND
BEATBOXING) A NEARLY ACROBATIC STYLE OF
DANCING (BREAK DANCING)
ALTERNATIVE MUSIC
• WAS AN UNDERGROUND INDEPENDENT FORM OF MUSIC THAT
AROSE IN THE 1980S
• IT BECAME WIDELY POPULAR IN THE 1990S AS A WAY TO DEFY
“MAINSTREAM” ROCK MUSIC
• IT WAS KNOWN FOR ITS UNCONVENTIONAL PRACTICES SUCH
AS DISTORTED GUITAR SOUNDS, OPPRESSIVE LYRICS, AND
DEFIANT ATTITUDES
 ALTERNATIVE MUSIC
• IT WAS ALSO CHARACTERIZED BY HIGH ENERGY
LEVELS THAT BRED NEW STYLES SUCH AS NEW WAVE,
PUNK ROCK, POST-PUNK, INDIE ROCK, GOTHIC ROCK,
JANGLE POP, NOISE POP, C86, MADCHESTER,
INDUSTRIAL ROCK, AND SHOEGAZING
CLASSICAL MUSIC
MADE POPULAR
• CLASSICAL MUSIC CONTINUED TO FLOURISH ALONGSIDE
ALL THESE OTHER MUSICAL STYLES.
• DARING NEW STYLES SUCH AS MINIMALISM, CHANCE
MUSIC, AND AVANT-GARDE MUSIC
• BACH, BEETHOVEN, MOZART, CHOPIN AND LISZT
 PHILIPPINE
POPULAR MUSIC
ORIGINAL PILIPINO MUSIC (OPM
• RYAN CAYABYAB
-KAY GANDA NG
ATING MUSIKA
-KAHIT IKA’Y
PANAGINIP LANG
 ORIGINAL PILIPINO MUSIC (OPM

• GEORGE CANSECO
-KAPANTAY AY LANGIT
-KASTILYONG
BUHANGIN
-TUBIG AT LANGIS
 ORIGINAL PILIPINO MUSIC (OPM

• WILLIE CRUZ
-SANA’Y WALA
NANG WAKAS
-BITUING WALANG
NINGNING
ORIGINAL PILIPINO MUSIC (OPM
• JOSE MARI CHAN
-BEAUTIFUL GIRL
-PLEASE BE CAREFUL
IN MY HEART
-CONSTANT CHANGE
ORIGINAL PILIPINO MUSIC (OPM

• GARY
VALENCIANO
- SANA MAULIT
MULI
•
TYPE MELODY AND HARMONY IN
EXPRESSING UNIQUELY EMOTIONS
OF FILIPINOS THROUGH POETIC
LYRICS
• WAS CENTERED IN MANILA,
WHERE TAGALOG AND ENGLISH ARE
•IN OTHER ETHNO-LINGUISTIC GROUPS ALSO
BEGAN TO SING AND RECORD THEIR SONGS IN
THEIR NATIVE DIALECTS SUCH AS VISAYAN,
BIKOLANO, KAPAMPANGAN AND ILOCANO
• THIS STYLE WERE POPULARIZED BY SOLO ARTISTS
LIKE PILITA CORRALES, NORA AUNOR, BASIL VALDEZ,
CELESTE LEGASPI, HAJJI ALEJANDRO, LEAH NAVARRO,
KUH LEDESMA, SHARON CUNETA, MARTIN NIEVERA, ZSA
ZSA PADILLA, REGINE VELASQUEZ, AND OGIE ALCASID.
•IN 1960S AND 1970S
- NORA AUNOR, EDDIE PEREGRINA, VICTOR WOOD, ASIN, APO
HIKING SOCIETY AND ETC.
•IN 1970S TO 1980S
- CLAIRE DELA FUENTE, DIDITH REYES, RICO PUNO, RYAN
CAYABYAB, BASIL VALDEZ, CELESTE LEGASPI, HAJJI ALEJANDRO,
REY VALERA, FREDDIE AGUILAR, IMELDA PAPIN, EVA EUGENIO,
AND NONOY ZUNIGA
•IN 1980S AND 1990S
- MARTIN NIEVERA, GARY VALENCIO, LEA SALONGA,
REGINE VELASQUEZ, SHARON CUNETA, VINA MORALES,
RAYMOND LAUCHENGCO, POPS FERNANDEZ, JOSE MARI
CHAN, DINGDONG AVANZADO, JANNO GIBBS, OGIE
ALCASID, JOEY ALBERT, AND MANILYN REYES
•IN 1990S
- JAYA, DONNA CRUZ, JESSA ZAGAROZA, ARIEL RIVERA,
SMOKEY MOUNTAIN, THE ERASERHEADS, SOUTHBORDER,
AFTERIMAGE, RIVERMAYA, AND PAROKYA NI EDGAR
•IN 2000S
- YENG CONSTATINO, MOIRA, SARAH GERONIMO, ICE
SEGUERRA, ARNEL PINEDA, CHARICE, GERPHIL FLORES AND ETC.
PHILIPPINE POP MUSIC
• STARTED AS AN ADAPTATION OR
TRANSLATION OF WESTERN HITS
• IT STARTED WITH BOBBY GONZALES’
HAHABOL – HABOL, A LOCAL VERSION OF THE
ROCK AND ROLL SONGS OF THE 1950S
 PHILIPPINE POP MUSIC
• RICO J. PUNO’S LUNETA, A LOCAL
ADAPTATION OF THE WAY WE WERE.
• IT IMMEDIATELY CLICKED WITH THE YOUTH
AND EVENTUALLY GAINED WIDE ACCEPTANCE
EVEN AMONG THE “BURGIS” CROWD
 PHILIPPINE POP MUSIC
• THE START OF “MANILA SOUND” IN THE MID-1970S
GAVE RISE TO SONGS USING A COLLOQUIAL
LANGUAGE CALLED TAGLISH, A COMBINATION OF
TAGALOG AND ENGLISH
• IT SUNG IN POP MELODIES RESULTED IN HIGHLY
SINGABLE SONGS WITH CONTEMPORARY APPEAL.
PHILIPPINE POP MUSIC

• HOTDOG
PHILIPPINE POP MUSIC

•APO HIKING SOCIETY

 PHILIPPINE JAZZ
• PHILIPPINE MUSICIANS HAVE ALSO BEEN INSPIRED
BY JAZZ MUSIC. AMONG THEM ARE JAZZ PIANIST AND
RECORDING ARTIST BOY KATINDIG, WHO COMES
FROM THE WELL-KNOWN CLAN OF MUSICIANS THAT
INCLUDES JAZZ PIANO LEGEND ROMY KATINDIG AND
SAXOPHONIST EDDIE KATINDIG.
 PHILIPPINE JAZZ
• PHILIPPINE MUSICIANS HAVE ALSO BEEN INSPIRED
BY JAZZ MUSIC. AMONG THEM ARE JAZZ PIANIST AND
RECORDING ARTIST BOY KATINDIG, WHO COMES
FROM THE WELL-KNOWN CLAN OF MUSICIANS THAT
INCLUDES JAZZ PIANO LEGEND ROMY KATINDIG AND
SAXOPHONIST EDDIE KATINDIG.
 PHILIPPINE JAZZ

•THE KATINDIG FAMILY PIONEERED LATIN JAZZ IN

MANILA.
• FILIPINO JAZZ MUSICIANS ARE LITO MOLINA, ANGEL
PEÑA, EMIL MIJARES, AND BOBBY ENRIQUEZ, WHO
WAS KNOWN INTERNATIONALLY AS JAZZ PIANIST
 PHILIPPINES ALTERNATIVE FOLK
MUSIC
• THE PHILIPPINES ALSO SAW THE RISE OF ALTERNATIVE
FOLK MUSIC WHICH WAS DIFFERENT FROM THE
TRADITIONAL AND POPULAR FORM
• THIS NEW FORM COMBINED ETHNIC INSTRUMENTATION
WITH ELECTRONIC ACCOMPANIMENT, WHILE
PRESENTING THEMES OR ISSUES OF PHILIPPINE SOCIETY
AND THE ENVIRONMENT
PHILIPPINES ALTERNATIVE FOLK
• COMPOSERS WHO BECAME CHAMPION ON
MUSIC
THIS STYLE WERE JOEY AYALA, GRACE NONO,
AND EDRU ABRAHAM OF KONTRAGAPI
(“KONTEMPORARYONG GAMELAN PILIPINO”)
• FREDDIE AGUILAR – ANAK
• YOYOY VILLAME – MAGELLAN
• FLORANTE – AKO’Y ISANG PINOY
 PHILIPPINE ROCK
•THIS NEW SOUND WAS INTRODUCED BY THE LEGENDARY
JUAN DELA CRUZ BAND – ANG HIMIG NATIN WHICH HAD
FOR ITS MEMBERS JOEY “PEPE” SMITH, WALLY GONZALES,
MIKE HANOPOL (ORIGINATOR OF JEPROKS)
• IN 1973, PINOY OR PHILIPPINE ROCK WAS STARTED AND
SUCCESSFULLY MERGED THE ROCK BEAT WITH FILIPINO
LYRICS.
 PHILIPPINE ROCK
•THE BAND MARIA CAFRA (FEMALE ROCKER)
• SAMPAGUITA
• BANYUHAY BAND
- THESE BAND EXPRESSED STRONG MESSAGES OF
NATIONALISM ON THEIR SONGS.
PHILIPPINE ROCK
• RIVERMAYA - PAROKYA NI EDGAR
• THE DAWN - HALE
• TRUE FAITH - SANDWICH
• THE ERASERHEADS
• WOLFGANG - SUGAR FREE
• BAMBOO - SPONGE COLA
PHILIPPINE ROCK
• RIVERMAYA - PAROKYA NI EDGAR
• THE DAWN - HALE
• TRUE FAITH - SANDWICH
• THE ERASERHEADS
• WOLFGANG - SUGAR FREE
BAMBOO - SPONGE COLA
PINOY RAP
• WAS BECAME POPULAR BY SUCH
COMPOSERS AND PERFORMERS AS
FRANCIS MAGALONA (MGA KABABAYAN
KO AND WATAWAT); ANDREW E
(HUMANAP KA NG PANGIT); AND GLOC 9
(LANDO)
PINOY RAP

•FRANCIS MAGALONA
- MASTER RAPPER
- THE MAN FROM MANILA
- KING OF PINOY RAP
PINOY RAP
• WAS BECAME POPULAR BY SUCH
COMPOSERS AND PERFORMERS AS
FRANCIS MAGALONA (MGA
KABABAYAN KO AND WATAWAT);
ANDREW E (HUMANAP KA NG PANGIT);
AND GLOC 9 (LANDO)
PINOY HIPHOP

• BECAME POPULAR IN OUR COUNTRY

• DIFFERENT GROUPS JOINED THE HIP
HOP INTERNATIONAL CONTEST IN THE
US WHICH IS CONSIDERED AS “THE
OLYMPIC OF HIPHOP”