Logue- conversation Monologue also means: Is used to explain character’s plans, problems, or motivation that helps in the plot of the story.
Is presented by a single character, most often to express
their mental thoughts aloud, though sometimes to directly address another character or the audience. Types of Monologues
Interior Monologues – involve a character
externalizing their thoughts so that the audience can witness experiences that would otherwise be mostly internal. - Shows character’s unspoken thoughts - show characters private dilemma - Reveal character’s self perception/ self talk Types of Monologues
Dramatic Monologues – simply involve often a character
telling a story and can be often be identified by the fact that they are in the past tense, have a bottom ending.
Monologues can also be divided along the lines of active
and narrative monologues. In active monologue a character is using their speech to achieve goals. WRITING THE MONOLOGUE A. START THE MONOLOGUE WITH A HOOK Your monologue should get the listeners’ attention right away and draw them in. You want to hook your audience so they are willing to listen to your character’s monologue. The opening line of the monologue will set the tone for the rest of the piece and gives the audience a sense of the character voice’s and language. B. USE YOU CHARACTER’S VOICE AND LANGUAGE The monologue should be written from the perspective of one character and should feature their unique language and voice.
A strong character voice in a monologue can go a
long way to adding color, interest, and perspective to the piece. C. ALLOW YOUR CHARACTER TO REFLECT ON THE PAST AND THE PRESENT Monologues discuss the present action of the play by reflecting back on the past events. You should strive to have a balance between reflection on the past and discussion of the present in your monologue. The past details should illuminate an event or character dilemma in the present. The character should try to use memory to address an issue in the present. D. ADD DESCRIPTION AND DETAIL.
Keep in mind your audience will not have the
luxury of flipping to a visual image of what is happening in the monologue. All they can rely on is the words you use in the ,monologue to describe a certain moment or a certain detail. E. INCLUDE A MOMENT OF DISCOVERY
Your monologue should include a moment of
discovery or an revelation. This could be a moment of discovery for the speaker or a moment of discovery for the audience. Having revelation in the monologue will give it purpose F. HAVE A BUTTON ENDING. The monologue should have a clear ending or a button ending where the thoughts are expressed in the monologue are brought to a conclusion.
The speaker should accept something, overcome an issue
or obstacles, or make a decision about the conflict in the play. The decision moment should be clear and the speaker should speak with decisive action by the end of the monologue G. READ THE MONOLOGUE ALOUD A monologue is written to be read out loud to an audience so you should test its effectiveness by reading it out to yourself or to a sympathetic audience. You should listen to ensure the monologue has a distict character voice and uses language that suits the speaker. RUBRIC FOR WRITTEN MONOLOGUE CREATE COMMUNICATE A student create and conceptualize a Students refine their ability to variety of different characters and communicate point of view and stories personal growth
(10 points) (10 points)
___student can thoughtfully create a _____Student can independently a character or story using objective, communicate a clear point of view or motivation and tactic with the support of describe their own personal growth the teacher, through writing or speaking.
(10 points) (10 points)
__student can thoughtfully create a ___Student can independently a
character or story using objective, communicate a clear point of view or motivation and tactic that has an describe their own personal growth that emotional/meaningful impact on an can be seen through reflective writing. audience. (10 points) ( 10 points) TOTAL: RUBRIC FOR DELIVERING MONOLOGUE