The document describes two events held at the Broad Art Museum that featured accessible art for sighted and visually impaired patrons. The first event in 2015 paired poems with 3D tactile art pieces. The second event in 2017 also included audio recordings and videos to make the art and literature more accessible through multiple senses. Both events aimed to allow all audiences to connect with and enjoy the art through touch and other senses. They featured talks from disability scholars on representing blindness in art and making museums more accessible.
The document describes two events held at the Broad Art Museum that featured accessible art for sighted and visually impaired patrons. The first event in 2015 paired poems with 3D tactile art pieces. The second event in 2017 also included audio recordings and videos to make the art and literature more accessible through multiple senses. Both events aimed to allow all audiences to connect with and enjoy the art through touch and other senses. They featured talks from disability scholars on representing blindness in art and making museums more accessible.
The document describes two events held at the Broad Art Museum that featured accessible art for sighted and visually impaired patrons. The first event in 2015 paired poems with 3D tactile art pieces. The second event in 2017 also included audio recordings and videos to make the art and literature more accessible through multiple senses. Both events aimed to allow all audiences to connect with and enjoy the art through touch and other senses. They featured talks from disability scholars on representing blindness in art and making museums more accessible.
The document describes two events held at the Broad Art Museum that featured accessible art for sighted and visually impaired patrons. The first event in 2015 paired poems with 3D tactile art pieces. The second event in 2017 also included audio recordings and videos to make the art and literature more accessible through multiple senses. Both events aimed to allow all audiences to connect with and enjoy the art through touch and other senses. They featured talks from disability scholars on representing blindness in art and making museums more accessible.
What Is Accessible Art? ● Accessible art is based on the assumption that everyone should be able to enjoy art. ○ Challenges the way that we typically consume art ○ Proposes art as a multisensory experience ○ Allows audience to connect with more aspects of the pieces ○ Uses technology (audio recordings, 3D printing, etc.) to aid in increasing accessibility Event 1 - Accessible Art at the Broad
● April 2015, Broad Art
Museum ● Partnership with Exceptions, an MSU-based journal focused on highlighting creative work made by people with visual disabilities; Broad Art Museum; College of Arts and Letters Event 1 - Accessible Art at the Broad ● Each poem was paired with a piece of tactile art ○ MSU students in a poetry class wrote original poems ○ MSU students in a studio art class created 3D art pieces inspired by the poems Event 1 - Accessible Art at the Broad
● The event programs and
all of the poems were transcribed in Braille and made available to visitors ● Patrons, both sighted and with visual disabilities, were encouraged to touch the art Event 1 - Accessible Art at the Broad ● The event also featured a speech about accessibility in museums by Michael Hudson, Director of the Resource Center for Persons with Disabilities (RCPD) at MSU Event 2 - Sense of Self ● November 2017, Broad Art Museum ● Partnership with Exceptions and the MSU RCPD ● Alisa Henriquez, professor in the Department of Art, Art History and Design ● In honor of Veterans Day, our accessible art exhibition also highlighted works that focus on multisensory experiences of war Event 2 - Sense of Self ● Included excerpts that literature students at MSU selected from existing novels, poems, and short stories ○ Students were tasked with choosing an excerpt that engaged audiences in multisensory imagery Event 2 - Sense of Self ● This event included all the same accessibility features as the first event, plus: ○ Audio recordings with QR Codes of the literary excerpts and original poems ○ Video interviews of each artist explaining their work Event 2 - Sense of Self Dr. Georgina Kleege, a blind professor at the University of California Berkeley, was the keynote speaker for the event. Georgina Kleege is a creative writer, literary scholar, and pioneer in disability studies. Her work focuses on how blindness is represented in art, how blindness affects the lives of artists, and how museums can make visual art accessible to people who are blind and visually impaired. During the morning session of the event, she gave a talk entitled “Blind Self-Portraits: Remaking the Image of Blindness,” which focused on the work of artists with a variety of visual disabilities. Event 2 - Sense of Self Lucas Livingston, the Assistant Director for Accessibility, Lifelong Learning, and Public Engagement for the Art Institute of Chicago, also gave a talk, entitled “Accessibility as Outreach: Tactile Art at the Art Institute of Chicago.” During the talk, he explained the efforts of the Art Institute and other museums to increase the accessibility of the art by using 3D printing to create models of the exhibits that patrons can touch.