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Marxism and Critical Theory
Marxism and Critical Theory
Theory
What is Marxism ?
Marxism is a social, political, and economic theory
originated by Karl Marx, which focuses on the
struggle between capitalists and the working
class.
Marx wrote that the power relationships between
capitalists and workers were inherently
exploitative and would inevitably create class
conflict.
"Marxism attempts to
reveal the ways in which
our socioeconomic system
is the ultimate source of
our experience" (Tyson
277).
Karl Marx (1818-1883) was a philosopher,
author, social theorist, and an economist. He is
famous for his theories about capitalism and
communism. Some of his works are:
The German Ideology (1846)
The Communist Manifesto(1848) – with Engels
Das Kapital (1867)
Terms :
Bourgeoisie : the name given by Marx to the owners of the
means of productions in a society.
• Ideology : A belief system
• Proletariat : The name given by Marx to the workers in the
society.
• Capitalism is an economic system that is based on private
ownership of the means of production and the creation of
goods or services for profit.
Marxism In Modern Literature
Like Freudian theory, Marxist theory's
influence on Modern art and literature can be
first broken down by its influence of writers,
and the works they produced, and on readers,
and the way critics use Marxist theory to
interpret the works.
The Chimney Sweeper: When my mother died I was very young
BY WILLIAM BLAKE
When my mother died I was very young,
"Hush, Tom! never mind it, for when your head's bare,
You know that the soot cannot spoil your white hair."
The Chimney Sweeper” is a title of two poems by
William Blake which is published in Songs of
Innocence (1789) and Songs of Experience (1792). The
background of this poem is the dark side of a prominent
child labor in 18th and 19th Century in England. Most of
the children work as chimney sweepers. They were
oppressed by the master because they should clean the
chimney that has a small size and they paid low. This
poem is Blake’s commentary of the child labor issue and
the use of imagery is to portray the brutality of The
Industrial Revolution, one of crucial period in history.
https://istorialina.wordpress.com/2017/01/25/the-chimney-sweeper-
by-william-blake-a-marxist-analysis/
Who was the
Bourgeoisie and the
proletariat?
https://istorialina.wordpress.com/2017/01/25/the-chimney-sweeper-
by-william-blake-a-marxist-analysis/
In “The Chimney Sweeper” from Songs of Innocence,
Blake used the children who work as chimney
sweepers to establish working class or the proletariat.
Using a child’s voice, Blake intended to create a unique
perspective of the world because according to Western
legal tradition, children aren’t supposed to voice their
interest. Unlike adults, children tend to address a matter
differently, especially with their innocence, the message
will appear more sympathetic.
https://istorialina.wordpress.com/2017/01/25/the-chimney-sweeper-
by-william-blake-a-marxist-analysis/
To gain sympathy from readers, Blake voiced out his concern
and towards children exploitation issue using a child’s voice
who talks about the misery the children experienced:
https://oregonstate.edu/instruct/theory/signs.html - - - -
example if needed
Terms
https://oregonstate.edu/instruct/theory/signs.html - - - -
example if needed
Foundational Questions of Structuralist Criticism
•What patterns in the text reveal its similarities
to other texts?
•What binary oppositions (e.g., light/dark,
good/evil, old/young, masculine/feminine, and
natural/artificial, etc.) operate in the text?
•How is each part of the binary valued? Does the
binary imply a hierarchy (e.g., is light better
than dark, is an old age more valuable than a
young age, etc.)?
Poststructuralism
. In poststructuralism, the reader and not the writer
became paramount: the author’s intended meaning,
because it could never be truly known, was less
important than the reader’s perceived meaning.
Like other postmodern theories that interrogated
cultural assumptions, poststructuralists believe in
studying both the text and the systems of
knowledge that produced that text.
Post-Structuralism is a late 20th
Century movement in philosophy and literary
criticism, which is difficult to
summarize but which generally defines itself
in its opposition to the
popular Structuralism movement which
preceded it in 1950s and 1960s France.
In the Post-Structuralist approach to textual
analysis, the reader replaces the author as the
primary subject of inquiry and, without a central
fixation on the author, Post-Structuralists
examine other sources for meaning (e.g., readers,
cultural norms, other literature, etc), A reader's
culture and society, then, share at least an equal
part in the interpretation of a piece to the cultural
and social circumstances of the author.
The interpretation of meaning of a text is
therefore dependent on a reader's own personal
concept of self.
An author's intended meaning (although the author's
own identity as a stable "self" with a single, discernible
"intent" is also a fictional construct) is secondary to
the meaning that the reader perceives, and a literary
text (or, indeed, any situation where a subject perceives
a sign) has no single purpose, meaning or existence
New Historicism
New Historicism is all about paying close attention
to the historical context of the literary works. New
Historicism is an approach to literary criticism and
literary and literary theory based on the premise
that a literary should be considered a product of
time , place and historical circumstances of its
composition rather than as an isolated work of art
or text.
New historicist aim simultaneously to understand the work through it’s historical context and to
understand culture as well as to investigate the intellectual history and cultural history
through literature.
how a work of literary work comments on and relates to its context.
So the New Historicists aim to do two things: first, they want to study how a work of literature
reflects its historical and sociocultural context—that’s why you’ll often find dust-covered
New Historicists digging in ancient archives to get the background for that one line in one
poem.
Second, they want to understand how a literary work comments on and relates to its
context. So the archive hunt won’t just reveal that this thing was written in 1385, but also what
it was like to live in that year, and what people (or at least poets) thought and felt at that
starriest of historical moments.
So what do New Historicists do, aside from
archive-digging? Well, their approaches are
really interdisciplinary. They throw together
history, literature, anthropology, sociology,
economics and whatever else takes their
fancy.
Cultural materialism
Cultural Materialism is an anthropological
paradigm founded upon, but not constrained by,
Marxist Materialistic thought.
The term Cultural Materialism, first coined by
Marvin Harris in his The Rise of Anthropological
Theory (1968), is derived from two English words:
"Culture" (social structure, language, law, religion,
politics, art, science, superstition, etc.) and