This document discusses dance as a form of entertainment and display throughout history. It describes Egyptian paintings from 1400 BC depicting scantily clad dancers entertaining tomb occupants. It also discusses how dance spectacles in European courts led to the development of ballet. The document outlines two categories of theater dance - purely formal dances focused on skills and style, and dramatic dances using movement to express emotion and narrative. Dramatic dance is used to tell stories through full theatrical works or to imitate animals, courtship gestures, and everyday expressions.
From Manuscript To Publication: Aspects of Lionel Tertis' Style of Viola Playing As Reflected in His 1936 Edition of Ralph Vaughan Williams' Suite For Viola and Orchestra
This document discusses dance as a form of entertainment and display throughout history. It describes Egyptian paintings from 1400 BC depicting scantily clad dancers entertaining tomb occupants. It also discusses how dance spectacles in European courts led to the development of ballet. The document outlines two categories of theater dance - purely formal dances focused on skills and style, and dramatic dances using movement to express emotion and narrative. Dramatic dance is used to tell stories through full theatrical works or to imitate animals, courtship gestures, and everyday expressions.
Original Description:
Original Title
Dance as a Display by Robert Morouda and Lowel Nocedal
This document discusses dance as a form of entertainment and display throughout history. It describes Egyptian paintings from 1400 BC depicting scantily clad dancers entertaining tomb occupants. It also discusses how dance spectacles in European courts led to the development of ballet. The document outlines two categories of theater dance - purely formal dances focused on skills and style, and dramatic dances using movement to express emotion and narrative. Dramatic dance is used to tell stories through full theatrical works or to imitate animals, courtship gestures, and everyday expressions.
This document discusses dance as a form of entertainment and display throughout history. It describes Egyptian paintings from 1400 BC depicting scantily clad dancers entertaining tomb occupants. It also discusses how dance spectacles in European courts led to the development of ballet. The document outlines two categories of theater dance - purely formal dances focused on skills and style, and dramatic dances using movement to express emotion and narrative. Dramatic dance is used to tell stories through full theatrical works or to imitate animals, courtship gestures, and everyday expressions.
Dance as entertainment, dance as display Egyptian paintings, from as early as about 1400 BC, depict another eternal appeal of dancing. Scantily clad girls, accompanied by seated musicians, cavort enticingly on the walls of tombs. They will delight the male occupant during his residence in the next world. Entertainment, and the closely related theme of display, underlies the story of public dance. In the courts of Europe spectacles of this kind lead eventually to ballet. Dance as Dramatic expression or Abstract
Theater Dance generally falls into 2 categories
1. Purely formal or dedicated to the perceptions of the style and displays of skills 2.Dramatic or dedicated to the expression of emotion of the character and narrative actions. The early French and Italian ballets of the 16th and 17th century dance was only a part of spectacles involving singing, recitation, instrumental music and elaborate story design Dramatic Dance expresses or imitates emotion, character, and narrative action, and purely formal dance, which stresses the lines and patterns of movement itself The type and function of dramatic dance vary considerably, including full-length theatrical works (in which dance is used to tell a story and present specific characters), hunting dances (in which the dancers’ movements imitate those of a particular animal). courtship dances (which may contain only a few pantomimic gestures, such as a lift, a curtsy, or a mock kiss, to convey meaning). dance movements are often closely related to everyday forms of physical expression, there is an expressive quality inherent in nearly all dancing. This quality is used extensively in dramatic dance to communicate action or emotion.
for example, the aggression in stamping movements, the
exhilaration communicated by jumping, and the dragging motions of despair.
in a death scene, for example, where the killer assumes a
ferocious expression and imitates strangling a victim—or it can function as a symbol ballet to represent dancing or in pointing to the fourth finger to represent marriage.
Dance movements are often accompanied by other
elements, such as masks, costume, music, acting, singing, recitation, and even film, to help communicate the dramatic content.
Dance, space and subjectivity , core an example of the
significance of body/ space relations to dance can be seen is the exposure and display of the body in an erotic manner
From Manuscript To Publication: Aspects of Lionel Tertis' Style of Viola Playing As Reflected in His 1936 Edition of Ralph Vaughan Williams' Suite For Viola and Orchestra