The document provides an overview of an art appreciation lesson on artists and artisans. It outlines four learning outcomes, including describing the history of artists and artisans and recognizing state sponsorship through awards. It also defines different levels of meaning in art from factual to subjective. Examples are given of biblical artworks and those depicting Greek and Roman mythology, noting how artists represented literary narratives through paintings, sculptures, and other forms.
The document provides an overview of an art appreciation lesson on artists and artisans. It outlines four learning outcomes, including describing the history of artists and artisans and recognizing state sponsorship through awards. It also defines different levels of meaning in art from factual to subjective. Examples are given of biblical artworks and those depicting Greek and Roman mythology, noting how artists represented literary narratives through paintings, sculptures, and other forms.
The document provides an overview of an art appreciation lesson on artists and artisans. It outlines four learning outcomes, including describing the history of artists and artisans and recognizing state sponsorship through awards. It also defines different levels of meaning in art from factual to subjective. Examples are given of biblical artworks and those depicting Greek and Roman mythology, noting how artists represented literary narratives through paintings, sculptures, and other forms.
Appreciation Ms. Rose Anne Joy R. Cabico Instructor UNIT I: Introduction to Art Appreciation
Chapter 5: Artists and Artisans
By the end of this lesson, should be able to:
a. outline the history of the emergence of artists, and
artisans; b. recognize and critically discuss the function of state Learning sponsorship in the field of arts and culture through the national Artists Award and the Gawad sa Manlilikha Outcomes ng Bayan (GAMABA); c. identify and define the different individuals and groups who take on varied roles in the world of art and culture; and d. classify the practices of artists in terms of form, medium, and technique 1. Factual meaning - the most common Various Level - pertains to the most rudimentary level of of Meaning meaning for it may be extracted from the identifiable or recognizable forms in the artwork and understanding how these elements relate to one another 2. Conventional meaning Various Level ◦ pertains to the acknowledged interpretation of Meaning of the artwork using motifs, signs, symbols, and other cyphers as basis of its meaning 2. Conventional meaning Various Level ◦ pertains to the acknowledged interpretation of Meaning of the artwork using motifs, signs, symbols, and other cyphers as basis of its meaning 3. Subjective meaning Various Level of Meaning ◦ meaning may not be singular; rather, may communicate multiple meanings to its many viewers ◦ Michaelangelo’s “Creation of Adam” - at the ceiling of the Sistine Chapel - depicted scene from the Creation Story, in particular, the creation of man - example of biblical art ◦ Frank Lynn Meshberger - gynecologist - an image and a message were hidden in plain sight: how to silhouette of God, the shroud and the drapery that trail behind, all seemingly aligned with the shape of the human brain - “The Endowment of Adam” for it brought to life that as God’s creation, the most important qualities imparted to man was intellect 2. Greek and Roman Mythology ◦ polytheism ◦ from episodes that transport the viewer to heroic encounters of Achilles and Aenas ◦ warnings about man’s folly like tha vanity of Icarus ◦ the wit and cunning of Odysseus ◦ the beauty of Aphrodite and athleticism of Myron ◦ from the narrations in literature, artists, on the other hand, gave faces to Greek and Roman dieties or the gods and goddesses whose fates are seemingly as tragic as those of men ◦ some of the art forms they took on were wall paintings or frescos and sculptural works such as busts, statuaries, and ceramics and pottery, among others