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LITERATURA

III
Sapphire’s Push
pUSH
-press against something with steady force
in or as if in order to impel

- press forward energetically against


opposition

- exert oneself continuously, vigorously, or


obtrusively to gain an end
Bildungsroman
1883
1999
1847

1763

1998 1983 1850


-Bildung = development of the self through
knowledge

-Story of a young person learning their way

-Educative journey of the hero

- Suppressed narrative of marginalized


groups
Deconstruction of
the Self
Abuse
Social Welfare
Contract Construct

Love/Care Reversed
material support

Loving Unloving
The form of the
novel
(I)
NARRATIVE SCHEME

[
CN CF > A ]
CONFESSIONAL LITERATURE
Intimacy
Introspection
Revelation
Extreme accounts
Development of attitudes to life
The form of the
novel
(II)
Structure
1. Dedication
2. Acknowledgments
3. Epigraphic poems
4. Four chapters
5. Life Stories (Class Book)
Dedication – Acknowledgments
Professors
Writers
Literary agents
Social workers
Feminists
Art centers
NPOs
Epigraph
Wordsworth’s fragment from
a poem in Lyrical Ballads, 1798

pride
littleness True knowledge
contempt leads to love
(conceit)
scorn
Epigraph
Quote from
The Talmud, AD 200-500

Every blade of grass has its Angel


that bends over it and whispers,
“Grow, grow.”
Life Stories
The form of the
novel
(III)
EPISTOLARY
NOVEL
•The first English novel
•Written entirely in letter
form
•Samuel Richardson’s
Pamela (1740)
EPISTOLARY
TRADITION

1897

2003
1996 1982

1974
EPISTOLARY INFLUENCES

• JOURNALS
• SCATTERED LETTERS
• NEWSPAPER CLIPPINGS
• DIARIES…
"I" CHARACTER-BOUND FOCALIZATION
GREATER DEGREE OF INTIMACY
RELATED TO THE CONFESSIONAL
Intertextuality
Intertexts
1. Louis Farrakhan
2. The Harlem Renaissance
3. Various cultural references
4. Cultural products
Criticism
‘Push emerges as a watershed moment, a strategic
response ‘both to silences within African American
cultures on HIV and to the predominant racist and
gendered ideologies of AIDS used to construct black
women.’(Hogan, 2001)

‘Push integrates themes and patterns of the American


Dream narrative, the rags-to-riches story, the slave
narrative, and also elements of the Bildungsroman
and thus has primarily been read as a success
narrative despite the novel's conscious and drastic
limitation of success. (Müller, 2013)

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