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Plan2 Group2 Linear-City Garden-City Industrial-City Bs-Arch4-c Martinez Monero Mercurio Basiya Lumampao Dumlao
Plan2 Group2 Linear-City Garden-City Industrial-City Bs-Arch4-c Martinez Monero Mercurio Basiya Lumampao Dumlao
LINEAR
CITY
• The linear city was an urban plan for an elongated urban formation.
• The city would consist of a series of functionally specialized parallel sectors.
• Generally, the city would run parallel to a river and be built so that the dominant wind would blow
from the residential areas to the industrial strip.
As the city expanded, additional sectors would be added to the end of each band, so that the city
would become ever longer, without growing wider.
The linear city design was first developed by Arturo Soria y Mata in Madrid, Spain during the 19th
century, but was promoted by the Soviet planner Nikolay Alexandrovich Milyutin in the late 1920s.
(Milyutin justified placing production enterprises and schools in the same band with Engels'
statement that "education and labour will be united".)
Ernst May, a famous German functionalist architect, formulated his initial plan for Magnitogorsk,
a new city in the Soviet Union, primarily following the model that he had established with his
Frankfurt settlements: identical, equidistant five-story communal apartment buildings and an
extensive network of dining halls and other public services.
GARDEN
CITY
A city in a garden
or city of garden
Sir Ebnezar Howard ( 29th January 1850 - May 1st, 1928 )
• The Town
• The Country
• The Town-Country
• The Industrial Revolution of the 19th and 20th century transformed rural to urban life and
gave people higher expectations for improving their standard of working and living
conditions.
• Increased number of jobs
• technological innovations in transportation and housing construction, encourage migration
to cities.
• Development of railroads, streetcars, and trolleys in the 19th century enabled city
boundaries to expand.
• All of the expansion of businesses, cities, and population led to absolutely no sanitation
because multiple families lived in a tenant
Spinoza, Industrialization
THE INDUSTRIAL REVOLUTION
The industrial revolution, in many ways a consequence of the slow and continuous development
of what we call “western society”, began many years before the end of the eighteenth century.
However, it is precisely in the late eighteenth and early nineteenth century that it enjoyed a real
explosion due to the concentration in this short period of time of a number of changes and
innovations -not just technical- that affected all areas of western culture and civilization. The
industrial revolution caused profound changes in the cities, especially in factory towns.
Population growth and the concentration of large masses of population quickly turned them
into “macrotowns”. However, there were no suitable planning responses to this problem, with
purely speculative prevailing in new designs of towns. The town was divided into two distinct
areas: the working class neighbourhoods, located around the factories consisting of clustered
housing without the poorest living conditions and minimal standards of hygiene; and the
residential areas of the wealthy bourgeoisie with wide avenues and green spaces. But the
industrial revolution came about, also, thanks to another revolution; the liberal revolution, both
in economic terms and in the political arena.
MAP OF SAVANNAH
(GEORGIA-USA) IN 1798. ANONYMOUS, ARCHIVE OF
CHATHAM COUNTY (GEORGIA).
MAP OF THE DISTRICT OF BEAUREGARD IN BÂTON ROUGE (LOUISIANA - UNITED STATES) IN 1806. INK AND WATERCOLOUR ON
PAPER BY A. LA CARRIERE LATOUR, LSU LIBRARY (LOUISIANA) (BAZART, 2008: P. 67).
• The most accepted solution was the grid layout, both for economic reasons
-land speculation- and for sociopolitical reasons -better organization of the
population-. In these plans dating from the late eighteenth and early
nineteenth centuries the town begins to be drawn establishing distinctive
zones and clearly representing the portions of property into which the
urban land is divided. To represent the town in aspects that are purely
urbanistic, the bird’s eye view disappears and the plan view is used in
preference. It should be remembered, however, that these towns are newly
built or are in the very early stages of planning. As already explained, in
Europe during the nineteenth century, the society and the economy changed
radically and hence so did the concept of the town. Industrial capitalism
appeared and a new society was created, the class society, with the
bourgeoisie dominating the political power and the proletariat increasingly
exploited enduring dire living conditions. The bourgeoisie was to dominate
the economic and soon the political power. Its concept of property was
different from what existed in the modern age: it was absolute property, free
from servitude and could be bought and sold.
CONCEPTUAL INFLUENCES
• it became absolutely necessary to represent property and
• A major qualitative leap forward in parcelling.
the representation of the city and
its planning was provided by the • The need arose to categorize urban spaces in order to identify
industrial revolution. In this case, it what rules or standards were applicable to the property drawn.
The precise definition of the property, of the plot, and thus its
was not the change in the model of graphically represented categorization, is a graphic
the town and its arrangement, characteristic of a conceptual nature that was definitively
which indeed existed, but the introduced to the representations of city planning. This planning
thenceforth would not only define the form of the plan of the
emergence of the concept of town and how its growth was to be structured, but would also
property and the appearance of have to categorize it in order to award the property a use and
specific value and aid the administration to regulate and control
the bourgeoisie. it and the bourgeoisie to exploit it.
INSTRUMENTAL INFLUENCES IN
PLANNING INDUSTRIAL CITY
• The improvement of the tools, However,
materials, drawing techniques this refinement continued to use paper and ink
-projective and descriptive as the fundamental technique. Copying and
reproduction continued to be done by printing
geometry- and cartographic or, at the end of the 19th century, by applying
techniques, led to graphic experimental photographic techniques. In the
refinement in the representation late 19th and early 20th centuries, with the
of the city and its planning that emergence of what we have come to call
“modern urbanism”, the use of colour became
progressed until the mid- generalized in order to categorize the land of
nineteenth century. the city.
• Tony Garnier (1869 -1948) was a • Garnier'sgrand concept of an
French architect who pioneered imaginary planned industrial city,
the use of reinforced concrete and worked out in the earliest years of
was a forerunner of modernist the 20th century, was first published
urban planning. in 1918.This work, Une
citéindustrielle, is a portfolio of over
160 plates, and is both visionary and
detailed in its socialist organization.
• TONY GARNIER French architect designed ahypothetical industrial
town called “ UNE CITE INDUSTRIELLE”. He created an imaginary
site consisting of high plateau and level valley, all along side a river. The
plateau would be used for residential , the valley for factories, total
population of the town was to be 32,000.A dam would furnish hydro
electric power. His plan anticipated what we now know as ZONING.
His plan was very detailed and included locations of hospitals,
cemeteries, factories, mines, sewage plants, abattoir, bakery and civic
center. He used a grid plan for residential areas
• Tony Garnier's Une CiteIndustrialle is one of the
most comprehensive ideal plans of all time. Published
in 1917, it is not only an outstanding contribution to
architectural and planning theories but also a
sensitive expression of thought and cultural
conditions of its day.
INDUSTRIAL REVOLUTION IN EUROPE
• The end of the nineteenth century was a time of great change through out Europe. The advent
of industrialization altered the landscape of the city forever. Many of the changes were not for
the better and living conditions in industrial cities steadily deteriorated. The Industrial
Revolution had the effect of bringing more and more people from the countryside into the heart
of the city looking for work.
• Such dramatic over-population and unrestricted urban growth led to slum housing, dirt, disease
and a lack of communal green spaces within the city landscape. Modern urban planning arose
in response to this disorder. Reformation of these areas was the objective of the early city
planners, who began to impose regulatory laws establishing housing standards for housing ,
sanitation etc. Urban planners also introduced parks, playground in city neighbourhoods, for
recreation as well as visual relief. The notion of zoning was a major concept of urban planning
at this time.
• WHO WAS TONY GARNIER?
Tony Garnier was a French architect born in Lyons in 1869 and it is clear thatthe
city and surroundings had a great influence on him. Whilst growing upLyons was an
industrial centre for textiles and metallurgy, the two industriescatered for by
Garnier s proposal for his industrial city. Garnier studied at theÉcole des Beaux-
Arts in Paris and in 1901 won the prix de Rome competitionand was sent to the
French Academy at the Villa Medici. It was here whereGarnier started to formulate
his proposal for the Cité and in 1901 Garnier sent back the proposal to the École.
• SOCIAL UTOPIAN CONCEPTS
At the end of the 19th century it was believed that many social reforms could be achieved gradually
through moral and intellectual education leading to a future ideal state. Garnier believed in the basic
goodness of man :when asked why his city contained no law courts, police force stations, jail or
church he is said to have replied that the new society governed by socialist law would have no need of
churches as capitalism would be suppressed. In the Utopias of this period, fundamental, natural and
primitive conditions were stressed; the emphasis on exercise, health, and physical well-being was a
corollary to the awakening interest in natural life. Garnier‘s inclusion of a large public area for
sports and spectacles in his city related to early utopian philosophy, pagan antiquity and love for
games.
• THE CONCEPT
Garnier ‘s proposal was an industrial city for approx 35,000 inhabitants situated on a area
in southeast France on a plateau with high land and a lake to the north, a valley and river to
the south. Une Cite industrialle is a well coordinated and monumentally conceived plan
placed in a park like setting where both the classical spirit of the academic tradition and the
primitive simplicity of utopian ideas is demonstrated. In his proposal, Garnier tried to take
into account all aspects of the city including governmental, residential, manufacturing and
agricultural practices. The various functions of the city were clearly related, but separated
from each other by location and patterns.
The public area at the heart of the city was grouped into
3 sections: administrative services and assembly halls, museum collections and sports
facilities.
The residential area is made up of rectangular blocks running east-west which gives the
city its characteristic elongated form. The residential districts are the first attempt
towards passive solar architecture. Garnier had energy efficiency in mind as the city was
to be powered by a hydroelectric station with a dam which was located in the mountains
along with the hospital. The city was completed by a railroad d station to the east.
• Garnier’s Cité Industrielle was never built but echoes of his vision can be
seen in Lyon where the mayor appointed him the city architect in 1905, a
position he held until 1919. The most important work to emerge from his
Cité Industrielle was the large stockyards complex, the stadium, the
Grange Blanche Hospital and the housing project known as Les États
Unis. The most important connection of Garnier with later planners is
definitely through Le Corbusier. Le Corbusier was the first well-known
architect to discuss Garnier's work and possibly the reason why Garnier
became known as a pioneer of modern architecture and urban planning.
• This is not to say that Garnier's vision of urban utopia is neither
important nor successful. Much of what he proposed is at the least
relevant today and there is no doubt that at the time someone with
Garnier's vision was required to propose what he saw as a solution to the
problems that faced society at that time. This brings me back to the start,
a utopia by its very nature is impossible to realize. Without people
proposing their visions of a Utopia there can be no progress as out of
generous dreams come beneficial realities.
• This is not to say that Garnier's vision of urban utopia is neither
important nor successful. Much of what he proposed is at the least
relevant today and there is no doubt that at the time someone with
Garnier's vision was required to propose what he saw as a solution to
the problems that faced society at that time. This brings me back to the
start, a utopia by its very nature is impossible to realize. Without people
proposing their visions of a Utopia there can be no progress as out of
generous dreams come beneficial realities.
END OF
PRESENTATION