“Take the LEAD,

Soar as ONE”
“Take theDIAS!
BUENAS LEAD,
Soar as ONE”
Instructor Profile
Jaycar G Turla
AM 954260 PAF
A PROUD MEMBER OF BMT CLASS 2019
ALPHA “LAON ALAB”
BIRTHDAY 08 SEPT 1996
BIRTH PLACE GUAGUA, PAMPANGA
ADDRESS BASA AIR BASE
MARITAL STATUS SINGLE
BS EDUCATION
CIVILLIAN SCHOOLING MAJOR IN
AGRICULTURE
LOGISTIC
ADMINISTRATION
CIVILLIAN WORK STAFF
EXPERIENCED
CUSTOMER SERVICE
REPRESENTATIVE
UNIT ASSIGNMENT AFRC – 6TH ARCEN
MILITARY SCHOOLING
COMMANDANT AND 10-14 FEBRUARY 2020
MTI SEMINAR “TOP 1 OUT OF 20”
“Take the LEAD,
Soar as ONE”
BLUETOOTH
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- NAT - BA

POKWANG
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 - LL - CA

TSHIRT
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 - MO

VICE GANDA
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FIGURINE
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 -G

SCREENSHOT
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“Take theAND
DRILLS LEAD,
Soar as ONE”
CEREMONIES
 SCOPE OF PRESENTATION

 Definition of terms
 Position of Attention of a Soldier w/o Arms
 Voice Control, Parts and Types of Command
 Movements While at Halt
 Steps and Marching
 Types of Formation
(Flight, Squadron, Group, Wing and Arrival Honor)

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 Desired Learning Outcomes
To enhance the students the basic knowledge of:

1.The different drill terminologies

2.Position of attention of a soldier w/o arms
3.The rules for giving command
4.The individual position and stationary movement.
5.The steps and marching of the individual soldier.
6. Types of formation
(flight, squadron, group, wing and arrival honor)

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 General

The AFP prescribes its own drill regulations with

the end goal of cultivating to the full alertness
and the presence of mind of each military
personnel not only during drills but at all times.
These attributes of character are essential to the
members of the AFP.

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 General

Drills consist of certain movements by which

the flight , squadron, group and wing is moved in
an orderly manner from one formation to another.

These movements are executed with

smartness, order and precision. Each individual in
the squad, platoon or company does his part
exactly as how he is supposed to perform.

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 General

The primary purpose of drill is to teach a precise

and orderly way of doing things. As drills increase
skill and coordination, they accustom a soldier to
respond to commands. Drills also promote
teamwork. It is important for a soldier to know and
understand a drill, otherwise, its value is lost. It
must be remembered that a drill is conducted with
precision. Hence, perfection is the only accepted
standard. Drill periods are frequent and of short
duration.

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 General

Finally, everyone gets a certain amount of pleasure

from doing anything well in joint effort with others.
A military ceremony provides the same reaction.
After every successful ceremony, every soldier-
participant can proudly claim: “I was there”.

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 General

As soldiers begin to master the art of drills,

instructors try to create a spirit of competition
among individuals and between units. Although
repetition is necessary when teaching drills,
instructors must use competitive drill exercises to
ensure that drills do not become boring or
monotonous.

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 The commands were derived from the
English words but are given in the Filipino
language to provide from uniformity
simplicity and preciseness and to suit the
Filipino commands in terms of voice
control, distinctiveness, inflections, and
cadence, the following guidelines are set
as a rule.

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 Definition of Terms
1. FLIGHT - At least two, but not more than four,
elements.

2. ALIGNMENT – a straight line upon which several

elements are ferment, or the dressing for several
elements upon straight line. A unit is aligned when it
is dressed.

3. DRESS - Alignment of elements side by side or in

line maintaining proper interval.

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 Definition of Terms
4. CADENCE – a uniform rhythm by which a movement
is executed or the number of steps or counts per
minutes of which a movement is executed.

5. COVER - Individuals aligning themselves directly

behind the person to their immediate front while
maintaining proper distance

6. ELEMENT - That is the smallest drill unit comprised

of at least 3, but usually 8 to 12 individuals, one of
whom is designated the element leader.

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 Definition of Terms
7. BASE – the element on which a movement is
regulated. For instance, in executing right front
into line the leading element is the base.

8. FRONT - Is the space occupied by unit , measured

from flank to flank.

9. IN COLUMN - Is the arrangement of units side by

side with guide element leaders to the head.

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 Definition of Terms
10. ARM SWING – the swinging of arms must be 6
inches in front and 3 inches straight to the rear of
the trouser seams, fingers formed into a fist with
the thumb over the forefinger.

11. PACE - A step of 24 inches. This is the length of a

full step in quick time

12. SLOW TIME - The rate of marching at 60 steps per

min.

13. MARK TIME - Marching in place at rate of 100

to 120 steps per minute.
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 Definition of Terms

14. DOUBLE TIME –cadence at a rate of 180 steps per

minute.

15. Rank - A single line of persons placed side by side.

16. Interval - The space between individuals placed side

by side.

17. DISTANCE– space between individual when

individual are one behind the other.

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 Definition of Terms
18. STEPS – the distance measured from heel to heel
between the feet of a man walking.

19. EYES RIGHT - the direction of the face during the

eyes right should be 45 degrees to the right side.

20. GUIDE- the man with whom the command or

element thereof regulates its march.

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 Definition of Terms
23. TO REVOKE A COMMAND – MANUMBALIK (AS
YOU WERE) to revoke a preparatory command that he
has given. The command MANUMBALIK be given prior
to the command of execution. The commander cannot
cancel the command of execution with MANUMBALIK.
If an improper command is not revoked, the personnel
execute the movement in the best manner possible.

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 Position of Attention

a. Heels on the same line as close to each other as

possible.

b. Feet turned out equally, forming an angel of

approximately 45 degrees.

c. Knees straight w/out stiffness.

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Position of Attention

d. Hips level, body erect, shoulders clipped to the

back and square to the front stomach in.
e. Arms hanging naturally along the sides w/out
stiffness, back of the hands out, thumbs along the seams
of the trousers and the fingers held naturally .

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 Position of Attention

f. Head erect and eyes straight to the front. Chin

drawn in so that the axis of the head and neck is vertical.
g. Weight of the body rests equally on both legs.
h. Remain silent and do not move unless otherwise
directed.

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Position of Attention

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 Voice Control
VOICE CONTROL

The loudness of a command is adjusted to the

number of soldiers in the unit. Normally, the
commander is in the front and at the center of the
unit and speaks facing the unit so that his voice
reaches everyone.

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 Voice Control
a. Loudness – a command should be allowed
enough to be heard an understood by all receiving or
executing the command.
b. Volume – is best attain by good posture of the
body, ease, proper breathing, and correct timing in giving
the commands.
c. Diaphragm – used the diaphragm in giving
commands.
d. Distinctiveness – distinct command should be
given to ensure correct execution.

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 Parts of Command

Preparatory Command – states the movement to be

carried out and mentally prepares the soldier for its
execution. In the command “PASULONG, KAD” the
preparatory command is Pasulong.

Command of Execution – tells when the movement is to

be carried out. In “PASULONG KAD”the command
of execution is Kad.

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 Types of Commands

1. In general, the word NA is used to signal the command

of execution except for the following:

2. TA (Abbreviated SANDATA) manual of arms.

3. KAD (Abbreviated LAKAD) from rest to motion, other

commands given while in motion, the general rule will
apply.

4. TO (Abbreviated HINTO) from motion to rest.

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 Types of Commands

4. RAP (Abbreviated HARAP) literal translation of

READY FRONT, facing

5. DA (Abbreviated HANDA) for attention.

6. NGA (Abbreviated PAHINGA)

“Tikas Pahinga” Parade Rest

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 Types of Commands

7. Combined Commands – the preparatory command

and the command of execution are combined. These
commands are given without inflection and at a
uniformly pitch and loudness comparable to that for
normal command of execution.
HUMANAY (FALL IN), PALUWAG (AT EASE),
LUMANSAG (DISMISS).

8. Supplementary Commands – are oral orders given by

the subordinate leader to reinforce the complement of
commander order. It is normally given between
preparatory command and the command of execution.

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 Types of Commands

9. Mass command – Mass command may be used to develop

confidence and promote enthusiasm. They are definitely
effective in developing a command voice when instructing a
leadership course.
When the commander wants the unit to use mass
commands, he commands
SA AKING PAG-UTOS (AT MY COMMAND). The commander
gives preparatory command describing the movement to be
performed. For example, face the platoon to the right. The
command of execution is RAP (COMMAND). When the
commander orders HARAP SA KANAN, RAP (COMMAND),
all personnel in the unit execute the command HARAP SA
KANAN (RIGHT FACE) in unison. Click 9
 Types of Commands
10. Directives – are oral order given by the commander that
direct or cause a subordinate leader to take action. It is
given in a sentence form and are normally prefixed by the
terms. A subordinate leader upon receiving a directive will
resort to the normal two-part command.
Example: “ITANGHAL ANG SANDATA”. “ Ipahayag ang
kautusan”

“PAMUNUAN ANG INYONG PANGKAT O TILAP,

PULUTONG, BALANGAY” is the only directive with which
a commander relinquishes his command and with which
salutes are exchanged.

A subordinate commander, upon receiving a directive, will

resort to the normal two-part command. Click 9
 Movements While at Halt
POSITION AND STATIONARY MOVEMENTS
(Flight Composition)

a. Attention (Humanda)
b. Fall in (Humanay)
c. At close interval (Masinsing Pagitan)
d. At normal interval (Tun-ton Kanan)
e. Flight Inspection (Pabukang Hanay)

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 Movements While at Halt
Salutes – Pagpugay Kamay/Tanghal

a. Hand salute (Pugay kamay, Na)

- Baba Kamay, Na
b. Rifle Salute (Tanghal, Ta)
- Baba, Ta
b. Eyes Right (Handa tingin sa Kanan, Na)
- Handa, Rap

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Salute

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 Rest at Halt
(one count execution except fall-out)

a. Parade Rest (Tikas Pahinga)

b. At Ease (Paluwag)

c. Rest (Pahinga)

d. Fall out (Tiwalag)

e. Lumansag

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 Facing – Harap Harapan
(Two count execution)
a. Right Face (Harap sa Kanan, Rap)

b. Left Face (Harap sa Kaliwa, Rap)

c. About Face (Harap sa Likod, Rap)

d. Left Halt Face (Harap hating Kaliwa, Rap)

e. Right Halt Face (Harap Hating Kanan, Rap)

f. Center Face (Harap Sa Gitna Rap)

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Facing – Harap Harapan
(Two count execution)

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 Steps and Marching

1. Change Steps (Palit Hakbang, Kad) - the command Palit

hakbang, Kad is given as the right foot strikes the
marching surfaces. On the command of execution Kad
take one more steps with left foot, then in one count
place the right toe near the heel of the left foot and
step off again with the left foot. Bring your arms in the
side.

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 Steps and Marching

2. Marching in Place (Patakda, Kad) - The command

Patakda, Kad is given as either foot strikes the marching
surface. On the command of execution Kad, take one
more step, bring the trailing foot along side the leading
foot, and begin to march in place.

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 Steps and Marching

3. Column Right/Left (Liko sa Kanan/

Kaliwa, Kad)

The command Liko sa Kanan, Kad is given as the right

foot strike the ground. On the preparatory command Liko
shift the weight of the body to the left leg without
noticeable movement. On the command Kad face 90
degrees to the right by pivoting on the ball of the left foot.
At the same time taking half steps in the new direction
with your foot, and do not allow your arms to swing.

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 Steps and Marching

4. Right/LeftFlank(Kanang/Kaliwang
Panig,Kad)

- The command Kanang Panig, Kad is given as the right

foot strike the ground, advance and plant your left foot
then face to the right in marching and step off in the new
direction on your right foot.

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 Steps and Marching

5. Eyes Right while marching

Two counts execution)

-The command Handa tingin sa Kanan, Na is given as the

right foot strike the deck. On the command of execution
Na count one step to the front with your left foot, the
smartly turn your head and eyes 45 degrees to the right
(except the element leaders and the guide). The
shoulder remain square to the front. The command to
terminate this movement is Handa Rap.

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 “Take the LEAD,
QUESTIONS SO
Soar as ONE”
FAR?
 TYPES
OF
FORMATION

9
FLIGHT IN LINE FORMATION

6 paces

1st element

2nd element

3rd element

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Flight in Column Formation

Click
Squadron - In Line Formation

12 paces

6 paces

3
paces
Click
Squadron In Column Formation

6 PACES

3 PACES

Click
Group Formation

18
Paces

6
Paces
3 Paces

12
Paces Click
Wing Formation

36
Paces

band

Click12 Pace
Wing Formation - In Column

Click
 Arrival Honor
Dice

12 paces

6 paces 6 paces

Band

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 “Take the LEAD,
ANY QUESTIONS?
Soar as ONE”
 “Take
ENDtheOF
LEAD,
Soar as ONE”
PRESENTATION
 “Take the LEAD,
DISSEMINATION!
Soar as ONE”
 “Take the
THANK YOULEAD,
AND
SoarAas
HAVE ONE”
GREAT
DAY!