Performance As A LIMES-IDEA of Art: Theater

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Literature:

PERFORMANCE ART CONTEXT Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (...continued) Literature:
Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: (... continued) Literature:
Kunstf. Bd.136 / Ästhetik des Reisens Richard Kostelnatz / The Theater of Butoh – Die Rebellion des Körpers Crossings (catalogue)
E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung
R. Shusterman / Kunst leben – Die Ästhetik Zeit – Die vierte Dimension in der Mixed Means. An Introduction to (Kazuo Ohno, Carlotta Ikeda, Tatsumi Zeitspielräume. Performance Musik
On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Gertrude Koch
des Pragmatismus bildenden Kunst Happenings, Kinetic Environments ... ! Hijikata, Min Tanaka, Anzu Furukawa, Ästhetik / Daniel Charles
(article 1988!) / Judith Butler Cultural Studies !!
Performative Approaches in Art and Science Using the Example of "Performance Art" Richard Schechner / Future of Ritual
Kunstforum Bd. 34 / Plastik als
Camille Camillieri (athropolog. view;
important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles of Pragmatics
Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the
Masquerade: Theorizing the Female
Kunstf. Bd.150 / Zeit – Existenz – Kunst R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura,
Yoshito Ohno, Dai-Rakuda-kann,
Musical Performance (book) Stan Godlovitch
performativity Kunstf. Bd.151 Mosche Feldenkrais / (Lit. on: - a philosophical study
Handlungsform James Clifford (ethno-historian) Andrew Parker & Eve Kosofsky Sedgwick K. Marcia Moen / Peirce´s Pragmatism as a Spectator (article) Akaji Maro, Nanten Harada, Akira Kasai
M. Foucault: Wissensarchäologische /Dauer/Simultaneität/Echtzeit Feldenkrais Method) Klangkunst (catalogue)
Victor Turner / The ritual process (book) Roger Caillois (athropological theorist) Symposium: Cross Gender/Cross Genre Resource for Feminism (article) Valie Export Yoko Ashikawa, Asbestos-an,
Diskursanalyse Matthias Schäfer / Mediennutzung und Dr. Walter Siegfried (dance theorist) Music and Performance (PSi7)
Version 02 - Mainz Victor Turner / The Anthropology of Erving Goffman Performance and Performativity Graz 99 Jean-Francois Lyotard / The postmodern Peter Weibel Sankai-iuku, Ko Murobushi, Yu Osuga,
W. Hempfer / Performativität u. episteme Zeitfaktor in der Aktionskunst (Bd.151) Willy Jansen / (PSi7) The Dancing Saints
Geraldine Harris / Staging Feminities. Condition: A Report on Knowledge (book) Sanae Hiruta, Teru Goi, Macunaima
PERFORMANCE ARRANGEMENTS Performance (book)
Richard Schechner / Between Theatre
P. Bourdieu (Hexis- u. Habitus-Konzept)
Victoria Best & Peter Collier (Ed.) / Performance and Performativity (article) T. Sarbin & V. Allen / Role Theory (book)
anders Denken – M. Focaults Philip Auslander / Liveness (book)
Ihab Hassan / process/performance/
Daniel Charles / Zeitspielräume – Gender and Trance Ritual in Different (Brazilian Group), Eji Ikuyo,
>performativer< Diskurs (article) Performance, Musik, Ästhetik Culters Hoppo Butoh-ha, Natsu Nakajima,
and Anthropology (book) Powerful Bodies – Performance in David E.R. George !! / Performance Michel de Certeau / The Practice of happening (Essay)
M. Foucault / Archäologie des Wissens John Cage / Für die Vögel – Gespräch Freddie Rokem / (PSi7) Ritualisations of Kunishi Kamiryo, ...) (Masaki Iwana)
Marvin Carlson / Performance – a critical French Cultural Studies Epistomology (in: Performance Research) Everyday Life Victoria Best & Peter Collier (Ed.) / (Esther Maria Häusler) (Gérald Personnier)
Performance as a LIMES–IDEA of art introduction (book) !! chap. Performance Milton Singer (ethnologist) / cultural Dwight Conquergood / article: Kate Ince / Between the Acts: Orlan,
M. Foucault / Die Ordnung des Diskurses
Powerful Bodies (book)
mit Daniel Charles (book) ! Repetition in Performance
(René Schmalz) (Sabine Seume) (Kjetil Skoien)
(Border Machine Performance) M. Foucault / ... Reader Diskurs u. Medien U. Krasberg / (PSi7) Ekstastetanz und Translating Dance (PSi7)
and the social sciences performance (developed as concept) The Performative Turn in Anthropology Performance and Performativity (in: Claudia Liebrand / Kinematographische
History of performance as the history of transgressing borders (M.-L. Lange) Sybille Peters / (PSi7) Towards a Theory of Performance ... (Sufi rituals) Julia Witworth / (PSi7) / Translating of the
Conquergood Dwight / Poetics Play, A. Nebelung / Zwischenräume (Methode Victor Turner / The Anthropology of Powerful Bodies) !!! Gender-Performanzen (lecture) Claudia Jeschke / Anmerkung zum
Art as border crossing (P. Bianchi) Fake / Towards a Fake of Theory Kinetographien (project) / Inke Arns, Mirjam Body: Physical Theatre Trainings, ...
Process and Power – The performative u. Ästhetik einer ökologischen Soziologie Performance J.-F. Lyotard / Das postmoderne Wissen P. Dubois / Der fotografische Akt (book) performativen von Tanztechnik und Tanz-
Off limits (hors limites) (Maribel Königer) Theorising the Performative (PSi7) Goller, Susanne Strätling, Georg Witte
turn in anthropology Herbert Mead => J. Butler Elisabeth List / article: Leiblichkeit, Nietzsche Thomas Dreher / Aktionstheater und schriften im 19.Jhd.
Counter to abbreviating and excluding discourses (with M. Foucault) Anja Musiat, Dorita Hannah / (PSi7) Writing
Janelle G. Reinelt, et al. / Critical Theory Prof. Christoph Wulf <= P. Bourdieu performatives Selbst u. Geschlecht Performance Research Vol.1 No.1 1996 Intermedia (article)
Gesture: Performing Words, or, "How to dance music theory
and Performance (book) C. Wulf (article) / Die Familie als article: Kultur als Handlung D.George / Performance Epistemology Paolo Bianchi (Video lounge at O.K.) /
with words“ theory of perception on
32/64 Views of the "Performative Turn" A.David Napier / Foreign Bodies – performative Gemeinschaft Gertrude Koch (C.S. Peirce) Pierangelo Maset, Hubert Sowa (Ed.) /
Jackie Smart / (PSi7) Processing Language Die Transformation der Kunst zum
Performance Art and Symbolic C. Wulf (projects): Die Hervorbringung Homi Bhabha / article: Of Mimicry and Man Ästhetisches Dasein. Perspektiven einer architecture (B. Leitner)
Article in Kunstforum vol.152 Kunst ohne Werk (Dirmoser, Nieslony)
A cluster model revealing performance (and theater) to us as a system of possibilities, Anthropology des Sozialen in Ritualen ... / Familien- Marvin Carlson / Performance – a critical performativen und pragmatischen Kultur
in Physical Theatre "Performative Turn“
Max Schumacher / (PSi7) Grotesque Food -
technoculture discourse 25 acoustic "view"
Ola Johansson / (PSi7) From Stage to Page
in which relations in the in-between result as though by themselves. ... (P. Bianchi) A. Artaud (ethnological studies)
W. Pfaff u.a. / Der sprechende Körper
Rituale / Rituale in der Schule /
Geschlecht und Rituale
introduction (book) !!
Michael Issacharoff & Robin F. Jones /
im öffentlichen Raum
D. Böhler et al.(Ed.) Die pragmatische Wende
Stephen di Benedetto / (PSi7) Mutable Modes From Film to Stage dance theory dance view auditive human voice (see below)
of Perception: Approaching Performance body research view
Sylvia Sasse / Zur Anatomie kollektiver U. Wuggenig -> Pierangelo Maset Discourse as Performance (book) Rorty, de Certeau, ... choreography view flight show with
Performative Procedures in Art, Science and Education (*1) as Visual Art film theory Performance
Körper in der russischen Performance David Frankel / Workshop in Performance Liturgie und Ästhetik (event Münster) dromology 26 movement view gestic
see:
the emotional role of music
for diverse rituals / creating with Sound
concert approach (STWST)
Performative procedures (for a transitional period) Theatre for Social Change (PSi7) Studies Ethnography (PSi7 Mainz) time theories view
movements as depiction basic atmospheres through music (long String Quartett,
Magic Maori, Artificial Savages and Martians:
Performance is not so much a new art form as a new paradigm, (De)constructing Indigenous Identity dance dance of
atmospher
Terry Fox, C. Marclay,
Andrea Sodomka,
sound
fundamental human states
it stands less for a new phenomenon than for a new observation dance performance performance (Monica Klingler) techniques e Sarah Marrs,
Takehisa Kosugi,
performance
of familiar phenomena. (David E.R. George 1996) studies Lifedance (Gloria McLean) of mood
(Yvonne Rainer, Trisha Brown Joan La Barbara)
(Xavier Le Roy) movement disposition
(Judson Dance Theater), (Christine Brodbeck: TP-founder in CH (Tanz pur)) sound sensuousness (Maria Berquet) (audio group,
Performance here becomes not only a subject for study but also an interpretive kinetic movement theater
grid laid upon the process of study itself, and indeed upon almost any sort of
Merce Cunningham, Monica Klinger,
Rose Garrard, Lucinda Childs) environments (2) kinetic
(Petra Deus, Klara Schilliger, Laura Dean)
(Katja Fleig & Seijiro Murayama) acoustic performance Jens Brand, audio
Sam Ashley,
human activity, collective or individual (M. Carlson) (Nigel Rolfe)
sculpture
(Company Catherine Contour) see also: course of events view
see also: view of the musical
(Jeanette Yankian "Aorta“)
H.-J. Gilgen, performance
cinematographic theater (LE): A performance exists (Anna Halprin, Robin Poitras, Orquestra del Caos,
(John Jesurun) impression of collage
Gabriele von Scheidt, Silvia Buol, score electroacoustic performance N. Möslang &
The great popularity of "performance" as a metaphor or analytical tool for only dance articulates Maren Strack, Genevieve Fallet)
and montage – videographic, filmic, study of basic types of (Mia Zabelka) Andy Guhl,
current practitioners of so wide a range of cultural studies. (M. Carlson) and ever as a flux energy
narrative – intrudes before every ecstatic body in
moving
(Honey and Milk: Dora Kiss,
F. und Joel Mützenberg) human movements acoustic effect
Noah Riskin,
Gerrit de Vries,
sound
film semiotics (incl. TV view) dance motion (B. Nieslony, Franz West, E. Wurm)
Recent studies have demonstrated the usefulness of the concept of "performance" psychoanalysis (Lacan school)
perception.
dancing bodies control (Robert Morris) Sculpture
(Mim Miriam King, Steve Paxton, Andrea Morein,
Dorothea Rust, Yoshimichi Takei, lying, standing, sitting, ...
of the body (Janos Szirtes) Richard Dunlap) Performance
in the analysis and understanding of all these ... human operations. (M. Carlson) process theories 27 filmic view dramatic logic
(John Greyson)
multimedia image projections -
everything in dance is gesture (LE)
sculpture in
Mari Tanikawa, Mona Kosa, Hanna Barbara,
Nigel Charnock (Ex: DV8), Kim Hyun-Ju,
(Lee Chang-Shik Park) Sound sculpture
(Mel Henderson, Paul Kos, (Alanna O´Kelly, Akio Suzuki,
meeting of real/virtual bodies Theater of see also: tableaux movement Tom Marioni)
Kim Young-Won, Bilderwerfer (D. Aschwanden), Junko Wada, Peter Zegveld,
(Isabelle Choiniére) gestures motion
Performance is closely linked to vivant Simon Whitehead, Hae Kyung Lee) research Harry de Wit, Toine Horvers,
film montage;
and (Nigel Rolfe)
mimetic-gestic (Skip Flicker)
analysis of live electronic musical Phill Niblock, Jens Brand,
The ideal performance /vs/ revolutionary performance approaches movements movement instruments Savier Klaro, Stadtwerkstatt)
The perfect performance (James Lee Byars) performance its flaw is that it is a much younger
(Sonia Knox,
Marcel Odenbach, kinetic possibilities of aspects of music
(LE) Theater resembles
hyperdance (Min Tanaka) vocabulary of
interactive sound performance
step-brother to film (BN) Elizabeth Chitty, the movement
(Dennis Oppenheim, Malgorzata Potocka, gestures of a movement performance (Eva Hurley) motoric movements (Benoit Maubrey & Brodin – Audio Gruppe)
film projection combined with Eulalia Valldosera (Collektive Al-Azaz)) montage of attractions Dan Graham, Peter Land, body (Benni Efra) comprehensive concert/
Iimura, Ulrike Rosenbach, Dance: having conducting kinetic sculpture otherwise
performance (Sol Lyfond) (Sergei Eisenstein's concept) movement juggling with repertoire of movement concert performance/installation
How can performances be analyzed? (Jack Goldstein – film maker) Martha Rosler, Joan Jonas, the (as not "used" electro-
an open-ended medium with endless variables The tempo of the Aernout Mik, Douglas Davis, behavior (Simone Forti) performanc (Recombinant 9.9.99 ars electronica
(Doris Balmer) (Stephen Laub)
using the quality of collages of events hands "in play" performance) Emotion from lat. Motio = Travel Art travelling as performance acoustic Posthof – all halls)
art performance / dance performance / theater performance / etc. (Harald Busch & Erhard Hirt) film cut is Takahiko Iimura, John Jerusun
outside oneself in dance Butoh see above (Kazuo Ohno) movement / e performance
(Anet van de Elzen) illusion Aernout Mik, Malgorzata Potocka, (Vol. 136, 137 Kunstforum) clothing (Joel Hubaut)
performative theories from private filmic brought John Wood & Paul Harrison, (B. Maubrey) concert
projecting "home movies“ camera replaces audience dance with the SU-EN Butoh Co. anger-irritation logic / travelling as global presence (Eva & Adele) (Dilettanten-
play-along
Daring to face uncertainty and temporariness (from network to interstice - the clustering) cultural science actions into theater (LE) Jean Otth, F. Pezold, Dennis Oppenheim, (Susanna Akerlund) Orchester Linz) (ZAJ)
(Anna Bring) (restrictive presentation conditions) Lydia Schouten, Joelle Ciona, Erik Internet fear or anger logic obsessed Green line walk (Die Fabrikanten) music
performativity discourse (Andy Warhol)
These aspects used to be Dettwiler, Bettina Grossenbacher & N. (Stelarc) with speed (John Tylo) (Jochen Gerz) (Dimitri Alithinos) (John Cage)
On representation: performance studies treated under the theme of film-specific performance hanging, floating, ... between rock
playing in video generates Widauer, Suzanne Joly, Jerzy Onuch,
(Carolee Schneemann, Flatz, Jill Orr,
Photo: Moment catcher – Performance travelling
performativity thrust communication concepts styles Private music
A "net" without edges (in other words a cluster) – contents are placed in spatial proximity. speech act theory performativity discourse
(see below) criticism: communication the interference of (works by Jack Smith) Performances (2) video Klara Schillinger & Valerian Maly, Alex Silber,
Maciej Toporowicz, Jaime Vallaure, Jürg Schmoll,
Peter Brambring, Butoh, Il Carrozzone...) images of feelings (Eva Hurley) (Gabriel Magos, Corinne Tache)
travelling and migration and scenic music
Crossings-Schema:
Jonas, Forti,
Semantic routes are to be set by the readers (in reading) themselves. language game theory / Praxeology and information theory have forgotten differing (Charlotte Moorman „sky kiss“) (Kees Mol)
28 performativity as view performance time rhythms
(Sam Taylor-Wood)
(Skip Flicker)
(Video Documents) performance Benni Efrat, Anna Bring, Gillian Dyson,
Anna Winterler, Jochen Gerz, Gelatin)
(Sankai Juku) (Bob Flanagan) (Jan MlCoch)
(Danny Devos – hanging in magic places) Performance in motion – travel art –
(Raúl Manrique &
Claudio Fabián Pérez Miguez)
collages
(L. feLugossy) performance
Charlemagne Palestine
L. Anderson. Haimsohn
feminist theories (J. Butler) Beckley, Kubisch
Conquergood: involving a shift playing with the Film Noir genre (Paul Couillard) (Devil´s Chauffeur – Roger Ely) (Mark Steger – hanging in trees) Resistance in motion capturing Dance Noise
pragmatism (Sistermann, Christine Kubisch, Fabrizio Plessi

A Poster Group by Gerhard Dirmoser and Boris Nieslony symbolic pragmatism discourse view from viewing "the world as text“ to
"the world as performance“ filming performers (Black Market) Video eliminates the
TV Van Gogh TV (Live and real time
television / Multimedia performance
(Robert
(Hadass
Sot –
Ophrat
in a
&
wreath
Guy
of plants)
Brieler)
(Performing Resistance,
Volkstanz,
moments (Anne Iobst, Lucy Sexton) David Moss, Chie Mukai, Albrecht D (ZEN)
Jannis Kounellis
Endre Szkarosi, Michel Asso,
Version 01u.02 / 08/1999 – 04.03/2001 Linz/Cologne / A-4020 Linz Waltherstr. 2/2/5 G. Dirmoser pragmatic-hermeneutical turn (Jack Smith – Retrospective Graz 1999 necessity of performance Hotel pompino) under water performance (Angie Hiesl)
Gettoattack – Vienna)
Dance&Performance activists moment art cycling all over the Bonnie Barnett, Leigh Hobba, Lentz, Dunlap, Tom Marioni
gerhard.dirmoser@energieag.atgerhard.dirmoser@energieag.at / asabank@asa.de role theory (T. Sarbin) performative turn (Bonnie Marranca, Conquergood Dwight, Smith repeatedly treats his appearing neighborhood (Kirsten Forkert) Luca Miti, Maxime Rioux,
Expansion of others:
Translated from German by Aileen Derieg 11/2002, a.derieg@site38.ping.at discourse analysis Fischer-Lichte, ....) films before an audience (Nam June Paik & Charlotte Moorman) (Friederike Pezold) Marianne Schuppe, Attila Dora,
(Douglas Davis) touching the inside of the TV
film projection aesthetics of speed cf. Instant Tibor Szemzö) Jon Rose , Christian
All rights are retained by the authors (print-outs for private use are desired) Theory as/of Performance cf.. pragmatic-hermeneutic turn performance as for performances) Autoportrait Performance without
(Tache & Magos)
Marclay
filmed performances (Matthew Barney) into Intervention
mental model (Carlo E. Lischetti)
movement performative moment ZAJ (Walter Marchetti,
Performance is less a new form of art than a new paradigm, (Lit.: Georg F. Schwarzbauer)
the theatrical slow motion-like movements (Wilson) Dance of Transgender Performances with/as/to Juan Hidalgo,
Thanks to: Paolo Bianchi (PB), Wolfgang Preisinger, Attila Kosa, Eva Kosa, Performance = filming actions Architecture-Performance & Stadtwerkstatt-TV projects (John Latham) (seeing with the body ...)
it stands less for a new phenomenon than for a new consideration of as performance (4 Days of Buffalo) /
slowness (Wolfgang Duck) (Min Tanaka) (Hunter Reynolds & music Ramón Barce ,
Gerhard Fröhlich, Gottfried Hattinger, Udo Wid, Peter Arlt, Georg Ritter, significant familiar phenomena (David E.R. George 1996) (Kurt Kren (on Otto Muehl, G. Brus)) Film Trash-TV Abramovic/Ulay Pattina du Prey) staying on the road (PB) Esther Ferrer)
see: Ars electronica "no one is sure of himself“ (Urs-Peter Schneider)
Gabi Kepplinger, Eva Sturm, Herbert Wimberger, Josef Nemeth +, Hakan Gürses, theoretical framework (Gordon Matta-Clark 17 Films) (Schlingensief) dance articulates energy / dance as competitive sport (A. Périgot) part of every performance: music Z´EV, Ian Smith
performativity of Automaten TV etc.
Just Merrit +, Rainer Zendron, Black Market, Astrit Schmidt-Burkhardt, Alexander Sigel Performance as a concept in Performativity as new perspective / taking movement filming partner (Walter Pamminger) everything in dance is gesture dance & martial art (Li Portenlänger) (Stadtwerkstatt) FUCKKEAD, Anne Bean
language approaching one another (Iréne Maag & Chen Tan) Paul Burwell, Sam Ashley
Special thanks to the theorists Marvin Carlson, Hubert Sowa, H.-T. Lehmann ethnography, the dominance of textuality is penetrated into consideration (Carolee Schneemann's friend) multiple film experiments with (Schimpfluch) (Zoltan Szabo - Judoka)
view of orality Nancy Buchanan
anthropology, sociology and psychology in theory models Anthony Cox: husband of Yoko Ono)
projections TV cameras In plunging and elevation, pain Aleatoric sound and Richard Maxfield
see: performative TV projection (daily news) combined dance theater intensifies, shifts, aesthetics of duration
1.12.1993 Sedimente 4.3.1995 – 4.3.2001 space can only be performatively (Proj.: Kinetographien) (Stan Vanderbeek) (Alex Hay & Deborah Hay) and provocative erotic, the movement Endre Szkárosi
distinction pedagogy performative speech act body as projection surface with dirges (Dr. Walter Siegfried) invents movement impulses
see: performative form of experienced as space gestic research question is posed with Nietzsche ongoing performance: the question performances Grundheber CAP
performative Performative turn in theoretical discourse for films (Carolee Schneemann) and (J. Cage, Merce Cunningham) Jörn Luther , Misa Savic
Note: *1 (subtitle of the book "Schreiben auf Wasser") performativity of the insight (analysis model for the specific performativity of the using film (Valentina Factory of the Excentric filmic vision: in multimedia and intermedia art of the "dancing god" (LE) of Krzystof Zarebski,
performative knowledge (R. Schechner) body memory cf. Life Art / Live body
Works gestures (LE) plagiarism 60s: real bodies in real Audio-Landscape (Wilson)
(historical) anthropology social system (Lit.: Lyotard) of the physical body (e.g. dance technique, handling, ... "learning with the body" genre "dialogue") stories run in the monitor Baradinone, Gelatin) Actor (Eisenstein) (incl. happenings, performances) "filmic Irit Bluzer, Helena Villalobos
(see: V. Appfelthaler) performative understanding (Sowa) (Timm Ulrichs) time Mark Trayle, Bender&Nern
ethnology encroachment / infiltrated performing knowledge cf. hidden/implicit knowledge) cap vision" "Time based art“ also musical Pauline Oliveros
expanded cinema (as method: USA => A) (Gabriele in real space
theology / New Age discourse
theater anthropology
situation masculinity/femininity see: the performance of the
centrality of performance in the
(Kyung Ja-Na)
(Jack Smith, John Latham, Valie Export, Peter Weibel)
Cinemasculptur supersedes static vision (Th. Dreher)
performance behind
Performance to Oßwald & time art includes time-based experiences (Scott Macleod) stagings
(Günther Wallraff, Karel Dudesek)
construction Smith combined film and cinema slide e experimental film Wolfgang video and new media (Norbert Stang)
ethnography see also: culture-theoretical view (Gianni Motti) as cultural body (Alan Finneran) running projection Sautermeister)
arts tied to the course of time
time as material (Karl Kaltenbach)
(Anne Hody) (Pat Ferrero)
infiltrating hospitals as doctor performance and maintenance of social relationships (Enrico Bugli)
performance studies ethnography (performativity) B.M. is performative projecting close-ups temporal view of performance design acoustically dynamic
29 socio-logical view the performative is a Orlan´s "Reincarnation“ project: influenced by experimental film and shadow physique of the voice in
Literature: cultural anthropology (Cabinet De Medicine)
couples as
(femininity: Sakiko Yamaoka)
public "construct" (Judy Radul)
cultural act A case study for the overlap dynamization of films
(Sol Lyfond) (Anet van de Elzen) (Gelatin) film actors as time based space perception
26 temporal view
performance as (J.W. Kronik) (Klaus Rinke, architectonic
Literature: (... continued) sociology and performance performers (Akiko Izumi)
Kunstforum Bd. 25 / Schamanen
Audrey Colby / (PSi7) Acts Apart sociological discourse social, social performativity of gender between categories and models (Madonna Hamel)
B&W films as material filmmakers as performers (and vice versa) art Ralston Farina,
Ruedi Schill,
spatializing
(B. Leitner)
performative sound
J. Raap / Kunst u. Schamanismus (article)
Carol Fischer-Sorgenfrei / (PSi7) / Animal- exotism discourse social view political strategy (burning
performativity and performance
A performative moment has been important demarcating (John Jesurun, Valie Export, ...) curator in the field o Sakiko Yamaoka,
performative
sites
Hartmut Kraft / Über innere Grenzen -
Initiation in Schamanismus, Kunst,
Human Transformation in Japanese Perf. tribalism debate (tribal culture) economical and 1 Mill Engl. pounds) (J.Butler) gender: a category constructed through to reality (Helmut Schober) machine-controlled
film time and event
offering a "different" filmic
film
(Bettina Wagner) commentary (Pawel Althamer) view of the musical score Peter Kalmus,
Michael Murin)
level
of pop music (spatial music)
Ulrike Krasberg / (PSi7) Ekstasetanz und structuralism discourse see also: political view performance many art works since the 70s emotional impact sound, music,
Religion und Psychoanalyse (book)
Performance ... (Sufi-Ritual) (game rules of art)
social plots (John Malpede) (not a given social or cultural attribute) gender = a "doing“ performative levels in pop
(GANG ART) film
(Istvan
projection
Kantor)
(torture) view
of the performance of the medium of
on musical
score, composition
Performance of Healing (book) social behavior as performance (Goffman) unfettering the fine arts see: time units for the event film diaries time as Performance as the transient, flowing, ... performativity
Silke Wolf / (PSi7) Transformation ritueller social film Performances action scores (cf..: view of the musical score)
Carol Laderman (Ed.) performance as social practice (see below) see: performativity of in actional arts (Proj.: Kinetographien) music (Balz Raz) medium
Performanzen message the exhibited discourse notions of (category 03 according to M.-L. Lange)
J.L. Moreno / Psychodrama (book) (Nilofar Akmut) feelings (series "dis-positiv“ Vienna 05.2000) Film, Music & Performance process (Ralstonendless
Farinas) repetitions innermusical performativity –
Joachim Hersinger Waldegg /
Petra Kuppers / (PSi7) Mapping Physicality:
social social
hexis/habitus as a series Outsiders are see: performative (Michael Murin & Peter Kalmus) process art (Magos, Stuart Brisley) (Endre Tót)
times What is staged, random and music as a sui generis
Der Künstler als Märtyrer – Skt.
Translating Difference of in-between beings (PB)
performative self
(the self in sculptures The discourse is that, for which There is no knowledge demonstration (Judith Barry)
composed performative,
Sebastian in der Kunst des 20.Jahrh.
Callie Sandahl / (PSi7) Speaking performance performance performative practices Theater is the
process)
Performativity of forms and without discursive praxis
(Focault) Postdramatic theater circular form of time
ephemeral
art
coincide (Akio Suzuki & Junko Wada) physically staged phenomenon
Communities the only medium with real art of the of materialization with which one fights (Foucault) Performance in front of see also: mimicry of (Prof. A. Riethmüller)
performance accentuate
Mary Ann Doane / Film and the
Masquerade (masquerade theory)
into Existence: One Person at a time see: prediction actions with job-seekers, unemployed social quality is every other human social
Identity as performance (project: Kinetographien)
dis-curs (running back & forth)
video projection 27 process view the
(Giardini Pensili = Bordoni & Dalo) musical score (Kaprow)
life classic texts are also underlaid with pop
Marianne Kesting / Das Happening als
Richard W. Mitchell / (PSi7) Laughing like persons, homeless, prisoners (STWST) researcher being (BN) per se (LE)
Performativity as the performance art
(Oscar MacLennan &
Anne Seagrave) act over the result (LE)
Flow – action with a
Clip Performance
(Pipilotti Rist) performance understandings (sensation of rhythm) (LE)
Crazy: Performing Comedy with/for (Filomeno Fusco, Victor Kégli) (Santiago Serra) a performance is capable Performance art often
pseudo-religiöse Opferhandlung (article)
the ´Insane´ magic ritual (BN) social action (Tom Marioni)
(Pino Poggi)
(Karin Meiner & of creating "communitas" moment as act of positing meaning moves view of the act Deep flow = is an
ecstatic
acting fuse
dramaturgy
clips moved innerly through perception of
Christa Lichtenstern / Metamorphose.
Kanta Kochhar-Lindgren / (PSi7) Earth Arts: social actions (Roland Miller)
pity /
social feelings
Manfred Hammes) (Jürgen Fritz) social sculpture of touch permanently repeating itself in a discursive gap experience
outside time
(Roman Signer)
boredom (Norbert Klassen
music/sound/rhythms
Vom Mythos zum Prozeßdenken (book) (approach to) ritual performances (Franz Müller) pragma-art process-oriented art / process-oriented procedure direct time- short performance (very long
Aristoteles / Katharsis-Begriff
Performance, Landscape and the Voices
(Category 04 according to M.-L. Lange) actions with Theatre of performance sculpture (Ray Langenbach)
Foucault: ... the mechanisms of (action and process
Performance as the processual,
images
(Büro Haake-Brandt) insisted on it for B.M.;
but he is the only one with
performances are hardly prepared ritual music revenge of the Indians
of Difference relationship social sculpturing performativity as creating identity cf. strong boom of process view flowing (Sakiko Yamaoka)
anymore today) on
Theresa Smalec / (PSi7) Healing Shattered concrete Social Change (PSi7) as discursive formations could be instead of contemplatio) see also: process from
(Klaus Rinke) a score) (Maria Fisahn)
Ivy I-Chu Chang / (PSi7) Theatre as Therapy, Performative Transformation (PSi7) per se (J. Beuys) (Volker Hamann)
method as picked up specifically in the in business administration and European music (Art Clay)
Subjects: Ron Vawter´s "Roy Cohn/ goals (Lidl-Academy) social situation (cf. Michael Lingner, the threshold situations
Therapy as Theatre therapeutic discourseg From action (Bruno Hoffmann) (Labin Art Express) a process of repeated quotation in-between space of scientific informatics immediacy (nothing can action
Jack Smith" as a Performative Means of performance as knots in the social Eva Sturm) (in the course of events view) acoustic
Translating and Transforming Cultural gestalt therapy view of transformation See also: to transformation pair performances
(Marina Abramovic & Ulay) social experiment aesthetic social
guest work (PB)
J. Beuys' actions as
sculptures in space and time field deconstructive
discourses.
since about 1996
livenes
Primacy of the
process
short processes,
view of artistic production
swarm of processes be environment music
Traumas psychodrama / psycho-techniques Theological quasi-mythical (category 08 according to M.-L. Lange) (Kira O´Reilly) „performativity“ of Paul de Man Discursive practices differ from non-discursive Pragmatism as culture studies (Manfred Vänci Stirnemann) structures of action taken back) / noise music
Elizabeth Köpping / (PSi7) Charismatic primal scream therapy View places social "face" as highest good paradigm (cf. Gertrud Koch) s see also: performance as action Live character Performance takes (H. Mucken –
Fluxus (2)
Healing as Transformation system theory 30 magical view Stalker (as concept)
attacking social
mechanisms
(Chicago)
affects as (honor, integrity, recognition and
(technical, institutional, economic, social,
political) practices Performativity as the "more pleasing variation" live
live performative "being at process design see: M.-L. Lange categorized performances place M. Vorfeld,
Rolf Langhans)
(Zygmunt Piotrowski) Shamanism (V. Acconci)
community one" in the "here and now"
Translating Difference: Performance and dance theory
(mobilizing spiritual forces)
Topicalizing
energy not just tolerance) /vs/ gnosis (BN) discourses are acting performance of the Zen archer or
(see study Stadtwerkstatt-TV) according to action structures
slowing down the Fluxus movement emanated
Disabillity (PSi7) alchemy, hermetics
Ritual and Initiation „as“ (Rolf Hinterecker) (Geert Duintjer)
relationship (G. Magos performance art suppliers and loss of face) practices 28 pragmatistic view cf. pragmatic Samurai warrior time remaining in the present from
esoteric debates / New Age Ritual (2) shamanist dismemberment (Brus)
(Anna Homler) (Raphael Montanez Ortiz)
(Nam June Paik) (J. Beuys) (Brian D. Tripp) & Corinne Tache) organizers of initiation
religious themselves hermeneutic (cf. Flow)
forms of forms of the course of reducing energy music, among other things
discourse interaction attention
psychology
performances (Kim Suck-Hwan) (Yong-Gu Shin) (Inka Bernstein &
Club Hofmann)
images of social social space
investigation of the intimate zones themes
role view
turn
mimicry
live composition as see: communication view of duration: chained together 1 year
(Prediction) Performance art with its radical Musique sonore string
(Nelly Agassi) (Holger G. Herrmann) community (Ulrike Rosenbach) process concepts (Linda Montano & Tehching Hsieh) assertion of real time as time experienced (Joachim Montessuis)
Laying open - sacrifice - shamanism (Jappe)
(Lorena Menoez &
Fernando Fuentes, as performance
relationship questions (cameras,
of the body social (Bilderwerfer) symbolic
actions
the spiritual / the holy It is how it is – the art (J. Cage) process-analytical
(3 days: Linda Montano & Tom Marioni) in common (LE)
installations
(Paul Panhuysen)
Mask / masking (cf.. identity) illusion (7 years of living art: Montano)
The body as magic sculptural Birchler & Hubbard) monitor): Androgynous – Marion performative generation of expectations of salvation (Tour de Coulór) emotionality works performative
masquerade Shamanism and animism (as precursor of performative simulatio automatis (1 yr. cage, 1 yr. stamping, 1 yr. no interior space taking care of the right atmosphere
(Boris Nieslony, Norbert Klassen, (Z. Warpechowski) (Serge Pey) object with cathartic effect
In our culture, artists, priests,
Leyh, U.Peter Schneider, Ruth
Bamberg,Philippe Micol)
distinctions, i.e.
performance) generation n
mimicry cf.. Stadtwerkstatt-TV
cf.. Taxi Orange
through live (Büro Haake-Brandt)
m Tehching Hsieh)
game rules
perception of time
and
(Viennese Actionism) separations Foucault's archeology is an ethnology of his own culture selling presentation processed objects cf. Taxi Orange
McCarthey, Joan Jonas, Franco Vaccari,
Allan Sekula, Artur Tajber) Animism (cult of the soul)
doctors and psychotherapists
have taken over partial areas of and congruencies of social of belonging snowballs of life (Performing Resistance) ritual (see left) material ordered
thus also for the right thinking
acoustic design as
Media shamans (Jürgen Fritz) shamanist functions groups (Gebauer with Bourdieu) see also: intercultural exchange in (David Hammons) course of in
Alchemistic theater Kabalistic e.g. simulation of an office processual long-term performances (Das Konzil, Nieslony, rhythmization of the event
Cf. magical theater performance you need a role
(A. Artaud) =
Self-painting (G. Brus)
White man (Roi Vaara)
(Antonin Artaud) (Kees Mol)
Aesthetic alchemy (Rimbaud, Mallarmé) 700 BICAPONIA-Performances
references (Nelly Agassi) (BN) performance is directed
29 anthropological view / to become yourself
performance as socially (Ingold airlines: Res Ingold) (Philippe Cuny u.a.: Protoplast) moment art (2) aesthetics process
processual unfetterings Alastair MacLennan, B.M., Bodo Berheide, Robert Sot) trance as script
(Jacques van Poppel)
(GANG ART)
the incredible power
against blind faith in marked role play (see below) (Abel Bankprojekt) (FEM-Warenzeichen) (Bender & Nern) (Proj.: Kinetographien) (Matthias Jakisch & Elvira Santamaria, Ulrich Lepka)
the "omitted" staging (LE)
Theater of Cruelty White men (T.R. Uthco: as rituals of a private shamanist Shamanist (Cindy Sherman) of
Dough Hall, Jody Procter, Brus,
Physio-Psycho-Alchemy (Raphael Montanez Ortiz)
religion qualities
progress
ethnological material ethnological view performance as mimicry of business
(Ruskin Stichting, Rotraut Pape, u.a.)
changes and
course of
(latitude, lacunas)
music and rhythm
Self-painting = Yong-Gu Shin)
Alchemy (Anna Homler) (German Vinogradov)
Shamanist journey (John Sturgeon) (Thomas de Chirico) social and role subversive dynamic way of dynamics / repeatability of staged rhythmic
Literature: surmounted Yellow man (Lie Wen)
religious allowed to play along simulation looking dynamic processes time process of events
Performance as staging (see below)
Camouflage painting (V. Kutscher) Transformation (2) (PSi7) multimedia (Rachel Rosenthal) view performances (Lili Fischer, Laurie Anderson) performance
Kunstforum Bd. 87 / Kunstgeschichte
Birth
self-mutilation
Search (G. Brus)
for the Like spotted animals (Mette Aare)
Alchemy of the
kitchen Art as site of transformation (PB)
Performer as modern
shaman
theological view identity (Islam) (being part of the game)
see identity
of platitudes course at psychical processes
co-determined
rules of
operations
becoming image (LE) (Esther Hiepler)
des Feuers sacred (A. Artaud)
(art incube)
Completely out of ethnographic (Majida Khattari)
role (in)security
(Biefer/Zgraggen)
with transgender with
Erika Billeter / Mythos und Ritual in der
(Fumiko Takahashi)
The body as canvas (Attila Kosa)
Transformation as aesthetic
Performer as modern witch performances – following traces religious view / art (performance) as substitute for religion? artist as (participating) and permutations performing music and video art
Kunst der 70er Jahre
Alchemistic control
(Nikolaus Lang) behavior researcher performers do persons thread (Jordan MacKensie) Concept art of the 60s - body art (K.
praxis paradigm staging (2) (Les Reines Prochaines:

Transition to Modernity (PSi7) Fertility With and about fire ...


Alchemy of the laboratory category (FL) (Ion Grigorescu) Mudman
mudman's artist as anthropologist artist as skeptical living (U. Wid, A. Fraser) not (failure in daily "glance traffic")
performance as mimesis (see below)
Rinke)
(cf. praxeology
art (2) M. Fuchs, Fränzl, Madörin,
Trance states
Bonnie Eckhard, Frederick Corey / (PSi7) (Victorine Müller) (Kain Karawahn, Otto Piene, Stadtwerkstatt, Young-Chul Shim)) ordinary
life-art-work Gotthard
Trance (Helmut Schober)
(Kim Jones)
(Young-Chul Shim)
(Tokio Maruyama) (Nieslony) anthropologist (PB) (BieferZgraggen) prediction
play a "role"
(Klaus Rinke,
Michael Schmidt, primary on Wittgenstein) theory of the
Muda Mathis, S. Zwick)

(Holger G. Hermann, Thomas Ruller, Lukas Berchtold) (Boris Nieslony) (Jean Odermatt)
Transformation through (Serge Pey) seminars (David Thomas) cultic contemporary investigations (FS)
p-theory as theories of Endre Tot,
demonstrations moment
Missed Callings: Myth, Middle Age, and Panic in burning paper tent (Igor Sacharow-Ross)
techniques performance "like anthropological studies" (Bettina Kleinhammes, Annegret, Soltau)
Yasunori Shiobara, staged (James Lee Byars)
Memory Cosmological Fire circles (Zorka Ságlová) flame thrower (Just Merrit)
magical (Terry Fox) Ritual direct recourse to
Body dismemberment & violence /
(Kurt Fulton) Ethnolog. research into social
prediction (2) ritualizing everyday
behavior
performance as rituals of transition, of transformation Ruggero Maggio, interactive Performance as
M. Serres view Fire & water (János Szirtes) , (SRL), (L. Berchthold) procedures: costumes, masks Spiritist sculptur shamans
body fragmentation in
conditions (Kurt Fulton & Richard Schachter) actions (Translation TRANSITION Transformation – PSi7) Lee Chang-Shik Park) (cf. Gestures, Attitudes) processuality events (2)
Udo Wid
cultural anthropology
Fire theater, live flame (A. Heller) Model of cannibalism
seance
session e (Schmutz)
performance
(Reindeer Werk) (Alastair MacLennan) of cultural actions sound experience
structuralism (discourse) mythic view Incinerating rare plants (Terry Fox) Fire Table(s) (Ric Allsopp)
In a burning tank under water (Harrie de Kroon)
(Lygia Clark) anthropophagy
(Judith Lorena Mendez Barrios)
(Rolf Langebartels,
Vollrad Kutscher)
(LE) Presence of the deviant body triggering "immoral"
forms of culture
(forms of
"holy" performativit performance as ritual (see below) ritual as means for coping with crises artistic action
the moment of the living
(Roman Signer)
(Renee Kolla)
Forms of therapy that
myth discourse
Recipient in a burning gyrator (times up/Just Merrit)
Burning clothing piece by piece (Barbara Sturm) Action with stone
fascination, discomfort or anxiety because it deviates
from make use of expression)
reality
of the body the gift
y
of rituals
ritual actions (Thomas de Chirico)
ritual performance art (Réné Ynez) ritualized performance (Rebecca Belmore)
/vs/ artistic production
process +Performance as staging
literature discourse
deconstructivism
31 mythological view View of the elements
(Stephan Goedecke) Death and the Therapeuti neurotic rituals – the norm due to illness, handicap or deformation performance church service as the essence of the
performance ritual and emotion process and
(vs. reproduced process)
(Moreno) probing the truth of the
Smeared with earth Lying under stones beautiful shaman c intensity of a techniques performance (USA) exchange ritual poetry of cultural pattern
memory theories (fire, earth, water, air, ...) (Yin Xia-Feng)
(Just Merrit)
Forms of therapy as analytical ritual using the example not soul
(Dieter Appelt) (M. Abramovic) seances hysterical See: psychoanalytical view projects is the tie, the plea rites ritual
(Hanka Lee) (Katharina Trost) "session" (Clegg & Guttmann) (Karin Bille, Jürgen of finished result through action - catharsis of action
(Aktion im Moor – J.Beuys)
(Lygia Clark) psychosis Therapeutic action Fritz, Thilo Hain,
Cf. identity Lying naked in the Temple sacrifice and fire rituals Butoh ritual mourning Acting out (process and not just analysis)
view water
(Siglinde Kallnbach) Fear-angst system (Reindeer Werk)
therapy 30 therapeutic view (intention of body art) purification ritual (Hansjörg Marti)
presentation ritual Walter Renner) mourning-depression(Ines Tsengas) theater is
Ghost Machine: stream of fire/stream of (minus delta t)
(Mitsutaka Ishii) Group therapy as installation of objects rituals system being in the
stories water Mermaids washed ashore
(Dieter Appelt)
Creation
Pain, death, transitoriness,
rebirth
Therapist as performer
(Yuko Yamamoto) ("Lovepangs" congress /4 phases of pain)
external and internal
purification
sculpture logic of mourning
at heart a
process
(Ping Chong)
Aboriginal
(Erik Hobijn) (Myriam Laplante) myth
(Jürgen Raap)
Galvanized
into (Gideon Gechtman) (Peter Gilles)
Artist as
Work with HIV patients
disability view Therapeutic
(Emil Gropoz)
pain &
rites of
Cath. rituals
(De Chirico &
death mass (LE)
(Matthias Jakisch)
Performance in the ocean Close to nature (Hannah Wilke – her dying body) martyr (Jordan McKenzie) Purification (Verena Schwab) initiation ceremony / (Jürgen Fritz) Angelika Thomas) Buddha States (Chen Chieh-Jen)
myths Rooted in old (Yong-Gu Shin) the symbolic Performances of Death in America (Cf. G. Brus) St.Sebastian – Purifying power acting out catharsis (Goji Hamada) Theater as
Bodies connected to trees with Theater in Performance of Healing cult action
(Kevin Mortensen) myths hoses (Enikö Szücs) Like a stone-age man (Andy Warhol) pierced
therapeutic Performance and Disability (PSi7)
of Performance as catharsis (cf.. below)
blessing
s
processions process (LE) Performance as Process
Literature:
Literature: (... continued)
Mythic Prerational logic of
(Jerzy Beres)
Archaic and culture memento mori
sacrificial lamb
(Ron Athey) pedagogy ritualized pain cultic purification (Alastair MacLennan) ceremony art ritual consecration mudmans
Performance und Performance Art / rituals mythical image worlds Archaic medical (Gina Pane, H. Nitsch) (Karina Wellmer-Schnell) performances
self-purification
Kunstf. Bd. 96 G.J. Lischka
J.-F. Lyotard (event, performativity, (Günter Brus) mythological
elements Archaic, Butoh (Gérald Personnier) (event or object reminiscent
of death) / memorial rite
(cf. Mishima)
Embalming of a performance
mental and physical (ADAW Palaf) (Ralf Vormbusch) cf. identity view Seminars (2) in imitation of
language games, ....) ritualized and structures cf. Fakirs disability Wheelchair performances mudmans
Beitrag: Schneisen im Heuhaufen –
J.-F. Lyotard / The Unconscious as Mise- myth-related performance Group and family myths Ancestor cult
in performances (James Lee Byaars: performed his death) chicken
mental (Kraft/Petz) (René Schmalz (Butoh)) (Krüppelschlag/Just Merrit)
Orgies-Mysteries Sacrificial rituals (Max Dean) ritual performance (M. Abramovic): goes directly back (Rolf Hinterecker)
Formen von Performance-Art Archaic forms of (A. Heller: laying out of self) (G. Bruckschweiger) crucifixion scenes rituals on Hawaii
Marie-Luise Lange
en-scène (in: Performance in (See also: rituals)
(Moira Roth, Carolee Schneemann)
(highly emotionally charged) reminiscent of expression Death Meditations (Nina Wise) As a mummy in natural location (Liu Cheng Ying) derangement
Retro-performance
(J.Lothar Schröder)
Sex in a wheelchair
(Bilderwerfer:
Theater fertility rituals
"The lips of St. Thomas" carving, (Charlemagne Palestine) to
Postmodern Culture – 1977) Political remembrance of the dead (Balint) (Grahame Davis) whipped, naked on cross of ice shamans (dirt)
Critical theory and performance (book) Personal mythologies archaic roots (Arnulf Rainer)
Sale of Roman Catholic pictures of Cover performances Conny Scheuer, Elisabeth Löffler) (Hermann Nitsch) ceremony (Kim Jones)
Hassan Made up like a corpse (Shaun Caton) Performance as blocks (religious) (Ronaldo Ruiz)
Patrice Pavis (Rosa Galindo, Pedro Garhel) Bedded on archaic Archaically saints (Verena Kraft & Kurt Petz) art-therapy cultic actions
Hannah Arendt / Vita Activa (book) Far Eastern myths (she stages herself as sacrifice) ceremonies
Jürgen Schilling / Aktionskunst (book) frameworks poetic (Mike Kelly / Paul McCarthy) (Paisan Plienbangchang) form of action in
Johanna Malt / Performative Constructions (Dieter Appelt) (Richard Schachter) gay perspective Everyday artistic Christian of the Indians
Marvin Carlson / Performance – a critical
of Meaning (article)
(R. Schwarzkogler) Dionysus – paradigm for a
new myth of destruction
(Lee Wen)
Sex with the Dead (John Duncan)
Distribution of holy pictures as thanks stories Maim dancer (Krüppel)
therapeutic Easter piece (crucifixion situations)
mass liturgy
rite (Joan Jonas,
introduction (book) !! Mythologization of the self mythic material for donations (Renate Bertlmann) praxis (Cheri Gaulke) religious attitudes naked in church
B. Stanton Garner / Bodied Spaces:
Dorothea von Hantelmann / Der andere (in part, cf. Ortiz, Nitsch, Lebel,
(Colette) (Rachel Rosenthal, Meredith Monk) Ultimate performance:
Theme of death story- (Nonko Ono) Mourning depression system (Jerzy Berés) (Wolfgang
aesthetic Duck) Tina Girouard,
James Luna, against Performance as act of positing meaning
Schauplatz: Theatralität u. Performanz Postmodern: (Hassan, Lyotard) Mühl, Kaprow, Knizak, ...) (Markus Schwaighofer)
Semantic, philological fear of abandonment system Artist as "sacrifice" Standing on hammered in way
Phenomenology and Performance
in der zeitgenössischen Kunst process / performance / happening Mysticism and mythologies (are Individual Myths of the world
(lethal performance as model) (Gianfranco Baruchello)
(Mary Noéle Dupuis)
telling (2) and nails of praying
(e.g. Catholic liturgy) Yolanda Segura) the rite (Mette Aare)
+Performance as interpretation (BN)
Nick Kaye / Postmodernism and not accepted in performances:
mythologies (Marco Ivaristtis kills animals Performing Trauma Performance as drive analysis (P. Kochsomrong) Performances of TV-preachers
Bonnie Marranca & Gautam Dasgupta Ed. work-in-progress, incomplete, fluid A´battery A“) (Jill Orr) etymological instruments (Nitsch)
objects from the
Performance (book) ! to provoke reactions from (PSi7) (and art analysis) (Via Lewandowsky) (cf.: Schlingensief)
David George / On Ambiguity: Towards a
Conversations on Art and Performance open, playful, optative, disjunctive, displaced, a discourse of (Jonathan Meese) Mythical
mystical the audience) 31 content view (Luca Patella)
Cf..: contemplation /vs/ religious Catholic
Post-Modern Performance Theory (article)
Philosophie in Aktion / P. Bourdieu, Hakan fragments Media, myths, fairy Content aspects Poetic
Performance = ecstasy ecstasy liturgy (H. Nitsch) religious religiou
Gürses, O. Marchart, Chantal Mouffe, Modern: performative quality Performance as tales dance play
Laurence Senelick / Cabaret Performance
W. Pircher, R. Pfaller, G. Raunig, art object / finished work of postmodern work fundamental characteristic Who still deals with Virtual suicide
(Jan Swiedzinski) of performance (arrangement) performance consciously (Unio mystica) (cult of the new eve)
Catholic mass as feelings s
(BBB Johannes Deimling) acts
Stan Godlovitch / Musical Performance: "major" themes? Wilson's theater is (Cuco Suarez) Deconstruction performances (Ruth Knecht)
dreaming Role of the clown (BN) model
Slavoj Zizek (book) of postmodernism (Chantal Pontbriand)
a philosophical study
Hans-T. Lehmann (LE) / Postdramatisches
Performance appears today as a neomythical (Category 11 according to M.-L. Lange or Dissolution of the semantic
Giving what may be
Performer as clown of the theater
religious rituals as material
Philip Auslander / From Acting to Inge Baxmann respectively) Content-based found in madness Revealing evil and exorcising it. procession as
possible philosophical paradigm; (cf.. Black Market)
Performance (essay)
Theater (book) !
Kathy Rosalyn / Toward a Theory of a radical alternative to the modernist
P.M.: play, game, contradiction, process,
performance (D. George) The performative as primary characteristic
Reaching the density of the
Naked, all hair shaved off
in a tree – no story, no plot
This performances are targeted to:
obligation, honest performance! (BN)
methods (Artaud) (Bruce Nauman) Total possession (in the performance) performance
(Giuseppe Desiato)
+Performance as socially marked role play
Vadim Liapunov, Michael Holquist / mythical confrontation, irritation of sense, (Cf.. Stadtwerkstatt-TV study) (Karen Finley)
Towards a Philosophy of the Act Performance Art (book) text paradigm. (George)
(Cf. performative turn)
In postmodern times "performance" is of
(Wilson)
(end of time)
(Oszeus Labyrint: Mark Steger &
disjunction, interruption and dismantling
Practical character of carrying Sense & Performer are Against (Nitsch OM Theater)procession (aspects)
(Heinz Cibulka)
Performance as social practice
Transition to Modernity (PSi7) the ideal medium and model (D. George) contemporary, but especially "postmodern" of familiar semantic contexts. Scope of action religious
(book) (on Bakhtin et al.)
Richard Schechner / Performance Hans-Friedrich Bormann (PSi7) academic performance (Marvin Carlson) art production Philosophy
Hannah Sim)
It is a matter of "an upsetting of order", Non- in between terms (BN)
out acts of meaning: madness tricksters and
clowns
Performance as symbols (Ulrike
(Wolfgang Duck)
+Performance as ritual
Performance mental model (Lit.: Georg F. Schwarzbauer) (D. Mersch) (action, performance, in "action" (G. Raunig) meaning is acting/doing (Sowa) Exorcism
Theory (book) Dieter Mersch (PSi7)
Sophia Totzeva (PSi7) Performance and Philosophy (PSi7) installation, environment and event art,
of the destruction of traditional rhythms
and
theatricality
Performance as theater of memory (see below)
Exorcism – liberation from personal
Rosenbach)
+Performance as mimesis
Patrice Pavis (Ed.) / The Intercultural Philosophical terminal (as service) but also gestural painting) grief/suffering Cruel healing
Performer with Legitimization (of research) flows of meaning. Semantic shifts due to Theater as memory space
Performance Reader (book) (Cf.. also: Rainer Ganahl - education complex) Philosophy of the act (Hagakure) "Theatron" was originally the Montage performance (Linda Montano "Mitchell´s Death")
through
Cf. service view education in through its performativity (Lit.: Lyotard) the confrontation of (Cf.. essay by Dan Graham
Michel Benamou / Presence and Play, on Giulio Camillos)
audience space (LE)
(montage techniques) Rituals as a means for dealing with crises theater
philosophy concepts Theatron x 2 = design of the poster series
Performance in Postmodern Culture Academic Performances (PSi7) (A. Artaud)
Mise en Scéne (catalogue) 32 philosophical view Philosophical (Odradek Siblings:
Eva Blut – Upper Austrian As a principle, B.M. is an
Hedonism: Cabaret as performance? (Marlene Madison Plimley) memoria theater
a philosophy of Cf.. (Lili Fischer, Franz Prieler)
database Experimentally Computer as Allegorical Kneipp cure &
Markus Weßendorfer (theater theoretician Performative science Design for V. Westwood) exploration (Donna Lewis) (Diva – Cabaret: Avoidance of Performativity as the operationality
also
(Mike Hentz) (Lygia Pape) assembling
of attention (3)
performance art Marlene Madison Plimley, Mernie Le Plested,
narrative theater of memory of information (Lit.: Lyotard)
processions Performance +Performance as ritual
art studies view Professor of philosophy as circumstances (BN) Alvin Erasgo Tolentino, Lori Weidenhammer) (Billedstofteater)
Turn to the performative (celebration art) (Lili Fischer)
writes on performance)
Elisabeth Schweeger
performer Performance as representation of facts Attention
(s.r.) as accuracy cabaret performance Narratively structured performance
structures act (instead of the well (research project) (Antoni Miralda) +Performance as catharsis
cf.. (art) historical view lectures (2) (Adrian Piper) formed
Hans-Thiess Lehmann (lecture) /
Theater als Möglichkeitsraum
performativity discourse Lecture performance Philosophy lecturer Philosophies and sciences
Theater without
Performance
presentation
as (Category 12 according to M.-L. Lange)
These forms of action tell stories and
message) Philosophical terminal (2) Three-dimensional
narrations
Gray ascribes a coding effect and Performance as drive analysis
theater theory (Xavier Le Roy, Mike Hentz) (Nick Land) of becoming (Proj.: Kinetographien) integrative
Performance Theory and Practice (PSi7) theater studies
Lecture as performance
Choreography as
danced theory (Jerome Bel) Kinetographic
theater (Mark Boyle) the intentional
view
are based on a clear concept of
staging.
One-Woman-Theater Semantic
Practical
function to all emotions for cognitive Performance as form of action in therapeutic praxis
dramatic discourse Performance lecture (Margaret Dragu) routes contents
art theory
(Thomas Huber, Andrea Fraser) (PSi7: Hanne Sitz, Marie Luise Lange) Performanc Symposia theory development "presentation" (BN) (Renate Bertlmann) (Brian Catling)
on the Net
Dress as information performativ
Theater of perception
philosophy
(John Bock) (Bazon Brock)
e Methods of Using New Media in performance performing arts (LE) A theatricalization may be (Adriana Zamboni) Theater WuWei (Ruth Geiersberg, Narrative carrier e
The council (Regina Frank)
Cognitions with the same or similar
Studies Elizabeth Le Compte, Performance hermeneutic
postmodern discourse Philosophical lecture-like conferences observed in performance art The reduplicated event
Anti-mimetic theater body inscriptions emotional hue tend to conjoin
nomadology discourse
seminars (2)
performance (KwieKulik) Art jury as performance
(Also see: networks)
(PSi7 see articles: Maria Beatriz de Medeiros, Carol Burbank,
Irina Khiginskaya, Diane Howard, Stan Dyer) is always a farce (Mersch) theater
Jürgen Raap, Schechner: (Vito Acconci)
The performance garage, (Vasan Sitthiket)
deduction
into emotion-specific separate worlds
deconstructivism discourse (Prz. Kwiek & S. Kulik)
Performance analysis (the jury: U. Wid, Die Fabrikanten,
G. Dirmoser, Neuner, et al.)
32 theater studies view (Serapiostheater, (Eva Fuhrer, performance
Ron Vawter, CARKA,
Norbert Klassen,
(M. Schwaighofer)
control & mimetic distance (theatre) /vs/
(H. Sowa)
(in the sense of the logic of anger,
performance studies (PSi7) performance knowledge Plurimedia anxiety, mourning or joy ...)
PAM: Performance Bak-Truppen, Janet Haufler, Studio Azzuro) physical awareness of the performative situation
performance theory
analysis method Transforming Analytical Discourse Translation between
theater view
Wooster Group, SRL,
La Fura dels Baus,
Vereana Schwab,
Jürgen Fritz, (Monica Klingler,
theater (LE)
Theater of Mistake
Performance appearance as
an
+Performance as memory theater
(Ute Ritschel) to Performance (PSi7: Zoltan Imre)
Performance and Performance Studies ATEM Group) Norbert Klassen, performance Theater am Montag, Production of presence (LE)
(Anthony Howell)
absurd act of information
(PSi7 article: Deidre Mulrooney) Stefan Kurt, STOP.P.T. Norbert Klassen,
(Res Ingold, Boris Nieslony,
Jürgen Fritz, Wolfgang Sautermeister)
Methods of Performance Analysis: Performance Performance as trans-genre
See also: dance
(Tadasu Takamine)
Charles Richardson, theater EX!T Elke Schmidt, Tilo Schwarz, Mobile theater (Dorte Holbek)
Extreme theater Viennese Actionists) Absurd Theater (Ruskin Stichting, Rotraut Pape, et al.)
Cognition and Fragmentarisation archive performance Matthew McGuire, Gob Squad) Miniature theater (Gregor Leschig) Theater as event
(PSi7 articles: Zoltan Imre, T. Kubikowski, Wojciech Baluch) Notes as performance or movement view Andrea Morein)
(cf.. service) Street theater performance (Hiromi Shirai)
Literature: anti-genre within Living room on the stage
Die Grube und das Pendel (article in: Aim of the performance conference: the black drawer
(Karin Beck, Elsbeth Böninger &
Norbert Klassen) art studies
Which recursive effects do changes in poetic Performative theater action theater "Theater" was an important (Otmar Wagner, Stadtwerkstatt)
Theory as/of Performance communication starting point for the
Relikte & Sedimente / Rob La Frenais promoting the formation of concepts (chapter in Victoria Best & Peter Collier) Performer as theater studies (due to new media) have on "old media" such as Queer Theaters theatre (BAK-Truppen (many open elements)) (From viewing
Viennese Actionists non-narrative,
Kontextbewußte Ansätze in Kunst und in Encyclopedic scholar (Text: Rob La Frenais) art non-discursive,
Performance art as pre- Programmatic texts: (BN) theater, music, fine arts? (Cf.. Symp. Steir. Herbst) Dream theater (La Fura Dels Baus, La Gaia Scienza)
Wissenschaft / G. Dirmoser (DG) performance art Philosophical and delusion (Jürgen Fritz) Post-Dramatic Theater (Also see: story telling) Theater of circumstances to a view of the non-mimetic performance
art Reindeer Werk, Todays Place, Prediction,
Philosophical, (book: Hans-T. Lehmann (LE)) world)
Gotthard Günther (on polycontextuality) (Z. Warpechowski) metaphysical Minus delta t, Büro Berlin, polarpuls Art d´Ameublement, With the means of Poor theater (proximity to performance)
religious Kunoldtstraße 34, Bazillus, Programmpapiere kleiner Ausstellungsraum, Dynamic Theatrical Theatrically drastic Poor theater – what is left
Marvin Carlson / Performance – a critical concepts Performance and theater (LE) Energetic theater (Lyotard): invisible theater Paratheatrical actions = cultural investigations
reflections Das Konzil 1981, Strategiepapiere des Fördervereins für Projektkunst,
theater material (Julien productions (Paul McCarthy)
is
introduction (book) !! Forms of organizing and executing (Tokio Maruyama)
(Zygmunt PioTrowski) Die Stifter, ASA European, Black Market International, ...) artists Not a theater of meanings, but rather (Performing Resistance)
Maynard Smith – (Grotowski)
(Bremer, Spoerri) the body (W. Pfaff)
Victoria Best & Peter Collier (Ed.) / culture (Black Market) Movement theater (LE) of intensities ... post-dramatic energetics Station House Opera) Theatrical staging The living theatre
Powerful Bodies – Performance in The Cultural Translation Project (PSi7) Theatrical productions (Atty Bax) (Knopp-Ferro & Frank Köllges) (Günfer Cölgecen) Theatricality: "Grand Gesture" (Mattieu) (Julian Beck, Judith Malina,
performatively Cultural Memory (PSi7)
French Cultural Studies !!
negotiating
(Christiane König)
Theatrical scenes (Ian Hinchliff)
Multimedia music Interactive Cyber-Theatre (PSi7: Steve Dixon) Impromptu theatrically (Dan Senn) (Stuart Sherman) (Böröcz & Révész)
(Yolanda Segura) ( Angelica Schubert)
The grand gesture as Kenneth Brown) Performance as a representation of circumstances
Guy Debord / Rapport zur Konstruktion theater theater inspired
von Situationen
culture (FL) Situative (Hans-Friedrich Bormann – (LE) A new association of (Mark Russel) hybrid
performance +Performance as theater
investigations "performative turn" in the cultural sciences (FL) LOSE COMBO) opera, performance and theater theatric performance (Adina Bar-on, Karen Finlay, (being flown in by helicopter, nothing else). Environmental
Kenneth Burke performance
(ARGE Kulturtheorie Linz) Kazuhiro Nishijima) Theatre
Dwight Conquergood
Avant-gardist isms were
results
Ritual Theater
(lt. Zakravsky)
(Hanna Barbara) Theater of gestures (3) (Richard Schechner)
Victor Turner Culture as From writing culture Performativity as the the function of Experimental Object theater
superseded Context-conscious strategies: deconstruction
Erika Fischer-Lichte / 01.99 Kulturen des performance to culture as constitutive feature of all cultures performance theater concept theatre Micro-theater (Adriana Zamboni)
(Turner, Milton Singer) within a culture (M. Carlson) by ideas and contexts (PB) surprise, alienation, distortion, ... (Sam Ashley)
Performativen (Sonderforschung BRD) performance Mental state corresponding to the Site-specific presentation (Mike Pearson)
(Fischer-Lichte) Performatively negotiating Using the means of de-formations Micro-drama (Johanna Householder)
Erika Fischer-Lichte / Vom Text zur
and
The culture is the body cultural (Ethnologist:
surprise
situation Simulating the conditions of the Constructivist theater
Performance – Der „performative turn“ (Tadashi Suzuki) Milton Singer) (caution, tensely aware or relaxed)
in den Kulturwissenschaften (FL) Cultures of
Socio-
cultural
establishing culture The secrecy of performances (Emil Gropoz) Breadman (head
(Tatsumi Orimoto)
bound with bread) surroundings Performance = Transformation
cultural Cross-cultural transfer (PSi7) (Hejettes Szolyazok: bathing situation beach)
the performative (FL) body codes (Stadtwerkstatt: weather building) of a situation (J.-F. Lyotard on (Situationist
performance roots Cultures of the The idea of the Daniel Buren)
Cultural Sciences International)
performative situation Performance in the courtroom
Black Culture Theory
Cultural Studies (discourse)
Culture-forming Performance
(Boris Nieslony)
as culture-forming presentation (s.r.) (Erika Fischer-Lichte) Role of Experimental actions (2)
(Category 06 according to M.-L. Lange)
(GANG ART)
Turning away from the object:
(Siglinde Kallnbach, Situative situationist Performance as situative production
cultural history energy contextuality Black Market & W. Preisinger) experiment
Cultural History view of performance
The simultaneity of (for significance) ... What is commonplace is torn from its familiar stressing (Jörg Lenzinger & Patrick Sidler) (High Red Center) s See:
event
Montage
Performance as situative experiment
Context-conscious Theories culturally high & low (critical art and pop) Cf.. field terms context, subjected to incongruous examinations the process within a context Situative
engaged
Portable park +Performance as culture-forming presentation (BN)
Neo-situationism Discourse
01 culture theory view Merging the concept of performativity
with the debate on cultural identities performances 01 contextual view project
Theater of the situation (Brecht)
exceptional places (LE):
performative
Situation analysis (FS)
Postmodern Discourse
(Lit.: Stefanie Menrath) Polycontextuality (BN) (Bonnie Sherk) churches, ...
emergence of work
Performance as a border, a margin (M. Carlson)
Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Literature:
Literature: (... continued) Literature: Still to be researched on the Internet: Not yet categorized:
Phänomenologie der Wahrnehmung Nicholas Whybrow / (PSi7) Schauplatz Berlin Victor Turner / Das Ritual – Andreas Nebelung / Zwischenräume – Büro Berlin (catalogue book) Georg Franck / Ökonomie der
Johanna Pfaff-Czarnecka / Macht RoseLee Goldberg / performance – Milan Adamciak
Bruce Adir (Adair) / Jim Allen /
Poetik des Raumes (G. Bachelard) The performing city Struktur und Antistruktur sechs ästhetische Erfahrungen (essay Zwei Monate experimentelles Arbeiten Aufmerksamkeit (book) Thérése Ampe-Jonas / Georges Azzaria
und rituelle Reinheit live art since the 60s (book) Arahmaiani Rahmayani / Julie Bacon
William Worthen / Disciplines of the Text, W. Nöth / Strukturen des Happenings ! Kunstf. Bd. 152) (catalogue) J.-F. Lyotard / Das postmoderne Artur Babiarz / Isabelle Bedou
Judith Butler / Hate Speech GAG Art (Catalogue) Michel Giroud Olimpiu Bandalac / Jozsef Bob / Maris Bustamante
Sites of Performance (article) semiotic view: Patrice Pavis A. Nebelung / Zwischenräume (book) Susanne De Ponte / Ereignis und Wahr- Wissen (book) Nayland Blake / Waldemar Bochniarz
Hakan Gürses (lecture) / Identität Heidegger / Beiträge zur Philosophie C. Ondine Chavoya / Chen Shi Sen
Marvin Carlson / Places of Performance – Umberto Eco / Semiotics of Theatrical Ivo Osolsobe nehmung: eine interdisziplinäre Unter- Performance contra Globalisation (PSi7) Rosalyn Constantino / Raquel Mendieta Costa
Letitia Bolognesi
F. Nietzsche (Vom Ereignis) Colin Campbell / Carmichael Catherine
The Semiotics of Theater Architecture Performance (article) Charles Morris suchung zu den Events der Künstler- Jill Lane / (PSi7) Reverend Billy: mimesis an Angel Delgado / Ricardo Dominguez
Arthur J. Sabbatini / Terrorism, Perform Susanne de Ponte / Ereignis und Wahr- Costes Carsette / Tim Clark / Paul Cotten
Flatz / Demontagen 87-91 Kurt Lewin / The Principles of Topological Keir Elam gruppe „GANG ART“ (book) the dialectics of (not) shopping Amanda Dunsmore / Felipe Ehrenberg
Bateson, Goffman, Turner (analysing nehmung (Eine interdisziplinäre Unter- Sue Dakin / Mona Desgagné / Herbert Distel / DLR
Time/space performance/installation Psychology (book) Josette Feral Victor Turner Károly Elekes / Maria Elena Escalona
processes of crisis) suchung zu den Events der Künstler- Paul Dorn / Leopold Duszka-Kolcz / Sophie Fabien
Goffman Marvin Carlson / Places of Performance – Erika Fischer-Lichte (FL) / Semiotik Michel Foucault !! / Mikophysik der Macht Stano Filko / Michael Fortune / Eri Furukawa
Gabriele Forster / Vidya Gastaldon
Dan Graham (article) / Theater, Kino, gruppe GANG ART) + Hubert Sowa Toshimasa Furukawa / Maria Elena Gaitan
Dan Graham The Semiotics of Theater Architecture des Theaters M. Foucault / Botschaften der Macht (Reader) Joel Glassman / Daniel Grenier / Matthias Groeber
Macht (in: mise en scéne) H. Szeemann / When Attitudes become Mizuho Handa & Tomoko Takahashi
Robert Smithson / Gesammelte Schriften Jean Alter (semiotician on performance) Perspectives of Uncertainty: Locating the Form (exhibition) Ryszard Grzyb / Klaus-Peter Haase
Birgit & Wilhelm Hein / David Hull
Michael Quinn / Celebrity and the Imperceptible (PSi7) Pierre Bourdieu / Die verborgenen Plassun Harel / Alexander Harvey / Helhard Haug
Kunstf. Bd. 134 / art & pop & crossover Noor Effendy Ibrahim / Patrick Jambon
Semiotics of Acting Mechanismen der Macht (book) !! May Joseph / Elzbieta Kalinowska
Matt Hawthorn / Saiki Hiromu
Ed. Paolo Bianchi Peter Horobin / Joelle Keandre/ Birgit Kilp
Burke / Grammar of Motives Elias Canetti / Masse und Macht (book) Padungsak Kochsomrong / Julius Koller
Richard Shusterman / Kunst Leben Marleen Kos/ Barbara Kozlowska / Jill Kroesen
L. Wittgenstein Cillie Rentmeister / Frauen, Körper, Kunst Marleen Kos / John Kovach / Pawel Kwásniewski
INFuG / Bemerkungen zur Ereigniskunst Uli Kruass / Marcin Krzyzawowski / Claudia Leder
Mikrophysik der patrarchalischen Macht Aileen Lambert / Mi-Jeong Lee / Won-Hyung Lee
Let´s Entertain – Life´s guilty pleasures Sung-Yon Lee / Li Qiang / Qiang Li
Perception theory on (article) Jessica Lerner / Pia Lindman / Roshan Linsi
Isaia Mabellini (Sarenco) / Victor Meertens
Stefanie Menrath / Performativität von Jerzej Lipcynski / Hoang Ly / Janos Markus
architecture (B. Leitner) Marianne Wex / „Weibliche“ und „männliche“ Gruppe Meier / Christian Messier
Identiitäten im Hip Hop Cesar Martinez / Radislav Matustik / Mauntin Shue
Phenomenology of Körpersprache als Folge der Ronald J. Meyers / Antoni Mikolayczyk
Dan McKereghan / Peter Meluzin / Aldo Menendez
perception patriarchalischen Machtverhältnisse Kati Molnar / Melinda Moran / Helmut Martin-Myren
25 spatial view Location research (Peter Arlt, Marc structuralism (discourse) (extensive picture study !!)
Charles Merewether / Wathiqu al a Meri
Ottó Meszaros / Marta Minujin / Jose Munoz
Frank Na / Michaele Nolte / Erik Odijk
Auge) semiotics / semiotics of theater Catherine Parisot / Jittima Pholsawake / Micky
Aung Myuint / Nagisa Nakasone / Yumiko Okada
symbol theories of knowledge Plüsch
Theory of urban locations Simone Osthoff / Pagac-Oravec (Duo)
View of Locations Architectural theory / Arch. system theory / system discourse Cosmin Paulescu / Silvia Pellarolo
Apinan Pohgananda / Wolfgang Rahs / Tim Richter

Nature locations / natural


discourse 24 structural/structuring view field theories Dan Perjovschi (cf. Amalia)
Andrea Ritter / Antoinette de Robien (Robin)
Valentin Rottemaler / Michael Sagorny
Performative topological psychology Phanyawatchira Khaissaeng & Surapol
locations Hiromu Saiki / Seppo Salminen
Danny Devos system view view of formal sciences Cosmin Pop / Vladimir Popovic
Codes Sarenco (Isaia Mabellini) / Ingrid Scher
minus delta t
Mike Hentz
(Cf. Land-Art as Action Art)
(Jill Orr) (Yin Xiao-Feng)
outdoor (Cf. Habitus)
signs self-organization theory Marilena Preda Sank / Antonio Prieto-Stambaugh
Marcus Shira-Tilles / Mayumi Yayoi Shozo
Maria Elena Ramos / Mohammed Rezda
Werkzeug-Gruppe
des Konzils /
Places and performance Description of a performance Jae Rhee / Robin Rhode / Nelly Richard
Emil Siemeister / Suras KV Solwonk
Christian Späte / Rüdiger Steiner / Tobias Stengel
Spaces (... as performance: Judith Barry) Peter Ronai / Tracey Rose / Lotty Rosenfeld
Black Market International (System´Art Groupe: Michèle Métail, Wally Stevens / Wolfgang Störchle / Elke Suhr
"founded" places/spaces (Joan Jonas, Masano Sano / Santiphap Inkongam
Zygmunt Pio Trowski Louis Roquin) Eva Szanto / Ryo Takahashi / Christoph Tarnow
Matthias Jackisch)
Matthias Jakisch Zoltán Sebestyén / Rudolf Sikora / Lukasz Skapski
(Rolf Hinterecker)
Performance as sign system Christophe Terpent / Frank-Udo Tielmann
Ulrich Lepka Ewa Smigielska / Leandro Soto / Merian Soto
location, place, site, area, room, (Cf. Nöth) Jarry Vis / Jonas Wille
Wojciech Stefanik / Neung-Kyung Sung
space power of words Yit Mun Kwahn (artists village) / Silvia Ziranek
See also: Performance as breaking through Takeo Suzuki / Sompong Tawee / Rie Tanaka
Zyklus - Grac de la Luna / Myrna Renaud
Performance location structures power of acts Sean Taylor / Harumi Terao / Attila Torö
a year
street art (2) Performance as semiotic
Performance
(cf. Nöth) locations of power power of themes Felix Gonzalez Torres / Carmelita Tropicana
Richard Harding / Shannon Rose Riley
The right place as open system power theories Teresa Vascancellos / Evelyn Velez-Aguayo
Oeykue Potuoglu-Cook / Thomas Defranzt
outdoors text concept of performance Heather Crow / Michael Mayhew / Latifa Fakiri
(cf. Nöth) the power of power discourse (with Foucault) Szabolcs Veres / Piya Visuttiiprapanont
(Tehching Hsieh) performative Every form of street action, structurelessness oriented to power theory Barry Edwards
acting in "concrete" (LE)Telegram style and attribution (game rules of art) Maya Wagatsuma / Susanne Walders
perception street theater, street music, (Do happenings have in the works of M. Foucault and Judith Butler
locations
(Günfer Cölgecen) of space cabaret (Word Play Group)
poetic
structures structures?)
broken syntax
(in Expressionism)
(exercises 23 power theory view organization theory
critique of institutions discourse
Wang Mo-Lin / Piotr Wyrzikowski / Yasmin
Jana Zelibska / Aida Zurinna / Vladimir Kordos
(Cf. Skip Arnold)
something
effectivity culture manager debate Jamie Hutchison
private on stage /vs/ See: avoiding narrative performative)
spaces off stage – activity
reception of spatial arrangement:
participating action/embodiment
structures
Investigating event
structures Dirty conditions as
preemptory
speech
battle view
living spaces (INFuG) power conditions
conventional places / non- and translated performance (H. Sowa) immediacy (A. Kosa) (initiation) See also: view of
stylistic structures (Institute for Direct Art: Who is allowed to besmirch (Artaud) Attack of power instances:
places Performance = exercise in occupying thresholds destruction
(Peter Arlt, Fabrikanten) (comedy as a stylistic structure) Mühl, Brus, Nitsch, Weibel, Kren) whom ... state,
(neither stage nor audience space) (George) See also: energetic view
consecrated places (cf. P. Handke)
(Paul McCarthy) university, family, religious, ...
(Jason Lim – Bierregen) See: experiments Performativity of the commander (his power) See also:
(Stefan Kurowski & friends) transit space airport minimally structured
What was done (act) Cleanliness mania in Singapore with the audience increases with every execution of a fighting machines
(Cooperation Project X) events (Amanda Heng)
When or where it was done (scene) Performance as negative command
hidden magic places See
Who did it (agent) demarcation from other power scenarios consenting (Lit.: Lyotard) power of circumstances / "Transformance"
performance performative sound locations (s.l.) How he/she did it (agency) (from: La Fura dels Baus) also:
structures disempowerment dilemma (commentary on power & money: 1979: the move of
Ocean panorama – institutionalized (Jamie McMurry) violence
a place is a And why (purpose) (Burke) in imitation (BN) Martha Wilson and Jackie Apple)
performance towards
Performance as structural characteristics of singularity, power position of the viewer: space
Happening (Tadeusz male dominated
agreement (2) voice unrepeatability (uniqueness), surveillant popular culture media theory
Kantor)
Arranging the "mood" through the see also: cliches of the artist as exhibition piece society – social power Confrontation with police
Beach indeterminacy exercise "the media generation“ pop theory / Pop-theoret. discourse
Places as selection of certain places representation in the box (Skip Arnold, Roi Vaara, K. Dudesek) performance as conditions and border patrol authorities
performance and finiteness of the performative event of power (Marcos Kurtyz) high&low discourse
in-between spaces (s.u.) What must be questioned are: "models" as statically conceived infor-mance Power(Paul McCarty)
wants to tame, cut back, control ´coming out´ of performance
(Pino Pascali) and spatially structured explanations (e.g.: semiotic (Julia Scher) Pursued by the police as a foreigner emotions at large techno-culture discourse
Different places/spaces convey masked (Karin Anarchia) and organize the discourse seen in terms of the theory of (Helena Villalobos) into the mass culture
(Sowa) understanding the space sign models, psychoanalytical topographies of ephemeralness (James Lee Byars) (discourse control through taboo) sporting cultural studies discourse
their un/conscious, spatial text terms) (Proj.: Kinetographien) avengers discourse as site of the unfolding of power acts of power (Foucault) (Eric Bogosian, Michael Smith)
as "never show them again" (Guerrilla Girls) events fashion discourse / Retro
own specific affective messages
practically traversed execution
senses excluded
For Artaud, a performance must be aesthetics of
(Lit.: M. Foucault)
fear-anxiety system movement/body techniques
from
22 view of popular culture discourses
A bright friendly
Performance –
a game of (in the field of
linguistic text, unique, a real experience, unrepeatable, theft
violent hands playing anger-annoyance system
eastern martial arts traditions
(2) community hedonism debate
Environment staging text and and it must actually transform the (threatening gestures) fighters and new subjectivism debate
room relaxes the
mood
locations art)
"performance audience and the actors into a
(cf. gift)
against lovers
suspends
domination bondage (see also: dance performance) performance art (Sport & Games) sporting aspects fun debate
environment text" different state. violence role of emotions (Abramovic/Ulay) situations battle emotions ontology of the event
spaces with list of networks: football club (association culture) power bodies (in
art
(James Melchert) wind street structures of situation structures
(Suzanne Lazy)
anarchist
in power giving what is to be Todays Place
(B. Nieslony)
dance as combat sport / (Biefer/Zgraggen) new theater) view of public appearances
struggles The Prediction
(Insa Winkler) machines happening action - the artist becomes part of the text actions
anarchic
found
Reindeer Werk stuntman Artist-in-Residence in a ball club
What is an appearance? (Alex Silber)
(Ralf Filges)
- the viewer becomes part of the text (ArtPirates) in crime, in war Das Konzil terrorism and (Alexandre Périgot)
(Dough Hall)
flowing transition
doing away with the stage situations (Artaud) Werkzeuggruppe des Konzils performance acrobatics
(Stadtwerkstatt) Art without exhibition spaces – see also: performance as situative
ASA
(Hank Hyena) Performance = capabilities Minus delta t (Kunstf. Bd. 117)
(new modern between
„ Pure Performance “ acrobatics – f´Legussozy) art and popular culture Die tödliche Doris: pop
theater of "divided" space where the audience already is production (Gillian Waering) East-West-Study-Project (Muda Mathis) (Käthe Kruse, Wolfgang Müller,
score as s.u. and Aufmerksamkeitsschule
Stunts as
performance ?
(ski boot advertisement:
skiing through deep snow) surfing
(Prof. Bonnie Marranca) Nikolaus Utermöhlen, Tabea Blumenschein) entertainment
no fixed spatial self-assertiveness in a Verein für Projektkunst e.V. political ironicizing the rituals of
flow structure In action with all one's senses, (Rolf Hinteregger) (Laurie Anderson)
Performance as place-less art (s.u.) "locale" structuring Die Black market International: competitive situation ASA-European combat "appearances" contemporary music groups
(see: view of the score) The Current Affairs see "pure dance" thoughts and powers Songs about
(see also: spatial view) Fabrikanten Boris Nieslony situations
spatial aspects of Landscape Play: (see: performance as game Zygmunt Piotrowski (former) Festival of the Regions (A) Bazillus (Carlos Amorales) (beside oneself) gymnast & dancerseen as performance combat sport & power training Party-Culture art:
"Performance“
W. Preisinger in the new economy
the staging) Nigel Rolfe, Jürgen Fritz The Neoist´s art marksman (Jürgen Wolfstädter) (Molissa Fenley) (Regula Knopp) (Yan Duyvendak)
... thinking of stage rules G. Harringer
MATERIAL und WIRKUNG cf. extreme situations as
loss of gestural P. Arlt Norbert Klassen Icelandic Love Flow = the Being absorbed in the movement – consume critique (Montri Teomsombat)
performance design and ritual (s.l.) Jacques van Poppel, Roi Vaara Werkstatt Odem Performance in Performance
semiotic language in Corporation: result of Forgetting technique (W. Pfaff) Club Culture: a form
Urban Performances – Performing The City (PSi7) text more like a Büro Berlin: Zbigniew Warpechowski Sigrun Hrolfsdottir, Doris
Club Moral
Athletic event pop music
landscape action modernism (LE) Fritz Rahmann Tomás Ruller (former) Moltkerei Werkstatt becoming of consume critique through
Isleifsdottir, Joni Jonsdottir, (against the wall) role of
25 architectonic view (Gertrude Stein) performance as a experiments Hermann Pitz
Raimund Kummer
Alastair Mackay MacLennan (part-time.)
Helge Meyer u. Marco Teubner (2000)
Eirun Sigurdardottir
Throbbing Christle
(Genesis P. Orridge & purely "absorbed" Sport with extreme (Barry le Va) emotions living room
punk performances
theater exaggeration 21 economic view / globalization discourse
configuration (Helmut Hempel) semiotics of the body (LE) High Red Center in in the activity involvement Pink-Man (Manit Sriwanichpoom)
(Christoph Rütimann, Franklin Aalders, of presence (the action) (BN)
(...)
(Jiro Takamatsu, Genpen
Cosey Fanni Tutti & u.a.)
Kunoldstraße 34 (flow – a Zen feeling) Sport and body work
(Throbbing Gristle)
(Genesis P-Orridge)
Duo as trademark
(Brigitte Bérard & Mileva Josipovic)
production view liberalism discourse
economy as discourse (Foucault)
threshold situations Augenladen Mannheim
Christian Möller) Akasegawa, Natsuyuki Nakanishi)
attitudes (2) Wrestling with profi (Paul Harrison & John Wood) contacts with rock/pop: punk (Pyromania)
passage, transition, gate, door,
translation (B. Nieslony) (cf. PSi7)
24 view of the field network of lines of
force
minus delta t:
Karel Dudesek, Mike Hentz, Stadtwerkstatt Linz (STWST) ArtPirates
Le Lieu Quebec/Can
Büro Berlin wrestlers Life as public
(Yoko Ono – J. Lennon)
(Cornelius Cardew: Scratch Orchestra)
artist as trademark –
funding view /
(game rules of art)

(light direction with Wilson) Chrislo Haas, Wolfgang Georg Ritter, T. Lehner, X-Ray-PSY = Michael Mierse, Artist Village (Singapore) (Howard Fried)
appearance (scater, boarder, (Throbbing Gristle (Christle)) A.P.A.-Party: life making sales calls
gates transitions, virtual airport
(Mo Diener, Sergei Nikokochev) building as view of the in-between (space)
Georgsdorf, ...
("Performance Departures“)
Gabi Kepplinger, Gotthard
Wagner, W. Georgsdorf,
Georgy Bretschneider,
Wolfgang Freund, Artist Village:
extremely personal forms
(Ida Brun, Henriette Hendel-Schütz)
of behavior Boxing match
(Arthur Cravan)
dancer, driver, poses, ....) (Cabaret Voltaire (ars
(Robert Longo) (Urban Sax)
electr.)) and product (F.E.M. Frauke Ellen Müller)
cost view / sponsor view
consulting
performance (Peter Brook, Jürgen Fritz, Fischer-Lichte)
"everything is performance“ R. Zendron, Flati, Blaas, Marcus Krips, Parzival,
Enno Stahl,
Tang Da Wu (founder), Jason Lim, The "Model"
Re-Inviting the Diva Cynic Pop-Diva (Pipilotti Rist) (Elfi Sonnberger, consume (Richard Martel)
Cf.: contextual view Markus Binder, Elfi Sonnberger, et al. Koh Nguang How, Lee Wen, ...)
Shooting Diva Pop-Kitsch (Friederike & Uwe) Martina Kornfehl, et al.) realism political ironic
See also: (Buckminster Fuller,
Jo Zimmermann shopping exhibition – (Lori Blondeau) (Aiyyana Maracle) (Pipilotti Rist)
Cf.: energetic view The Performance Show (1975) (Lisa Cieslik) Performer as advertising medium deification of capitalism
Performance 100 meter kitchen – P.Arlt fünf ingenöre, the show must go on Re-Inventing the Diva
Stadtwerkstatt: time spiral tower) category of the "between" as guiding ECART Group (Vanessa Beecroft) (Sheila James & Yasmin)
catwalk performance Penny-peep-show conditions up to 30 artists in each program (Nenad Bogdanovic) (Iwan Wijono)
as total installation can people be portrayed
category Organizational structure (Victor Turner) (John Armleder, Luchini, (B. Bérard & M. Josipovic) (Charlemagne Palestine, Olga Adorno, (Rose English, Sally Potter, Clare Weston, ...) relinquishing, Literature: (... continued) Literature:
theory of gravitation organizations (Carol Sawyer) (Alvin Erasgo Tolentino) as commodities
Performance contra Globalisation self-
for an aesthetic of the performative Rychner, Raoul Marroquin) Fashion show Cyber Space – Psychic Diva (Kira Wu) Pooh Kaye, Alison Knowles, Dupuy) (Santiago Serra)
(PSi7) not selling (BN) Jean Dupuy (Ed.) / Collective conscious-
Renovation as Architecture-related
in Performance Ritual Prozeß – Handbuch
fünf ingenöre: P. Arlt, (Stadtwerkstatt) organization
performance
performances
(A. Birchler & T. Hubbard:
Elke Knöß, Wolfgang Grillitsch,
power
fields
energetic
field leeways are attitude toward the
action 23 view of the organizing The Ladies as performance The Theatrics of sexual
Manager training as
performance
Club Shows
(John Kelly, Karen Finley,
A further understanding of performativity:
Efficiency = (calculable) performativity (Lyotard)
company/product instead of
ness. Art performances in the seventies
Arnaud Labelle-Rojoux (artist) /
der Aktionskunst in Europa / E. Jappe
(George Steinmann) Martin Kaltwasser, Benjamin
performance society Ona B, Evelyne Egerer, (Wolfgang Flatz) artist/work Gregory Battcock & Robert Nickas /
Reconstruction
Impenetrable space -
(after Kafka
Foerster-Baldenius (Kurt Lewin)
probability field
in-between field of events (GANG ART) institution Birgit Jürgenssen,
Ingeborg Strahl,
fashion show (Rainer Aring) Performance Art
(T.R. Uthco)
performance shop window performance
presentations (Robert Reschkowski)
cf. analysis of body language
Anne Magnusson)
Performantere = "better" information: (Protoplast: Philippe Cuny, Kate Isler,
L´Acte pour L´Art (book) ! The Art of Performance – A critical
as spaces performance artist (Andrej Bartenev) in Alex Silber) Carl E. Loeffler & Darlene Tong / Anthology (book) !
performance
architect as performer
(Buckminster Fuller)
as curator/artist including exhibition institutions Lawrence Weiner
clips (2) (Colette) (Luciano Castelli)
(Festival der Regionen)
party life
(Pantomime)
admission
It is a matter of knowing which game the opponent is playing Performance Anthology (book) ! Annabelle Melzer / Dada and Surrealist
the poetic network (BN) working with and in the field (Marietheres Finkeldei) (Jean Dupuy, B. Nieslony, Roi Vaara, Seiji Shimoda & Kazuhiro Nishijima (NIPAF), the body as working with personal performance (Lyotard)
(David Ireland) (Roi Vaara – walling in) sexuality as fees gesticulating like Henry M. Sayre / The Object of Perform. Performance (book) !
mannequin
building Performers trained in mental existence Le Lieu (Jean Claude Saint-Hilaire), Nigel Rolfe, Ray Langenbach,
Chumpon Apisuk, Amanda Heng, Christel Burmeister, Anet van de Elzen, Das Konzil
(Text: Bettina Rehberg)
models
(Vanessa Beecroft)
Bodytainmen (Gerd Belz & Raoul Marek)
emotional
training
(GANG ART) Performance = accomplishment
brokers Gutai The American Avant-Garde since 1970 ! Mel Gordon (Ed.) / DADA-Performance
architecture or stage design between Gravitation: Kunoldstr. 34
t
(Marie Teresa Hincapie) (= applied performance) and Paul Schimmel / Out of Actions (catalogue)
Norbert Klassen, Heinrich Lüber & Karin Roth, Danny McCarthy, Milos Vojtechovsky) people as dolls decoy in advertising with the train station Kunstforum Bd. 146 / Das Gartenarchiv
Büro Berlin Performance as event (see below) (Robert Reschkowski)
performance (Andrea Saemann, G. Ritter) persons
On the in-between as
B.M.'s performance is a field (Vollrad Kutscher: Performance Parties) (Masaki Iwana)
(BBB.Johannes Deimling – builds own networks Bodo Berheide
ventriloquist
doll
(Stahl Stenslie)
Department Store Performance (erotic enticements)
Performance in consume temples:
Performative marketing
and
self-assertion
competitive
in
situation
a
time tables (Sislej Xhafa) (Atsuko Tanaka, Kazuo Shiraga, Jiro Yoshihara,
M.
its
Carlson /
historical
Performance.
context
–chap. P. in (Paolo Bianchi)
(Gabriele Oßwald & Wolfgang Sautermeister) (Michel Giroud) (Galerie-Kollektiv "Presentations“ (Soviet Union) (Anne Hoy) (seals in the department store: stockmarket speculation with art money (Fabrikanten) Sadamasa Motonaga, Saburo Mirakami, Akira Kanayama, Kunstforum Bd. 32 / Künstler und andere
Virtual performance architecture – a mental dimension (PB) The attractor: the force of attraction Wuppertal) (Gebrüder Kunst) attention techniques Out of Actions (catalogue) – Between
(catalyst arts) (Das Archiv: Sabine Kaeser) (Eloy Tarcisio) Presentive Events / life = kajf W. Georgsdorf) confronting consumers with wounds/mourning Shuso (Shusu) Mukai, Shozo Shimamoto, Naoki Kanayama) performance history Sanmler
video/mirrors systems Werkstadt Odem (Muntean/Rosenblum) marketing Performance and the Object 1949-1979
(R.József Juhász – studio erte) (Rafael Montanez Ortiz) (Sue Broadhurst) Postmodern emotion culture (J. Gerhards): "life itself is the drug" J&W Management Consulting art history RoseLee Goldberg / Performance Art:
architecturally determined (Scott Simeral) a battery of (Magnus Palsson) (Ryszard Piegza) (Chuke Stake) (Jordan McKenzie) Kl. Ausstellungsraum des
strategies
ASA installs: the field (BN) Künstlerhauses Hamburg hedonist goal of avoiding Economic view (Patricia Jacomella & Maria Walther) (LE) Surrealism cultural history Prof. Dr. Bonnie Marranca / From Futurism to the Present (book) !!
performances the (Gusztav Ütö & Konya Reka) (Marissa Carr) (Dziugas Katinas) performative staging (Com & Com) profiting from artists of the 3rd world Precursors of
Servicebüro Hamburg of exposure in image, Performance Arts Journal
Architecture in transformation -
deconstruction of
architecture as
in-between
tension / force theory (Wladislaw Kazmierczak & EWA Rybska) (Louise Liliefeldt)
Ultimate Akademie Performance as
negative emotions Art- Performance
advertising
in
of nakedness (Beecroft, Gelatine)
text and performance Performance as:
performance art
includes
for a
the call
20 (art) historical view psychology of collecting
philosophy/theory of collecting Performance Research (A Journal of
RoseLee Goldberg / Performance :
Live Art since the 60s (book)
the in-between view other organizers: fashionable and Entertainment The perfect pose -Futurist performance
chance for performance performance gradient of potential networking (BN) (article: G. Brandstetter)
Business management style "Performance Art“ memory discourse Performing Arts) Vol.1 No.1 Spring 96 Joachim Dietrichs / Zum Begriff
(factory hall flair) (Gordon Matta-Clark)
(Cf. Foucault) (Gesine Weise, Jürgen Wolfstädter) (Zap Art)
(Sylvie Ferre, Emily Tabassi, Lukasz Guzek)
(the physical network)
cf. networks
fun `avant- 22 entertainment view (Mariola Brillowska) („The worlds first Pose Band“
Paul Richards, Ron Calla)
Minnesong (advertising)
minstrel performance
-DADA
-Theater der Grausamkeit
art history marginalized
performative art for a long memory theories Performance Anthology – Source Book of Performance (book)
charged spaces (Theo di Ricco) garde (I. Keiner & S. Berchtold) reflections on surrealistic performance California Performance Art !!
zones of transition (LE) enterprise theater for -Fluxus (see detail ) time "end of history" discourse Kathy Rosalyn / Toward a Theory of
B.M.: ... The immaterial center of entertainment´ (Jonathan Meese ) Party Performers advertising
constructed permanent event locations: contact persons from various countries/continents: circus artistry Entertainmen managers (Kosilo) -Situationists Thomas Dreher (Diss.) / Performance Art Performance Art (book)
Desolate spaces – factory halls,
dismantling performance, of every encounter,
by performance Moltkerei Werkstatt Cologne (E. Jappe) circus (Osamu Kuroda) (Kipper Kids, Susanne Helmes,
(ICELANDIC LOVE CORPORATION)
Becoming "managers"
(UlunMichael Steinke) Integrative history -Lettrists 1995 an awakening nach 1945 – Aktionstheater u. Intermedia Coco Fusco / Corpus Delecti:
(Wolfgang Flatz) the shared knowledge is: (...)
M. Vänci Stirnemann (Switzerland), Richard Martel (Canada),
Seiji Shimoda & Shozo Shimamoto (Japan), Ayah Okwabi (Africa), practical animal performance t Kawazu, Jürgen Raap,
Marie of performance -Gutai (Japan)
1948: last appearance by
Bauhaus (Oskar Schlemmer): the mechanical Joan Borsa / Performin interconnectedness:
derelict buildings, contaminated Situation art as commodity with theater methods Performer as Artaud and Cage enters Performance Art of the Americas
what is between the persons, between (Buber/Rosenzweig) John Held (USA), Clemente Padin (Uruquay), Warren Burt (Australia), Walther Stehling, Rainer Aring, Entertainment as art first
areas
Transforming spaces what is between the things, ... intercorporeality (Merleau-Ponty) Lee Sang-Jin (Korea), Jozsef Juhasz (Slovakia), Artpool – Galantai (Hungary), joke (2) comedy
circus- magic show – life as a
Hong O-Bong, Andrej Bartenev, advertising and item advertising medium (ERGO) (Bonnie Marranca)
Black Mountain College
school to undertake a serious study
Bauhaus
stage
the cathartic installations of Aganetha Dyck,
Ann Hamilton and Susan Shantz
Timothy O. Benson / Conventions and
performance with Guy Bleuys (Belgium), Zygmunt PioTrowski (Poland), ASA & H.J. Tauchert & Karen Finlay, Osamu Kuroda, (Gretchen Faust) Power seminars (as performance) central manifesto on performance constructions: the performative
through kissing betwixt and between (Turner) like pigeon Gelatin) sales important art theoreticians/editors of performance as an art form (ars electronica) Performance in 18. Century (PSi7)
architectural curating as performance Inge Broska (Germany) auctions walking over fire and glass ... art: on performance art: Transforming the Canon (PSi7) text in DADA
(Nezaket Ekici) meditative actions ecstasies of the things comedy as stylistic structure Clownerie show of (Christian Jankowski) strategy for products (A. Reinthaler) (Habitus of these trainers: cf. Schlingensief) Avantgarde (PSi7)
elements soothsayer services (Mariola Brillowska) see: programmatic texts Elisabeth Jappe, Jürgen Raap,
(Roi Vaara)
(Böhme) Dance in clown acts strength Life style: that´s entertainment Paolo Bianchi, Gerhard Johann Lischka, Merzbühne theories (Kurt Schwitters)
clothing/architecture space-time force field tourist view of the curator important organizations: The Living Art Museum, (Laurie Anderson) the renaissance (Beate Ronig – story telling) burning money money-critical actions important periodicals: important art historians on performance art:
factory halls The Western Front (Vancouver), The Performance Space comic modern clowns Allan Kaprow, J.L. Schröder (PSi7), C. Doswald,
for the homeless (Fischer-Lichte) (exoticism and spectacle) cf. view of play and of the circus (cf. A. Heller) (repealing bourgeoisie values) (Karin Schlechter & Performance Research (London) / Inter (Quebec) J. Kistus, R. Puvogel, M. Hübl, H.-N. Jocks, RoseLee Goldberg, Bonnie Marranca, Justin Hoffmann, (...)
/vs/ (Australia), Perforum (Pfäffikon), The kitchen (NY), costumes comic performers
White Cube
(Lucy Orta) B.M. is in the arrangement of the "MA", Hallwalls (Buffalo), Galeria Dzialan (Warsaw) (Peter Callesen) of the carnival
Fetishizing child
soap Sol Lyfond) (High Red Center) High-Performance (Ed. Sara Wolf, Ed. Tim Miller &
Linda Burnham) / Performance Art Journal /
Victor Mazin & Olesja Turkina, Paul
F-A. Hettig, Ilena Pintilie Teleaga, (...)
Schimel,
Repeats of historical
of the in-between space, this
Theater as
raising awareness
mobile architecture
nothingness,
Projects Performance as
"opening circus"
idols (Mike Kelley) performance "Hotel Pompino“ (Van gogh TV)
"No one is sure of himself“ (Stadtwerkstatt TV)
Performance Magazine (Hg. Rob La Frenais)
Studio International (London) / p-form (Seattle) performances
(see: project art) A Sociology of the Institutionalisation black market (ECART)
space moods a kind of mental embarrassment. event society Datum (Holland) / Live Art Online (UK) / P-Form /
Performers as editor/writers/art theoreticians: genealogies of
of architectonic (east/west study project) of Performance Art (PSi7: Britta B. Wheeler) (important events) party Switch (technology and art) / TDR – the Drama Review
and game culture (fun culture) Literature:
processes
(Julian Maynard Smith)
(outside the realm of action) "MA" Japan. (MA Festival 1995)
organization art – integrating every
performance 21 view of the market stage concepts
cf. Stadtwerkstatt-TV
action arts:
(according to M.-L. Lange)
Women & Performance: A Journal of Feminist Theory
Jürgen Raap, Allan Kaprow, B. Nieslony, Roi Vaara, Hubert Sowa,
Johannes Lothar Schröder (PSi7), Jean Dupuy, Stefan Fricke (Fluxus theoretician),
performance
(Josef Roach)
production assistant
with Schlingensief (Elisabeth Steger) Relikte + Sedimente (catalogue OK Linz)
Abiding and
handling (Sowa) imaginable institution (Stadtwerkstatt, U. Wid)
events simultaneity of
the art of
(Vjing, Djing, ...)
Happening, Fluxus,
silencing & chewing:
Arnoud Labelle Rojoux, Alain-Martin Richard, Michael Murin,
Clive Robertson, Daniele Roussel, Tina Keane, Charles Garoian (PSi7), (...) Kunstforum Bd. 145 Künstler als Gärtner
revealing the permanent high & low (Mike Kelley)
Computer animation of
memorial architectures – memory theater
Reduction / invisible
performance
service critical art and pop entertainment art and entertainment view of the stage Preservation
Land-Art,
Action Painting,
Performative "attacks" on art theory
Performance negates the difference between
(Paolo Bianchi)
Kunstforum Bd. 146 Das Gartenarchiv
celebrated void of the visible The concept of organizing combination texts Commentary on ring-shaped representation in over
(Giulio Camillo, Robert Fludd) (Eva & Adele) marks the point of transition popular = Body Art, Event, (resolution of a Greenberg text: John Latham) being and appearance, presentation and re- (Paolo Bianchi)
(instead of show) (Lyotard to Daniel Buren) Life as art – art as life. (see (Van Gogh TV, ...) See: Club (John Bock) Oral history performance (Gretchen A. Case) 32 views: everything is always and simultaneously present.
between art and life event art / event culture performance The concert podium Participation Situation-Art presentation Dorothea von Hantelmann
Performative view of playing:
below) (H. Sowa)
Happening (Fabrikanten) (A. Heller) (Gelatin) rent an Shows
as
museum function
art without history
curators on performance art:
Depending on the time segment,
but the rest is still present ....
some things are (fashionably) in the foreground –
(George)
Raum fort und fort (catalogue OK Linz)
Not a medium-related result.
Dorfbod´n (100 Tage Prozeß Weibern OÖ)
of the theater Performance with Rob La Frenais, G. Hattinger, E. Jappe, representation Performance is never a re-
emphasizes what is oscillating and
Cf. Plots / Real Performance s artist stage in new music cannot be passed on (?) Noel Sheridan, B.Nislony, (...) presentation, Erika Linz / The warehouse theory of
unfocused, & Events event vulgar trivial performance (research: Riethmüller) The boat is full historical (Mersch) see also: performers as curators cliche except of itself (George) art theory memory is wrong – Zur Performativität
Artist Run Spaces Intelligent Stages Energetic theater would be outside
+Performance as place-less art the "in-between", the framework
OM Theater as a Events
paradig is a service (see left) performance (Ulrich Frey & N. Klassen)
(PSi7) (every creator a name)
(Valerian Maly & Klara Schillinger)
references
(Chen Chieh-Jen) (PSi7) Performing the
(LE)
the realm of representation
gallery made of clothes
view of re-presentation morphology semantischer Wissensstrukturen (lecture)
m Performer (Judy Freya Sibayan) Clemente Padin u.a. /
+Performance as agreement transgressive idea of the
cabaret as
(Kaori Haba) human historically 1995 First Annual Performance Studies Conference criticism of the institution discourse
From Representation to Action
gesamtkunstwerk gesamtkunstwerk live The visual
illusionist
Collecting (for an exhibition)
1995 Performativity and Performance
1996 Vol.1 No.1 Performance Research (Journal)
(Ed.: A..Parker & Kosofsky Sedwick) Performance
instead
Performance as counter-
performativity of 19 view of representation curators' debate
material debate Dinah Jung / (PSi7) / Performing Fragrance
(O. Muehl to H. Nitsch) (R. Schwarzkogler) (INFuG, GANG-ART spectacle spectacle performing art Service (2) concept
conflating gesamtkunstwerk art further development of the event) (Jan Fabre) (Holunda –
as performance 2001 7th Performance Studies Conference Mainz PSi7 of depicting (LE) semantic difference philosophy Performance
Performance as sign system (Wolf Vostell) culture Atelier Juxus)
(Isidoro Valcárcel Medina) (PSI Performance Studies International)
ritual
of
display
to "representation"the performative as knowledge structures view of the exhibition rhizomatics Between Identity and Representation (PSi7)
experience (decentered attention) (Theory: Erika Linz)
Performance as breaking through structures See also category 10 after M.-L. Lange:
(Fluxus,
George Brecht, world spectacle theater (LE) street art cabaret, Performance cultures objects (BN) the "weak point"
Performance as synaesthetic art events INFuG,
spectacular entertainment
Performance as 20 view of collecting of the Middle Ages (FL) The presentation character of representation view of presentation
+Performance as configuration of presence montage Gangart, greed for life performance
s installative collecting (s.l.)
The culture of the Middle several days of outweighs
transforming
into
a museum view of depicting
view of reproduction
Synaesthetics (Art Clay)
Larry Miller,
emotions of Every form of street action (Jürgen Olbrich, view of collecting Ages excavation the artifact character (FL)
Performance as space of tension Transition of
B.B.B.Johannes Deimling,
Esther Ferrer, flight show the
(Chris Burden)
Street theater (Osamu Kuroda), street music, Performance as permanent (Nikolaus Lang) Jürgen Kierspel, custodian view can be understood as being work (Ion Grigorescu) (cf. exhibition practice of Udo Wid)
Attempts to "exhibit"
a house of God (GAAG)
performance:
(more important for the theater field)
cf. communication view
cabaret collection Wolfgang Hainke, (basis for fundamental (LE) Theater, that tends to become a mute
Die Fabrikanten, (Stadtwerkstatt) mass genuinely performative
theater Prodigious Performance Manfred Vänci Stirnemann, gesture – on the exhibition of processes Relicts + Sediments (OK Linz 12/1993)
+Performance as to an event (LE) staged Stadtwerkstatt) cf. Futurists
(PSi7)
Varieté nerves: people want Collecting as cultural
cf. archeology with
M. Foucault (the Thoroughly Pseudo,
Fricker,
historians'
research)
pyrotechnic
performances
materialism (R. Krauss)
Museum and exhibition productions –
a phenomenon of performative cultural presentation
gesamtkunstwerk? shift from work
events Freaksho
(wonderful, violent, ...)
Performance as show distraction / "number principle" memory Archeological Archivist)
Boris Nieslony, Performance is anti- (Jens Nielsen, Roman Signer)
burning lens made of (LE) The principle of the exhibition (study by: Prof. Gaehtgens) (comp. studies by Eva Sturm)
Ruedi Schill & Monika Günther, (LE) Sculptures: Theater is here in
Performance collection as Perceived as fetish museal ice seizes linguistic material, in addition (cf. starting schema for this poster group: On the Art of the Exhibition)
to event (Renee Kolla) even w(fuck head) (performance is the heart of the show) Varieté / Vaudeville
(as part of the
Jacques van Poppel, Material theater (Stadtwerkstatt)
(Paul Kos) to
greatest proximity to fine arts
(DADA, Futurism) (Oogiri) (Rakugo = Storytelling) travelling depot Ulun Michael Steinke)
Material performances use of explosive material the artist self-exhibition (Timm Ulrichs)
B.M. is an t style characteristics of mannerist
Multimedia Shows Archives on Odyssey (minus delta t)
collection)
(Roman Signer) (Ralf Vormbusch) (Marcos Kurtyz, Signer, Drill Hall, as
body, gesture, voice Beyond performance
no events event jeopard (Rosa Galindo, Pedro Garhel) (Peter Weibel) (Skip Arnold)
Group material & (Kunstf. Bd. 100) Literature:
(Roman Signer) traditions (tendency to extremes ...) short-lived sculptures Guy Pro-Diaz, John Latham, scientist performers with their the artist as
y (Allan Kaprow,
effect Ivor Davies) tree explosion, Visual works by (former) performers topicalizing Philippe Dubois / Der fotografische Akt !!
Clubs and Jonathan Meese, Collecting as a kind (Udo Wid) own museums (Jacques & exhibition
Performance as (BKH Gutmann) simulated dog explosion & (Tom Puckey, Dirk Larsen, Floor van Keulen, exhibition Herbert Blau / performative aspects
Turn from work Performative event meetings John Bock) of long-term interpreting material findings as explosions at flight show artist as gardener Catherine Pineau) object Peter Baren, Urs Lüthi, Gina Pane, Sef Peeters,
billboard newspaper natural disaster as performance/event openings of photography
to event (PB) field stage shows as ephemeral performance (J. Olbrich) a labyrinth (Marie Teresa Hincapie) (Stadtwerkstatt) (Skip Arnold) James Lee Byars, Marina Abramovic, Albert van
(s.l.) M. Köhler / Das konstruierte Bild –
fluxus (2) (GANG ART) (Laurie Anderson (P. Hobermann), installations Performance "the highest form of a possible
the garden as site of the
(Oleg Kulik) der Weide) (Eva & Adele)
zur Fotographie und Performance (book)
The event art of the event installation the exhibited archive "The Perfect Smile“ experience“ chemical material performativities
Jon Rose, Robert Ashley, Installative instrument action portrait made of skin and
takes Diamanda Galas – (Mike A. Hentz) (B. Nieslony, Jürgen O. Olbrich) rummaging in (Walter de Maria) cf. (R. Signer) (Tomás Ruller) of work aesthetic as outmoded Nigel Rolfe / Sculptures in Motion (cat.)
to or performance
+Performance as event (cf. Events) the place of the Performance as Blue Man Group)
demarcate space as collection object
material
(Servie Jannsen)
view of materiality is shifted into focus (FL) (LE) energetic matter (Teresa Murak) growing seeds,
bones
(Orlan)
Environmental Theater (as Schechner
called
concept is superseded by
the aesthetic of the performative (FL)
Johannes Lothar Schröder / Identität,
Überschreitung, Verwandlung:
art work (FL) demonstration of develop installation concept Archive (see also: Video archive about (James Lee Byars) sifting
(Kinetographien)
Performance as staged event accomplishment (s.l.) Post Performancism from action concept
(Simon Beer)
(Stefan Enderich) Schwarze Lade) P. (Ryszard Piegza) (Volker Anding, Laib) view of 19 material view /
cress dress
(Montri Teomsombat) rice dress
(LE) The aesthetic object works as a the "surrealistic street" of an exhibition (LE)
Behavior Tableaux - body language
Happenings, Aktionen und Performances
trigger, catalyst and framework von bildenden Künstlern
Performance as staging cf. performance Costume performances (Mo Diener)
(Cees Krijnen) performance as
important storage and mobilization traces
olfactory view (smell)
(Joseph Beuys) 7000 oaks
for a process (for the viewer)
(80 static poses: Scott Burton) chain
Kunstforum Bd. 152 Kunst ohne Werk –
as costume show (cf. A. Heller) (Myriam Laplante) InstallAction plundering performance of memory content Botanic Ballet (Andre Bartenev) Animate and
social static
Theater is also an reactions
(Fischli & Weiss) Die Transformation der Kunst vom
Theater as event accomplishment (Pat Oleszko, Vincent Trasov, installation (see left.) archive (Le Lieu) following sculptural culture of inanimate art of sculpture (SE)
rummaging performance as material experiments (Richard Alpert) the body (Spencer Tunick) (R. Signer) Werkhaften zum Performativen
Paul Cotton, Claude Wampler) theater miniatures (John Bock) (Le Lieu,Simon Beer, Angie Hiesl, affects (cf.performativity
NLP) see: prostheses, hinges, sculptural sculpture
from the depot curiosity cabinet of field Paolo Bianchi (Ed.)
Interactive Animotion – Fritz Rahmann)
forms researcher models stockings ritual (Jannis Kounellis) imitating (2) primary T. Warr, A. Jones / The artist´s body !
costumes Performance as "total" installation (see left)
performative
installative situation expanded installation concept
of materialization (Lili Fischer)
olfactory stimulations (Fluxus) action with body objects (Made In Eric) (Margit Leisner) scenes (Lorna Stewart) Frozen performance antique public demonstrations D. Ronte, H. Schober / Von der
(Lori Weidenhammer) spatial installation (Simon Beer) (A. Birchler & T. Hubbard) (Vanessa Beecroft) (Jannis Kounellis,
Extensive arrangement taking up space, including (Stefanie Wilhelm)
performance as total picture
(Alastair MacLennan)
(Christine Biehler – Jürgen Fritz)
(Proj.: Kinetographien)
performance as material collection economy shattered hammer
arm/head extensions: (Rebecca Horn)
sculptural
Luigi Ontani)
sculptures
(Franticek Klossner)
sculpture Performance zur Malerei
everything. of performance One Minute Sculptures (Erwin Wurm / Bd.145) Out of actions (catalogue) – Zwischen
being a still life taken
+Performance as demonstration of accomplishment (Fake shop – performance installation)
performative Earth works
(s.l.)
ballasts
Dirtyblueclothes material
(Howard Fried) (Janusz Baldyga)
blows
"nature study
(Franz West, ...)
Bodiescapes from
arrangement
(S. Berchthold, I. Keiner)
performative
aspects action as moving sculpture
Performance art
= image theories Performance und Objekt 1949-1979
aspects (Robert Smithson) communication
Performance as (repeatable) show ceremony celebration played installation
of installation art
(Anna Mendieta)
chemical
(Paul Gernes)
body
(PSi7) everyday life "quickly of object art
(Tan Chen)
sculpture
art without object morphology Philippe Dubois / Der fotografische Akt
pictural turn (discourse) Peter Simhandl / Bildertheater (book)
art (2) art (H.G.G.N.) Performance as (Brian Conolly) (Ross Sinclair)
(M. Dion, U. Wid) organic material conference of the body as material
experiments latex performance (Nancy still life changeable
performative (Hilmar
(Seamus Malone)
Clemente Padin / Non-Object Poetry:
total sculpture
performance coupled with (Andrés Pereiro-Schmidt) plants => body view
(Lukas Berchthold) statue (2) (Viktorine Müller) Blanchard)
performance sculptures" (actions Fredriksen)
Non-object
(Neide Dias de Sa) Action Art
life as a celebration (invitation to the feast) public installation
(Lili Fischer)
unconscious effect
smell and taste rituals (see: Nitsch) by Roaman Signer) sculptures action as work (s.u.)
See also: tableaux vivant work concept Robin Deacon / (PSi7) Hard Water and
celebration Relic (V. Acconci) (Stefanie Marshall) of purposeful use of smells
fear comes from "Still Life" (Johan Lorber/Lorbeer) performance as sculpture moving trans-formation /vs/ other Objects
baroque celebrations/celebration culture: music, performance as relic (s.l.) ob-jects (H. Nitsch, Lili Fischer, A. Kosa, ...) (Nigel Rolfe)
s sexual fragrances The performer in the glass box constraints, sculptural installation performance sculptures
+Performance as relict jugglers, (see: sediment) in existence and (pheromone)
burning scent material (Ralf Vormbusch)
In a framework at the top with no freedom (of action) anxiety (Heinrich Lüber) sculpture (2) (Th. Werner &
J. Wüstenfeld)
formation
(FL) The performance
18 view of the artwork Visual Representation (PSi7) / Nic Leonhardt,
B. Brandl-Risi, P.W. Marx, Vera Apfelthaler
sculpture, trumpery, fireworks, entertainment performance as sediment (s.l.) taboo materials dignity extreme smells (PSi7) Performing of a tree (Th. Werner & (Skip Arnold) the body as object (Heinrich Lüber)
+Performance as billboard newspaper happening (3) Cf.: living pictures Kitsch
all existence is also a trace
(Micha Brendel)
Fragrance Performance body becomes a monument in a body/light (Li Portenlänger) character outweighs
(tableaux vivants)
(Liew Kung Yu) (blood, flesh, cot, urine, sometimes animals
smells that (scent, fragrance)
J. Wüstenfeld)
box
performativ
body in large water sculpture in the artifact character product view
+Performance as installative collection cf.: LKW Space becomes a site of traces (LE)
consecrated utensils, naked bodies)
(Brus, H. Nitsch, Monty Cantsin, C. Kolig, "move" Picture theater – fine artists
multi-projection show (Mourad Cherait)
e
sculptures
hose
sculpture
(Atsuko Tanaka)
motion the performer creates a picture productive art
(in the variation: (cf. Relicts and Sediments) C. Langenbach) (Robert Jelinek) of the 20th C. as theater (Pawel Althamer)
+Performance as curiosity cabinet overflowing
Surrogat
From Appearance Thinking to Traces Thinking working with see also:
reformers
(USCO M. Callahan)
Skip, the act – is the art work minute Living Sculpture and living art
– comparisons: absent bodies
to total life) throwing milk Mimicry of (book: Peter Simhandl) (self-exhibition) pictures Gunpowder is part of the picture
+Performance as "total" installation cf. agit pop 60s e highly semantic
painted with blood food (Ottó Mezzaros) Life theater of pictures
2 Performers at great height on
chairs on the wall
living (Erwin Wurm)
works
(Category 05 according to M.-L. Lange) Performance
manned turn: person integrated in wooden
frame: human as component of the sculpture
A performance is supplied like a commodity.
spaces (2) Photo (Bob Wilson, Laurie Anderson) The Black Market actions are still very close to this commodity
+Performance as installation (Nam June Paik) (T.R. Uthco: Doug Hall & Jody Procter) (Cai Guo Qiang)
construction of the desolate Performance with food (Paisan Plienbangchang) (Y. Klein, Giuditta Tornetta) cf. intimate performances (FS) sculptures humans as sculptural objects Painting Bodies:
(Köppl / Zacek) character (BN) ASA should be more free and floating.
persons over 65 high on the wall
dance with
(Paul McCarthy)
subsequently rubbish (Surapol Phanywatchira) Performance projections as theatrical (Angie Hiesl) human living Saburo Murakami,
work actions / work demonstrations
Body Shape (PSi7)
The Shapes of Sensation dancing graphies (Calligraphies)
large staged photography Kazuo Shiraga,
(Franz Erhard Walther) work emerges through use
Literature:
rubber bands
material recycling: rubbish & the mounds of earth, earth and sand islands (B.J. Blume & Anna Blume) (Hannah Wilke, Pierre Molinier,
productions
mirror, prisms)
(color, light, sound, sculptures sculptures Shozo Shimamoto,
cf. also Udo Wid & E. Wurm
(Proj.: Kinetographien)
Calligraphy / writing art as performance Pia Müller-Tamm & Katharina Sykora (Ed.)
desolate (Darryl Sapien, Gutai) large images via (Cindy Sherman) Tatsumi Orimoto, Jared Bark,
(Milton Cohen) The visual versus the verbal (PSi7) Yves Klein,
(Esther Maria (Paul McCarthy) (Hannah Frenzel) Claes Oldenburg, (Nja Mahdaoui) Puppen Körper Automaten –
Häusler) rolling in material (grass, illuminated Walter Pfeiffer) (Gilber & George 1969) (Eva & Adele) Jim Dine, actionist painting Phantasmen der Moderne (book)
dressed in foil
dirt, ...)
capturing a moment
windows with residents'
(Pierre Keller) (G. Brus)
(R. Schwarzkogler)
(Joa Selin & C. Ranzenhofer)
(Arnulf Rainer)
(Sowa) not an observing stay, 18 view of the picture (Colette) (James Lee Byars) (Thomas
(Timm Ulrichs 1966 „first living artwork“)
Niggl) Nam June Paik, action form /vs/ (Gutai => George Matthieu) (Yasuo
(Shanna Noyes) (Sadama Montanaga)
Sumi) Painting and
Theatralizin Ric Allsopp & Scott deLahunta /
+Performance as sediment (Lambert Janssen & Urs Küng)
(Paul McCarthy) rolling in mud:
(Illka Juhani Takalo-Eskola) as performance –
participation
(Pawel Althamer) (cf.
but a participating stay
(Christian Boltanski)
(Peter Greenawy: 100 Objects ...) (Richard Long)
Paul McCarthy,
Ana Mendieta,
work form (F. E. Walther) Performance
g The Connected Body ? (book) !
Performative-temporal character crashing head against (Muntean/Rosenblum Steir. Herbst „why die?“) painting (Bauhaus) (Emilio Morandi) RESEARCH – Industrial culture handbook
+Performance as material collection
woman in foil (Hong O-Bong)
wrapped in transparent film (Miriam Steinhauser) accidental
Polaroid Clickscape by the Stadtwerkstatt)
of picture genesis (Phil. Hubert Sowa)
slide projections and music
(Kjetil Skoien)
(Fabrice Gygi)
(Tetsunori Kawana) the wall (Ralf Berger)
(Egle Rakauskaite: Honigmulde)
Shigeko Kubota,
Stuart Brisley,
(Shigeko Kubota,
Carolee Schneemann)
action actions
painting
kissing walls – imprints Olaf Arndt & Johannes Kockel (Ed.) /
(Tache/Magor)

Performance as counter-concept to "representation" (jumping cars) Polaroid events DressWorks: every performative aspects
Janine Antoni,
Rachel Lachowicz, expressive action painting (Barbara Heinisch:
danced pictures)
(Ella Tideman) RRM Dieser Wahnsinn muß ein Ende
(Leo Schatzl) (a´ battery a“ : Chrigg Perren, "dress" Photo action with small of photography (Herbert Blau) face imprints (Goji Hamada) haben - Maschinenperformances 91-92
Vänci Stirnemann, Fritz Franz Vogel, Posed Cheryl Donegan,
painting (Joel Hubaut)
created in conjunction animal figures event images The "happening"
image Victoria Zappata)
(Yukio Saegusa)
performances Nigel Rolfe Keith Boadwee,
as starting point:
(Group: Hejettes Szomlyazok)
painter as actor
ars electrocia catalogues
traces – foot with a performance (electronically movement was (Urs Lüthi)
Jochen Wüstenfeld & Schneemann, painting battle see also: gestures prix ars electronica catalogue books
concepts stamps
(Katja Hergenhahn) controlled) essentially Thomas Werner McCarthy (Penis) (G. Brus, O. Muehl, H. Nitsch,
gestural painting (Michael Burges) Martina Leeker (on extended perform.)
performer acts in PerFORMance R. Schwarzkogler)
performers wear black (Günter Saree)
pictures brought into life Performance: striving for painting as crucified a picture (Miranda Payne)
(Hansjoachim Dietrich) FormAnce (2) carried (Parzival (Pörsch))
Ingolf Keiner
Heinrich Lüber
C. Kolig (anal)
Elsbeth Böninger
pictures drawn/ painted with Surrealistic a.p. (ecriture)
see: gesturing bodies Martina Leeker (article) / zur Zwiespältig-
costumes – like woman (Natascha Fiala) The "presentation" of Live art by painters Ken Unsworth Arai Shin ichi the (Pollock, COBRA, Situationists, Lettrists,
shadow plays (Gérald Personnier) a (B. Nieslony)
pictures while opening and (Claes Oldenburg, Manzoni, Klein, Spur, Egon Schrick, Barabara Heinisch) keit von performativen Künsten und
figures K. Rinke body (Carolee Schneemann) digitaler Technik
(Jim Melchert) (Gelatin) common image (B.M.) closing medieval Jim Dine, Al Hansen)
from traffic signs body between performance as active "work" with art objects – process of a Object theater also opens see: Painting Bodies artist as engineer and behavior scientist Kerstin Evert (on Stelarc)
(Yvette Helin)
(Anet van de Elzen) highly semantic codices (PSi7 W.C. Schneider)

large projections of objects foils image-generating action (s.l.)


acts (cf. highly semantic Sculptures appear
attracts sculptures in its wake sculptural up new theater models kinetic (Eve Bhend &
Jörg Köppl, dolls as forgotten
(time´s up, Tim Boykett, Udo Wid) Archeology of the Future (PSi7): J. Birringer,
"under pressure" spaces) (Jerzy Beres) development between installation, Mechanics of stimulation - stimulation dispenser (C. Kolig) Helen Paris, Leslie Hill, Tomie Hahn, Marina
(playing with the objects on a turn table)
(Diane Landry) (Hanna Frenzel)
sculpturally tied
bodies (Maria Pohland)
cf. Tableau Vivant:
imitating 18th C.
like forms of action (Janusz Baldyga) body exhibited next to
kinetic sculpture (2) Gordon Monahan) people, family machine, Grzinic, Scott deLahunta, Jörg Sonntag,
projection performance performance (Joa Iselin & C. Ranzenhofer)
entanglement with other execution machine (Kantor)
iconoclasm –
+Performance as work with several overhead projectors photos of executed people: destruction of
as Living paintings
(Stephen Taylor Woodrow –
paintings
tennis ball machine hoses artifacts (James Luna)
object art and landscape
art (LE) Techno-hybrid
"Performance" of
software and processors
Yacov Sharir
Yvonne Gaudelius & Charles Garoian / (PSi7)
prelinguistic picture (S.A.C. modeller´s club: Mark-Steffen Bremer, living pictures (A. Schubert & Dieter Pütz) technically
+Performance as sculpture dependency
Anna Weber, Petra Kowalenko, Ulrich Wegenast,
... revealing another image
layer
pictures
as performance
hanging on the wall) clay pigeon tossing machine
tosses glowing clay pigeons
tosses glowing
balls
appearance of geometrical,
machinic
digital
environment infiltrated bodies
Performances
(Monika Fleischmann)
extending the self
in the machine
transitional objects:
when the subject causality machine
Machine/Meat: Abjection, Romanticism
Stephen Thomas) and Identity
+Performance as image-generating action In interaction with stills (Gelatin) behind these images what is the picture after (Humer - porno-hunter) performance as picture
the action
(Stadtwerkstatt – G. Lindorfer) (Valentin Torrens) (2) robot structuralism of postmodern dance s tends to become thing (Sandor Doro – Sándor Dóró)
M. Beatriz de Medeiros / (PSi7) Telepresence
set (Cunningham)
The picture behind the picture (in front of the
(Chen Chieh-Jen) (Kjetil Skoien)
in motion (Judith Haman) Bio-mechanics machine artist in performances Machine and body
Diverse ars electronica projects Extended bodies
extended unleashing identity (Artaud): automated personnel and Performance Art
Performance of the
robot-like (knowbotic research – simulation space) extendable in the machine
picture) Mechanical Dances performances (The Shadow Machine: (people as though controlled with invisible wires)
the (linguistic) (Boris Nieslony)
steel works facilities
Theater of objects, entirely (driving through with Dancing automatons (Julian Knowles) appearance
(„Wall Street Performance“ /
Peter Courtemanche, see: machine view, TV view, bodies performances
Unnatural bodies Momoyo Torimitsu) (Stelarc) Ken Gregory, Carol Sawyer, acoustic view, etc. unleashing the body through
image pictorially oriented actions without human actors, the works train) Mechanical ballets (M. li Antúnez Roca)
interactive see: Material "machine": (Jim Whiting) time-controlled household Alvin Erasga Tolentino) Prosthetic bodies (Stelarc = Stelios Arcadiou)
wants action (BN) theater with technical robot theater unmediated connection to the machine Archeology of the Future:
video prostheses, hinges, Bio-mechanical exercises dancing machines appliances (Dick Higgins) telematic sculptures / Intelligent Stages, Neural Systems (PSi7)
digital devices machine theater Performing Internet (PSi7)
performance models Re-assembling a B-Car machine sculptures Live TV with telepresence implications for performance of the
performance and machines (SRL) (LE) (time´s up/Just Merrit) turning bodies into
cf.: prix ars (Christin Lucas) robot community – On the use of the media and robotics
electronic object theater (Chip Flynn, Liz Young) as Performance performance mechanical sculpture emerging world of cybertechnology
electronica music machines / sound machines machines in human-free remote controlled over performative techno-body cf. also body view –
performance (Jim Whiting) (Chris Burden) of Cybersex AI research / AI discourse
Interactive art computer (Space violins: Jon Rose)
sound performance with construction
(time´s up, Joe Jones, Scot Jenerik) (Futurists)
machines
zone
machine 1000 km (Stadtwerkstadt)
tools with a life of their own
in digital environments
Performance Tactile
EEG-Experiments
bio feedback
physical view (of achievement) connectionism
(Matt Heckert) accident / techn. catastrophe as Tele-Existence (Stelarc) (Chico MacMurtrie) (Bruce Gilchrist,
performances machines from a large building site (The Users: Symphonies for fighting machines self-experiments with machines (Bruce Gilchrist) (see also: tool view) s satisfaction mechanisms cyberdiscourse / cybertheory
(Stadtwerkstatt) Dot Matrix Printers) (Leo Schatzl, Franz Xaver, SRL
performance (Jean Tinguely)
Happening with self-destructing machines boundaries of the human body (Just Merrit)
view of objects
sculptures scurrilous machines of
and
Udo Wid, Horst Prehn)
(spin sphere – time´s up achievement view net discourse
(Bruce Gilchrist u. Jonathan Bradley / Stelarc) file cabinet machine theater / Survival research laboratories (Jean Tinguely) machinized sculptures (Proj. Kinetographien) love and death (Kantor) Just Merrit)
Performance as machine theater machine performance (Intercourse – (Mark Pauline, Bram Renstorm), Cindarella in a Dragster cf. "fake" amputation
torture devices technoscience and cyberculture
Istvan Kantor) controlled torture
machine: stream of fire/stream of
water
Peter Zegveld, Mark Heckert, Eric Werner) (Suzanne Lacy)
(curator: G. Hattinger)
17 machine view driving around with window-
cleaning
robot
(C. Kolig) ritual
machines
finger-fan
performance
17 body extensions
(fictive: John Fare)
celebration most physical art laughter reveals
hidden
logic of joy carnival as testing playing with identity
comic turn, carnival of mimicry
(Homi Bhabha) Concept of
17 carnival view see also: identity
puppet theater as
performances
game moves with role plays (s.l.) 17 playful view play theory
tremendous
Performance as play art (2)
of laughing: the joke
fundamental fears bed carnivalization
view
Intensive play (flow) (Rirkrit Tiravanija) games (3)
view of playing
language game approach

body language silliness Laughter becomes for new cultural and carnival – the (Lit.: Mikhail Bakhtin / Bachtin) view of laughter culture Deep play
free play (see: Improvisation) performativity (Lit.: Lyotard) playing and
humor
(Wittgenstein)
postmodern views
exuberance chaotic social structures laughter community
irony and humor jokes ritual clowns annulment of hierarchical place playfulness and fun The human being free play with materials, objects, Meta-communication (Bateson) see also: Fluxus (Ralf Samens, anthropology (of laughter)
(Bartolomé Ferrando, Rainer Aring)
ironic in carnival (Pueblo Indians) relationship (of noncarnival life) for working out time of view of nonsense culture body movements, action Psychological frame (G. Brecht) Ben + Sam, performance is playing
commentaries gloating becomes
(Marlene Madison Plimley)
(Charly Banana: practical clumsy performer carnival – the impossible playfully devoted to chaos human in playing locations
experimental
Ross Sinclair,
Udo Idelberger) child's view (PSi7)
exposure human jester's body with mimicking connections (Gelatin) game rules (of art) playing as the essence of culture
(see: release view) (Sowa) reality as practical
place
Ralf Johannes)
joke (2) (John Bock, Peter Land,
C. Schlingensief)
weaknesses gestures, pointing, masquerades culture as a game (Lit. Huizinga) materially unproductive, execution of life (actus) games (Situationists) cathartic games (see below.)
gaining influence over
(Smelly) for working out
(cf. view of destruction)
DADA (2) play drive musical score as game rules (s.l.) rule-based, ,...
playing with playful playing as a joint
attitudes effectivity/rituals /vs/ purification respectless sense of games of fate Literature:
carnival of thinking more game than frameworks insight praxis
and interpersonal relationships entertainment/theater (cleansing) liberation from humor (Kurt Fulton) use of toys genuine /vs/ play (in comparison to theater) Spielregeln der Kunst (series)
(R. Schechner) catharsis as (ridicule of other directions of thinking) (Sigalit Landau, B. Nieslony) bets and gambling (Stadtwerkstatt) battle (cf. context view) of suspension
(see also
(Tadeusz Pawlowski) liberation religious and fun objects (Performing Resistance) (Schlingensief) in relation to the performer's use of the Eric Berne / Games People Play
artistic effect sports view)
desire for presence, physicality, reminder of what is held sexual taboos collective (Jim Pomeroy) Hula Hop show (essence of body art) play of locations (see above.) playful action, body Roger Caillois / Man, Play, and Games
cf.
Performance as observation sensuousness, material in sex education (AIDS) consciousness the mental network (BN)
logic of joy
pleasurable knowledge
(Oliver Kochta & Frank Lüsing) modified (card)
pure play of the
hands
in relation to the
Performativit role of the "viewer"
electronic game environments Johan Huizinga / Homo Ludens (book)
experience common (among people) therapy function (Jean Dupuy) the network of intentions event society games y (Miltos Manetas) Vom Ursprung der Kultur im Spiel
Performance as spiritual exercise (Bernd Schulz) Theater-anthropological thesis: Bipolarity is not
(Hortensia Ramirez R.)
"Shaken" by: enthusiasm, insight,
outdated concept of effect
aesthetics superseded by the
play
science on and
as passion
and game culture (Robert Filliou)
Bingo (Jahn Mauritz Löcke)
(Verena Schwab)
of netgames
Rolling art – glass balls (Stadtwerkstatt)
bumper cars with game environment and V. Flusser (homo ludens) various articles
found disruption, shock modified slot machines (Stadtwerkstatt) Victor Turner / Vom Ritual Theater. Der
fascination, shock, excitement, confusion (LE) aesthetics of the performative for people (B. Nieslony) experimental
between ritual and theater, but rather between the exposure as consequence (Kees Mol) temporary panic, self-experiments table football championship (Raoul Marek) Ernst des menschlichen Spiels !!
constrained thinking: computer game rules (Markus Hensler)
parameters of effectivity (in ritual) and entertainment shame Moments of "panic and destruction", where dizziness (Lit.: R. Caillois) Gregory Bateson / A Theory of Play and
negative computer games (Paul Demarinis)
act/effect realized in being (in art) (LE) embarrassment (Peter Land) (BN) consciousness threatens to collapse (Export on G. Brus) vertigo (Milica Tomic & Róza El-Hassan) The allotropic = the purest thought of constraining thinking Phantasy (Essay) !! Important concepts
feelings like anger, fear and
dealt with (H. Sowa) chagrin alchemy; does a process of insight processes participative research (performative) to performance theory
unmediated sensation of unbearableness mourning, also revulsion and
cheering political, social agitation, impotence need (sabotage – Robert Jelinek) vs. observational "standpoint" artist as (participative) Erving Goffman op.cit.
touched, moved (through directly conveying a physical stress situation) (FS) shame have a specifically
entrancing consequences as consequence 20 years or can an event create it in a behavior scientist Mikhail Bakhtin (concepts of carnival and
soiled querying key experiences divisive, distancing effect on (U. Wid, A. Fraser, Gina Pane)
entertaining enticing (see political view) senses up-set (BN) second every insight is only possible dialogism) -> Julia Kristeva
emotions The 8 rasas (non-commonplace emotional states), disquieting cognition thus connotated B.M.: ... certain states of
inner thunderbolt (Zen) through action / Hans-Georg Gadamer / Die Aktualität des
mourning that the audience experiences through the art of the performer (W. Pfaff) mental chagrin (B.M.) perturbing (theatrical) research work: knowledge Schönen. Kunst als Spiel, Symbol u. Fest
put into (Hans-Jörg Marti) commonplace ironicizing studies (Nam June Paik) knowledge is a matter of doing (Grotowski) artistically autonomous
a trance outrage legal frightening knowledge about cannot be held down TOYS´N´NOISE (catalogue OK)
Performance as "spiritual about ballistics and others (Dr. Math.) research work (Hayley Newman)
prosecution Performance aims to provoke dismay, fear, anger, oneself ... Understanding a situation real-physical investigations Bachtin
exercise insight (Irma Optimist (Luchta))
In the arrangement of "MA", reference system action research
total irritation as desire, anxiety, hate (Li.: J.-F. Lyotard) means ... actively (Attila Kosa) J. Piaget , L. Wittgenstein, F. Schiller
Performance and the (Lit.: W. Welsch) practice exercise (Schlingensief)
illuminatio the in-between space, this of curiosity interest
idea consequence n insight as grasping Vivisection (intervention in live animal ...) Andreas Nebelung
+Performance as originary human language of expanded writing censorship as (G. Brus, P. Weibel)
comfort consequence
nothingness,
B.M. is a kind of mental chagrin.
terms
deconstructivist
it (Sowa) (B. Nieslony) system
interest logical
Barchorski u. Röcke (research project) /
cf. service evolutionary research
+Performance as language (Ric Allsopp)
Performance and writing
consequence
(Karen Finley)
police stop daydreams
view but
16 effect (consequence) view
art without work,
with effect (PB)
showing and essence of program mental pleasure
Dramaturgie von Witz und Witzkultur in
Spätmittelalter u. früher Neuzeit
performanc Sites of performative learning: communicatin performance (ALMA)
(Ron Athey – NEA USA) the body's performative
Performance as narrative B. Nieslony: shows languages of the
body,
Beginning in the mid-80s, language again
becomes more important in performances (often in
e consequences for the field of consequences of performances
laboratory, workshop, ... g (cf. Hakan Gürses) performativity of
reading
The (photographic)
picture becomes forms
Gebauer (research) / Die Aufführung der
Gesellschaft in Spielen
(Isa Perkasa) (with Wittgenstein)
cf. theater view the physique, the gestures, the images, social 19years exhibition ban art increased Why performances ? energizing and performance as of insight Gebauer, Wulf / Spiel – Ritual – Geste
trial action Performance as performative in the sharpening perception by
cf. service view the actions and political context) own way of (Zorka Saglova) (game rules of art) attention (de)motivating analytical session (see below) falsifying the result Vom Ernst des Spiels (book)
trial thinking (analogous to trial action) conscious dream (see below) performance act of viewing
cf. political view Text Performances Learning foreign languages as "art praxis" speaking cf: revolutionary approaches the function of performance effect of affect (curse: Rudolf Heimo Eber,
(Terry Fox) as
see: lectures (Chumpon Apisuk) (R. Ganahl) and living (KUSCH) within a culture (Lit.: M. Carlson) on cognition mind shift- Perception as Joke Lanz)
cultural development (see below) tensed
(Waldtraut Winkler) Language Performance as construction interdisciplinary ing observation performative act ! (Reindeer Work,
(Dominique Tronchet) a theory of language, Happenings of meaning (in actu and in situ) open thinking Performance art emerged from Boris Nieslony, INFuG,
The ideas that are in function/meaning of performance actions the body is the focal
experiments
the analysis of forms of performance artist as Markus Schwaighofer,
Performed Text (Secession) is part of a theory of action (Searle) (Emmet Williams) (positive feelings,
point representation perception theorist Jean Odermatt,
speech Spoken word performance are cf. ethical view pleasurable relaxation)
actionist (Josef Bauer, Valie Export: finger poems) monologue (B. Nieslony) (David Thomas) George Steinmann,
Performance Visual versus Verbal functions (interfunctions) of investigations (Ray Langenbach)
reflection on the s theory performance (Abramovic/Ulay) performativity of thinking Lili Fischer)
"language planes" instead of dialogues (LE) (David Cale) /vs/ (Kristin Lucas) (PSi7)
Insight comes from emotionalizatio interdisciplinary thinking as communicative
social performative verbs (public collective thinking)
Competence Language as suffering; disturbance n approaches performance
status of the painter strong lecture culture in: doubt
(Jean Le Gac)
reading performances (Kathy Acker)
Hungary, Czech Republic, Croatia
Performativity performance Fairy Tale: Performance first of thinking in performance Thinking is deed, leap, dance ...
16 epistemological view
(dialogization; productive
+Performance as formational field of experiment performative tendency performative utterance of (Austin, Searle)
Speech act
as rightful speaking
(Grimm's Fairy Tales: Joan Jonas)
forces the system into a
analytical chilly
see: interdisciplinarity view
laboratory situation of knowledge
(Foucault with Deleuze with Nietzsche ...)
debate)
artificial disclosure (FS)
new way of functioning see: communication view
Performance as life-art-work (2)
There is no performance of performance as Language as rationality studies formation art as knowledge system analytical philosophy Literature:
without all creative writing child's language Language see also: (Helmut Schober, Scott Burton) (UlunMichael Steinke) (Kunstforum: Jean Odermatt "LKW Gotthard")
language event Memo-theatrical acts of meaning production / epistemology Zur Wirkungssicht: cf. article by
Experimental actions Preformance (John MacAloon) stammering – ritualized Performances Narratively structured lived mental art work (PB) (George Steinmann) performative
(Category 06 according to M.-L. Lange) PreFormance prelinguistic
(Ric Allsopp)
Performances on: language speaking (Stefan Güpping) Slam Poetry
performance dimensions of texts /
Thinking through
meaning is acting/doing
understanding (Sowa)
cognition sciences Marie-Luise Lange
(Heinrich Lüber) rhythmizing language strategies for visualizing performance as "theory cognition theories Jill Dolan / The Dynamics of Desire:
cf. context view utterance and (Category 12 according to M.-L. Lange)
Diva of spoken words Walking and Thinking Performance
Performance: Exposing the physique of the voice (Toni Davidson) literature event“ Happenings understanding as artistic research Sexuality and Gender in Pornography
Performance as a praxis of anonymity ArtPirate (PSY =
Michael Mierse) shown
Restored behavior its relationship to voice
(Amanda Stewart)
in screaming, groaning, animal sounds (LE)
The "Internationale“ in
10 min tact (Susan Philipsz)
(cf. ILIAS – E. Kosa) (Jill Battson)
radical poetry see: lecture performance
Thinking is Walking
Walking as cultural act
(PSi7-article: Dwight Conquergood)
thinking in as form of action (Sowa) constructivism and Performance (article)
(Guerilla Girls) singing resemblance theory Marvin Carlson / Performance – a critical
articulating identity By: pseudo through and
through (M.V. Stirnemann Form ance
performers in animal costumes
(penguin, polar bear: Gelatine)
Exposition voives:
Vito Acconci, Judith Barry, Genevieve Cadieux, Physique of the voice sculpture
The "Internationale“
on pedestal (Wang Mai)
with TV set
speech
poetic text as (Ruedi Schill, Erich Jandl)
border-crossers (Kunstf.Bd.136) movement
(Peripatetics, INFuG,
quiet research
performance as introduction (book) !!
performance (Gilbert & George) starting situation (Charles Dreyfus) (Wladislaw Kazierczak) art as
Performance as memory work as
u. Gido Dietrich)
Performance
Dolls, stuffed animals as
(co-)players
Janez Cardiff & George Bures Miller, Garry Hill,
Jochen Gerz, Pierre Huyghe, Kristin Oppenheim,
in straining,
wheezing, rhythm, Is performance a language?
act
(Vienna Group)
Performance with (Werner Herterich) Diagrams
(thoughts,
ARGE Kulturtheorie,
Stefan Szczelkun)
Lecture as
research
laboratory
investigation
Roger Caillois
Hanne Seitz (Ed.) Schreiben auf Wasser
self-creation (Sabine Sonnenstein) is Moniek Toebosch language: (Chris Burden)
emotions with regard to identity through
what is strange
Destruction of tradition and
memory for the benefit of the quality (Disc.)
(Boris Nieslony) (Paul McCarthy)
(Natalie Eberle) (Jürgen Raap) (Gelatin)
archaic sounds
voice
literate (Joan La Barbara,
Action Poetry
poetry feelings) (John White) Research Experimentation as Robert P. Crease / The Play of Nature -

The strange as monster


work (Arai Shin ichi)
identity of the now
extreme self- Quality humans as players – singing
and screams (LE)
performance 15 linguistic view performance
Ferrando Bartolome,
Dick Higgins, (Lori Weidenhammer) in action Word on the street-performances
Performance
(Marietheres Finkeldei)
Performance (Udo Wid)
P.
Experimantation as Performance
Bianchi / Kunst ohne Werk – aber mit
Self-Performance-Art (PB) (Myung-Hee Seon) performance Massimo Mori, & Tele-poetics-performances
(see below) presentation playing the role of themselves speaking, singing, (Jana Haimson)
Performance of Wirkung (article Kunstf. Bd. 152)
The performance artist's (see above) Brian Catling, (Andrea Thompson)
performance with language(s)
Performativity as establishing identity (Kiev Stingl)
Exhibitionism (not accepted in (H. Plessner) (Loidl) (Charles Dreyfus)
screaming view of the voice Emmett Williams, speech or thinking H.G. Furth / Wissen als Leidenschaft
as a process of repeated citations gender a performance: A´battery A“) gesture (Jilia Heyward, Shelley Hirsch) (Giovanni Fontana, performance artists as poet,
transformation of self-presentation (LE)
anonymous
performance
Living in a bag
Called „I“ (Ryota Shimizu) (Michael Schmid – screaming naked) literary Fritz Schwegler)
Joel Hubaut,
poesie d storyteller, preacher, rapper, ...
body (Hermann Bohmert) Thomas Kellein / Fröhliche Wissenschaft
personal fears and obsessions suits explore (Kim Tomczak) cf. "linguistic John Giorno, knowledge performativity of Helen Freshwater / (PSi7) Contagion,
+Performance as attention
(Lygia Clark)
alternate attempts to establish new concepts of (Charles Kaltenbacher) physical voice examination
turn“ performance (Gundi Feyrer)
Bernard Heidsieck, ´action (cf. Eva Sturm) thinking
Staging Cultural Identity (PSi7) selves self-exploratory art
(Ria Pacquée) (Emil Gropoz) self-referentiality of the performance (FS) (Natalie Eberle) speech Fernando Aguiar,
rap meets poetry
(cf. Marvin Carlson)
Tele-narrative (Adriana Zamboni)
(public thinking)
Containment, and Censorship (article)
+Performance as aesthetic category
(Erich Jandl =>
fighting for the right to be Presentation character has Pierre-André Arcand,,
autobiographical logic of
(Eleanor Antin)
performance
different outweighed artifact character
invisibility of the language as soundscape
music of multiple languages
Andrea Saemann) performance Performance Poetry
Michel Giroud)
Bruit-TTV (Louis Oueller,
Fabrice Montal, Robert
return of the text Story telling
techniques
memorial culture
author (Norbert Klassen) Show tied to the body (cf. NLP)
Performance as aesthetics of existence performance (Rachel different identity work on the
(Amalia Perjovschi)
self
since the 60s (FL) living artwork (Orlan) literature (Flati - Stadtwerkstatt) Faguy, Jocelyn Robert) (Al Hansen)
(Laurie Anderson)
actors as theme
hovering
Rosenthal, Spalding Gray, identities
Julia Haywards, transfer (Eleanor Antin)
and main figure (LE) author = work (LE) most radical form of
Multilingualism (PSi7)
spoken words performance (Andrea Saemann) story telling (2)
(Valie Export) virtual poetic (Alexis Smith)
attention (cf. trance) Laurie Anderson)
abidance
negotiating
identities suicide (mirror)
(2) expanded self-transformation: public suicide the voice comes performance (Gabriele Oßwald & Wolfgang Sautermeister) structures rhetori
(see also: (Jean-Yves Frechette, Before there was
exhibition Solo-Performance directly from the poetic theatre) Jan Swidzinski, writing, before there
school of attention (Heidegger) in use (Mexican)
losing of (Cuco Suarez) performance Ultimate performance with
soul
(Steve MacCaffery, Enno
Gilles Ateeu, Yves Boisvert,
Stahl,
c Hanna Barbara,
Poland: almost like
story-tellers, but was
mirror personalit oneself: (Bas Jan Ader, creative tension between emotional power of
attention as raw material (1) nostalgia identity (Maricruz Penaloza) the self (Iole de Freitas, (Roddy Hunter) Serge III (Serge Oldenbourg *1), voice (as emotionally Stan Lafleur, Jean-Pierre Verheggen)
repetition and innovation
linguistic Adriana Zamboni) always relating to theatre, there were Literature:
the general essence of disintegration and new identity (initiation)
Disguise as Joan Jonas, Transgender y self- ultimate Tibor Hajas, Petr Stembera) collective controlled expression performance (Rakugo = storytelling)
real life
surely performances Eva Kosa / Ilias (masters thesis) !
performance Dan Graham) (Siverding) image *1 Russian Roulette authorship (cf. "southern" cultures) Doro Franck (article) / in:
performance
self-
intensifying
the body as (Orlan) (Yasumasa Morimura) authenticity presenc performance component of communication)
experiments with sound An utterance is performative, if it A performance "speaks" more directly than a
Performance as demonstration attention
participation (after Sloterdijk)
building portrait Publicly sympathizing in
Transvestite (Urs Lüthi,
e
Performing Authenticity (PSi7) cf. Theater (Perf.) characteristics of sound simultaneously presentation
Relikte & Sedimente
Eva Sturm / Im Engpaß der Worte
practical situative attention /vs/ disguise (Ria Pacquée) Pure as genuine realizes what it designates speech Performance: concrete use of
Performance as political phenomenon observation as
contemplative aesthetic performances cf. also: masks
Jürgen Klauke)
dandy artist image Performance
self-
transformation
Performance as
ritual of transition in a experience
creation
sound poems
The oral apostles
performative speech act acts language
J. Lacan
performance (Robert Filliou) (Irene Andessner) (Jeans Group: camp performance cross- as
(Susan Mogul) I am an (Ralf Filges (Ralf Fölling))
as actions Oral tradition in Oral cultures are John L. Austin / How To Do Things wih words
Performance as political strategy attention
aesthetics of aesthetics of
(Giorgio Ciam) Holger Dreissig) lesbian camp dressing model artist artwork
identity
(cf. self-mutilation)
authentic
crisis situation (PSi7: Transition) of existence (A. Artaud)
rebirth of life
(Carles Santos, Henri Chopin et al.)
(Meredith Monk)
(... imbedded in ritual situations, etc.)
Romance countries exemplary John R. Searle / Speech Acts: An Essay
pragmatic contemplation performance cross- Performance without the performer the conference as speech in the Philosophy of Language
Performance as praxis of destabilization aesthetics
the living existence
(M. Foucault) /vs/ invented (Helena Goldwater)
(role playing)
(G.J. Lischka) culture
(Büro Haake-Brandt) introverted
autistic (BN) performing artists view not appearing and not conducting
screams
(Siglinde Kallnbach)
laboratory
Conference or sermon as
Performance: concrete realization of Oral traditions
performative cultures (FL)
J. Butler
stressing aesthetics of the moment (cf. ZEN) ecstasy identities gay camp performance Cross-dressed the linguistic utterance (... voice, breath,
Performance as subversion the body aesthetics of presence (cf. ZEN)
(Lynn Hershman)
(life as theater) performance
see:
Identity identity game
either
(Rose Finn-Kelcey) ... Existence has always
form
gesture,
theater
oral
as (see study: Eva u. Attila Kosa) Herbert Paul Grice, Strawson
Eli Rozik / Categorization of Speech Acts
Performance as communication guerilla see above Theater of the Ridiculous drag surrendering identity
with B. Bardot
ersatz
already
of performance (Lili Fischer)
mouth, ear, eye) ... what is personal, physical in institution 15 view of orality performative theories in Play and Performance Analysis
border situations
see: Attitudes transformation as
aesthetic category (FL) see above
physical performative
performances (Nieslony)
in every performance (Lena Eriksson) 14 view of the artist performer
(Rose Finn-Kelcey)
been tuned (Heidegger) sing-song (Lili Fischer)
every act of speaking (cf. also habitus)
sound poetry
(Larry Wendt,
ethnology L. Wittgenstein (language game theory)
(techniques of aestheticization) changes constitution resource of attention Performance as valuative analytical philosophy
+Performance as whereabouts emotions relating to the unfamiliar (green line walk
Die Fabrikanten)

Performance = intensification aesthetics without intent (PB) (Eleanor Antin) of gender identity (Francis Francine: Drag-Performer with Myth of art as a quick trick
existence-philosophical topicalization
of situation (Jaspers, Sartre, Merleau-Ponty)
Performance =
achievement, as
Serge Pey,
view of performance
J.-A. Deelder, linguistic philosophy
Pierre Bourdieu / Was heißt sprechen?
Die Ökonomie des sprachl. Tausches !!!
the unfamiliar as monster always also an
+Performance as life +Performance as act
Great Wall Walk (ULAY) of visual and tactile provocation aesthetics aesthetics of horror
operation
Operation as
performance (Annette Messager) Warhol & Smith / Mario Montez, Jack
Performer with Warhol) drag queen / drag king
Curties: Drag-
performer author view Staging the Holocaust (PSi7) embodiment
configuring Poesie brut
Julian Blaine,
Jaap Blonk,
rhetoric
language studies / linguistics
V. Flusser
Indian Movement (Jimmie Durham, James Luna) stimulations (Diane Torr) Drag (Mary Noéle Dupuis) recycling (Ursula Palla) presence to action (BN) (Alberto Jean-Francois Bory, Mikhail Bakhtin / Speech Genres ...
Performance as life-art-work performance As human existence intervening in an immediately effective of language Masala) Jacqueline Cahen, poesie structuralism
+Performance as analytical postulate (Brian D. Tripp)
Las Americas: Crossing Cultures (PSi7)
(Wanda Golonka)Western taboo of arranging morbid light extinguishing (Orlan) remodeling identity
Performance as memory work (see above) pictures of anonymous way
rightful speaking
Diane-Jocelyne Cote, speech act theory (Austin, Searle)
J. Kristeva

Performance as celebration transgressing curiosity machine Identity in process tableau (Schmiz&Drux: Alexander Schmid, Michaela Drux) Identity & model of the accident (Allan Karpow)(Stuart Sherman)
event of disconcertedness par excellence people, tortured, in the existence of a public body (BN)
– Jean Dupuy, sonore pragmatics/interactions and
J. Derrida !!!
B.M. is an beauty: visual drama (Andreas Techler) Habitus performance (BN) Paul Dutton, Shoshana Felman / Don Juan avec Austin
acting Western "text-fixated" culture; Performative dimension of identity constructions executed "Something, an echo of laughter reveals hidden "Peintre Nato"
sound poetry / Cyrille Fontaine, conversation analysis Richard Baumann / Story, Performance,
Performance as "translation" intercultural
linking cultures in comparison, non-western cutting the face „Beauty now“
Smashing lightbulbs
vivants (2) (Chen Chieh-Jen, Nieslony)
nothing / serial murder fundamental fears theory of self-liberation Giovanni Fontana, socio-linguistics
(PSi7) absolute performatively elected affinity (Dimitri Alithinos) cultures appear as "performance“
(Gina Pane) (Vanessa Beecroft,
visual dramaturgy Phosphorescenc
Light and Girlism Performing Identities: Nation, Region, Religion (PSi7) existential and bodily "abhorrence" that results in the (Franticek – Klossner) bizarre piece of existence theater phoneme Bernard Heidsieck, sonore linguistic performance theory
and Event: Contextual Studies in Oral
(Orlan) Cindy Sherman, pineal Living Tableau performativ speechlessness and comes before thinking moment environmental Joel Hubaut, Narrative
e
solitude "dialogical" intercultural Yasumasa gland
Performing Identity: see also feminist view
e Nihilistic existence
(Via Lewandowsky) issues Arnaud Labelle-Rojoux, lectures literature studies Marvin Carlson / Performance; chapter
in the act the art of performance intercultural Morimura, quality of perception (Fried Rosenstock)
(Ingolf Keiner)
(Yayoi Kusama, Pierre Molinier, Judy Chicago,
creation of fear-angst system (V. Acconci) of dread childhood experiences, primal fears, (Mongkol Plienbangchang) Cf. Butoh (Henry Chopin) Jean Jacques Lebel, literature discourse The performance of language
performer training emotional influences of light Performance as Faith Wilding, Urs Lüthi, Adrian Piper, Patty Chang, (Ming Zhu)
private Happening (1) audience
exchange
Matthew Barney,
perfect corporate identity / Jürgen Klauke, Katharina Sieverding, distinctions abandonment panic system destructive fantasies, (Christoph Mayer A)
Alberto Masala, linguistic turn (discourse) Noam Chomsky (competence /vs/
performances participation the act (Schechner) Leigh Bowery, (in space and through the seasons) Linda Benglis, Robert Morris, McCarthy, (Gebauer with
losing one's grip
existential meaning of angst exposing oneself drive analysis (PSi7) Performing Trauma:
Butoh: search for
Joseph MacKenzie,
performance)
(Jamea Lee Byars) open end Intervention (2) intercultural in performance race and Mariko Mori,
Pipilotti Rist) aesthetics of the flood of
corporate identity performer U. Rosenbach, Warhol, Leigh Bowery) Bourdieu)
possibility of ec-stasy completely (extreme performance) (BN) Rewiring Self and Society
In the Aftermath of Violence origins
Martha & Jenny,
Angéline Neveu,
lectures (3)
(Allan Kaprow, Tadeusz Kantor,
(Alain-Martin Richard) performance (PSi7) cultural respect (BN) multicultural Performance lightshow light loving people (Abramovic)
Tibor Papp,
atmosphere in the depths of one's
Jean-Jacques Lebel, Wolf Vostell,
Al Hansen, Rauschenberg, Robert Whitman, intercultural performance projects
performance (Fabio Mauri)
(Laurie Carlos)
s
Light- light
(Sonia Knox)
Identity (as)
performance
13 identity view Performance as
"translation" (PSi7) into a different
(openness / taking no position / ...) honing survival existential (Min Tanaka)
own existence mapping sites Michael Rice,
(PSi7) Penetrating the atmosphere – instincts commitment existential Situative of Valeri Scherstjanoi,
private Nitsch, Schneemann, Knizak, K. Dewery,
Alain Jouffrey, Zorka Saglova)
Performance = intercultural dialogue (P. Jacomella & M. Walther) (Adrian Piper) Performance compositions flow – experience
area. After a P-phase, artists are non-existence of woman (Varsha Nair)
(Ronaldo Ruiz)
in performance
(Sowa)
Cesar Figueiredo,
/vs/ the art of the act (Black Market) intercultural transformation What is art and what is "reality“? (Nan Hoover)
light music
(Rolf Julius, Christian Möller) person marked gender- often active in other fields. existential actions – (Pane, Brisley)
questions existence existence
(Janos Szirtes)
Enzo Minarelli) DADA
ethnicity and intercultura (Translation Transition Transformation – PSi7) (Harrie de Kroon) Light-Noise being a person among (Petra Deus) as carrying out action Your presence
performative action Judaism as to the point of total see: Performance as
public Total participation instead performance l intercultural collaboration (PSi7) (Tanya Ury
Performance tainment (2) periodic performative
opening oneself up to the people (BN) is the best work Literature: (... continued)
postdramatic theatre the conference the enflamed (G. Ritter, P. Haunschild) staging light hermaphrodite intensities (instead of works) Dame Magma exhaustion There are no life Ferdinand de Saussure (la langue /vs/
story of happenings (LE) of spectacle (Situationists) theater
culture politics as
concentration camp tatoo)
Animotion (Noah Riskin) Performative (Fen-Ma Liuming) experience Counterpart to energy: (Ben ´D Armagnac) LKW (2) (James Lee Byars)
as ethnic performance without intentions aura aesthetic (H. Seitz) (FL)
(Lori Weidenhammer)
of intensive presence (Petra Deus) flattening emotion – slowing down,
repetitions, la parole)
telling (1) life of the act Activity – Frames
(Guillermo Gomez-Pena, Laurie Carlos, core of (charisma)
processual
(Stefanie Wilhelm) re-auratization Art Attack
(Lynn Mc Cary,
gathering for moments (religious) rapture / ecstasy pasty appearance, flabby muscle
only situative presence art of life see: aesthetics Senta Trömel-Plötz (Ed.) Gewalt durch
meaning is taking action = "taking in Jessica Hagedorn, Robbie McCauley, Coco Fusco, performance basic state in performative of intensity Being – as performative practical Act Sprache (book)
act of Shirin Neshat, Lorraine O´Grady, Reona Brass) aesthetics Evan Hughes, tone, (Sowa) of existence
Poles: often related acting/doing (Sowa) hand" (Charles Garoian) of art aesthetic of performative Excess, the Suspension of the familiar interplay between
forums
(giving existence "a hand")
mind (Kaprow) Asian calmness
(Proj.: Kinetographien) category of the "in-between" as guiding Alberto Gaitan) (BN) The energetic sum: quiet voice, cold skin, dull gaze Practicist concept of being (with Heidegger) (Foucault) J. Habermas / theory of communicative
to the art woman as a piece of meat moment of ego boundaries, close to feeling of total Politically motivated aesthetics & existence (PB) competence and performance
one's own life without an emotional push there is no action
ideas imperturbability category aesthetic Emergence (higher plane of being), delirium psychosis, Charles Morris (semiotician)
act (Mary Noéle Dupuis) participation self-immolation as performance?
(PB) Life – an
art action B.M. is a principle with
against discrimination
for an aesthetic of the performative
aesthetics of living
action not conducting secondary discourses (McCarthey) in both the ecstasy of love and (Flow) (Jan Pallach) Seppuku (Yukio Mishima)
To analyze performance as the primary reality
(David E.R. George)
Emile Benveniste
space of incl. irreducibility ethnic-cultural dimensions beings from another displacement of the dominance of the visual (sense of sight) religious ecstasy (unio mystica) Jerrold Katz (competence/performance)
instruction because of cultural places energetically putting oneself into a Levitation Performance as a model of existential reality
Life action audience of world deep play /vs/ (2) Neurotic Rituals – in the tense and life-art as self- William Labov (sociolinguist)
manual: differences Samurai (Charlemagne Palestine) – (canceling
Performance the book of gestures
(Karen Rahn)
performer takesthe practical (G. Gomez-Penas, James Luna,
(Mariko Mori) perception politics
aesthetics of life practice 12 aesthetic view / Hagakure: in praise of energy (Mishima) shallow play intensity of a hysterical
gravity)
relaxed experiment
view of real experience
Hans-Dieter Huber
(Abramovic, Ulay)
action encounter (2) Adrian Piper, Tim Miller, Holly Huge, Performance as an (em) (Geertz) psychosis fundamental state of being (Helga Moehrke) existentialism Johanna Malt / Performative Constructions
(Jochen Gerz) sleeping pills – audience has to
react (Ma Liuming)/ Communitas Robbie McCauley) (Elvira Santamaria)
east art / west
aesthetic category visual view / light view bitter(ed)ness Disquieting and (Reindeer Werk) see:
(Terry Fox)
Performance is based on
the art of (Monika Günther (primacy of action) of Meaning (article)
life art Gestures (2) sleep pieces (Geoffrey Hendricks) media presence for political issues (Schlingensief) art hardness renewing hand generated the enflamed aura
the
existing 14 existential view
& Ruedi Schill)
existential philosophy Robert A. Fischer / Oral, multimedial
"let's do some
real action as
Performance as an pragmatic ethics and energy (Ric Allsopp) to exhaustion light (charisma) search for the (Sompong Thawee)
subjectivism debate
on the drip with sleeping drugs (Holtappels) Performance as a bed in (for peace) taking strictness presence of acting artists see: life-art-works (article Kunstf. Bd. 152)
action" aesthetic aesthetics
completely expending oneself (Richard Alpert) presence aesthetics perfect Now (moment)
interrelationships the recipient as meeting (Yoko Ono) political effect technology critique (Gina Pane) (McCarthy) (James Lee Byars) Walter J. Ong / Orality and Literacy
(Colette: declared the haptic taboo violations (2) The performative phenomenon (as aesthetic (with Rorty, Shusterman) (H. Sowa) (Fake shop –
Artaud: to be as one Performance
of course of her life an communication with the (necessary) witness Cut of different cultures (Reindeer Werk) (Denis Oppenheim) configuration (of presence) neo- N. Luhmann
stimulations (discourse control through taboos)
performance indoctrination category) see above Performance-Installation) condemned to be (Marina Abramovic: dance to is see: most sublime moments
life are declared art work) audience piece (Abramovic/Ulay, Minus delta t)
organic existentialists Davidson
(Sang-Jin Lee) audience brought in one by one (Franco B.) (Yoko Ono)
(Fluxus) garbage as model burned unconsciousness) (Marcos Kurtyz) present of audience and performer (@Home) Performing
art Touch and Feel Cinema (Valie Export) war victims Aura (air, breath) as what is material (Dorte Strehlow: dragging sack) in search of the Horst Wenzel (research project) /
The performer as avid voyeurism of performance delivery ability to act (Ray Langenbach) and making signs from physical presence participate world war (PSi7)
(Mona Hatoum) forgotten in humanness animal hears (sometimes pulsing) (Melati Suryodarmo: dances,falls, ...) energetic observation Repräsentation und Kinästhetik im
(V. Export, Lydia Lunch, Rachel Rosenthal, Body Contact (Schechner) performance censorship (Tania Bruguera) (D. Mersch) up on the stake authenticity of
recipient of an cf. identity view political theater (Stadtwerkstatt, Sándor Dóró) total overload (Stuart Brilley) in the same energetic space of Spannungsverhältnis von Mündlichkeit
Elke Krystufek) Touches (Franz Müller) Political Performance for a re-politicization experience
life exhibition (Performing Identities – PSi7)
There are as many extreme building up intensive energy psychic processes und Schriftlichkeit
(Tomás Ruller)
(Adrian Piper) of performance Animal cage situations see:
(as performance 20 performance- performance fields (psychic energy) König (research project) / Produkt-
the pleasure of grasping /vs/ touch prohibition (Padang Ilalang Group) (Hans-Jörg
art ritual (Bonnie Sherk,
contemplation
topic) playing with the untouchable (Franz West – pieces that should be experienced with the
(Kathrin Butt)
(Michelarcangelo De Luca)
Tauchert) view of world view aesthetics as forms of living (Bradley smith) human as dog Gómez-Pena & Fusco) meters
/vs/
(Text: Lischka)
(Julie-Andree Tremblay) energy drawings of
(Rolf Langebartels)
Intensity and energy:
Vital works: Abramovic/Ulay
orientierte und prozeßorientierte Ansätze
conventional life situations audience's no
distance body) political climate: propaganda or language games (D. Charles (Oleg Kulik, become a marathon
ecstasy see: performances energy dialogue
in der Sprachwissenschaft
attention (Mongkol Plienbangchang – with Wittgenstein) Ethics is the Aesthetics of Alexander Brener, (Albert van der Weide) Semi-orale Kulturen des Mittelalters
(Giuseppe Chiari) testing the audience's (desire for touch)
viewer in the role of the U-kabat-Group) 11 political view / with regard to the Peter Weibel) Performance with (dead) animals emotions are the uninhibited
(Morgan O´Hara)
experiencing the greatest possible Sybille Krämer (research project) /
posing with the reactions Recipient- central see: attention
performer (in complicated performance in aesthetics /vs/ Few (ture) (Laurie Anderson)
(V. Export, Siglinde Kallnbach, Werner Klotz (snails),
performances intensity: Performanz u. Performativität in der
camera (Ma Liuming) (see: borderline situations)
(La Fura dels Baus)
Performer
technical installations)
cf. body as medium
(Performing Resistance – Vienna)
intercultural view politics ethics
Ethics is the aesthetics of the future
cf. Wittgenstein It is not possible to speak
Via Lewandowsky, Alastair MacLennan,
R. Schwarzkogler, Otto Mühl, Zbigniew Warpechowski,
H. Nitsch, suppliers ofintoxicated
energy state energetic
(energy
centered
field as
as goal of the performance Sprachphilosophie
(Chris Burden) (V. Acconci) Mark Tomson/Thompson (work with bees), parallelisms (Peter Stembera)
audience in the completely surrendering to (RoseLee Goldberg with Lenin) about ethics (praxeology) escalation begins (Morgan O´Hara) attention) shop for energies of all
Inge Broska Performance culture as victim role
naked performance by the "audience" organized political
ethics = action (performative)
Stadtwerkstatt (bug race), Zitronenfalter (Brook),
Hans-Jörg Tauchert the visitors (Marina Abramovic) through private ads (Spencer Tunick) (Canada) Performance Attila Kosa (taxidermist), Paul Kos (Trophy), with Performance as the kinds
hotbed of a new (Hermes Phettberg) (Julie-Andree Tremblay) revolutionary situative Josef Beuys (coyote, horse, dead hare), J. Kounellis (horses), see: the (Ulf Freyhoff – FreiRäumeN)
Jürgen Olbrich
thoroughly pseudo reception art be-holder (in actu) approaches production manifestation manoeuvre as social, political
G. Duintjer (horse), Bender&Nern (horse),
one´s own
(Engelmann)
body
brutal
production
cf. view of the field
black strategy Core of a performative ethics and aesthetics: of an energetic body
view of behavior
Boris Nieslony Arnulf Rainer (Painting Performance with Monkey), see: view of
maneuver, sit ins passio
Ulun Michael Steinke The ritual does not performance intensification of life with all its capability for Stephan Us (dead sparrow), Elisabette Mileu (fish) Emotion as a
Reindeer Werk: unmediated reference to distinguish postprop- expression, perception and pleasure (H. Sowa) Pascale Grau (ladybug), Bonnie Sherk,
form
destruction n energetic view
Lebende Vorhersage – the agitprop Happening (2) Tatjana Ilic (bird in mouth), Marco Ivaristtis, life: intense,
communication aesthetics
The Prediction 79-82
audience as essential 10 recipient view / between audience and
performers agit prop agit pop Kim Jones (Rat-Burning), Ella Tideman,
Animals Transforming
of social energy
burning,
sociology (Bourdieu)
characteristic of the tactile haptic view
Interpassivity (theory) On the ethics of the deed – Markus Schwaighofer, Walter Stehling (dog),
Culture: High and Low Psychical energy infernal spectacle 13 intensity view identity discourse
action arts
agit-lecture audience participation Hagakure
(Yukio Mishima) lie as performative act
Ramiro Oviedo (snake), Hélio Oiticia,
Carolee Schneemann (snake, fish, chicken), (PSi7) (Stuart Brisley) (Tibor Hajas) performativity views
DADA, Futurism sense of agitation & propaganda Interventive actions Kaprow (chickens), Rafael M. Ortiz (chicken destruction), feeling of "power" thinking and acting postmodern views
09 everyday view and Surrealism touch "Tactiles" (C. Kolig) (Marxist, Leninist) (Sonia Knox, of Ethics of catharsis Mark Boyle (insects in the throes of death),
Learn where depends on the in intensities
important parameters of
seek mental,
Experiments with the audience (Dan Graham)
(Viktorine Müller (vacuum-packed audience),
(Bruce Barber) Elisabeth Chitty) (Ray Langenbach)
(Marcel Odenbach) (U. Rosenbach)
action social public life requires participation (LE); in the service Simon Whitehead (tracking animals)
the meat energy
(BN) p.:
engaged identity of the subject
psychical-
psychological
Mike Hentz (enclosed, shackles),
Nikolaus Urban (locked in, stabs),
direct art (organic) decay Political agitation
(Birgit & Wilhelm Hein)
(Marcella Bienvenue)(Chris Reinicke) movement
(cf. projects by IRWIN)
performance
transfer qua awakening of of
Cf. animal performance (circus)
comes from
Club Moral
behind it Freudian concept of sublimation =
uncontrollable
agitations and even physical V. Export (whipping), Art as unmediated
decomposition (Kosa) gorilla masks
"a" battery "a" social activist emotional reactions
humanity
(Rui Huang)
(Suzanne Lacy)
(Danny Devos & Annemie
transformation of libidinous
energy
Jason Lim (beer rain, flour rain), direct communication (FS) political actionism against sexism, Van Kerckhoven)
attacks on the Markus Hensler) psycho- The Prediction
performance (fear, revulsion, alarm) philanthropy Fears for the dignity of into different types of processes
see: view (James Barth, Heinz Cibulka) Büro Berlin politically motivated racism
re-enacting audience (LE) physical nauseating material the human being in delusion When Abramowicz
of playing ASA-European actions (Guerilla Girls) Aktivismus / Activism washing laundry with Golf War video dignity performance (Zofia Kulik, Przemyslaw Kwiek) (Rolf Hinterecker)
(Mary Bauermeister) attacks
everyday directness battles Rent An Artist, Prediction actionism in parliament Activism and Community (Chumpon Apisuk, Arahmaiani (A. Rahmayani)) (Ali al Fatlawi) presents herself to the
situations attacking the Theater of Black Market International (PSi7) visitors ...
(as central quality of performance – symbolic actionism (PB) Shan – discipline of attention event aesthetics ethical
The great American audience (LE) emotionally STOP.P.T. presidential candidacy (Heinz
games (Istvan Kantor –
in comparison with communication disgust view perversion (LE) Performance Networks performance as demonstration (see Baumüller) (Zygmunt Piotrowski - School of Attention) as ethics (GANG ART) equivalency perception must turn into an
worker (Francis Brown) unmediated through media)
Situationists, Lettrists above) experience of responsibility
Monty Cantsin) "Polis Performance“ (Matthias Schönweger) founding political party (Schlingensief) mental
terrorizing radical politically intended actions
disgusting nauseating smell (Else Gabriel) IRWIN, Lidl Akademie (Milan Kizak) Performance as attention (see above) situation
performance is pain performances Chris Reinike resistance movement and performances responsibility models
(Ralf Samens) performances performance as subversion (see above) Giving what is to be
feminine playing helplessly exposing oneself to the nauseating Rasa Todosijevic protest movement, sit ins (category 13 according to M.-L. Lange)
(Janus Markus = J. Markus-Barbarossa) found in love (Artaud)
attention as raw material (2) (Georg Ritter) audience responsibility
myths ritualizing "participant audience abjects performance as destabilizing practice (see above) the general essence of performance
taboo topics ecoactivist ecological political responsibility
of everyday Re-Imaging Tableaux Vivants (staging) " (Wolfgang Flatz, Abramovic) sadistically tortured attitude in common (B.M.)
child abuse Art and Revolution performance performance performance (Z. Warpechowski)
(Stephanie Beaudoin, emotions as actor (Hermes Phettberg) strictness dealing Taboo Guerilla Art Action
life Tarin Chaplin, Colette, Picking up the (Rosa Galindo, Pedro Garhel, (P. Weibel, V. Export, O. Mühl, G. Brus (Esther Ferrer,
coerced
(Mechthild Barth) with Group (GAAG: urban strategical interventions PIM performative indoctrination model The ethics of giving Elvira Santamaria)
Kim Dawn & Christof Migone, B. Nieslony) UNI Vienna 1968) see also: political aesthetics as art theory
performance Shawna Dempsey & Lorri Millan,
audience
and taking them along
the taboo
taboo violation/taboo breach
shame
Jean Toche,
Jon Hendricks,
guerilla (Shanna Noyes – Urban Canvas Art Initiative) (Ray Langenbach) is performative (the event as gift,
view aesthetic discourse
of life The gift as event must be
mimesis and
Rachel Echenberg,
Nathalie Grimard, Louise Liliefeldt, into the water (Tibor Hajas, McCarthey) (Fluxus)
(autoperforation artists: Micha Brendel,
(culturally determined) Silvianna, ....)
art
anarchist
Performance
provocation
as actions
earth
for the life of the
irruptive, 12 ethical view art theory / morphology
perception theory
imitation Christine Martin, David McFarlane, showroom /vs/ space to (Billedsofteater)
Else Gabriel, Rainer Görß, Via Lewandowsky)
see: taboo materials
(Else twin Gabriel, Micha Brendel, (Ulrike Rosenbach) unmotivated –Performativity
Derrida)
(Robert Hartmann, The Other Theatre, Kathryn Walter) Extremity in (V. Export, Lorraine O´Grady: approaches of the procedure debate on the sublime
Werner Reuber,
act (minimal public distance) the
(Schlingensief / What else could be violated?)
Terror of violated intimacy Guerilla Performances)
performance (Charlemagne Palestine)
Via Lewadowsky)
Eva Seanto feminist already replace (acc. to Luhmann) the aura debate
arrested theatrics demonstrations Pro-Vocation - calling lesbian
Ulrike Zilly) dream emotional
(Schlingensief)
guerilla theatre rage-anger system Ulrike Rosenbach normativity of laws (Lit.: Lyotard) revulsion theory
hellish bodies: horror worlds: (Guerilla Girls) Feminist Art Workers Simone Forti narrative performanc
living illustrations sphere (Nancy Angelo, Laurel Klick, performanc communication aesthetics
(Eleanor Antin)
electrical shocks, unbearable noise (LE) Disrupt political Feminist Actionists Deborah Hay e
(Alex Mlynarcyk, tableau Expressionistic and (Carolee Schneemann,
Cheri Gaulke) Elaine Summers e Ethical "performance“ performance studies ethnography
self-exposure colonialism
dream theater
Colette,
Luigi Ontani, Tableaux (the Surrealists)
psychological being tense together (Spiderwoman) Joan Jonas, Ann Halprin) Trisha Brown rape scenario (internet newsletter)
interests (2) body as material (see left) Lucinda Childs (to break the code of silence) cf. Wittgenstein
Johan Lorbeer,
Claudia Triozzi, Vivants (Viennese Actionists) Sadomasochistic self-poisoning (Heli Rekula) feminist actionism Political women's Alison Knowles (Ana Mendieta)
enticement/fobbing Charlotte Moorman
In reality of rape
Myriam Laplante, pleasure and pain Performance: (originally. V. Export & U. Rosenbach) movement Angelika Festa
Faisal Abdu´Allah) cf. living environments off (Bob Flanagan, zones of dis-rupture body=social construction=transfigured (Sandra Orgel, Aviva Rahmani)
(Anja Ibsch)
(Mike Hentz, (Eulalia Valldosera) (Kees Mol) Performance art
(living pictures as in the baroque Karel Dudeseck, excitement Sheree Rose)
nature
stimulating (Paul McCarthy) Queer performance is a
celebrations era) Monty Cantsin,
fear destruction actions /vs/ material=body=nature Translating the Body (PSi7) emotions in the battle
emotionality (Mike Parr) paradigm of feminism itself
of
Padeluun, emotional (category 07 according to M.-L. Lange) (W. Flatz) gender surfing (playing with of
(Hansjörg Marti) Flatz) (Da Blunschi) situations breast
everyday life space / (Mark Boyle) symbolically directed against civilization gender roles) gender: a category constructed through performance the sexes
performance
(Milan Knizak) prediction (1) Performance = what
space of feelings (Wolf Vostell, G. Brus, O. Mühl, R. Schwarzkogler)
(Ewjenia Tsanana)
(ritual double genderedness – shamans)
(not a given social or cultural attribute) gender = a
tradition and the emotional as a (cf. V. Export) "doing“
entertainment
moves us: goals, performativity of (John Duncan) gender (in)
fundamental position rage and hate as motivation man/woman dualities analysis (Elena Ferrer) political discourse
art and life (Yuan Mor´O) living prediction emotion, dreams, feelingsWhat touches us ?
violence as critical
gender- performance
Performatively freeing buried female potentials (Mileva Josipovic)
Black cultural theory
cultural criticism re-politicization discourse Legend
(Reindeer Werk) fears, relationships (T junction)
(Antoni Miralda)
B.M. Micro-emotions are emotional force of performance array of destruction in art tainment (1) generating see also: identity view
feminist studies / feminist theory post-colonial discourse
mourning instruments gender
feminist & sexuality
performance gender studies exoticism discourse
the tools of taking action
celebration public
celebration
performance aggressive action (BN) logic of anger, rage (Kees Mol => Nieslony)
poetically Feminist view (Faith Wilding, Suzanne Wilding, Valie Export, 11 feminist view anthropology of gender race discourse
These views cover content/analytical perspectives or delineate content
zones.
(Hans-Jörg Marti) and Martha Rosler, Barbara Smith, Marie Beth Edelson, Linda Montano,
art (1) (fire-eater ...)
transition of theater to a celebration (LE)
controlled performance as exorcism (see above) brutality as a aggression
destruction
destructive
in art symposion DIAS (1966, ...)
Yvonne Rainer, Suzanne Lacy (Lazy) & Judy Chicago, Yoko Ono,
cultural history
postmodern views
regionalism debate
minorities debate
nn view Placement within these zones follows the principle: spatial proximity =
subject matter proximity.
facial muscles
(Huge Harry) psychical exceptional
fundamental (O.Muehl, H.Nitsch, P. Weibel, A.Hansen,
Eleanor Antin, Hannah Wilke, Shrin Neshat, Amanda Heng,
Carolee Schneemann, Betsy Damon, Leslie Labowitz, Martha Wilson,
feminist postcolonial theory Eurocentrism debate The outer ring is generally more abstract than the inner area.
life as a celebration (invited to the table) position In Foucault's terms, these could also be called archeological fields.
ceremony EEG-measurable: hunger, situations
self-experiments with
Gustav Metzger, Susan Cahn, John Sexton,
Kurt Kren, Vostell, R.M. Ortiz)
Lydia Schouten, Fumiko Takahashi, Diane Torr, Split Britches,
Anna Deavere Smith, Nicole Croiset, Karin Anarchia, Anna Dancikova,
performances (Game Rules of Art) critical discourse discourses
celebration as intersection fear, anger, mourning, joy (Michael Burges) advanced studies The archeology follows the axis: discursive praxis => knowledge => science.
art (1) between action theater and
psychopharmaca Taro Ito, Tina Keane, Anna Paci)
method complexes In keeping with this, relevant discourse, research directions (scholarly fields)
performance as analytical postulate (see above) (Marina Abramovic) aesthetics of destruction /
society extreme situations theory complex and method complexes are listed here.
ceremon X days birthday venting deconstruction Discipline: grouped methods (of a scholarly discipline)
dramatic self- mental and physical burden poetry and destruction Literature: Literature: (... continued) Literature: Literature: Literature: research directions
y celebrations inflation of (Chris Burden) (Barbara Sturm) games (Vasan Sitthiket) Literature: (... continued) Literature: (... continued)
(see: encounter) expression Sue-Ellen Case and Jeanie K. Forte (Ed.) Theatralisierung des Politischen (article) Performance as an aesthetic category Texte zur Kunst Sept. 1999 9.Jg. Heft 35 Literature: ( .... continued) Kunstforum Bd. 150 discipline
(Yutaka Sone) banquet self-expression mental boundaries (Stuart Brisley, Jill Dolan / The Feminist Spectator Peggy Phelan / Unmarket – The Politics
performance as (G. Brus, A. Rainer, celebration of psycho- experience of primal Performing Feminisms: Feminist Critical G. Rauinig / Wien Feber Null (book) (edition of a performance journal) Notes on Camp / Susan Sontag Doris Kolesch / Ästhetik der Präsenz Zeit – Existenz – Kunst
(Tamar Raban, Raoul Marek) V. Export) Geert Duintjer) as Critic of Performance (book)
celebration situation with physical excess Theory and Theatre (book) Geraldine Harris / Staging Femininities. Dwight Conquergood / Performing as a Kate Davy / Fe/male Impersonation: Mattenklott / Präsenzästhetiken Peter Gorsen / Der spielbar gemachte These symbols highlight "canonized" performance directions. These directions
receiving guests celebration culture (Stadtwerkstatt) Michelene Wandor / Studies of British Sue-Ellen Case (theorist of feminist perf.)
guests (Werksküche: transpublic) naturalism (Otto Muehl, H. Nitsch) (H. Nitsch) Senelick Lawrence / (book) Performance and Performativity Moral Act: Ethical Dimensions of the The Discourse of Camp (article) Mattenklott (research project) / Kultur des Alltag oder die Rückkehr des could also be called streams (BN), performance categories, concepts,
(any affair) psychical border-crossing emotional turn (following cognitive turn) feminist performance Moira Roth / 1970s The Amazing Decade
(Hinrich Sachs)
moods of performances (category 01 according to M.-L. Lange) manifesto of tactilism Gender in Performance
Lance Carlson / Performance Art as Michelene Wandor / Carry On, Anette Baldauf / Gender & Performativity Ethnography of Performance (article) Expansionen (catalogue) Wiener Festw. 79 Coming out (Coming Out und Subkultur - Existentialismus in der Performance Art direction movements,
nomadic artists (nomads) Geraldine Harris / Staging Femininities Technologien des schwulen Selbst) media directions, performance (sub)cultures, (micro-)styles, practices, basic
as mediators between art contemplation,
rituals and
10 emotional view existentialism (primacy of the act)
Performance and Performativity
Political Activism (essay) Understudies Ian Watson / (PSi7) Interculturalism and
Aesthetics: Eugenio Barba´s Barter
Marvin Carlson
introduction
/
(book)
Performance
!!
– a critical Georg
Psychische
F. Schwarzbauer
Energien in
(FS):
der
Physische
Performance
und
Mattenklott / Erzähltes Geschlecht
(catalogue
Roland Barthes
essay)
/ La Mort de l´Auteur patterns (of behavior) or performance "types".
solemnity psychoanalysis / disgust theory Catherine Elwes / Floating Femininity: Helene Cixous
and everyday life => celebrations (Alain Gibertie) or celebration Routledge Reader in Gender and Perform. Gerhard Johann Lischka / Momente Clifford Geertz, P. Bourdieu Andrea Sieber (research project) / Zum Heidegger / Existentialphilosophie ...
As a supplement to these, see the non-canonized "performance terms“.
joy / logic of joy emotion / Lacanism discourse A Look at Performance Art by Women Luce Irigaray Practice
movement "les Vivants“ ritualizing emotions psychoanalytical view / queer theory (PSi7) Performative Acts and Gender Constitution
(essay 1988!) / Judith Butler
(essay) Julia Kristeva Rosalinda Borcila / (PSi7) Citizen/Foreigner:
De
Ästhetischer Praxis
Certeau
Mihaly Csikszentmihalyi / Das flow- Wandel der Geschlechterdifferenz in
körpersprachlichen Inszenierungstypen
Heidegger / Sein und Zeit reference literature
red text: first
sociology (Bourdieu) gender studies Lynda Hart & Peggy Phelan / Acting out – The Body at the Border Erlebnis (also: John MacAloon) Jaspers, Sartre, Merleau-Ponty for the respective
09 everyday view cultural studies
psychical
view psycho-physical view psychological theories of performance Kate Davy / ... Reception, Context, and
Feminist Performances (book)
Marcia K. Moen / Peirce´s Pragmatism
as a Resource for Feminism
Ruth Askey / Humanistic Concerns in Richard Poirier / The Performing Self der Liebe Staging the Holocaust (PSi7) view / development phase (Version 01)
black text:
artist
Address in Lesbian Performance Performance (article) Suture – Phantasmen der Vollkommenheit Nietzsche Miriam Yahil-Wax / (PSi7) Where language conference (collective list)
new subjectivism psychology / action psychology Valie Export / (essay) Persona, Teresa de Lauretis / Sexual Indifference subsequent development phases
The politics of black performance (book) / Dieter Mersch / Reauratisierung in (catalogue and symposium publication) Mishima / Hagakure - Zu einer Ethik der Tat ends references
privatism debate
life philosophy
view of destruction see also Gustav Metzger
Catherine Ugwu
Proto-Performance, Politics
Coco Fusco (artist) / The Other History
and Lesbian Representation
performativer Kunst (research project) Peter Gorsen / Körperrituale der Travestie Spielarten von Authentizität (conference) /
(modifications / expansions)

African-American Performance (book) / Andrea Juno & V. Vale (Ed.) / O. Hruschka, A. Matzke
of Intercultural Performance (essay) Kunstf. Bd. 152 und des Transvestismus (article)
(game rules of art) see above: therapeutic Angry Women (Kathy Acker, Susie
A. Bean (Ed.) Dieter Mersch / Kategorien für eine Petra Klaus / Hardcore-Performance (article) Harald Begusch (Diss.) / CrossDressing? Performance Terms +Performance as ... (short definition)
view Susanne Schwinghammer-Kogler / (PSi7) Bright, Wanda Coleman, Valie Export,
P.A.N. (catalogue book) Ästhetik „performativer Kunst“ Hakan Gürses / Identität (lecture Gmunden) TransSex? CoreGender?
Literature: Literature: (... continued) Literature: (... continued) Interculturalism and aesthetics or the Karen Finley, Diamanda Galas, Bell academic performance, akustische P, animal performance, anonymous P, architecture performance,
Black Market International (brochures) J. Derrida / Given Time Dieter Mersch Stefanie Menrath / Performativitäten von
Justin Hoffmann / Destruktionskunst Allan Kaprow / Step Right in Assemblage, Elke Koch (research project) / Ritual und deconstruction of an eurocentric myth Hooks, Holly Hughes, Lydia Lunch, autobiographical performance, Bewegungsperformance, black p, breast performance, cabaret performance,
Büro Berlin (catalogue book) Doris Kolesch / Ästhetik der Präsenz T.Warr, A. Jones / The artist´s body ! Identitäten im Hip Hop
Literature: Michel de Certeau !! / Kunst des Handelns Environment & Happenings (book) !! Emotion.Theorie u. Begriff des Rituals am Norma Broude & Mary D. Garrard (Ed.) / Kerr & Malley, Linda Montano, Avital camp performance, collaborative P, costume performance, cover performance , cultural performance,
Herbert Blau / To All Appearances: Fischer-Lichte (research project) / Orientalities: Representing National and Intra- Between Identity and Representation (PSi7) Dauerperformance, deconstruction performance, dialogical performance, didactical P, digital P,
L.K.W. (catalogue) OK Linz Paul Ricoeur (application) / Lehrstuhl für Udo Kultermann / Art-Events and Bsp. der Trauer The Power of Feminist Art Ronell, Sapphire, Carolee Schneemann,
Ideology and Performance Ästhetik des Performativen (FL) National Identities Through Art an Music Staging Cultural Identity (PSi7) dinner performance, Echtzeitperformance, ecological performance, electroacoustic P, electronic P,
Performance Art, die Kunst zu leben Philosophie des Handelns Happenings (book) ! Jens Roselt (article) / Vom Affekt zum Effekt Edith Almhofer / Performance Art – Annie Sprinkle
Randy Martin / Performance as political act Beauty now (catalogue) (PSi7) ethnic p, ethnographical P, feminist P, Fingerfächerperformance, fragrance p, Gesangsperformance,
Life is art enough / Ed. Anita Beckers Konserviete Welt / Eva Sturm Kathy O´Dell / Contract with the skin - Judith Butler (injurious speech / hate speech) Die Kunst zu leben Women and Performance (Journal)
Baz Kershaw / (PSi7) / Ecoactivist Vera Apfelthaler / Drag, Performance und das Grenzüberschreitungsperformance, gestic P, gestural P, homosexual performance, intercultural performance,
Life is art enough / Felix Philipp Ingold Kultur als Handlung / article: Gertrud masochism, Performance art and the 1970s Slavoj Zizek Patrice Pavis (Ed.) / The Intercultural Philip Auslander / (PSi7) Intimperformance, Kaufhausperformance, Kommunikationsperformance, Konzeptperformance, konzeptualistische P,
performance performative Körpergedächtnis
Linda Montano / Art in Everyday Life Koch /Texte zur Kunst 99 – 9 – Heft 35 J.L. Moreno / concept of psychodrama Kunstf. Bd. 126 / Große Gefühle (weak) Performance Reader Performing Resistance in a Commodified Körperperformance, Kurzperformance, Langzeitperformance, Latex performance, Laufstegperformance,
The Environment as Partner in Protest
Performance art – Die Kunst zu leben (book) Ästhetische Handlungen u. Demonstrationen Julia Kristeva (theory of the "abject“) Luc Ciompi / Die emotionalen Grundlagen des Erika Fischer Lichte (intercultural approach) Context (PSi7) lecture performance, lethal P, Light-P, life performance, machine performance, medical performance, minimal P,
Samson D. Sauerbier David Jones / The Performance of the Denkens !! minstrel performance, multicultural p, myth-related performance, naked performance, narrative P, operation performance,
Habermas, Apel Abject (article) Norbert Elias (sociology of emotions) party performance, permanent P, poetic P, political performance, popular p, Portrait P, posed performances,
(Theory of Communicative Action) Sigmund Freud, Wilhem Reich Jürgen Gerhards / Soziologie der Emotion private performance, projection performance, pure P, real time p, research p, retro-performance, revolutionary p,
Ritual P, Rollstuhlperformance, rhythmische P, Sauf-P, Schaufensterperformance, self-exploratory performance,
Interpassivität / Ed. R. Pfaller
shamanist P, Stehgreifperformance, Stimmperformance, Tele-Performance, Telephone-P, Text-P,
Karl Gröning / Hände theatralic performance, table performance, trivial performance, ultimate P, urban p, verborgene P, unsichtbare P,
Vortragsperformance, vulgar performance, Weihe-Performance, zerbrochene P, Zweierperformance
01 atmosphere view performance as a field of action
musical/acousti
Disco atmosphere
poetry and performance (PB)
01 contextual view poetic pilfering
absurd (2) human invention of grotesque performance as
context-aware theories and (Frank Lüsing & Oliver Kochta) (separated from the usual function) situation
c moments
sculptures
moments situative situation art
contextualism discourse
theories of meta-communication see also: aesthetics of atmosphere
experience – an all-encompassing
atmosphere (Prof. Mike Pearson) atmosphere
serene attention
view of the framework poetic situations
using objects outside
(Jaques van Poppel)
responding to the context
(Terry Fox)
approaches situation +Performance as situative production
(Peter Trachsel) art
(atmosphere as term of aesthetics) construction in the
presentation of an poetic situations in duplication the living (Roi Vaara, Peter Weibel, V. Export) (Udo Idelberger,
Pier van Dijk)
(source: Marie-Luise Lange)
+Performance as situative experiment
atmosphere (Edward Lazikowski) (Joa Iselin & Christoph Ranzenhofer: Port Rouge) usual context sculptures
(INFuG, Stadtwerkstatt) atmosphere affect and context dependent (Richard Martel) (Jaques van Poppel) (Psychogeographical Association) situative abidement and truly situative action
Performance = action,
climate chambers (biospheres) and a state of mind (LE) mood gauge selection of memory contents frames and framework conditions are strategy of duplicated lingering associations (Sowa)
atmosphere framed by a defined Performance as
visitors are exposed to elementary (GANG ART, granular synthesis: while simultaneously repressing are training fields for the situative (BN)
– Kurt Hentschläger & Ulf Langreich) memories not conforming to affect the power of the context frameworks (LE) energetic space transformation
mood – inflection, habitus, manner sensations (heat, cold, steam, storm, ..) (Thomas Huber) situation (Matthew Maguire) connection between New
Literature: (see: orality) (Bigert & Bergström) (cf. Wettergebäude by the Stadtwerkstatt) (cheerful, uplifting, alarming, aggressive, ...) "framing“ has a central forms of of a situation (J.-F. Lyotard)
disposition tableau (absurd actions) Performances by concept artists Music
Kontextbewußte Ansätze in Kunst und generating clouds (Lone Twin – Gregg & Garry) significance living (Marcel Broodthaers, P. Weibel, ...)
(framing) (Mimi Nakajima) and Conceptual Art
Wissenschaft / G. Dirmoser (DG) atmosphere/mood (GANG ART) greater appreciation of frameworks of light, space and for performance theory as context
Erving Goffman / Frame Analysis (book) emotionally conceived temperament breaking through the atmosphere atmospheric perception sound
framing everyday life
(Kam Yeon Hee (YEONEE) invisible performance Concept Theatre (LE) Conceptual art: performance as
(Esther Ferrer – Gruppe Zaj
(W. Marchetti, J. Hidalgo, R. Barce))
+Performance as open system
, Setting –
Gregory Bateson
J. Derrida different locations/spaces and
constitution What is art and what is "reality"?
(Wilson) (cf. GANG ART)
Performance as predicament (2)
(e.g. as couple: Judy Radul) Post-dramatic theater can also be understood
(in reference to Concept Art) as an attempt to
demonstration
or an execution of those ideas Concrete theater –
(LE)
Performance as breaking through structures
Performance: Texts and Contexts (1993) lighting each convey their disposition
(Harrie de Kroon) arranging
the
reflection on the Performance without an conceptualize art in the sense that it offers an abstract theater without action +Performance as a transitional form of art
Victor Turner / Frame, Flow, and own climate control technician invitation as substitute performance audience experience of the real rather than representation.
performativity through new arrangement; through new social
Reflection (1977) in: Performance in affective message
(with Heidegger) "Situation“
conjunctions (of the data of a game move) (cf. Lyotard) practice of art
allusion as substitute (Peter Arnold) intimate performance (FS) Ideas conveyed verbally (by telephone) over Performance as agreement
Postmodern Culture (Didier Bay) art space renovation as performance several days: "spoken house“ conceptual models
open system of encounter (BM) open system of Performance as agreement (see right.)
Gernot Böhme / Atmosphäre - Essays asking passers-by Urban intervention (40 singers in the underground) substitute (Otiose: Ailith Roberts & John Dummett)
of
(R. Tiravanija) collaboration Performance without people
zur neuen Ästhetik displacemen for (Hayley Newman) (Christine Carson) Simultaneity (a form of openness as concept) – attention (Gen Murai)
Thomas Dreher, Peter Weibel, ... t a moment or without performer - Minimal Performances
"alea" or without
free play with materials, objects,
it remains open, whether there is a connection imaginary (Murmeln im Mund: Harrie de Kroon)
scenic montage: attention hanging in
chance boundaries: confusion (Franz Müller) group feeling or Making art without artists synchronously played "fields" (cf. BM) the
open end body movements, action performance (James Lee Byars) (Ralf Berger)
see various forms (communitas) (cf. BM) or merely an external simultaneity (LE) (e.g. naked performances through recipients: parallel action (Wilson) (cf. BM) balance (cf. Trance)
(John Cage)
of ecstasy
(Happening) opennes see also: locations invention .... moments organized by Spencer Tunick) (Stuart Brisley)
(Peter Kalmus & M. Murin)
Minimal Actions
aleatoric process (process
role of chance abandonment: open s view) free spaces = playing
a kind of phantom that
conceptual performances
conceptualistic performances (Michael Blättler) (Esther Ferrer) Polyphony instead of dialogue (LE)
(resistances with surrendering to practice no stylistic restrictions is concept (Moscow conceptualists: The dialogical structure gives way to
relaxe momentum performance with (BM) spaces instructions as
the openness (Alex Silber) constantly changing performance Ilya Kabakov, F. Infante, A. Monastyrskij)
the
d self-propulsion open Performance: a permissive, open- (Tine Kortermand Hansen) (Anna Winteler) propositions participants and audience were Collaborative
help of chance) Meditations on Tenderness progression anonymous ended Performances monological and choric (LE)
Indeterminacy (Cage) affection (B.M.)
of/in Performance (PSi7) intervention medium with endless variables
view of manifestos
(Felix S. Huber) (Esther Ferrer)
conceptual way of
conceptual
actions
identical
(with 15 participants) cf. chorus theater +Performance as personal field of experimentation
indeterminacy conceptua steered intervention programmatic Apollonian (Jörg Lenzlinger, Patrick Sidler)
(allowing the quality
performative contemplative
l
Art as
disturbance (INFuG) 02 conceptual view
dealing (Teodor Graur) Three people at a table –
actions (2) social Performance as link between sections
actions of love openness intervention with art (ALMA) the non-action each operates without
Group
of openness (Art Attack) Intervention perceiving the others
parallel plot strands (LE)
performance Performance as gift
sums) (BN) (Pierpaolo Improvisation (2) (c. Hommelsheim, W. Höfinger) Performance
Intervention as (Kjetil Skoien)
(VLIES: Rolf Konrad, Academic Performances (PSi7) (otherwise boring) performance
connection with Calzolari)
free play
support (3) expanded Pat Binder, Wim Kolb,
actions with job-seekers,
the undeliberate Interventionis
measure for reality staging Jörg Brandt) collective
knowledge as passion t (Matthias Schamp) performance regaining doing
unemployed persons,
whole (Religio) Performances withoutdfixed concept for equal right of incompatibility as homeless,
action
(Gordon W)
(Rudolf
breaking through
intervention (cf. Expanded
complexit
sovereign gesture
rent an artist prisoners (Christoph Schlingensief)
conventional y power of the gift
see also: revolutionary performance (category 02 according to M.-L. Lange) Klaffenböck)
patterns of perception and
Deconstruction performances (2)
(category 11 according to M.-L. Lange / Inge Baxmann) patterns of Expanded Performance
Theatre)
incompatible (BN)
(the precise monologue) (BN) (2) pieces
(Santiago Serra)
approaches Improvisational, arising spontaneously from environmental problems and
boundless play departures = spontaneous actions (scream reception in the concert expectations
hall) These performances seek: staging (category 09 according to M.-L. Lange)
The Open Art Work (U. Eco) Neo- the moment (Black Market) valet for 1 performative staging of urban problems
dadaism confrontation, irritation of sense, love (public, ... Can be understood as a practical real-time confrontations month (T.X. Harsono)
his
(Game Rules of Art)
Intertextuality (Tina Keane)
02 view of eros sculptural-aleatoric
process (Andreas Techler)
love relationships have disjunction, interruption and demontage
of familiar semantic conjunctions.
conventionalized
staging) /vs/
transfer
of Concept Art into practice and the
performance
( /vs/ theater )
movements of biography (as researcher)
experimental, sketch-like an unfettering effect a principle: Black
logic of joy, pleasure unbounded (Xavier LeRoy) Warburg => Nieslony, DG
The point is "upending order", the destruction public sphere Market
02 unbounded view dialectics of behavior
(decentered; and love total improvisation
Improvisations common desire
All genuine life is encounter. ... W. Benjamin => Nieslony
demonstration of an idea abandoning of traditional rhythms and flows of meaning. polyscenic,
(1)
(Stuart Brisley)
(without audience participation) (John Sturgeon & Aysha Quinn) one's own standpoint) The performer as transformer tries
(in music) = (Brian Catling) simultaneous, fragmented Space
encounter.
and time are found in the encounter (1)
Georges
Performance as reference
Performance as a ritual to keep his senses together cf. absurd theater "purely“ performative ? Performance Simultaneity theater (Artaud) ASA: the art of the encounter
of transition (FL) (PSi7: Transition) (M. Buber) Carmelo Bene => Gilles Bataille
Literature: Fluxus unpredictability in the
(Verena Schwab, Foundation Schwab-Hensler)
settling in, mimicry as appropriation attemp
improvisatio Parallelbewegung Deleuze Roger Caillois
course of communication Ritual and improvisation Transformation (ASA is transformation) conflict discussions n dialogical joint Gertrude Stein => S. Freud => Viennese Actionists /
Postmodernism and performance (book) destroying of t Trickster
(Die Fabrikanten) as synchronicity principle: ASA approaches anxiousness Performance Surrealists
Nick Kaye Performance as transitional form of art (see above) diverse disciplines (BN) (counterpoint critic) interactive
(George Maciunas (namer), George Brecht, cf. Happening (Pauline Oliveros) Community Art Projects (PSi7) service (Peter Wolf) (Jacques van Poppel) (acc.to Bonnie Marranca) => Michel Journiac
Marvin Carlson / Performance Bob Watts, Yoko Ono, T.Schmit, Joe Jones, exposed processualit
Intertextuality (article) Yoshimasa Wada, B.Vautier, G.Chiari, J.Hidalgo, the translation (GANG ART, BM) (Regina Hellwig-Schmidt, Horst Konietzny, cf. also: infiltrating existing
association
artist y R.D.Laing => Stuart Brisley
Fluxus Adaption drawings (Translation Transition Transformation – PSi7) The artist is at the Regina Frank, S.A,C. Modellers Club)
systems (Gianni Motti) Performance as a new discipline dialogue interactivity Michel Serres =>
Marvin Carlson / Performance – a critical W.Marchetti, Ayo (Ay-O), A.Köpcke, T.Kosugi, J. Berke (MA v. Laing) => DIAS
Christiansen, Eric Andersen, W. de Ridder,
(Bob Lens) (Senoner)
Service of the Community or an interdisciplinary field. s (Raoul Marek) Orlan
introduction (book) !! New type of fluxus Performance as link
G. Hendricks, Milan Knizak, Dick Higgins, Phil Corner, Performance as (Francisco Inarra) commissioned intervention Joseph Roach: it is of course an view of synergies (U. Wid) Kurt Levin => V. Acconci(operation readings) De Sade => John Duncan
Interventions / Ed. Opus International Robert Watts, Alison Knowles, Nam June Paik, (Sara Seagull, Neal Taylor) between sections (see right)
breaking through structure (see "Services“ "artistic service“ project theater (LE) anti-discipline (the trickster as W. Reich => Viennese Actionists
Editions Charlotte Moorman, Ken Friedman, Takako Saito, interdisciplinary works (Jiri Kovanda) Yoga exercises: lead to (too)
Friederike Hassauer / Die Kunst der Emmett Williams, Robert Filliou, Al Hansen, Ben Patterson,
Proto-Fluxus (Toshi Ichiyanagi,
above)
Performance as guided
(project by A. Fraser & Helmut Draxler) rent an artist (Team of: dancers,
graphics artists, interdisciplinary poet-
guru
interdisciplinary projects (Marcelo Exposito)
Marcel Mauss => Sowa
(habitus as form of practice)
W. Reich => Atelier van Lieshout
introverted concentration – +Performance as tool
Larry Miller, Raphael Montanez Ortiz, Tomas Schmidt, of this anti-discipline) W. Reich => John Duncon
Entgrenzung (article) G.Baruchello, Beuys, J.Dupuy, R. Morris, C. Oldenburg, Jackson MacLow, David Tudor,
Henry Flynt)
tour cf. also reading seminars (R. Ganahl) (3) musicians, researcher Bakhtin /
Bachtin ! convulsivist (Reichian)
all feelings extinguished
+Performance as profiling facility
R. Barthes / Fragmente einer Sprache C. Schneemann, D. Spoerri, W. Vostell, Zaj, (in the museum) – lecture service (U. Wid) (INFuG: F. Kleuderlein, B. Kümmelmann, interdisciplinary theater (LE) (Grotowski)
architects, ...) breathing exercises
der Liebe R. Summers, Piki Soul,Mary Bauermeister, ...)
(A. Fraser, C.P.Müller, (as service) Hubert Sowa, Thomas Eisen)
Interdisciplinarity Circumscription of otherwise cf. Tao (Schlemmer´s)
Meditations on Tenderness of/in Performance networks Christel Burmeister) care of the handicapped (as service) disintegrating Erving Goffman !
(as common Artaud => Kristeva theory of performance
creating the in-between Pragma-art
(PSi7) / Peggy Phelan, Della Pollock,
Rachel Hill, Judith Hamera
Post-Fluxus (Montagne Froide -
Valentine Verhaege) cf.: support (see: list of networks) lecture artist
(Christine and Irene Hohenbüchler)
(Pierangelo Maset) 03 interdisciplinarity view characteristic theater languages (acting, music,
installation, light poetry,
A.Artaud =>
Derrida !
Paul de Man Julia Kristeva => Orlan (operation readings) Methods of infamy,
vivisection,
(Stan Lafleur)
cf. projects by MAIS of performances) (BN) (BM) Artaud => Orlan (operation readings)
association Second hand Performativity of originally separated singing, dancing) => Foucault ! implosion (BN)
W. James
for project network idea (Jürgen Olbrich) shop interdisciplinary fields (of knowledge): performativity Austin ! => Judith Butler !! => Ray S. Zizek Luce Irigaray fundamental change in the lecture performance
project-oriented art (Simon Beer) art international
as art (Christine Hill)
actions through Sowa Langenbach
G. Bateson
technique = traditionally
approach
to and way of dealing with the
(Marietheres Finkeldei)
(Ray Langenbach, Yuji Sone,
+Performance as medium for communicating art
Früher machten wir Pläne, heute sprechen communication Jürgen Fritz interdisciplinarity (cf. Lyotard) Searle ! Ralph Ortiz => Arthur effective action
wir von Projekten (PB) Networker / electronic
communication cf. Public Access projects
R. Ganahl
Ute Meta Bauer Performance theory has to
Martin Buber => B. Nieslony
(dialogical approaches) V. Flusser M. Merleau-Ponty ! => Stelarc Janov (Marcel Mauss / Körpertechniken) objects Ewjenia Tsanana, P. Arnold,
Savier Klaro, Andrea Saemann) +Performance as mediated reality
network work (impulse for primal scream (Helena von Oldenburg)
ASA Projekte: Die Gabe (Cesar Figueiredo, Nieslony,
settings
services
(Stadtwerkstatt, Servus, FRO) Wochenklausur
ALMA Service (as servant or waiter: Bruno-Peter Schärli)
have an interdisciplinary
arrangement (Prof. Dr. Bonnie Marranca) Hannah Arendt => B. Nieslony
=> M. Vojtechovsky
=> Nieslony therapy) Council discussion: every theme needs its tools. (Fritz Schwegler) +Performance as value-setting achievement (BN)
Padellun, Bernd von den Brincken) P. Bourdieu, Gebauer, Wulf => H.Sowa, Kosa The toolbox is the selection of critical instruments lecture as form of action
Gabe als Gesellschaftssinn
Performance-Service-
the performer as waiter in the gallery
(Chris Burden) Davidson Heidegger ! => H. Sowa, K. Rinke
Ludwig Wittgenstein ! => Lyotard => H. Sowa
(theory). (P. Cuny, Kate Isler, Alex Silber) Performance as gestural situative event
ASA = communication pool Heidegger => Foucault, Lehmann joint practice – "Werk-Zeuge " - lecture performance performative
the gift is the greatest, the oldest, ASA = interactive art Art
art that provides
ASA in Bologna: (Padellun
Feyeraben (language game concept) => Fabrikanten tools/instruments (in actu)
gesture of showing tools testifying
(Mike Hentz)

the swingingest network that services cleaning services (Gelatin - naked) d Gadamer => H. Sowa Wittgenstein => James Lee Byars in use (Xavier LeRoy) Lecture-Demonstration lectures (INFuG)
Rena Tangens, Raoul Marek,
(Pepi Meier – furniture deconstruction) work (Abramovic, W. Pfaff)
exists (CH 2 ART AS SERVICE: the opposite of philosophical terminal (see above.) Boris Nieslony) Putnam "learning with the body" action work with
(Rirkrit Tiravanija) art as service offering (INFuG) Hintikka M. Foucault => Ray Langenbach R. Barthes passing something on through the
Daniel Hauser, Chiarenza) control is service as service Performance: art teaching as art (INFuG) adolescents (M.-L.. Lange)
cf. exchange projects Hölderlin, Schelling, Nietzsche => H. Sowa Artaud => Foucault (intensive being one's own "direct manipulation" of the body.
Literature: A performance is supplied like a commodity. documentary theater (LE) (eliminating the difference between art and life) Foucault => P. Bianchi (LKW) theater body- See: performative
scenic lecture (Georgsdorf, future suitcase (Hannimari Jokinen)
tool
Die Kunst des Öffentlichen / article by The Black Market actions are very close to the service is the service offerings view = service Shusterman, Rorty, Dilthey => H. Sowa
attendance.) machine
the body as
knowledge (R. Schechner)
cf. also habitus concept
Lehner, Ritter, Binder)
teaching as performance
Stella Rollig: Projektorientierte Kunst
in den 90er Jahren
this
commodity character (BN)
continuous service as medium Cultural Worker view F. Nietzsche => P. Bianchi (LKW)
⇒ Viennese Actionists
see: machine view
tool abilit didactic communicative +Performance as communication guerilla
services in the community public production (tools with a life of their own) process-oriented forms of teaching
Lesezimmer / Ute Meta Bauer ASA should be much more free
performance (ASA)
service as a technique of real work services for the recipient of art works
⇒ Foucault (life as a work of art)
Pragmatists:
De Certeau !! => B. Nieslony y enactive aspects
in fine art
performanc
e education as
action (nach Habermas) Performance as communication
Charon – Eine Ästhetik der and floating. passing something on individual service offerings (Cezary Bodznianowski) material "machine": method = tool Performance as
ASA: The Art of Service away from commodity as performance Charles Peirce, Rorty, Mead, Quine, (Udo Wid) performative
Grenzüberschreitung / G. Raunig (Bender/Nern: Firma B&N) art as service offering prostheses, hinges, action as communication laboratory (Nenad Bogdanovic)
Kierkegaard Dewey, Dilthey, Fellmann, Shusterman method (Eva Sturm)
Bonnie Marranca (interdisciplinary ASA = art service association concept Flow = optimal performance models tool lectures
performative pedagogy
(Habil: Martina Koch) communication concepts
performance theory) ASA should be a pure service / church-service (U. Wid) (through anxiety-free situation) reflections on historical Presentation as
(cf. work view) philosophy as
Alan D. Schrift / The Logic of the Gift performance theory Service makes ASA visible project groups work mobile office container losing oneself in doing 04 influential thinkers Bertolazzi, Brecht =>
utensils
tools
tool performance (Udo Wid) Performance art of performance communication
Christel Weiler / Performance als Gabe epistemology performative practice L. Althusser (Verena Kraft & Kurt Petz) Postdramatic theater as performance
(materials / props)
(article) dialogical approaches
postmodern views
03 service view / project view (Performing Resistance) counters, tradefair booths, The praxis paradigm takes the place
of teacher => pupil
Appeal
J. Habermas (bodiless)
see: view of material
Performance as
(new)
praxis: different kinds of
question and
answer passing on performative critical pedagogy communicative
framework
cf. on this: (Wulle Konsumkunst)
performativity as
communication projects
Get together – Kunst als Teamwork (cat.) office as performance substitute (?) office spaces, hotel lobbies genres are conjoined in a
processes (Chuke Stake) (Pomodoro Bolzano –
Walking through society (yearbook) crossover debate as the poiesis paradigm (H. Sowa)
(H. Sowa) the programmatic opening of the avant-gardist
K. Rinke => Karel Dudesek
B. Nieslony => ...
Habermas => S. Szczelkun performer in
"procedure"
(see insight view)
presentation (dancing,
performance, narrative theater, ...)
sessions (J. Beuys)
participation
performance as
pedagogic
are a core of learning
conditions
communication as art
viewart as communication (Max de Well)) (Hinrich Sachs) +Performance as achievement
Peter Frank / Nachkriegs-Performance: cf. Servicebüro Hamburg possible presentation forms suitcase Alternative continuing education creating communication (pleasurable)
Das Vermischen von Kunstformen und Service cf. Büro Berlin (H. Pitz) „Dead-House-
laboratory of
work concept in the direction of practical, performative forms of
Marina Abramovic => ...
(Yeun-Hi Pan)
B.M.: objects as All means are equally
approaches (Christel Burmeister) as performance (T junction)
(Robert Reschkowski)
+Performance as dilemma
cf. Sampler Büro Bert life
life role of costumes performers valuable performance as value- (cf. also theater) art as communication spaces avoiding Sexuality
Kunstsparten (article / ars electr.) cf. Community Service (USA) Walking“ (Victor Snessar) setting action lecture (P. Weibel) ritual (cf. Rirkrit Tiravanija, Die Fabrikanten)
communication (Carolee Schneemann, J. Klauke,
(Social Impact) OÖ
(András Böröcz & Lásszló Révész) of equal worth (Constanza Camelot)
Marion Strunk / Vom Subjekt zum Projekt cf. Depot (Vienna) difference between: (Kyupi Kyupi) (Leigh Bowery) (Gelatine) achievement (W.Hofmann minus delta t) (VLIES) Ulay Abramvic, G. Brus, V. Export,
(article Kunstf. Bd. 152) instant see also: On the gradual
value transfer
(BN)
Performance the power
as of communication
symposium, round tables, COUM: Genesis P. Orridge & Cosey Fanni Tutti,
cf. archive moment art fabricating/making/building
haptic experiences, development of agit-lecture (2) specific practice of games (2) McCarthy, Frank Wedekind, Johanna Went,
cf. view of collecting community-oriented work
ad hoc
performances
intervention and use of addictive substances/psychedelic
agents skill, thoughts
(CH 2 ART AS SERVICE)
speaking
staged encounter (Adi Hoesle, Fabrikanten)
question & conversation performance (forced entertainment)
Marissa Carr, Brian D. Tripp, Gelatin) Masturbation as
cf. view of the organizing acting/living/caring (H. Sowa) (Werkzeuggruppe des Konzils /
performance
(Wulle Konsumkunst) (office of dramaturgy and (cf. Shamans) method capabilities minus delta t while speaking and showing (INFuG)
institution permanent cultural transport opening addresses, dialogues autoerotic performances Life ist art
Production aesthetics as outmoded view techniques tools of artists transported (Canada) telephone sex Performing Sex
cf. political view: activism performance conference
performance research - Vienna)
is superseded by the aesthetics of the view performance
Black Market International)
in boxes (Dudesek, enterprise
trans-latio
(Matthias Jackisch &
appearances, presentations,(Fabrikanten) interventions maneuver Performance (Odette Le Blanc Practitioner) (Annie Sprinkle) (Elke Krystufek, Vito Acconci, enough
Roi Vaara) scenic arrangements (INFuG) Annie Sprinkle, G.Brus) (Jürgen Olbrich)
performative (FL) 05 tool view resources view (minus delta t)
(Tonga-Expedition:
Elvira Santamaria) (2) (2) as social political breast Sex oral (Harri Schemm) life situations
limited cf. Stadtwerkstatt as view of instruments
Transport G. Ritter, G. Wagner) Performance Art as destruction of strategy queer performance / palm of the hand (Allucquére
publicity
permanent conference Non-intentional male duos: performance Reisetour / Audiotour
critical pedagogy (Christian Hasucha) Sex worker Rosanne Stone) LKW
actions
AOS – Art Operating System (Zürich) (ALMA – Alfred Hofstetter & Max Markus Frei, techniques method view means (media) (radical social changes due to (W. Pilar) "dialogical“ communicatio performances (Mamiko Kawabata)
the role of public spaces for
(Fabrikanten)
(Bruno Peter Schärli, Peter Spillmann,
Hans Wermelinger)
Patrick Sidler & Jörg Lenzinger, of new transport techniques
(Charles R. Garoian)
performance n art projects
communicative
as communicating
people
with
homosexual
Porno-Formance
(Carol Queen)
life art
urban space production (cf. project view) Joa Iselin & Christoph Ranzenhofer) (Ralf Filges)
Recycling performance durch neue Transporttechniken) (BN) nomadism gay & lesbian, performance:
as (art space = protected space)
Performativity: leaving traces as performance nomadic delivery runs as conversation as performance (Hinrich Sachs) practice on the street (Andrej Dudek-Dürer)
Methods performance / (see: media view) (Black Market)
(Tatsumi Orimoto)
transsex. auto-aggression gay perf., lesbian perf. Lus
prerequisite ? counterexample: re-valorizing team work (Lit.: Lyotard) Performer as (Gunter Demnig) Ariadne Thread performances (Cooperation Project X) performance (Padellun) Crossover (Eva & Adele) (KUSCH)
(urban view) Festival of the Regions the performance – - of discontinuity ironized repetition of Tele-Performances Interaction art as
skin cuts: auto-destruction (G. Metzger) (David Drake, Tim Miller,
knife's t (Laura Kikauka) (Geert Duintjer)
cf. art as teamwork "classical" performance absolute freedom teacher: Nieslony,
& (Stadttwerkstatt – Checkpoint) translation (GANG ART) (PSi7) Holly Hughes, Karen Finley, (Klat und pac)
media centers
Urban Performances – (GANG ART) an operating system of - of series
denouncing the rites of art Abramovic, Hubbard, education is not to "be had",
performance (Mia Zabelka) V. Export John Fleck, Isaac Julien) edge
theater locations - of autonomy "pieces" (Ursula Palla) space Bricolage Gina Pane reaching a high degree of self-jeopardizing life art instead of lifestyle (PB)
festival locations Performing The City (PSi7) art - of differentiated
(Kees Mol)
Zeca Ligiero, ...
it must occur processually (Pazini)
as transit space
traveling as telephone Participation-Tele-Performance
(Nam June Paik, Allan Kaprow)
Performance as a Raul Zurita
being-in-the-body body work
(Carola Riess)
Kunst als Lebensform
The Influence of Globalisation on the art of travelling performance special Diamela Eltit
Performance Triggering actions becomes
dependencies Performance art = free art – "teaching" as (Kunstforum – Paolo Bianchi)
performance (Markus Hensler) (STWST) kind of interaction through
(Tibor Hajas) (Chris Burden)
the self at stake(FS) life and work as unit/
public "production" of art works (PSi7) - of parallel movements The art of freedom (Z. Warpechowski) (minus delta t) (Thorsten Kellermann) intermedia approaches Flow – most self-injury (Brus, Ben Vautrier)
an gestural- prelingual image every public act =
(art factory / curator Hattinger) - of ironic substitution
situative event
crossing the Atlantic in a
dependency in performance art unmediated self-injury/pain self-experiments: (Denis Oppenheim – performance
Laura Kikauka, Leo Schatzl, the activity of producing and artistic task (P. Maset) ASA = methodic change philosophies and sciences (cf. NLP)
sailboat (Tibor Hajas, Gina Pane, Chris Burden,
Sabine Zimmermann et al. (Perf. at Posthof), ... the conference as The performer is Reiseprojekte (Marianne Tralau) (also with new media) (Valie Export) (Tina Keane) (Barbara Konopka) communication body in sunburn) (Barry L Va – smashing against the (James Lee Byards)
Literature: carrying out (takes the investigative working of lenses (BN) of becoming (Proj.: Kinetographien) a pontifex (bridge builder) the(Bas Jan Ader) private performances (for photo works) (Palindrom) Petr Stembera, Jerzy Truszkowski, wall) (Norbert Stück) living in exhibition spaces for several
"laboratory for Ausbildungssicht pain Z. Warpechowski, Danny Devos, G. Brus,
Marvin Carlson / Performance – a critical view of producing place method view of inaccessible (Colette, Jürgen Klauke, R. Schwarzkogler) with INTERMEDIA the finished product is always just a weeks
Collage, Lust am action" (Scarry) M. Abramovic, Ron Athey, Bob Flanagan,
(Klat und pac) (Udo Wid)
of the product) presentation
introduction (book)
Hubert Sowa / Nach Duchamp und
view of fabricating
(shifts more into focus again)
(LE) (R. Tiravanija)
Replacement of the paradigm of the production => Montage Moment creating an "aesthetic laboratory
view of depiction 06 education view mail
performance
art scene Media as
plurimedia
set piece of the process (Konrad Schnitzler) pain
a more
automatically
active
generates
reception on
Franko B, Michel Journiac, H.G. Herrmann,
W. Kazmierczak, ...)
acts of violence against the Living Projects
performance theory joy of experimentation (Vollrad Kutscher) and theater (LE) Performance is living intermedia body everyday
Heidegger: Kunst, verlernen dialogical approaches
Turning toward paradigm of reception (Sowa) (Jochen Gerz) Perfect Performance
(James Lee Byars) workshop situation" (M.-L. Lange)
view of view of educators (teaching) travel art superfluous
accessory (BN)
intermedia art sculpture (@Home) the self-torment (not accepted:
A´battery A“) (Zhang Huan) close to torture behavior
Anita Cherian / (PSi7) Performing the operating system discourse 04 view of artistic production 60's: new spirit Experimental art the perfect performance (category 06 experimental actions) audience reproduction
transport view / view of the
(Ko DE Jonge, Niall Monro,
Ed Varney, Juan J. Agius) per se part of the viewer
borderline situations (Shi Sen Chen)
risk situations: electricity, fire, dangerous real
Region – Nation the author regards himself of projections in a Intermediality
cf. poster sections: context approaches-
performance (1) photo extreme situations materials, knives, drugs, extreme performance
in art and science this point is considered a as a producer (FS) experimentation Performance as creative field of
experimentation
journey "performance triptych“ (Robert Longo) (as common
(panic due to lack of oxygen:
Transgressive duration,
superstructure for several revolutionary Performance as (see above) performance as mediated performance performance Performative aspects in
characteristic Peter Gilles) (Jan Mlcoch) bodies
action and accident hanging, piercing, ... (cf. torture practices) bondage
seeing an everyday situation and turning
neighboring views (see right) (Kees Mol, Alastair MacLennan, Harrie de Kroon, of performances) lack of breath to unconsciousness (Gilles) it into a performance /
Performance as
performance approaches dilemma Geert Duintjer, Carole Schneemann, C. Palestine, reality
see also: performance as performative educators seminars (BKH Gutmann,
photography Intermedia / mixed means (sensation of falling) shifting the challenging the physical 1:1 transfer (not mimicry,
(expansions, transformations, renewal) "Risk behavior" as imaginable Seiji Shimoda, Richard Martel, Irma Optimist,
(see: curators, (McCarthy) not mimesis)
autonomous art (?) Hayley Newman, Z. Warpechowski, translation
perceiving oneself (mirrored) in the pedagogy Mariko Mori, M.C. Chaimovicz, Projection with speaking physical exceptional boundaries body – walking over
basic pattern for editors) Intermedium everyday
Chen Chieh Yen, Ma Liuming, B. Nieslony, other teaching and learning situation with the
Ma Liuming, Stephen Laub)
voice situations of body, pain and glass (Rebecca Belmore)
change of paradigm performances Performance (Happening) uninhibited relics
trans-formation /vs/
Thomas Kumleh, Markus Schwaighofer,
(Surachai Ekphalakorn) audience (James Coleman) (Stephan Us) spitting ice ....
confrontations (2) risk standing on ice (C. container
Siehe auch: (cf. performative turn) => the unplanned Elvira Santamaria) walk and posture determined by high heels as the blood perfect bodies performance everyday
formation the conference (Pino Poggi) (Chris Reinicke) (Etant Donnes) Schmidt- (Carola Willbrand)
Servicesicht (Hinrich Sachs)
as
body language: habitus =
(Vanessa Beecroft, Gelatin – cleaning action)
performative generation
enlightenment through
action
vernissage ritual: of the media view of communication Media performances: deformed s Body boundaries Chemnitzer)
(skin incisions, self-experiments, ....)
(Inge
objects
(Theresa
Broska)
Drache)
curiosity-interest-system / anti-mimetic ... (LE) "laboratory for performative aspects of as celebration of
other media bodies glued to the wall (Roi Vaara) (Kees Mol)
(Hans-Jörg Tauchert) broom
breaking through gait of belonging (to groups) / (without electronic media):
stuck to the ceiling skin-like clothing (Regina Frank)
pleasurable innovation
theory of pure form (LE) performativity through inventing or
action"
the (GANG ART) Code Communities
the thanksgiving, media 07 view of media Monty Cantsin, Jason Lim,
(Lee Wen)
redesigning one's
(Roi Vaara)
clothing printed with body parts (Katharina Trost)
table performances
(Qing Qing Chen)

(pleasurable presentation of fine art initiation, Mike Hentz, Karel Dudeseck


Suspensions (skin hooks – Stelarc)
channeling of new feelings and revoking mimesis carrying out new game rules (Lit.: Lyotard) boundaries of Performance of the
body ("believable
(Jean-Claude Schmidt)
(vernissage speeches, rite of passage performance Padeluun, Franklin Aalders own body (cf. Fuckhead) most sublime deformatio
(Janet Haufler, B. Nieslony, cleaning
actions
(orientation to painting) convention with common store of Ralf Samens, Ben & Sam (Orlan) moments BBB Johannes Deimling,
thoughts
radical expansion of
performance performance": identity) gestures, rituals and signs accompanying actions) dances from
(Pina Bausch)
gestures (Peter Weibel, V. Export, Etoy)
(Pyromania: B.N. Hiesserer)
view of electronic media skin hooks (H.G. Herrmann)
extreme body of art
physical
(Wen Lee)
presence
n
(Denis Masi)
Dziugas Katinas, Regula Kopp,
Mario Ohno, Seiji Shimoda)
(Gelatin)
breast incisions joined with operation
(see above) Performance as profiling the
(Tony Morgan)
body language Identität u. Habitus (s.r.) poetry with poesie view of
anarchic (Li A- Roca) Tischsituationen / practical
expanded body multimedialit body avant- needles (JOKO: Karin Jost & Regula J. Kopp) performances crossing physical boundaries Tischregeln
performative
facility concept of art as body knowledge gesticulation a choreographology language d´action y video mediality mediality as garde pain through connection (in nettles) (category 01 according to M.-L. Lange) (time´s up) (Ralf Filges) (Ulla Rauh)
avant-gardist isms are performance "open concept of art" sculpture (Beuys) body memory (La Ribot)
is missing performativity "emptying" and "purifying" the body Tischtransaktionen forms of
superseded by ideas and contexts (PB)
transformation from performative and
(gen. theory of gestures)
multimedia performances
see also: mimicry of since Nietzsche
(cf. Foucault) essential body physical borderline states (Charlemagne Palestine)
(Fabrikanten, Nieslony) living
(Manfred Vänci Stirnemann, showing body-language body language affective communication, life media aesthetics and (H. Sowa)
Boris Nieslony, Jürgen Olbrich, to showing surplus emotional performance (Thomas F. Fischer, Joan Jonas, performative body archeology
experiences
(Sylvette Babin) chemical
furniture chair
behavior research physical view – achievement (see also view of achievement) chopper destruction
view of ideas Robert Fillious -> ,
Alain Gibertie) (Stuart Brisley) gesture of the
body as see also: contagion and enslavement: art is a
social phenomenon with strongly affect- (Rachel Rosenthal) (Paul Demarinis) (Sang-Jin Lee)
Christina Kubisch, Fabrizio Plessi, practice (Mattenklott) on: (body's capacity for "moods" (Pepi Meier) (Ralph Ortiz)
catatonic language Behavior Tableaut Marcel Odenbach, Nam June Paik, research projects by Prof. Wulf
Performance theory
position physical
Pantomime
(Gina Pane) Behavior driven components: facial expression,
posture, voice, gestures
(Station Rose: Gary Danner & Elisa Rose) (Valie Export) (Orlan)
(Stelarc) (GANG ART) (James Partaik) (Sylvette Babin)
Charlotte Moorman, Ulrike Rosenbach,
(Ron Athey, Laura Aguilar,
Matthew Barney, Eva u. Adele,
remembering – Grotowski ) 08 body view / gustative view (Dopamin,
family rituals (Bourdieu reference) The Every Day(ly)
(game rules of art) 05 view of innovation collective term: cf. expanded (cramp) cf.: Grand Art behavio animalist (Mark Dijkstra) (Amsterdam Ballons) (The Dark Bob) (Max Frazee)
Pipilotti Rist, M.Bienvenue, Gershon Berkowitz,
Tomás Ruller, Peter Land, Matthew Barney, ....)
Mary Kelly, Rachel Rosenthal, ...)
media of movement
Japanese body work
body as
Epinephrin
,
rituals in school (PSi7)
theater (G. Brus) Gesture (Marlene Madison Plimley) (Gordon Monahan) (Milos Vojtechovsky) body therapy (G. Pesonnier) taste,
Public body (M. Abramovic) emotionalization of r behavior
general patterns medium Serotonin)
view of art criticism Theater of communication (Reindeer Werk: Tom behavior of behavior (FS)
(Perry Hobermann) (Maricruz Penaloza) (Pyromania (B.N. Hiesserer))
(Jürg Schmoll) the performance (Julie-Andree
incorporatin
see also: attitudes 09 everyday view
gestures and
Gesturing bodies:
(Yves Klein, Ben Vautier, through gestures
Puckey, Dirk Larsen) Gender experiments
Behavior and Codification of (Michael Buthe, Telephone Performance of the body
Feldenkrais Method
Tremblay) body work g
performer as researcher of gestures Gestures (T junction) Jet Ferro,
movements Charles Ray, Erwin Wurm,
and Minimal Hans Eykelboon)
Video or performance (2) TV (Bob Wilhite, Minus delta t)
(performativity) Discours du corps
body
Nao Bustamante Drama in Real Life (minor accidents – with bike into the
canal)
installation (Gary Hill, Skip Arnold, Kees Mol (BM)
(gestus) Arnulf Rainer, ...)
gesticulation (W. Hofmann) Performances Habitual behavior performance /vs/ multimedia Bill Viola, Muda Mathis, performance New Media (Christian van de Borght) body tongue traces works Zbigniew Warpechowski (Jan Bas Ader)
(Rachel Echenberg)
(BBB.J. Deimlinger) patterns behavior approaches Tadasu Takamine, Kubisch + Plessi performance
(Gillian Dyson) art corporel Orlan, Roi Vaara everyday
gesticulation / signs of expression gesture primary masculine habitual behavior (FS)
(Elio Mariani)
Martine Aballéa, Serge Comte) feedbac Ponton Medias: disciplinin Marina Abramovic living
poses (Bruce MacLean) (Lucas Samaras) (V. Beecroft) bodies gestures attitudes (Thomas F. Fischer) in
Performance
performance
as
art
synaesthetic montage
see
k (B. Heidersberger, (Fuckhead)
practically every imaginable physical g art corporal Harrie de Kroon performance
intensified gestures (Stelarc) (Ilija Soskic)
(Franz Kaltenbäck) (Stuart Brisley) (Albert Mayr)
above K. Dudesek, Nikolaus Urban (Stadtwerkstatt) Environments
gesture Gesture Dance elementary
of action strands, aesthetic means and media
(2) soap closed S. Vanasco, activity has been investigated (real time activity) Body art & Jan Bas Ader, Koop
Leading actor in one's
(attitude – (category 10 according to M.-L. Lange) circuit M. Hentz) Butoh Seiji Shimoda own life? living pictures like in the
gestic painting (see right) Gesture (French)s (Schlemmer) imitated attitudes forms ... Working with multimedia means. Semantic performance traces of a aesthetics of the living Ken Unswort. Mike Parr (Gérald)
= Action gestural sculptures) of behavior unity
procedure
(living) body
(Mark Steger)
skinning
body art Robert Faguy, Ishi
baroque era
(Colette: celebrated her life
extreme gestures (not rationally cybertechnology electronic (Stefan Berchtold & Mitsutaka Performance at
performance in the sense of a gesamtkunstwerk (cf. view) performance Marco Klaassen, Ralf in designed environments)
similar to extremely personal forms of controlled) and performance performance Ingolf Keiner) body as material (Viktorine Müller,
the see also:
(Mathew Wilson, digital performance (P. Weibel) Berger
painting Mark Alice Durant, Gestures behavior (A. Rainer,
Reindeer Werk)
multimedia largest scale performances
(Kunst & Kravall: Stadtwerkstatt)
robot Real time (material actions: Irene Bachmann)
father of body art: G. Brus
Glyn Davies Marshall intersection of art tableaux vivants

Ilija Soskic) (as cultural achievement) body fragmentation Otto Muehl, H. Nitsch) (Barbie Cyborg (V.M.)) Bruce Nauman and everyday life
Performance as (LE) Theater is first performances performance
High-tech-Theater (Miriam Steinhauser) Everyday
family life with children as
everyday gestures primal of all a form of behavior via Internet computer in the performance
Gutai: material actions
Ulay = Uwe Laysiepen
Rebecca Horn life
performance
(Gelatin) gestic human language (2)
inscribed in
and then art Interactive audio simulate ("Wall Street performance“ / (Michael Schaowanasai)
Performing Internet performances Computer naked body Klaus Rinke, Timm Ulrichs (Marcia Tucker)
(Shirley Cameron & Roland Miller)
communication theory / NLP performances tour d Momoyo Torimitsu) (Stelarc) games performances Denis Oppenheim
pedagogy / art pedagogy
see also: view of the over 50% of (Tagny Duff)
(PSi7) body-material- (V. Beecroft) sculpture (1) Matty Jankowski science on and relocation
orality body communication
events (Paul Demarinis)
(2) extended interaction (Spencer Tunick) William Wegman for action
(game rules of art)
theater theory
06 gestic view (incorporation)
gesture as guarantee is nonverbal (gestures,
deconstructions (Rafael Montanez Ortiz) The dominants of drama and illusion are
migrating to the media, whereas the
see in detail: machine
view transformed performance
(Valie Export)
art RIA
Christine Bänninger
Pacquée, Atau Tanaka
the human being
impenetrability
(J. Lothar Schröder)
mythology
cybernetic body as body as Alchemy of
nomadology discourse of the statement facial expression, currentness of performance becomes bodies corporel Phillip Warnell, Salvo (Hubbard & Birchler) of
violence as critical instrument (2) research see body instrument tool everyday
body theory
body philosophy / body sociology
habitual view posture) the
new dominant of the theater (LE)
(Sadie Plant)
projected onto
extensions: (Stelarc) (Matthew Barney)
learning the language (Gina Pane)
Allotropy of the profane
invitation into intimate
brutality as media shamans (Jürgen Fritz) dancer bodies body orifices (P. Rist, of the body uplifting feeding (Stefan Halter, everyday chaos
cf. role of nonverbal everyday spaces
n.b.: separated from body view communication with G. Bateson media performances
(K. Obermaier & Gebrüder Kunst)
lust greed Franz Gratwohl)
(Sandy MacFadden)
fundamental surveillance as body as sound box energy- (Barbara Smith – naked)
(double bind ...) Chris Haring)
position (2) (Monty Cantsin, Jason Lim, Helinä Hukkataival, performance electronic media: drinking conserving action-analytical Private performance – collective
"how" something is communicated
H.A. Schult, John Bock, Tom Murin) Old Boys Network, The dinner hunger as basic
(Julia Scher) Dionysian actions performances performances behaviors commune (Otto Muehl) "departures" (Stadtwerkstatt)
The Avant Guard in Action (Helena von Oldenburg), postdramatic (Jürgen Raap)Roman orgiastic culture Bioenergetic sensation
Frauen und Technik, Gruber, body is a body intoxicating, ecstatic
Dada Shave trash (T.R. Uthco) Mike Hentz, Karel Dudesek, Dionysus ritual (Etant Donnes: of gorging (Ro Ma Ma Chine: performance (fasting 33 days: Ernst Len)
everyday mental artificiality of the everyday (Emil Gropoz)
(Anna Banana & trash art Neoism Richard Kriesche, P. Weibel,
of gesture
anti-minimalist
(LE) (R.M. Ortiz) fasting (R. Schwarzkogler) state as What separates real life from
Bill Gaglione) performances (performances
interactive
time
real-
Regina Frank, Hayley Newman,
movement /
Eric Hurtado, Marc Hurtado)
philosophy of intoxication (H. Nitsch)
Cecile Noldus, Mike Hentz)
Cooking/Kitchen as performance starving (K. Etschmann) (affective) point performance?
of the 80s) (Stuart Home) Pipilotti Rist, Kira Wu smelling and eat cooking & gift
video systems quasi- of publicly peeling vegetables:
Trash-TV and trash-aesthetics "seeing" with the body tasting art cooking & communication
Ritualistic bodies departure (Devora Neumark)
(Schlingensief) decollage Media burn
(Gretchen Schiller)
Can we no longer bear "direct" (non-transmitted)
baroque style
(see also: rituals) rituals
(P. Arlt – fünf ingenöre,
kitchen pieces (Attila Kosa)
Kubelka, Rirkrit Tiravanija, Matthew Ngui)
raising awareness
Job as measure of life work
(Devora Neumark)
(Ant Farm:
happening Chip Lord,
reality? (OM Nitsch)
body in honey, rolling in cooking art (Spoerri, Mario Ohno) (transpublic: transpikante of
Hudson Marquez,
(A´battery A“) Is this "directness" a chance for performance ? see: Actionism physical body as feathers or hair Erfahrungswelten) banal processes
raising awareness of important
fascination of the
Doug Michaels,
revolutionary action painting ground (Barbara Sturm) Hell Cuisine (W. Grillitsch, E. Knöß, H. Müller) banal
media theory / media discourse Curtis Schreier) theater of (Barbara Smith) sitting in vinegar (Julie-Andree Tremblay) (see also: celebration) as the turkey (Mechthild Barth)
activities
media studies performances (Andrés Pereiro-Schmidt) (Mierle Laderman Ukeles)
07 subversion view / subversion "getting wasted" physical investigations work as performance daily life koans
media anthropology
(see above) Performance as Orgies-Mysteries-
Viennese "total action" (Muehl)
(Tara Babel &
Andre Stitt) Extremes of doing nothing with the body (bending, falling, (Servie Janssen)
communication theory
information theory
media-critical view communication guerilla
subversive
Theater Actionism "piss action" (Muehl) (Gebrüder Kunst) and the boundaries of folding, walking, hanging, leaning, ....)
communication self-control (Ken Unsworth) (Barry La Va) the daily,
net discourse / cyber discourse systems (cf. ceremony smearing edibles (Chris Burden, ...)
simulation discourse media (Bucky Grinberg) art /
(Hermann Nitsch,
Rudolf Schwarzkogler)
G. Brus,
(Karen Finley) (Andre Stitt) Art of walking (Tony Morgan) (Mike Pearson) plots the daily
guerilla Celebration art) (the kipper kids – Harry Kipper) (Alexander Schmid) (Fabrikanten: walking with no intentions) story
ironic way of dealing with the physical body as the (the koan)
(gettoattack) (Ana Mendieta) suffering bodies (Martyrs)
communication sensing and sensed Koans - daily life plots daily plots
sex, blood and flesh rituals representation and excess (Bob Flanagan, Ron Athey,
technologies taking blood body Eleanor Antin, ...) extract of a story (B. Nieslony) (Kristinn G. Hardarson)
(Franz John & Merit Aton) (ketchup/chocolate sauce instead dough –
(Peter Gilles) Theater of blood (Artaud) of blood/feces) mouth Ritualize/fetishize/highlight the ordinary
(Ray Langenbach)
(Paul McCarthy) Performance = Production and everyday logic, logic of joy
corporeality of formation
(Joelle Ciona)
the real organ of feeling reproduction /vs/ logic of fear, logic of ange
transgressive feelings (Ann Hamilton)
is of corporeality electro-welding and other logic of mourning (Hans-Jörg Ma
bodies physical body as physical body, the structure
Literature: Literature: (... continued) the entire body self-confirmation by craft elements
Literature: Literature: Literature: (... continued) queer theory / gender studies /vs/ body relinquishes itself (B/Ph.B) (Angelika Thomas & De Chirico)
everyday prohibitions (1968
Marvin Carlson / Performance – a critical Kunstforum Bd. 137 V. Flusser / Gesten licking (Project: Paradise now)
Dirmoser (DG) (study) Wer fliegt – Abenteuer Cyberdance – Performance u. neue sexuality discourse / AIDS debate body viewschema
/vs/ physical body as body, it internalizes itself
introduction (book) !! Atlas der Künstlerreisen Karl Gröning / Hände the body the art of
Kommunikation / Die Fabrikanten Medien / Martina Leeker (article): ... Body theory / body philosophy view is inscribed in the body
Frauen, Kunst und neue Medien / Ed. Erving Goffman / On Facework: (B. Johannes Blume) ritualizing the
Richard Kostelnatz / On Innovative bio-elektronische Performances body sociology existing
An Analysis of Ritual Elements in Social Dirmoser (DG) (study): STWST – TV The concept of "performance“ dominates everyday (R. Schwarzkogler)
Performance(s) (book) Heidi Richter et al. Ruth Schnell (article): Performance u. dance theory / new body theories The aspect of the physical body is
Marcel Mauss / Körpertechniken (article) Ute Ritschel / Symposion 2001: Interaction (article) M. Serres / Der Parasit
Handbuch der Kommunikationsguerilla interaktive Medienkunst phenomenology of perception 08 physical body view presentation
American culture
activity (Bonnie Marranca)
as a way of viewing everyday (Thomas F. Fischer)

Hubert Klocker (Diss.) / Der Wiener Performance art & Pädagogik Lea Vergine / Body Art and Performance revulsion theory The aspect of the body is representation everyday
Luther Blissett, Sonja Brünzels Sophia Totzeva / (PSi7) Differenz und
Aktionismus. Das Orgien-Mysterien- Terretoires Nomades The Body as Language bioenergetic therapy situations
Marvin Carlson / Performance – a critical Identität
Theater. Eine performancetheoretische Hanne Seitz (Ed.) / Schreiben auf Wasser Gregory Bateson / Ökologische (Anna Dancikova)
introduction (book) !! – Medientransformation als Wiederholung
Studie Performative Verfahren in Kunst, Kommunikation sociology
Wissenschaft und Bildung (book on the P. Bourdieu (Habitus/Hexis) Philip Auslander / Performance in a Wolf-Dieter Ernst / (PSi7)
to perform the body in mediated Culture
Body Check: How
cultural studies
(Bourdieu)
09 everyday view
Gesten u. Körperinszenierungen im Mediatized Culture (book) Literature: Literature: (... continued) Literature: (... continued)
symposium: Performance u. Lehre) without getting tired? new subjectivism
Mittelater Bausch & Sting / Forschungsprojekt: The explicit body in performance (book) V. Flusser / Gesten Kate Ince / Between the Acts: Orlan,
Charles R. Garoian Diane Howard, Stan Dyer / (PSi7) privatism debate Literature:
K.-J. Pazzini Medien und Rituale Rebecca Schneider Erving Goffman / On Facework: Performance and Performativity (in:
Marie-Luise Lange / Schneisen im Translation, Transition, and Transformation life philosophy Marvin Carlson / Performance – a critical
Martina Koch (Habilitation) / performative Philippe Dubois / Der fotographische Akt Powerful Bodies (book) An Analysis of Ritual Elements in Social Powerful Bodies) !!!
Heuhaufen – Formen von Performance in Cyberspace (game rules of art) introduction (book) !!
Pädagogik H. Böhme, P. Matussek / Computer als Victoria Best & Peter Collier (Ed.) Interaction (article) Tracey Warr, Amelia Jones / The artist´s
Kunst (article) Atelier van Lieshout / the good, the bad +
Gedächtnistheater Translating into Cyberspace (PSi7) Lea Vergine / Body Art and Performance body (book) !!!
Hubert Sowa (INFuG) / Kunstpädagogik Küchenlatein – Performance – Drehbuch the ugly (catalogue book)
und Praxisparadigma (article)
J. Fohrmann / Textur und Performanz: Anja Diefenbach, Barbara Büscher, 1989 (on Lili Fischer) The Body as Language Marcel Mauss (lecture.) / Körpertechniken Stadtwerkstatt in Arbeit (catalogue book)
Medientheorien im Vergleich Steve Dixon, Martina Leeker On Cooking (Performance Research) Peter Gorsen / Sexualästhetik, Grenz- Jean-Luc Nancy
Robert Filliou / Lehren und Lernen als Jürgen Schilling / Aktionskunst.
J.L. Schröder (lecture) / Blende und Barbara Büscher / (PSi7) Cybernetic Hermann Nitsch – Leben und Arbeit formen der Sinnlichkeit im 20. Jahrh. Prof. Hermann Schmitz – Neue
Aufführungskünste Identität von Kunst und Leben? !!
Traumzeit – Performance u. Medien Transformation in Performance. Körper Danielle Spera Erving Goffman / Stigma Phänomenologie (Differenz von Körper
Eva Sturm / (article) Kunstf. Bd. 152 Alan Read (PSi7) / Theatre and Everyday Life
Martina Leeker / (PSi7) Performativity u. Medien, (rück)gekoppelt Stefan Brecht / Queer Theatre M. Haerder & Sumie Kawai (Ed.) / Butoh und Leib) / (book) Der Leib, der Raum Davied E.R. George
and Notions of Media M. Merleau Ponty (entire work) Die Rebellion des Körpers und die Gefühle Bonnie Marranca
W. Reich, M. Foucault, F. Nietzsche Charlie Spencer (Ed.) / a catalog of W. Pfaff u.a. / Der sprechende Körper M. Foucault / Der Brauch der Lüste
Martina Leeker (article) / Der Körper des Queer performance Siemke Böhnisch / Gewalt auf der Bühne (originally.:
Schauspielers/Performers „Das Leben als Kunstwerk“)
als ein Medium L.B. Clark / (PSi7) The Everyday Life of
Objects
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