Professional Documents
Culture Documents
Language and Literature
Language and Literature
Language is communication
Used for various purposes, ranging from daily discourse to acquisition of
Knowledge and power.
Even the introspection that helps us define and refine our thoughts
depends chiefly on language.
Literature
- a discourse in which the creativity and complexity of
language are designed with a wide range of style.
A challenge to analyze
Wonderful blend of :
Language
Communication
Expression
Cognitive value
Moral Value
Aesthetic Value
LITERATURE
The doer then with the object to which doing is directed or addressed,
then finally with the atmosphere /environs of the place?
Proper answers
They give a powerful and disgusting picturing of the old man's senility
and physically weakness.
What to with this absurdity, this decrepit old age.
His eyes and ears, his imagination, and passions are as strong as ever,
perhaps stronger than even in his youth.
He bade farewell to poetry, reading Plato, Platinus, getting interested in
metaphysics
Dragged in mire.
Kaplan (2005) suggests that the interaction between language and literature is
a direct intercourse
In the statements of Jacobson, “the language of literature is a deviation,
transformation and intensity from standard use of language in the society”
(Eagleton, 1983)
CONT.…
It adds something in the beauty of language
Literature develops the interest of reading
The language of literary texts may be too difficult for beginners or intermediate
level learners, and deter them from reading
The texts chosen by teachers may not interest learners, and even if the text is
chosen by the learners, it may only interest some of them
Some learners wouldn’t normally read literature in their own language and are
resistant to the idea (we all know people who only read non-fiction)
FEATURES OR COMPONENTS
OF ENGLISH LANGUAGE
Raza Hussain
Features or Components of English Language
Morpheme
Any of the minimal grammatical units of a language that can not
be divided into smaller grammatical parts.
(smallest unit of meaning or lexical unit)
For example: a, at, s, ness, ly, ic.
MORPHEMES
girl to girls
large to larger
smart to smartest
walk to walking
eat to eaten
DERIVATIONAL MORPHEMES
A morpheme is derivational when it changes the semantic
meaning of a word. Most derivational morphemes have
roots in Greek or Latin. Unlike inflectional morphemes,
derivational morphemes can change a word’s part of speech.
Suffixes:
Prefixes:
-ize
pre-
-ine
un-
-ary
non-
-ate
anti-
-ion
dis-
How you use morphemes also depends on the sentence context.
Inflectional morphemes can be used in derivational contexts
(e.g., using -er to create teach-er), which could change their
classification. Here are some examples of the ways derivational
morphemes can modify base words.
re- + start = restart (to start again)
un- + happy = unhappy (not happy)
register + -ion = registration (the act of registering)
kind + ness = kindness (the condition of being kind)
LEXEMES
In semiotics, linguistics, sociology and anthropology
, context refers to those objects or entities which surround
a focal event, in these disciplines typically a communicative
event, of some kind. Context is "a frame that surrounds the
event and provides resources for its appropriate
interpretation".It is thus a relative concept, only definable
with respect to some focal event within a frame, not
independently of that frame.
دو روکو مت جانے
Plot refers to all of the related things that happen in sequence in a story
The shape of the plot comes from the order of these events and consists of
several distinct aspects that we’ll look at in turn
The plot is made up of a series of cause and effect events that lead the reader
from the beginning of the story, through the middle, to the story’s ending
Setting consists of two key elements: space and time. Space refers to
the where of the story; most often the geographical location where the ation
of the story takes place
APPROACHES TO STUDY OF LITERATURE
WHILE TEACHING ENGLISH
If the analysis of the text is made in purely linguistic terms, this approach to
study of literature becomes mechanic (Lazar, 1993)
2. LITERATURE AS CONTENT
Literature is the content of the course
Focus is on such areas as:
History and characteristics of the literary movements or periods social,
political, and historical background to a text.
Reading texts along with literary criticism helps learners acquire English.
The teacher can also ask students to translate these texts into their mother
tongue.
CONT.…
One of the possible negative aspects of this approach is:
If the literary text is difficult linguistically, students may depend on the
teacher’s ready-made interpretations.
3. LITERATURE FOR PERSONAL ENRICHMENT
Literature as a tool for encouraging students to express their feelings and
verbalize their ideas
It involves learner as a whole person
Developing identity
Encouraging Creativity
INTEGRATED APPROACH OF LITERATURE &
LANGUAGE IN TEACHING
LITERATURE
forms, such as,
poetry, plays,
stories, prose,
fiction, etc. It
may also consist
of texts based on
information as
well as
imagination
A society is a group of
people related to each
other through their
continuous and
uninterrupted
relations. It is also a
group of likeminded
people largely
SOCIETY
governed by their own
norms and values.
Human society, it is
observed, is
characterized by the
patterns of
relationship between
individuals who share
cultures, traditions,
beliefs and values
language, a system
of conventional
spoken, manual
(signed), or written
symbols by means
of which human
LANGUAGE
beings, as members
of a social groups
and participants in
its culture, express
themselves. The
functions of
language
include communica
tion the expression
of identity, play
imaginative
expression,
and emotional
release.
LITERATURE, LANGUAGE AND SOCIETY
If one looks at the history of society, one will find that the nature of different
societies has gone through a lot of changes
A literary man is as much a product of his society as his art is product of his
own reaction to life. Even the greatest of artists is sometimes a conscious,
sometimes an unconscious exponent of his time-spirit
No writer can escape influence of his age. Every man, according to Goethe‘s
statement, is the citizen of his age as well as of his country
Renan remarked: ―One belongs to one‘s century and race, even when one
reacts against one‘s century and race
REFERENCES
Kaplan, M. (2005). Kultur ve Dil. Istanbul: Dergah Yayınevi
UJJWALA, K. (2012). ENGLISH LANGUAGE TEACHING THROUGH LITERATURE.
II(Vi).
Krashan, S (1993). The Power of Reaa. Englewood, NJ : Librarian Unlimited
THANK YOU