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How To Write A Synthese and Correction Synthese 1
How To Write A Synthese and Correction Synthese 1
How To Write A Synthese and Correction Synthese 1
TEdS: LLCE-AMC
Entraînement pour épreuve écrite N°1 :
Artist’s: The iconic Latinx are watching over the present day members of this community,
all united, all can be proud of their integration into the American way of life through their
education or their professions as doctors, teachers, farmers, workers.
Link to “common heritage and diversity”
Link to “relations with the world” : Common heritage includes values, dreams, hopes
Diversity is the consequence of immigration
Definition of immigration Common heritage:
Geographic location as motivation Doc A: Hard work pays, leads to integration (ll.26-29)
Needs of the immigrants Doc B: Difficult stories show the attractiveness of the
American Dream (ll. 30 – 35)
Needs of the welcoming country
Doc C: Education and employment are common values
Doc A: Immigrant looking to to all Americans
become a “star” (ll. 4 – 5) Diversity:
Doc B: Immigration is the starting Doc A: Latinx grouped under a stereotypical umbrella
and have trouble accessing a mainstream dream (ll.9-10)
point of the USA (ll.6 – 10) Doc B: The strength in America comes from the
Doc C: Latinx are needed by the diversity and the tenacity of immigrants, and their
USA to do many jobs cultures have enriched American culture (ll.19 – 29)
Doc C: Latinx have diverse skills and all are needed to
make the community strong.
Danger of the single story:
Doc A: In this excerpt we read the story of one Puerto Rican immigrant told by her. We see
how many latinx immigrants arrive in the USA to follow a dream, or their single story about
the USA, and how mainstream America rejects these immigrants, limiting them to a
stereotypical role of servant or waitress or housekeeper, what their single story about Latin
Americans immigrants tells them. (ll.6 – 11)
Doc B: In this speech, President Obama reminds us that every American is an immigrant or
the descendant of immigration. He says that all the stories are part of America’s common
history and what makes this country strong is the rejection of the single story, the acceptance
that each American story has equal worth.
Doc C: In this mural, the stereotypical idea of Latinx being a culture apart is rejected. These
immigrants are shown to be an integral part of the American society, a contradiction of the
single story about Latin American immigration as uncultured refugees in search of a handout.
Introduction:
Define the terms (Relations with
the world, Common heritage,
diversity, single story)
Name the documents
Ask a key question
Give your outline
Immigration has always been at the basis of relations among
different countries in the world, and no more so than in the United
States. Throughout the history of this country, the different waves
of immigration have led both to diversity and to a shared common
heritage of these new Americans who often risk everything to
move to the US in order to pursue the promise of a better life. In
the three documents we will be studying, immigration is a focal
point and we see clear illustrations of the reasons people decide
to move from one country to another. We also see how the
needs of a welcoming country can be an invitation to people from
a foreign land, especially when geographic location lends a
helping hand, as in the relationship between the people from
Latin America and North America.
The first document, an excerpt from Cristina Henriquez’s 2014
novel The Book of Unknown Americans tells the story of one
such immigrant and her quest for the American Dream. The
second document, a speech given by former US President
Barack Obama in 2015, claims the origin of the attractive ideals
at the basis of this dream has always been found in the stories of
people who have arrived from other countries. The third and final
document, a photograph of a mural painting from the Latinx
neighborhood of Pilsen in Chicago, shows how immigrants both
aspire to share in the common heritage of a better life and how
they have succeeded, despite the stereotypes present in
mainstream America which limit them.
These three documents lead us to wonder how a
stereotype, a single story about people, can be a
hindrance to successful integration by immigrants
to the US. We will first examine the dangers of a
single story as seen in the documents, and then we
will show that, despite these stereotypes, or
sometimes even because of them, immigrants have
enriched and strengthened the United States.
Part 1: The difficulties immigrants encounter because of stereotypes
As Barack Obama says in his speech, “we are born of immigrants…immigration is our
origin story.” (ll. 3 – 6). But despite this, he also reminds us that life in America was not
always easy (l. 34), and this because of the single story the “welcoming” population
believes about the new arrivals. In document A, Nelia Zafon, a Puerto Rican immigrant
to New York, tells the story through first person narration of her thwarted attempts to
become a star on Broadway. Through her voice, the reader experiences first-hand the
metaphorical doors being shut in her face because of stereotypes about Latinx: she
could only play a housekeeper (l. 7), and even then, those in charge make no distinction
between Spanish-speaking countries (l. 10), placing them all in the same box,
uneducated, uncultured, incapable of being more than a servant or waitress. As Nelia
discovers, “that’s how it works. Americans can handle one person from anywhere…but
as soon as there are too many of us, they throw up their hands.” (ll. 23 -25). Through the
writer’s use of prolepsis, or fast-forward commentary, we realize fairly quickly that Nelia
will never achieve her dream of becoming a star (ll. 10 -11; l. 19), that despite her pride
(l. 1) and her youthful ambition (ll. 4 – 5), she will have to find a different way to break the
chains of discrimination.
The mural painting in Pilsen also focuses on the
stereotypes connected to Latinx through the different
“blue collar” and service workers portrayed on the right
side of the building. Though the left side show us iconic
Hispanic-Americans at the top in a heavenly position,
graduates and respected professionals in the center, we
can see that the majority of the people painted represent
the working class. But they, like Nelia, like the
immigrants President Obama is honoring, all seem to be
looking towards the future, looking towards a better life.
Part 2: Disproving the stereotypes