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Sobre Los Ensayos de Rosario Castellanos
Sobre Los Ensayos de Rosario Castellanos
E S S AY S : A C R I T I C A L A N D
IRONIC HOUSE OF MIRRORS
Women
The Nineteenth-
and Woman and her
image
Century Mexican The Liberation of Love
Woman
feminism
Discrimination
and Herlinda Leaves
Discrimination in the
United States and in
Chiapas
injustice
Language as an instrument
Language of domination
Woman and her image
Femininity
imminent passivity
inertia
“Battle of the sexes”
Masculine victory requires the banishment of the feminine: the feminine is the absolute sacred or
the absolute profane.
“This ambivalence of male attitudes is merely superficial.”
Beauty/handicap
Feminine purity/ignorance
Idealization of motherhood/loss of self
The Nineteenth-Century Mexican Woman
A review of the chronicles of Fanny Calderón de la Barca focusing on how she view Mexican
women.
-Her judgement of the physical appearance of Mexican women and their customs.
-Where do we perceive Castellanos’s perspective regarding GCB’s text?
The Liberation of Love
• How does Castellanos present Mexican women vis-à-vis the Women’s Liberation movement?
• How does Castellanos present Ms. Kasagi idea of the way Japanese women should respond to
feminism?
Herlinda Leaves
A look at her own role in exploitation, at being born to privilege in a culture that treats certain
people as objects. She confesses that, even as she vow not to take advantage of her privilege, she
did not know how to extricate herself from the world she was born into:
”Between a startled María and a defenseless Rosario there was no possible contact.”
“There I was off playing Quetzalcoatl, the great white civilizing fod, while right next to me
someone was walking around ignorant.”
Discrimination in the United States and in
Chiapas
• Were the politics of Vicente Pineda “–and the gentlemen of his class-” so different than the white
supremacy preached by the KKK?
Language as an instrument of domination