Indian embroidery has many regional variations influenced by culture, royalty, folk traditions, and environment. Specific styles include Kashmiri kani shawl embroidery, Gujarati Ahir mirrorwork, Lucknow's Mughal-inspired chikankari, Phulkari from Punjab, Chamba rumal from Himachal Pradesh, and Kantha from Bengal which involves stitching on old sarees. Different tribes and areas of India such as Rajasthan, Gujarat, Karnataka, and Odisha also have distinctive embroidery methods and motifs inspired by nature, mythology, and everyday life.
Indian embroidery has many regional variations influenced by culture, royalty, folk traditions, and environment. Specific styles include Kashmiri kani shawl embroidery, Gujarati Ahir mirrorwork, Lucknow's Mughal-inspired chikankari, Phulkari from Punjab, Chamba rumal from Himachal Pradesh, and Kantha from Bengal which involves stitching on old sarees. Different tribes and areas of India such as Rajasthan, Gujarat, Karnataka, and Odisha also have distinctive embroidery methods and motifs inspired by nature, mythology, and everyday life.
Indian embroidery has many regional variations influenced by culture, royalty, folk traditions, and environment. Specific styles include Kashmiri kani shawl embroidery, Gujarati Ahir mirrorwork, Lucknow's Mughal-inspired chikankari, Phulkari from Punjab, Chamba rumal from Himachal Pradesh, and Kantha from Bengal which involves stitching on old sarees. Different tribes and areas of India such as Rajasthan, Gujarat, Karnataka, and Odisha also have distinctive embroidery methods and motifs inspired by nature, mythology, and everyday life.
Author is licensed under CC BY-SA Various regions have specific embroidery – Kashmir Kani shawl and Ahir mirrorwork of Gujrat tribe
This Photo by Unknown Author is licensed under CC BY-NC-ND
Cultural influnced by Kings Folk culture for masses – Chikenkari of Lucknow Environment as inspiration for motifs and colors Hand embroidery ◦ Kashmir - Kashidakari ◦ Himachal Pradesh – Chamba Rumal ◦ Punjab – Counted thread of Phulkari ◦ Haryana – Cross stitch and counted thread ◦ Delhi – Old delhi for Mughal Empire – Zardosi ◦ Lucknow – Shadow work of Chikenkari for Mughal costumes ◦ UP – applique work ◦ Rajasthan – Mirror work, recycled patchwork ◦ Gujrat- Mirror work, counted thread (Suf and Kharak), Rabari and Ahir (different tribes have different embroideries and motifs) ◦ Hyderabad – Zardosi for Mughal kings ◦ Bengal – Zardosi and Kantha (recycling of old sarees with running stitch) ◦ Banjara embroidery ◦ Karnataka – Kasuthi embroidery (counted thread) ◦ Orissa – Pipli applique work for Jagannath temple Gujrat – Rabari Tribe mirror work
This Photo by Unknown Author is licensed under
CC BY-SA Dowry for Rabari girls Jath tribe embroidery – geometry and counted thread Pakko stitch in yoke of Jath women Ahir tribe Ahir tribe of Kutchch open ladder stitch, Pakko filling stitch, chain stitch and herringbone stitch in Mirror work MOTIFS – Flowers, leaves, tree, peacock, Krishna, elephant, scorpio Meghwal Tribe – Gujrat Kutchch embroidery for menswear Kediyo for men Kediyo for boys Sindhi stitch – interlacing
open ladder stitch
recycling of fabric Embroidery of Gujrat on home textile
This Photo by Unknown Author is licensed under CC BY-SA
Motifs Geometric motifs of Kasuthi of Karnataka , Suf of Gujrat and Phulkari of Punjab Phulkari – open resham threads (not twisted) Phulkari odhni as dowry for women Kasuthi – counted thread Chikenkari of Lucknow Zardosi – Persian and Mughal roots Zardosi Vintage – real gold and silver used – Zari, dabka, gota, sequins, tilla, nakshi Famous on accessories too Needle work Adda or frame for zardozi Bridal wear mostly zardozi Kantha of Bengal Applique work Applique of Banjara and Gujrat Reverse applique – Gujrat, UP, Udaipur Rajasthan Khaka on butter paper