Primitivism in music and art seeks to express ideas related to antiquity or primitive cultures through techniques that stray from conventions. Igor Stravinsky was a revolutionary Russian composer known for works with primitivist influences. Kazimir Malevich was an avant-garde painter and founder of Suprematism who was initially influenced by primitivism and cubism before pioneering abstract styles. Marc Chagall was a Belarusian-born French painter whose emotionally-associated images predated surrealism.
Primitivism in music and art seeks to express ideas related to antiquity or primitive cultures through techniques that stray from conventions. Igor Stravinsky was a revolutionary Russian composer known for works with primitivist influences. Kazimir Malevich was an avant-garde painter and founder of Suprematism who was initially influenced by primitivism and cubism before pioneering abstract styles. Marc Chagall was a Belarusian-born French painter whose emotionally-associated images predated surrealism.
Primitivism in music and art seeks to express ideas related to antiquity or primitive cultures through techniques that stray from conventions. Igor Stravinsky was a revolutionary Russian composer known for works with primitivist influences. Kazimir Malevich was an avant-garde painter and founder of Suprematism who was initially influenced by primitivism and cubism before pioneering abstract styles. Marc Chagall was a Belarusian-born French painter whose emotionally-associated images predated surrealism.
Primitivism in music rarely suggests lack of conventional
technique. Rather, it seeks to express ideas or images related to antiquity or to some "primitive" culture or attitude. Primitivism can also be understood as a late development of 19th century nationalism. IGOR STRAVINSKY Igor Stravinsky, in full Igor Fyodorovich Stravinsky, (born June 5 [June 17, New Style], 1882, Oranienbaum [now Lomonosov], near St. Petersburg, Russia—died April 6, 1971, New York, New York, U.S.), Russian- born composer whose work had a revolutionary impact on musical thought and sensibility just before and after World War I, and whose compositions remained a touchstone of modernism for much of his long working life.
He was honoured with the Royal Philharmonic Society
Gold Medal in 1954 and the Wihuri Sibelius Prize in 1963. ALEKSANDR SHEVCHENKO From 1890 to 1898, he took private drawing lessons from Dmytro Bezperchy and was employed by a workshop that produced theater sets. He then moved to Moscow and entered the Stroganov State Academy of Arts and Industry; graduating in 1907. That same year, he was admitted to the Moscow School of Painting, Sculpture and Architecture, where he studied with Valentin Serov and Konstantin Korovin.
In between, from 1905 to 1906, he spent some time in
Paris at the Académie Julian with Étienne Dinet and Jean-Paul Laurens. He also made the acquaintance of Mikhail Larionov and his followers. Under their influence, he worked in the Neo-Primitivist and, later, Rayonist styles. He was expelled from the school in 1909. KAZIMIR MALEVICH Kazimir Malevich, in full Kazimir Severinovich Malevich, (born February 23 [February 11, Old Style], 1878, near Kyiv, Russian Empire [now in Ukraine]—died May 15, 1935, Leningrad, Russia, U.S.S.R. [now St. Petersburg, Russia]), avant-garde painter who was the founder of the Suprematist school of abstract painting.
Malevich, who was born to parents of Polish origin,
studied drawing in Kyiv and then attended the Stroganov School in Moscow and the Moscow School of Painting, Sculpture, and Architecture. In his early work he followed Impressionism as well as Symbolism and Fauvism, and, after a trip to Paris in 1912, he was influenced by Pablo Picasso and Cubism. As a member of the Jack of Diamonds group, he led the Russian Cubist movement. MIKHAIL Mikhail Fyodorovich Larionov, (born June 3 [May 22, LARIONOV old style], 1881, Tiraspol, near Odessa, Russia—died May 11, 1964, Paris), Russian-born French painter and stage designer, a pioneer of pure abstraction in painting, most notably through his founding, with Natalya Goncharova, whom he later married, of the Rayonist movement (c. 1910). Larionov’s early work was influenced by Impressionism and Symbolism, but with the painting Glass (1909) he introduced a nonrepresentational style conceived as a synthesis of Cubism, Futurism, and Orphism. In the Rayonist manifesto of 1913, he asserted the principle of the reduction of form in figure and landscape compositions into rays of reflected light. Both Larionov and Goncharova participated in the first Jack of Diamonds exhibition of avant-garde Russian art in Moscow in 1910. In 1914 they moved to Paris, where both achieved renown as designers for Serge Diaghilev’s Ballets Russes. NATALYA GONCHAROVA
Natalya Goncharova, Russian Nataliya Sergeyevna
Goncharova, Goncharova also spelled Gontcharova, (born June 4, 1881, Nagayevo, Russia—died October 17, 1962, Paris, France), innovative Russian painter, sculptor, and stage designer who was a founder, with Mikhail Larionov, of Rayonism (c. 1910) and was a designer for the Ballets Russes. In the 21st-century art market, Goncharova’s paintings brought some of the highest prices for works by women artists. The daughter of an aristocratic family, Goncharova studied painting and sculpture at the Moscow School of Painting, Sculpture, and Architecture. After an early preoccupation with sculpture, she met Larionov and shifted her focus to painting. In 1910 she was a founding member of the Jack of Diamonds avant-garde artists group in Moscow. PAVEL FILONOV Filonov was born in Moscow on January 8, 1883 (Gregorian calendar) or December 27, 1882 (Julian calendar). In 1897, he moved to St. Petersburg, where he took art lessons. In 1908, he entered St. Petersburg Academy of Arts, from which, he was expelled in 1910.
In 1910–1914, he took part in the arts group Soyuz
Molodyozhi created by artists Elena Guro and Mikhail Matyushin. In 1912, he wrote the article The Canon and the Law, in which, he formulated the principles of analytical realism, or "anti-Cubism". According to Filonov, Cubism represents objects using elements of their surface geometry but "analytical realists" should represent objects using elements of their inner soul. He was faithful to these principles for the remainder of his life. MARC CHAGALL Marc Chagall, (born July 7, 1887, Vitebsk, Belorussia, Russian Empire [now in Belarus]—died March 28, 1985, Saint-Paul, Alpes-Maritimes, France), Belorussian-born French painter, printmaker, and designer who composed his images based on emotional and poetic associations, rather than on rules of pictorial logic.
Predating Surrealism, his early works, such as I and
the Village (1911), were among the first expressions of psychic reality in modern art. His works in various media include sets for plays and ballets, etchings illustrating the Bible, and stained-glass windows. Click icon to add picture