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Dracula
Dracula
Dracula
2 Major Similarities
Count Dracula describes his royal heritage: "Is it a wonder that we were a conquering race; that we
were proud; that when the Magyar, the Lombard, the Avar, the Bulgar, or the Turk poured his
thousands on our frontiers, we drove them back? [...] To us, for centuries, was trusted the
guarding of the frontier of Turkeyland; aye, and more than that, endless duty of the frontier guard.“
Count Dracula alludes to an "ancestor" who "sold his people to the Turk and brought the shame of
slavery on them!" Vlad III Dracula’s younger brother, Radu, surrendered Walachia to the
Ottomans.
Literature: the Count or the Voivode 1897
Vlad Tepes Count Dracula
He was not very tall, but very stocky and His face was strong -- a very strong --
strong, with a cold and terrible appearance, aquiline, with high bridge of the thin nose
a strong and aquiline nose, swollen nostrils, and peculiarly arched nostrils; with lofty
a thin reddish face in which very long domed forehead, and hair growing scantily
eyelashes framed large wide-open green round the temple, but profusely elsewhere.
eyes; the bushy black eyebrows made His eyebrows were very massive, almost
them appear threatening. His face and chin meeting over the nose, and with bushy hair
were shaven, but for a moustache. The that seemed to curl in its own profusion.
swollen temples increased the bulk of his The mouth, so far as I could see it under
head. A bull's neck connected [with] his the heavy moustache, was fixed and rather
head to his body from which black curly cruel looking, with peculiarly sharp white
locks hung on his wide-shouldered person. teeth; these protruded over the lips, whose
remarkable ruddiness showed astonishing
vitality in a man of his years.
--Niccolò Modrussa
--Bram Stoker
Theatre: Dracula 1924 & 1927
1924: Dracula, by Hamilton Deane, premiered in
Derby, England – popular 3 year tour
3 acts set mostly in a drawing room in London
Count: Raymond Huntley (2000+ performances)
Count: from cadaverous to charming
American entrepreneur, Horace Liveright, bought
rights to the Deane production
John Balderston: young journalist/playwright assigned by
Liveright to 'Americanize' Deane’s script
Toned down theatrical dialogue – structure remained
Huntley turned down role – Bela Lugosi hired (speech)
1927: Dracula opens in Fulton Theatre in New York City
Runs for 33 weeks, earning over $2 million
Film: Nosferatu 1922
Nosferatu, Eine Symphonie des Grayens (The
Undead, a Symphony of Horror)
Directed by F.W. Murnau (1889-1931)
German Expressionist cinema; silent
Earliest surviving vampire film
Max Schreck as Count Orlok – isolated, pathetic,
and withdrawn
Murnau drew on popular Vampire lore and
Stoker's novel (without permission)
Changed names and setting
Florence Stoker and the British Incorporated
Society of Authors destroyed the original
negatives and most of the prints
Wordy - journal entries, letters, etc.
Straightforward, unromantic, gruesome, cynical
Max Schreck myth
Film: Dracula & Horror of Dracula 1931 & 1958
Dracula (1931): D. Tod Browning
First authorized film adaptation
Dracula: Bela Lugosi (speech)
Script draws heavily on stage play
Dracula a suave, continental lover -
handsome and charismatic
Victorian-era English aristocrat
Omits explicit sexuality
Horror of Dracula (1958): D. Terence Fisher
Dracula: Christopher Lee
Significant changes to novel
Film: Other Interpretations 1979-2000
1979: Nosferatu, Phantom der Nacht (The 1995: Dracula, Dead and Loving It
Undead, Phantom of the Night) D. Mel Brooks, Count: Leslie Nielsen
D. Werner Herzog, Count: Klaus Unpopular parody
Kinski
Set in Netherlands, not England
First film to portray Dracula as tragic figure
2000: Wes Craven Presents: Dracula 2000
D. Patrick Lussier, Count:
Dracula as “the plague" personified with no Gerard Butler
romantic power over mortals
Set in America, modern day