Lazaro Francisco was a National Artist for Literature who developed the social realist tradition in Philippine fiction through his 11 novels and short stories published between 1925-1956. Some of his notable works include Binhi at Bunga, Cesar, and Maganda pa ang Daigdig. He advocated for the use of Tagalog as the national language and helped establish KAWIKA to promote the Filipino language. Francisco is acknowledged as one of the finest Filipino novelists of the 20th century.
Lazaro Francisco was a National Artist for Literature who developed the social realist tradition in Philippine fiction through his 11 novels and short stories published between 1925-1956. Some of his notable works include Binhi at Bunga, Cesar, and Maganda pa ang Daigdig. He advocated for the use of Tagalog as the national language and helped establish KAWIKA to promote the Filipino language. Francisco is acknowledged as one of the finest Filipino novelists of the 20th century.
Lazaro Francisco was a National Artist for Literature who developed the social realist tradition in Philippine fiction through his 11 novels and short stories published between 1925-1956. Some of his notable works include Binhi at Bunga, Cesar, and Maganda pa ang Daigdig. He advocated for the use of Tagalog as the national language and helped establish KAWIKA to promote the Filipino language. Francisco is acknowledged as one of the finest Filipino novelists of the 20th century.
•Deo, 1927 •Binhi at Bunga •Ang Beterano (Seed and Fruit), LAZARO (The Veteran), 1925 FRANCISCO 1931 •Cesar, 1926 National Artist for •Ang Idolo (The •Tatsulok Literature (2009) (February 22, 1898 Idol), 1932 (Triangle), 1946 – June 17, 1980) •Maganda pa ang Plays Daigdig (The •Ang Ikaapat na World is Still Mago (The Fourth Beautiful), 1956 Mage), 1942 Prize-winning writer Lazaro A. Francisco developed the social realist tradition in Philippine fiction. His eleven novels, now acknowledged classics of Philippine literature, embodies the author’s commitment to nationalism. Already in Tagalog literature, he ranks among the finest novelists since the beginning of the 20th century. he contributed to the enrichment of the Filipino language and literature for which he is a staunch advocate. He put up an arm to his advocacy of Tagalog as a national language by establishing the Kapatiran ng mga Alagad ng Wikang Pilipino (KAWIKA) in 1958. His masterpiece novels—Ama, Bayang Nagpatiwakal, Maganda Pa Ang Daigdig and Daluyong—affirm his eminent place in Philippine literature. Novels Poems •Mga Ibong •Isang Dipang Mandaragit Langit (An Arm- (Birds of Stretch of Sky) AMADO V. HERNANDEZ Prey),1969. •Panata sa National Artist for •Luha Ng Kalayaan (Pledge Literature Buwaya to Freedom)[5] - (September 13, 1903 – (Crocodile's this poem is carved May 24, 1970) Tears),[5] 1972. on his marble •Pili sa Pinili headstone April 22, Essays (Chosen from 1952 •Si Atang at ang the Selected), •Ang Mga Dulaan (Atang and the Theater) 1964. Kayamanan ng Tao Amado V. Hernandez, poet, playwright, and novelist, is among the Filipino writers who practiced “committed art. He stripped Tagalog of its ornate character and wrote in prose closer to the colloquial than the “official” style permitted. His novel Mga Ibong Mandaragit, first written by Hernandez while in prison, is the first Filipino socio-political novel that exposes the ills of the society as evident in the agrarian problems of the 50s. Hernandez’s other works include Bayang Malaya, Isang Dipang Langit, Luha ng Buwaya, Amado V. Hernandez: Tudla at Tudling: Katipunan ng mga Nalathalang Tula 1921-1970, Langaw sa Isang Basong Gatas at Iba Pang Kuwento ni Amado V. Hernandez, Magkabilang Mukha ng Isang Bagol at Iba Pang Akda ni Amado V. Hernandez.