Professional Documents
Culture Documents
Air Jamaica Sponsor Deck
Air Jamaica Sponsor Deck
Air Jamaica Sponsor Deck
Second show added for Machel Montano 6 May 2007 July / August
AirJamaica Opportunities
Target Caribbean population for services to increase revenue and brand recognition
Strong ties to homeland (family and business) - frequent travel between US and Caribbean ICC cricket Carnival events Jazz festivals
Sponsorship Benefits
Built in West Indian audience (over 1 million persons in greater NYC metropolitan area) Targeted media outlets
Caribbean-based radio (over 20 stations in NYC) Newspapers Magazines TV outlets Poster/Flyer campaign for local restaurants, bars, clubs and neighborhoods Caribbean lifestyle websites
Sponsor name on Madison Square Garden Marquis and P2P Opportunities on site at the Garden Marketing and promotional activities through Artists record label and publicist Concert Series produced by Dahved Levy dj on WBLS (107.5FM, New York, NY)
Heavy promotion of all events on Dahveds #1 rated Caribbean-oriented radio show Show is syndicated to 25 major markets Promotion on website and ability to link to AirJamaica Support of all WBLS djs to promote shows Extensive network and support by music and media community (Caribbean and Cross/over urban)
P2P
Booths at Madison Square Garden to provide product and service information, promotional materials and direct interface with potential customer base Opportunity to collect contact information for potential customer base
Direct Sponsor Benefits Sponsors receive tickets to events Backstage networking and photo opportunities Passes to parties and invitations press junkets
Audience Reach
Event Attendance:
6000 (Direct per event) 25000 (Ancillary, including event at Arena)
Buju Banton
Buju Banton has been one of the most popular dancehall reggae artists since the '90s. He converted to Rastafarianism and revolutionized dancehall by employing the live instrumentation and social consciousness of classic roots reggae. The Voice of Jamaica album, released in 1993, introduced Banton to the world outside Jamaica, and gave him a huge hit in the celebratory safe-sex anthem "Willy (Don't Be Silly)." Other singles from the album included "Operation Ardent," a critique of police corruption, and "Deportees (Things Change).. In early 1994, Banton released the monumental single "Murderer," an impassioned indictment of dancehall culture and gun violence recorded after the shooting deaths of fellow dancehall DJs Panhead and Dirtsman. As well-received as Voice of Jamaica was, it was the 1995 follow-up, 'Til Shiloh, that would rank as Banton's masterpiece. A fusion of dancehall with live instrumentation and classic roots reggae, 'Til Shiloh consolidated Banton's move into social awareness and adopted a more mature, reflective tone that signaled Banton's arrival as an artist able to make major creative statements. His follow-up, 1997's Inna Heights, continued in a similarly rootsy vein and won only slightly less acclaim than its much-heralded predecessor. In 1999, Banton recorded with the punk band Rancid and subsequently signed with the punk label Epitaph's eclectic Anti subsidiary. In 2000, he delivered his Unchained Spirit, which found him growing more eclectic in a quest to cross over to the international market; it also featured a successful duet with Beres Hammond on "Pull It Up." After a three-year break from album releases, Banton returned on Atlantic in 2003 with Friends for Life, a crossoverfriendly record with elements of hip-hop, R&B, and pop (and very little of the roots-dancehall hybrid that had catapulted him to stardom). Unhappy with the support he was given at the major labels, Banton started his own label, Gargamel Music, and released the entirely self-produced Rasta Got Soul in 2005. In September, 2006, the label unleashed the strictly dancehall Too Bad and the single Driver A is still blowing up on the charts in the US, UK, and in the Caribbean
Shaggy
Emerging in the early '90s, Shaggy was the biggest crossover success in dancehall reggae. Not only did he become the genre's most commercially potent artist in the international market, he was also more than just a typical flash in the pan, managing to sustain a career over the course of several highly popular albums. He has become one of the scant few reggae artists to top the album and pop singles charts in America, not to mention numerous other countries where he's had even greater success. Shaggys first big break came with "Oh Carolina" which at first appeared to be simply a local hit, became an instant smash, vaulting all the way to the top of the British pop charts early the next year and doing the same in several other European countries. Firmly a star in Europe, Shaggy went on to conquer the U.S. with his next album, 1995's Boombastic. The title track was an inescapable hit, selling over a million copies; it reached number three on the pop charts and number one on the R&B charts, and also became his second U.K. chart-topper. "In the Summertime," the flip side of the American single release of "Boombastic," climbed into the U.K. Meanwhile, the album went platinum, nearly reaching the R&B Top Ten, and spent a full year at number one on Billboard's reggae album chart; it also won a Grammy for Best Reggae Album. A third single, "Why You Treat Me So Bad," featured guest rapper Grand Puba and nearly reached the British Top Ten in 1996. Shaggy followed his breakout success with an extensive world tour, consolidating his European following, and recorded a hit duet with Maxi Priest, "That Girl," in 1996. He returned to solo action in 1997 with the Midnite Lover album. Additionally, he appeared on a minor hit duet with Janet Jackson, "Luv Me, Luv Me," from the soundtrack of How Stella Got Her Groove Back in 1998, Hot Shot, released in 2000, was catapulted to the top of the charts by the single It Wasn't Me" (featuring Rik Rok) which hit number one in early 2001; naturally, it did likewise in the U.K. and many other European countries. Its follow-up, "Angel" -- a rewrite of the country hit "Angel of the Morning," featuring Rayvon on vocals -- also went straight to number one in the U.S. and U.K. Hot Shot, meanwhile, spent six weeks at number one on the album charts and eventually sold over six million copies in the U.S. alone -- an almost unheard-of figure for a reggae release. While Shaggy prepared his follow-up album, more pieces of product hit the market in 2002: Virgin put out Mr. Lover Lover: The Best of Shaggy, Vol. 1, a compilation covering his years at the label, while MCA issued a remix album, Hot Shot Ultramix. Before the end of the year, Shaggy released his new album Lucky Day, which was loosely designed as a respectful tribute to womankind which went gold by year's end and charting in the Top 30 on both the pop and R&B listings. In 2005 he returned with the album Clothes Drop.