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War Poetry and Hip Hop
War Poetry and Hip Hop
Group Project:
Rihab Ata
Raghid Aliwi
Ahmed Natour
W O R L D WA R I
CONTEXT
TRIPLE TRIPLE
ENTENTE ALLIENCE
FRANCE GERMANY
W O R L D WA R I BRITAIN AUSTRIO-
HUNGARIAN
I. Cultural impact:
RUSSIA ITALY
•unprecedented military violence
+colonies +Ottoman Empire
•10 million deaths
+colonies
•Artistic interpretation - a symptom of the apocalyptic nature of modernity
•Legitimated the mood of cultural pessimism that permeated the epoch
I. Figure 1:
Europe in 1914 was divided into a fairly small number of countries . The ottoman empire still ruled most of the middle east. German and Italian
reunification was still a recent event. Within this small number of countries, many territories ruled against the consent of local populations (Poland,
Czech Republic, Slovakia, Bosnia, Ireland, The Baltic countries, The Alsace-Lorraine region).
II. Military alliances in 1914:
•“Origins: Early hip-hop music saw its roots in the 1970s in the New York City borough
of the Bronx. It started as a collaboration among intersecting groups of Black, Latinx, and
Caribbean American youth at block parties—community gatherings that featured DJs playing
soul and funk music.” *
Hip-Hop Music Guide: History of Hip-Hop and Notable Artists
https://www.masterclass.com › articles › hip-hop-guide *
FA C T O R S O F H I P - H O P
•1. The break: Short for “break down,” the break is the part of a song that highlights its rhythmic underpinning. This became the
foundation of Kool Herc’s DJing style as he blended two breaks together in an extended loop.
• 2. Breaking: The dance element of hip-hop, performed by dancers called B-Girls or B-Boys. Birthed in the late 1970s in New York,
breaking blended movement styles such as jazz and martial arts with dance styles from the Caribbean, Latin America, and Africa. B-Girls
and B-Boys got their name because they danced over the DJ’s “breaks” at hip-hop parties in the Bronx.
• 3. DJ: The DJ existed before hip-hop. It’s an acronym for the word disc jockey. Originally, the DJ’s job was to play recorded music for
an audience either on radio or live for an audience. But the hip-hop DJ took it to the next level by making record spinning into an art
form called turntablism.
•4. Emcee: an acronym for the Master of Ceremonies. Emcees began as hosts at hip-hop parties who would prompt the breakers to
dance. Influenced by original spoken-word artists, emcees began to do rhythmic call-and-response with the audience, a technique that
eventually morphed into the poetic form of rapping that we know now.
• 5. Freestyle: the improvisational wing of emceeing. Originally found as a written verse that has no specific topic, the hip-hop definition
of freestyle emerged with Myka 9 of Freestyle Fellowship as a rap or rhyme created in the moment or “off the top of the head.”
*https://www.bam.org/media/5500824/Elements_of_Hip-hop.pdf*
S I M I L A R I T I E S O F H I P - H O P A N D WA R
P O E T RY
H I P - H O P WA R P O E T RY
Relatively few contemporary poets use patterned rhyme; almost all view rhyme as optional, if
not unappealing. In contrast, very few hip hop artists do not rhyme. Sharpening the
distinction, hip hop artists revel in the most audacious rhymes, the cobbling together of
diverse material.* https://www.owu.edu › news-media › from-our-perspective
Deeper feelings and emotions are conveyed in poems, whereas songs are more direct and
lighter in meaning. Poetry is an expression of inner experiences of a poet, whereas song is
often set to a pre-existing piece of music. Songs are dependent upon selection of lyrics and
music as well as the singer. *https://www.differencebetween.com
THE END
Thank you
Daddy