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Lesson 8: The Material/Econo MIC Self: Group 8 Bs Crim 1 YA-1
Lesson 8: The Material/Econo MIC Self: Group 8 Bs Crim 1 YA-1
Lesson 8: The Material/Econo MIC Self: Group 8 Bs Crim 1 YA-1
MATERIAL/ECONO
SELF
MIC
GROUP 8
BS CRIM 1
YA-1
QUESTIONS TO
PONDER:
What can we say about a person based on the
things that he owns?
Why do some people buy things they do not really
need? Will the world economy suffer if people buy
only the things that they need?
MATERIAL SELF PRESENTATION AND
IDENTITY
According to John Heskett, a British writer and lecturer on the economic,
political, cultural and human value of industrial design, design combines
‘need’ and ‘desire’ in the form of a practical object that can also reflect the
user’s identity and aspirations through its form and decoration. Heskett
was a professor at the Institute of Design at Illinois Institute of
Technology and taught design history and design thinking. For him,
there is a significance and function behind everyday things. He explains
that there is a subconscious effect of design in everyday life. This reflects
the personal identity wherever the person is: home, work, and restaurant
at a leisure place. Thus, design really matters from the smallest things
like toothpick, spoon and fork, the kind and presentation of food that
people eat up to the bigger gadgets, equipment and cars.
MATERIAL SELF PRESENTATION AND
IDENTITY
Roland Barthes (1915-1980) the French critical theorist,
was one of the first to observe the relationships
that people have with objects, and in particular looked
at objects as signs or things which could be decoded
to convey message beyond their practical value. In
1950s he popularized the field of Semiology (the
study of objects as signs). A sign is anything that
conveys meaning. It was Barthes who revealed that
everyday objects are not just things but a complex
system of signs which allows one to read meaning
into people and places. What people increasingly
produce are not material objects, but signs.
MATERIAL SELF PRESENTATION AND
IDENTITY
In Semiotic analysis, objects function as signifiers in the
production of meaning. For example, clothes may have a simple
functional meaning, to cover and protect the body but also double
up as a sign. They construct a meaning and carry a message,
which as a member of a culture one can understand. Barthes
argued that all things, verbal or visual, could be viewed as a kind
of speech or language. This means that objects can speak, and
even the most ordinary object might be eloquent.
MATERIAL SELF PRESENTATION AND
IDENTITY
Semiotic is the study of signs that Barthes introduced. Examine how words,
photographs, images and objects can work as a language to
communicate a range of ideas, associations and feelings. According to him, a
sign has two elements: signifier which refers to its physical form (e.g. a diamond
ring) and signified, the mental concepts it refers to (e.g. engaged to be
married). Hence, objects are not just things but are reflections of the wider lives
of communications and individuals. All these suggests that objects act as a
complex systems of signs which allow one to read meaning into people, places
and purpose. Through advertising, products become irresistible-perfumes, not
just a sweet smelling liquid but an essence of allure making it user-irresistible.
MATERIAL SELF PRESENTATION AND
IDENTITY
The things people use, own and surround themselves with
might accurately reflect their personalities. Not surprisingly, the
clothes one wears, the car one drives and the furnishing of one’s
home, are all expressions of one self, even when they act as
disguises rather than as reflections. In relation to this, the things
that surround people are inseparable from who they are. Signs
are also used to differentiate one person or group from
others
The theory of the meaning of material possessions (Dittmar, 1992,
2004) suggests that material goods can fulfil a range of
instrumental, social, symbolic and affective functions.