MODERN

ART
MOVEMENT
MODERN
ART
MOVEMENT
MODERN
ART
MOVEMENT
Art Movements - the collective
titles that are given to artworks
that share the same artistic
ideals, style, technical approach,
or timeframe.
In all of human history,
art has mirrored life in
the community, society,
and the world in all its
colors, lines, shapes, and
forms.
The decades from 1900 to the
present have seen human race
living in an ever-shrinking
planet. The 20th century saw
a boom in the interchange of
ideas, beliefs, values, and
lifestyles that continues to
bring the citizens of the world
closer together.
IMPRESSIONISM
TO
REPRESEN
T THE
VIEWER’S
MOMENTA
RY
IMPRESSIO
N OF AN
IMAGE.
IT WAS NOT INTENDED
TO BE CLEAR OR
PRECISE, BUT MORE
LIKE A FLEETING
FRAGMENT OF
REALITY CAUGHT ON
CANVAS.
CLAUDE
MONET
BEST KNOWN FOR
LANDSCAPE
PAINTINGS,
PARTICULARLY
THOSE DEPICTING
HIS
BELOVED FLOWER
GARDENS AND
WATER LILY PONDS
AT HIS HOME ON
GIVERNY
La Promenade
 POST -
IMPRESSIONISM
 ARTISTS EXPANDED
WITH USING
GEOMETRIC APPROACH,
FRAGMENTING
OBJECTS, AND
DISTORTING FACES AND
BODY PARTS, AND
APPLYING COLORS
THAT WERE NOT
REALISTIC OR
NATURAL.
VINCENT VAN
GOGH
REMARKABLE FOR
THEIR STRONG,
HEAVY BRUSH
STROKES, INTENSE
EMOTIONS, AND
COLORS THAT
APPEARED TO
ALMOST PULSATE
WITH ENERGY.
The Starry Night
EXPRESSIONIS
M
WORKS WITH
MORE
EMOTIONAL
FORCE RATHER
THAN WITH
REALISTIC OR
NATURAL
IMAGES.
 THEY DISTORTED
OUTLINES, APPLIED
STRONG COLORS,
AND EXAGGERATED
FORMS.
THEY WORKED
MORE WITH
THEIR
IMAGINATION AND
FEELINGS,
RATHER THAN
WITH WHAT THEIR
EYES SAW IN THE
PHYSICAL WORLD.
NEOPRIMITIVISM
 INCORPORATED
ELEMENTS FROM
NATIVE ARTS OF
SOUTH SEA
ISLANDERS AND
WOOD CARVINGS OF
AFRICAN TRIBES.
FAUVISM
USED
VIBRANT
COLORS
AND
VISUAL
DISTORTI
DADAISM
CHARACTERIZED
BY DREAM
FANTASIES,
MEMORY IMAGES,
AND VISUAL TRICKS
AND SURPRISES.
SURREALI
SM
SUBCONSCIO
US DREAM
WORLD
THAT
SEEMED TO
EXIST
BEYOND
LOGICAL,
CONSCIOUS,
PHYSICAL
ONE.
SOCIAL
REALISM
 PROTEST
AGAINST THE
INJUSTICES,
INEQUALITIES
,
IMMORALITY,
AND UGLINESS
OF HUMAN
CONDITION.
ABSTRACTIONI
SM
ARTISTS
CREATED WORKS
THAT ARE
LOGICAL AND
RATIONAL WHICH
INVOLVED
ANALYZING,
DETACHING,
SELECTING, AND
SIMPLIFYING.
CUBISM
COMPOSED OF
PLANES AND
ANGLES ON A
FLAT
SURFACE.
FUTURISM
CREATES ART
FOR A FAST-
PACED,
MACHINE-
PROPELLED
AGE.
NONOBJECTIVISM
 DOES NOT USE
FIGURES OR EVEN
REPRESENTATIONS
OF FIGURES, AND
DOES NOT REFER
TO RECOGNIZABLE
OBJECTS OR FORMS
IN THE OUTSIDE
 ABSTRACT
EXPRESSIONISM
SYNTHESIS OF
CUBIST AND
SURREALIST
STYLES.
ACTION
PAINTING
SQUIRTING,
AND
DRIBBLING
PAINT ON
CANVASES
WITH NO
PREPLANNE
D PATTERN
OR DESIGN
IN MIND
COLOR FIELD PAINTING
USES
COLOR
SATURATI
ONS AND
HUGE
FIELDS OF
VIBRANT
COLOR
POP ART
 WANTED TO MAKE
REFORMS IN
TRADITIONAL VALUES,
BUT UNLIKE THE
SERIOUS TONE OF
DADAISTS, ENJOYS
NONSENSICAL
CONCEPTS TO SIMPLY
LAUGH AT THE WORLD
OP ART
ACTION
PAINTING
WITH THE
ACTION
TAKING PLACE
IN THE
VIEWER’S EYE.
CONCEPTU
AL ART
INTENDED TO CONVEY AN
IDEA OR CONCEPT TO THE
VIEWER WITHOUT ITS
CREATION, AND USE OF
TRADITIONAL ART FORMS.
INSTALLATION ART
DIMENSIONAL
WORKS OFTEN
OCCUPY AN
ENTIRE ROOM
OR GALLERY
SPACE THAT
THE
SPECTATOR
HAS TO WALK
THROUGH IN
ORDER TO
ENGAGE
FULLY WITH
THE WORK OF
Deadline: September 12, 2022