The document discusses various cinematography techniques used in the film Parasite such as lighting, camera shots, camera angles, and color values. Specifically, it notes that low-key lighting was used to portray mystery in the poor family's home while high-key lighting differentiated the rich family's mansion. Close-up and extreme close-up shots focused attention on characters' faces while medium shots included body language and background. Bird's eye angles depicted settings and extreme long shots conveyed themes of wealth disparity. Color, particularly the use of orange, distinguished the unstable poor neighborhood from the seemingly stable rich home.
The document discusses various cinematography techniques used in the film Parasite such as lighting, camera shots, camera angles, and color values. Specifically, it notes that low-key lighting was used to portray mystery in the poor family's home while high-key lighting differentiated the rich family's mansion. Close-up and extreme close-up shots focused attention on characters' faces while medium shots included body language and background. Bird's eye angles depicted settings and extreme long shots conveyed themes of wealth disparity. Color, particularly the use of orange, distinguished the unstable poor neighborhood from the seemingly stable rich home.
The document discusses various cinematography techniques used in the film Parasite such as lighting, camera shots, camera angles, and color values. Specifically, it notes that low-key lighting was used to portray mystery in the poor family's home while high-key lighting differentiated the rich family's mansion. Close-up and extreme close-up shots focused attention on characters' faces while medium shots included body language and background. Bird's eye angles depicted settings and extreme long shots conveyed themes of wealth disparity. Color, particularly the use of orange, distinguished the unstable poor neighborhood from the seemingly stable rich home.
◦The same kind of low-end lighting lamps (greenish
fluorescent and tungsten incandescent) used by Korean households in Ki-taek’s home brings the emotion that they are trying to portray. ◦Low key lighting were used so that they can portray the big mysteries in this plot but the lighting that were being used in the mansion is different than in the low-budget house. ◦In the big Mansion,you can see that they are using high key lighting and high end lighting so the viewers can certainly differentiate the emotion of being poor and rich. ◦High Contrast is being used in PARASITE because high contrast bring out more dramatic and suspenseful feeling. Shot & Camera Proxemics ◦CLOSE UP AND EXTREME CLOSE UP SHOT ◦The shots were made so that we can focus on the specific parts which is in this case, it’s the face. ◦Close up shot draws viewer’s attention on screen to the characters,its designed to make us engage with the scene,reactions and behaviour. MEDIUM SHOT • Medium Shot used for dialogue scenes, but also depict body language and more of the setting. • Oftentimes it will frame multiple subjects as well as a portion of the background and space in general. • In the scene you see at the right,you can see there is also element of leading lines which can be achieve by using medium shot method. FULL SHOT ◦These shots allow the audience to see the emotions on a character's face while simultaneously seeing their physicality, body language, and actions. ◦Full shots also capture the setting and context of a character and can be used with one character or multiple. ◦In these scenes,you can see what actions and also the situation that they (The characters) are in. EXTREME LONG SHOT • Extreme long shot in parasite shows visually the theme of wealth,disparity and conveying the class divide. • In this scene,it shows how being a rich family feels spacious and “fun”. Camera Angle ◦Bird eye and High Camera Angle ◦This angle is seldom used as it often renders the subject matter unrecognizable and abstract. ◦It also can depict how the settings is such as how big or small the place is,is it night or day or is it tight or spacious room. ◦These effect can use to tell more about a story. EYE LEVEL SHOT Eye level shot gives audience a sense of equality. Eye level angles are especially useful for initial framing of a shot. Shooting from a natural viewpoint also makes the most sense for filming many scenes in their entirety. Low Angle Shot ◦Low angle shot meant to assert dominance ◦As you can see here the woman on the back seems like “bigger” and “dominant” which can be done with low angle shot. ◦It also create a sense of intrigue because we were put in a point of view of which we can not see but the characters can. OBLIQUE ANGLE SHOT This creates an off-kilter, or askew, look that can be used to add visual interest or convey a sense of unease. While the scene in this example is not that oblique,the position of the subject (the head) can also consider as oblique which intrigues viewers. COLOUR VALUES Orange the colour of PARASITE ◦In addition to the context, orange is intentionally coupled with distinctive architectural features and textures, chaotic or formless in the poor neighbourhood, and clean and balanced in the home of the wealthy family. ◦The texture of the orange in the two worlds distinguishes the class structure; in one, it is porous, permeable, dissolves, and disintegrates, denoting instability, while in the other, it is more solid, balanced, and pleasant, seemingly denoting stability. ◦However, this stability is gradually tested as the murderous birthday scene that ends the film plays out.