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Chapter 2 - l1. Technical Officials and Fundamental Skills in Swimming
Chapter 2 - l1. Technical Officials and Fundamental Skills in Swimming
Chapter 2 - l1. Technical Officials and Fundamental Skills in Swimming
TECHNICAL
OFFICIALS AN
D
FUNDAMENT
AL
SKILLS IN
SWIMMING
OBJE
C TIVES
• Referee
• Announcer
• Starter • Control Room Supervisor
• Timekeeper & Chief Timekeeper • AOE or SAT Operator
• Clerk of Course (Marshal)
• Meet Manager Operator
• Check Starter • Chief Recorder
• Judge of Stroke
• Technical Manager
• Inspector of Turns
• Finish Judge
OBJE
C TIVES
Head Position
• The head is in line with the spine;
• Look down at the pool bottom, slightly forward; and
• Turn the chin to the shoulder to breathe, no head lift.
Body Position
• Flat horizontal position in the water;
• No up/down movements of the hips;
• No snake-like (sideward) movement of the body; and
check Proper and equal body roll on long axis.
Competitive Strokes - Freestyle
Breathing
• The head turns in time with the body roll;
• No lifting or jerking of the head for breath;
• Breathe at the “open” part of the arms cycle (one side
only);
• Breathe to the most comfortable side (no difference if
the right or left hand is dominant) when the
opposite arm is forward; and ü Breathe low to the
water level.
Competitive Strokes - Freestyle
Arms
• Flat hands enter the water fingertips first, elbow and wrist up, in
front of the shoulder;
• Catch in the initial part of the pull, not hurried;
• The deep catch with the elbow higher than the hand;
• Push/pull of the flat hand near the “midline” of the body;
• Acceleration of the hands throughout the push/pull
• Bend in the elbow under the body during the pull;
• Finish the pull at the thigh with no delay;
• High elbow and shoulder recovery;
• Elbow leads the hand in the recovery; and
• The arms are a mirror image of each other Legs (flutter kick)
Competitive Strokes - Freestyle
Arms
• The kick originates from the hip;
• The soles of the feet churn the surface, “boil water,” feet stay under the surface;
• The proper knee bend, kick up and down;
• Proper depth of kick 12”-14”;
• Timing of the kick to the arm stroke
• six-beat kick b. two-beat kick c. four-beat kick d. eight beat kick
Coordination Push-off
• Drop under the water;
• Hands overhead – arms against the ears ;
• Feet hip-width on the wall 14”-16” below the surface, 90-degree bend in the
knees; and
• Push off, streamlined body position, elevate fingertips to reach the surface at
swimming speed. Start the kick while the body is underwater.
Competitive Strokes - Breaststroke
Head Position
• Chin at water level when inhaling;
• Look down at the bottom of the pool when exhaling; and
• Head moves chin to hairline approximately 8”.
Breathing
• A breath is taken late in the arm pull; and
• A breath is taken at proper sequence with the arms and legs. Body
Position
• Good horizontal alignment;
• The complete stretch of the body between strokes.
Competitive Strokes - Breaststroke
Head Position
• Back;
• Steady;
• The water level at the ears;
• Chin near the chest Body Position
• Chest high;
• Hips and thighs at the surface of the water;
• Knees down, feet up, toes pointed;
• Relaxed appearance;
• Complete stretch
Competitive Strokes - Backstroke
Arms
• Recover-little finger enters water first;
• Straight elbow in recovery (no water in the face);
• Hands enter the water above the shoulders (one o’clock – eleven o’clock
position);
• Deep catch at about 12” deep;
• Start to bend the elbow when the hands get to the shoulder level in the pull;
• Hands pull in an “S” pattern (bent arm pull) adjusting to the water pressure
at the proper depth;
• The arms are directly opposite each other (direct opposition);
• Continuous stroking without pause at the start or completion of the stroke,
alternating arms;
• Proper hand entry/angle into the water, little finger first;
• Proper positioning (pitch) of the hand and wrist throughout the stroke
Competitive Strokes - Backstroke
Coordination
• Proper timing – kick to arms
• Six beat kick Breathing
• Continuous breathing pattern, no breath-holding. Inhale on one
arm, exhale on the other arm. Push Off
• Hands are overhead, together, fingers elevated;
• Feet are below the surface on the wall, knees bent at 90 degrees,
feet are hip-width apart;
• Drop under, extend legs, start kick, streamlined;
• Exhale through the nose, mouth closed, the stream of air bubbles;
and,
• Reach the surface before taking the first stroke
Competitive Strokes - Butterfly
Head Position
• Exhale with the head down, looking at the bottom, chin near the
chest;
• Inhale with the head up, chin on the water level, looking forward;
• The head must move to get body undulation. The body follows the
head. Breathing
• Breathe at the proper time in pull – late;
• The head must precede the hands into the water – dive into the
stroke; and
• Proper rhythmic breathing pattern. Body Position
• Shoulders near-surface; and
• Hips close to surface
Competitive Strokes - Butterfly
Arms
• Hands enter the water first, proper width, elbows up, little splash;
• Catch the water with the proper hand and wrist action;
• Proper “S” shape pull pattern (hourglass, keyhole pull pattern);
• Elbows up throughout the stroke;
• Acceleration through push/pulls phase;
• Ballistic-like follow through on recovery;
• Proper depth of arms through stroke;
• Lift of shoulders and elbows into recovery; and
• Butterfly not “butter style”
Competitive Strokes - Butterfly
Head Position
• The water level is slightly above the ears; and check The
face is clear of the water at all times.
Body Position
• Back straight;
• Legs and hips slightly lower than the head and shoulders;
and
• Hips remain near the surface at all times
Non - Competitive Strokes - Elementary Backstroke
Arms
• Recover the hands up the body to shoulder height;
• Extend the hands away from the sides; and
• Pull both hands at the same time, from the shoulders, past the
• hips, to the thighs Legs - Whip
• Heels drew down below the knees;
• Heels about as wide as the hips;
• Ankles flexed; and
• Circle heels wider than the knees (whip kick)
Non - Competitive Strokes - Elementary Backstroke
Breathing
• Inhale as you recover the arms and legs; and
• Exhale during the pull/kick phase into the glide.
Coordination
• The arms pull and the legs kick at the same time;
• The arms and legs recover at the same time; and
• Emphasize glide at the end of each stroke (arm pull and leg kick)
Non - Competitive Strokes - Sidestroke
Head Position
• Lower the ear in the water close to the shoulder;
• The mouth and nose should be clear of the water to permit easy
breathing;
• Look slightly backward for the best body position; and
• Occasionally glance forward to be aware of where you are going
Arms
• Pull overhead arm as trailing arm recovers;
• Hands meet near the breast bone;
• Change angles of hands at proper position;
• Recover overhead arm as the trailing arm does the pull/
push phase; and
• Exaggerate glide in streamlined position
Non - Competitive Strokes - Sidestroke
It was taught for the first time in 1940. His approach was so
popular that it gained national attention, and, until 1988,
Georgia Tech soon made it a graduation requirement.
Learning to float in different positions helps to grasp water's
lifting impact.
Types of Swimming Floats - Drown proofing
Types of Swimming Floats - Horizontal Back Float