The early medieval art period saw changes with migrations of peoples across Europe. Animal and geometric styles developed among nomadic groups. Germanic art featured ornamentation on small portable objects. Vikings produced wood carvings. Hiberno-Saxon art blended Celtic and Anglo-Saxon forms. Manuscript illumination spread between northern and Mediterranean regions. Under Charlemagne, Carolingian art invited fine craftsmen and imitated Roman styles. Ottonian art served the imperial court and greater monasteries for aristocratic audiences.
Lessons in the Art of Illuminating
A Series of Examples selected from Works in the British
Museum, Lambeth Palace Library, and the South Kensington
Museum.
The early medieval art period saw changes with migrations of peoples across Europe. Animal and geometric styles developed among nomadic groups. Germanic art featured ornamentation on small portable objects. Vikings produced wood carvings. Hiberno-Saxon art blended Celtic and Anglo-Saxon forms. Manuscript illumination spread between northern and Mediterranean regions. Under Charlemagne, Carolingian art invited fine craftsmen and imitated Roman styles. Ottonian art served the imperial court and greater monasteries for aristocratic audiences.
The early medieval art period saw changes with migrations of peoples across Europe. Animal and geometric styles developed among nomadic groups. Germanic art featured ornamentation on small portable objects. Vikings produced wood carvings. Hiberno-Saxon art blended Celtic and Anglo-Saxon forms. Manuscript illumination spread between northern and Mediterranean regions. Under Charlemagne, Carolingian art invited fine craftsmen and imitated Roman styles. Ottonian art served the imperial court and greater monasteries for aristocratic audiences.
The early medieval art period saw changes with migrations of peoples across Europe. Animal and geometric styles developed among nomadic groups. Germanic art featured ornamentation on small portable objects. Vikings produced wood carvings. Hiberno-Saxon art blended Celtic and Anglo-Saxon forms. Manuscript illumination spread between northern and Mediterranean regions. Under Charlemagne, Carolingian art invited fine craftsmen and imitated Roman styles. Ottonian art served the imperial court and greater monasteries for aristocratic audiences.
o The animal style;-Scythian antecedents o The art of Germanic peoples o Viking art o Hiberno- saxon art • The Carolingian period • The Ottonian period THE MIGRATION PERIOD
• As the name of the period ,the invasion of
roman territory by barbarian tribes were in reality ,migration of ethnic groups seeking not to overthrow the roman empire, for which they had great admiration but to find a place where they could peacefully settle. The animal style:-Scythian antecedents
• Animal style is a generic term for the
characteristic ornamentation of artifacts worn and carried by nomadic peoples, who for almost two millennia moved restlessly to and fro across the vast open grasslands stretched from china to western Europe. Pectoral with the scene from Scythian life The art of Germanic peoples
• The original art of Germanic peoples was abstract,
decorative, and geometric and ignored the world of organic nature .it was confined to the decoration of small, portable objects –weapons of items of personal adornment such as bracelets ,pendants ,and belt buckles .most characteristics ,perhaps ,and produced in quantity by almost all tribes ,was the fibula, a decorative object usually used to fasten garments. • Horror vacui, animal style ,and abstraction are characteristics Frankish ornaments sixth and seventh centuries a, looped fibula b, round fibula Sutton Hoo purse cover, from East Anglia, England, c. a.d. 630. Gold with garnets and cloisonne enamel, originally on ivory or bone (since lost), 8 in. (20.3 cm) long. British Museum, London. In the cloisonne technique, liquid enamel of different colors is poured into cloisons, compartments formed by a network of thin metal strips, to create surface decoration. The top of the metal remains exposed. Viking art
• The word means pirate in the Norse language
• From the ninth to the eleventh centuries ,destructively raided the Celtic and Germanic settlements of Europe .once Christianized ,the Vikings settled down and to become Norseman (Norman), giving their name to the part of France call Normandy • Wood is an important medium in Viking art Prow of the oseberg ship Animal head post from the oseberg ship burial Wood carved ornament (porch of stave church) Hiberno- saxon art
• Two centuries of Vikings incursion into Celtic
Ireland and Anglo-Saxon England mingled artistic forms and motifs . • The Celts of Ireland ,converted to Christianity in the fifth century B.C. developed a form of monastic organization that preserved and cultivated literature, learning, philosophy, and the decorative and useful arts. Taraa brooch Ireland c,700 Manuscript illumination • With the Christianization of barbarian peoples ,liturgical books became important vehicle of miniature art and a principal medium for the exchange of stylistic ideas between northern and Mediterranean world. 11.6 Lion Symbol of Saint John, from the Book of Durrow, fol. 191v, after a.d. 650. Illuminated manuscript, 9 5⁄8 × 5. in. (24.5 × 14.5 cm). Library of Trinity College, Dublin, Ireland. This manuscript originally came from either Ireland or Northumbria in England. The folio represents Saint John the Evangelist as a lion surrounded by a rectangular border filled with interlace. Later, Saint John’s symbol was changed to an eagle. 11.7 (Opposite) Tunc Crucifixerant XPI, from the Book of Kells, fol. 124r, late 8th or early 9th century. lluminated manuscript, 9. × 13 in. (24 × 33 cm). Library of Trinity College, Dublin, Ireland. This is a page from the Gospel of Matthew (27:38). The scribe has written, “Tunc rucifixerant XPI cum eo duo latrones” (“Then they crucified Christ and, with him, two thieves”). THE CAROLINGIAN PERIOD
• Charlemagne crowned by pope in Rome in 800
as the head of the holy roman empire. He was a sincere admire of learning and art .to make his empire as splendid as that of Constantine ,he invites fines t craftsmen of west Europe and byzantine east . St. Matthew from the eboo gospels 800-810 St. Matthew from the coronation of gospel 800-810 THE OTTONIAN PERIOD
• Carolingian empire is partitioned by his three
grand sons, Charles the bald, lothair, and louis the German. • Ottonian art was produced for the court and for the greater monasteries-for learned princes ,abbots, and bishops –and thus appealed to an aristocratic audience The annunciation of the sheperds 1000-1014
Lessons in the Art of Illuminating
A Series of Examples selected from Works in the British
Museum, Lambeth Palace Library, and the South Kensington
Museum.