MAULANA AZAD NATIONAL INSTITUTE

OF TECHNOLOGY, BHOPAL

DEPARTMENT OF
ARCHITECTURE AND PLANNING

SEMESTER-III
SUBMITTED BY
DEEKSHA SAHU-191110037
PRESENTATION TECHNIQUES
LINE DRAWING TECHNIQUE
LINE CAN BE USED TO SHOW
 SHAPE
 CONTOUR
 TEXTURE
 TONE
 HATCHING

We can create value by using linear

hatching

The closer the lines are, the darker the

value.

Pressing harder or using a bigger nib or

marker, also gives a darker appearance.
 CROSSHATCHING

Crosshatching uses layers of hatching placed at an angle.

Usually the 1st layer is vertical, the next horizontal and the
next diagonal.
 CONTOUR HATCHING

The direction of line helps suggest contours.

When crosshatched, they suggest cross-contours.
Hatching which follows a contour can also help to make
objects appear more 3D.
 RANDOM HATCHING

Random hatching uses layers of short, straight marks.

Various textures result depending on whether these short
hatches are applied vertically, at right angles, following a
contour or at random angles.
 SCUMBLING

Scumbling uses layers of small scribbled marks to build up

value and texture.
Varying the direction adds more interest than a simple
circular scribble.
 STIPPLING
Stippling uses tiny dots to create
value.

The closer the lines are, the darker

the tone.

Larger dots create a denser tonal

value more quickly but can look course.
HARD PENCILE TECHNIUES
SOFT PENCILE TECHNIQUES
SOME OTHER EXAMPLES
HAND DRAWN RENDERING

Media used for hand-drawn

rendering(BASED ON MEDIUM)
Watercolor
Markers
Color Pencil
Pen and Ink
Pastel
Eye shadow
WATER COLOR
Water
Color
MARKER
COLOR PENCIL
PEN AND INK
 PASTEL

EYE SHADOW
ARCHITECTURAL RENDERING
TECHNIQUES
 SHADOW
Great architectural works of art always have shadow
designed as their architectural component (see Fig. 1). It is
absolutely a climatic component and differs from climate to
climate. As an aesthetic viewpoint, it brings climate and
movement to the space of an architecture.
A scientific shadowing requires projection angle, plan,
light source and its illustration. These all may not be always
available. There are six reasons to apply shadow in
architecture:
􀁹 Definition of form
􀁹 Definition of site
􀁹 Definition of light direction (direction of light defines
Fig. Shadow.
the main axle in buildings cities)
􀁹 Definition of time
􀁹 Definition of different climate conditions
􀁹 Rendering of work, out of paper's white background
 Fig. Shadow.

Fig. Texture
MAGIC MARKER
MAGIC MARKER

MONOTONE RENDERING
MONOTONE BLACK RENDERING
WATER INK
LINEAR RENDERING
 BLEECH RENDERING
Bleach rendering can be operated on
a colored card stock.
A bleach removes paper’s color and
gives it a white or brighter color (.
Bleach can be mixed with various
colors to create a specific color.
Combination of bleach with different
amounts of water, gives different
color intensities.
It is applied on the card using a brush;
other tools like white ink, magic
marker and roller-ball pen can be
used too. To do this you should
outline the primary work on a sheet
(card stock) by a pencil, then begin to
render it using brush and bleach
RENDERING INDORE PERSPECTIVE
When working on indoor perspectives,
sometimes it is needed to show them
in a better way or to express their
spatial dimensions. Then it comes to
perspective rendering.
There are some techniques and tools
to do this.
This first step normally deals with
coloring of sequences to define the
depth of space. Large surfaces like
floor, ceiling, and walls… should not
be rendered much, because the use
of color increases and the work
becomes a painting.
 COMPOSITE RENDERING
Most creative rendering works are
made up of several
techniques and tools that are
combined and presented in an
artistic fashion. To do this you should
master more
rendering applications and qualities
(see Fig. ). When
bigger sheets are needed for a work,
or it comes to diversity,
you as an architect can use
combination of methods
 COLOR BLOCKING
A very elegant example of how colors can be
used in architectural presentation styles to
make elements stand out. Mostly used to
denote massing in a 2d drawing, the color
blocking technique is very obvious, but very
attractive. Designers can chose colors
depending on the number of elements, or
based on the hierarchy of masses. So, the
colors can be a variation of shades, for eg.
one color used in different hues, or the
same color tone, for eg. neutral or earthy
shades, or bright colors used in the
background with the drawing in plain white
in the foreground etc. etc. There are n
number of permutations and combinations
which can be tried in this style and each
would give an interesting result. 
THANK YOU