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A Trio of Chinese Blue

and White Fishnet Bowls

Yichien Tsai s3638677 9th December 2022

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Object description
1. Excavated from
• VOC director Dr. Zacheus de Jager (1599-1650)’s
residence (1630-1650) in Enkhuizen, Northern
Netherlands
• Leliegracht in Amsterdam
• Vlissingen, Southern Netherlands
2. Size: approx. 14cm wide
3. Decoration: underglaze b/w fishnet pattern
on the exterior; fishes, crabs, and aquatic
weeds
on the interior
4. Made in Jingdezhen, China; late Ming
dynasty,
Possibly Tianqi/Chongzhen periods (1620-
1644)
5.Discover
Use of the world at blue
domestic Leidenpigment
University石子青 2
Also seen here..
Dutch Still Life Oil Painting, dated 1645
• 66.5x50.5cm, oil on oak
• 17th century Amsterdam artist Jan Janz Treck (1605-1652)
• Museum of Fine Arts, Budapest
• Pewter, Kraak klapmuts, and an upside-down fishnet bowl
Hatcher Cargo, sunk around 1643-46
• Found off Southern China coast in 1983
• Salvaged along with other late Ming transitional b/w wares
• Pieces bearing inscription Guiwei 癸未 , cyclical year 1643

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Museum pieces in Japan
• Highly treasured as tea ceremony wares
• Overglazed enamels or sometimes underglaze
copper red
• More applications on sake bottles, flasks, tea
caddies, tea bowls, and wine cups or side dishes at
various shapes and sizes

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Origin and Continuity
• Fish motifs in Song-Yuan ceramics
• Auspicious pun on ‘surplus’ in Chinese
• Net pattern almost absent in Chinese
ceramics
• Ordered by Japanese consumers? Ko-
sometsuke
• Imitated by early Imari wares
• Fishnet pattern became very stylised in
Edo Japan by removing animal motifs
• Applications on other materials

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Some thoughts
• Why fishnet bowls intended for the
Japanese market were found in the
Netherlands?

• Unlike popular kraak or highly


received transitional wares, only
broken excavated pieces and sunken
ship wreckage, as opposed to
heirlooms in Japan!

• Why fishnet pattern has been


favoured by the Japanese?

• Why it became so stylised in Edo?

• Possible origin?

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