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Process
Process
Process
The Paramount case, a federal anti-trust case essentially ended the studio system in 1948.
Genesis
A movie starts with one or more of the following:
An Idea A book A magazine article An original story that could be adapted An old movie or play that could be remade
The pitch
Most ideas that eventually become films are presented to studio executives orally in what is called a pitch. Studio chiefs look for
Suspense, Laughter, Violence, Hope Heart, Nudity, Sex, Happy endings
In 2002, the six studios had 2500 ideas in some stage of development
The Script
If an idea is sufficiently distinctive and attractive, it must be converted into an acceptable script. The script is the blueprint for the making of a movie. The script is written, revised, polished and sometimes, completely reconceived this is called development. If the script is acceptable to all parties, it gets green-lighted, i.e. it moves into pre-production.
Green-Lighting
In order to get green-lighted, it must be acceptable to a director, who will then be willing to commit to it. To do this, they have to have some control over the script. Often they get credit as the author or coauthor. They often modify the script to suit their own directorial strengths. Often producers may need to get one or more top stars to act in the film in order to get the script green-lighted.
The Budget
Before green-lighting, the producer has to develop a tentative budget based on a shot-byshot breakdown of the script. It specifies the total days of shooting and estimates all expenses. The above-the-line costs include agreed-upon payments for buying rights, developing the script and compensating starts, directors, producers and writers. The below-the-line expenditures include all the daily expenses during the actual production and postproduction periods.
Below-the-line budget
$12.1m for constructing, dressing, operating sets $7.7 for special effects $2.6 for lighting the sets $2.4 for the camera crew $359,000 for sound 566,000 for make-up $1.6m for wardrobe $5.4 m for second units $4.4m for locations
More below-the-line
$3.9 for transportation $1.5m for stunts $2m for the production staff $395,000 for extras $1.6m for the art department $1.2m for buying and processing the film $1.9m for renting studio space $28m for 200 days of post-production work digital effects, editing, dubbing, music and for the opening and end titles.
Other cashflows
Major merchandise tie-in partners also help with advertising. For example, the James Bond film Die Another Day had $120m in merchandiser advertising. Merchandisers could have long-term contractual agreements with studios, as well. In addition, box-office revenues, video revenues, merchandising revenues all have to be forecast.
Producer hierarchy
The line producer or production manager who, on a day-to-day basis ensures that the director has what he needs to make the movie. The first assistant director (AD) who schedules the arrivals and departures of actors and technicians on the set so that the director can efficiently shoot the movie. A director of photography (DP) who supervises the camera and lighting crew
Shooting Schedules
A detailed shooting schedule is established, taking into account the stars schedules and the most efficient use of expensive locations and other time-sensitive resources. Stars limit their availability to a specific number of weeks, called the guaranteed period after which they get paid a huge increment. All scenes in a given location are shot at the same time, regardless of when they take place in the story.
Storyboards
The first step in the pre-production process (prep) is storyboarding. A film storyboard is a large comic of the film or some section of the film produced beforehand to help film directors visualize the scenes and find potential problems before they occur. Often storyboards include arrows or instructions that indicate movement. A storyboard provides a visual layout of events as they are to be seen through the camera lens. Storyboards allow visual thinking, planning and experimenting, particularly when working in groups.
Casting
The next step is casting the speaking roles. A casting director is used who acts as a specialized consultant in suggesting actors for movie parts. Sometimes directors want to work with specific actors whom theyve worked with successfully previously. If a director believes that an actor will contribute to the success of the film, the script may even be rewritten to suit the actor. After a screen test, the selected actors are offered contracts specifying the periods they will be available for principal shooting and then for dubbing and reshooting.