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NEOCLASICAL 

ARTISTS

In this presentation, You will know :

-About Jean-Auguste-Dominique Ingres

-His Famous artworks.

-The secret message of his artwork.


NEOCLASICAL  ARTISTS

In this presentation, You will know :

-About Jean-Auguste-Dominique Ingres

-His Famous artworks.

-The secret message of his artwork.


NEOCLASICAL  ARTISTS

In this presentation, You will know :

-About Jean-Auguste-Dominique Ingres

-His Famous artworks.

-The secret message of his artwork.


Jean-Auguste-Dominique Ingres'
Artwork
Jean-Auguste-Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Ingres'
About Jean-Auguste-Dominique Ingres'
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

Jean-Auguste-Dominique Ingres, (born Aug. 29, 1780,


Montauban, France—died Jan. 14, 1867, Paris), French
painter. He studied with Jacques-Louis David in Paris
before attending the École des Beaux-Arts (1799–1801),
where he won a Prix de Rome scholarship. 
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

Jean-Auguste-Dominique Ingres, (born Aug. 29, 1780,


Montauban, France—died Jan. 14, 1867, Paris), French
painter. He studied with Jacques-Louis David in Paris
before attending the École des Beaux-Arts (1799–1801),
where he won a Prix de Rome scholarship. 
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

He succeeded David as the leader of French Neoclassical painting, a


style that was the antithesis of the lush Romanticism of
contemporary artists such as Eugène Delacroix, Ingres’s chief rival.
In 1825 he opened a teaching studio, which became one of the
largest in Paris. By the mid 1840s he was France’s most sought-after
society portraitist. Some of his most notable later works are female
nudes, which are often notable for their elongated distortion. None
of his many students attained distinction, but his influence is seen in
the work of Edgar Degas, Pierre-Auguste Renoir, and Pablo Picasso.
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

He succeeded David as the leader of French Neoclassical painting, a


style that was the antithesis of the lush Romanticism of
contemporary artists such as Eugène Delacroix, Ingres’s chief rival.
In 1825 he opened a teaching studio, which became one of the
largest in Paris. By the mid 1840s he was France’s most sought-after
society portraitist. Some of his most notable later works are female
nudes, which are often notable for their elongated distortion. None
of his many students attained distinction, but his influence is seen in
the work of Edgar Degas, Pierre-Auguste Renoir, and Pablo Picasso.
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

Critics condemned one of his first public works, the


awe-inspiring portrait Napoleon on His Imperial
Throne (1806), as stiff and archaic, but its style was
one he developed intentionally. 
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

Critics condemned one of his first public works, the


awe-inspiring portrait Napoleon on His Imperial
Throne (1806), as stiff and archaic, but its style was
one he developed intentionally. 
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

In Italy (1806–24) he prospered with portraits and


history paintings. His small-scale portrait
drawings are meticulously rendered. Back in Paris
he received critical acclaim at last and won
admission to the academy with The Vow of Louis
XIII (1824).
WHO IS JEAN-AUGESTE-
DOMINIQUE INGRES?

In Italy (1806–24) he prospered with portraits and


history paintings. His small-scale portrait
drawings are meticulously rendered. Back in Paris
he received critical acclaim at last and won
admission to the academy with The Vow of Louis
XIII (1824).
About Jean-Auguste-Dominique Ingres'
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
Jean-Auguste-Dominique Ingres'
Artwork
Jean-Auguste-Dominique Ingres'
Artwork
NAPOLEON I ON HIS
IMPERIAL THRONE

The painting shows Napoleon as emperor, in the costume


he wore for his coronation, seated on a circular-
backed throne with armrests adorned with ivory balls. In
his right hand he holds the scepter of Charlemagne and
in his left the hand of justice. On his head is a golden
laurel wreath, similar to one worn by Caesar.
NAPOLEON I ON HIS
IMPERIAL THRONE

The painting shows Napoleon as emperor, in the costume


he wore for his coronation, seated on a circular-
backed(shape) throne with armrests adorned with ivory
balls. In his right hand he holds the scepter of
Charlemagne and in his left the hand of justice. On his
head is a golden laurel wreath, similar to one worn by
Caesar.
NAPOLEON I ON HIS
IMPERIAL THRONE

Jean Auguste Dominique Ingres depicted Napoleon seated


on his Imperial throne with Imperial trappings: imperial
regalia, white and red velvet robe with carolingean
collar, crowned with a gold laurel wreath, and holding the
scepter of Charles V, the hand of justice and the sword of
Charlemagne.
NAPOLEON I ON HIS
IMPERIAL THRONE

Jean Auguste Dominique Ingres depicted Napoleon seated


on his Imperial throne with Imperial trappings: imperial
regalia, white and red(color) velvet robe with
carolingean collar, crowned with a gold laurel wreath, and
holding the scepter of Charles V, the hand of justice and
the sword of Charlemagne.
CHARACTERISTICS OF 
THE NEOCLASSICISM

The corrupt government of France combined with


unethical ideas of the Rococo period create the underlying
force driving the characteristics of the Neo-Classical
style. Louis the XIV and Louis XV, French monarchs,
emphasized a style of showing excess under their strong
influence. The Neo-Classical style focus on amplifying
the power of the people, philosophy, and learning. 
CHARACTERISTICS OF 
THE NEOCLASSICISM

The corrupt government of France combined with


unethical ideas of the Rococo period create the underlying
force driving the characteristics of the Neo-Classical
style. Louis the XIV and Louis XV, French monarchs,
emphasized a style of showing excess under their strong
influence. The Neo-Classical style focus on amplifying
the power of the people, philosophy, and learning. 
CHARACTERISTICS OF 
THE NEOCLASSICISM

Rousseau, a well-known philosopher, argued that people gave kings


the authority to rule and could do otherwise. For philosophical
ideologies like these is why artists working in the Neo-Classical style
used classical principles to portray heroic scenes like those of ancient
Greek myths. Although Neo-Classical art utilized classical
characteristics, it emphasized bravery, war, liberty, civility, virtue,
morality, and sacrifice. By representing contemporary issues in a
heroic manner, like that of the classicist style, the neo-classical style
represented the greatness of people.
CHARACTERISTICS OF 
THE NEOCLASSICISM

Rousseau, a well-known philosopher, argued that people gave kings


the authority to rule and could do otherwise. For philosophical
ideologies like these is why artists working in the Neo-Classical style
used classical principles to portray heroic scenes like those of ancient
Greek myths. Although Neo-Classical art utilized classical
characteristics, it emphasized bravery, war, liberty, civility, virtue,
morality, and sacrifice. By representing contemporary issues in a
heroic manner, like that of the classicist style, the neo-classical style
represented the greatness of people.
Jean-Auguste-Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
Secret Messages of Jean-Auguste-Dominique Ingres'
Artwork
Secret Messages of Jean-Auguste-Dominique Ingres'
Artwork
Secret Messages of Jean-Auguste-Dominique Ingres'
Artwork
SECRET MESSAGE
SECRET MESSAGE
SECRET MESSAGE
SECRET MESSAGE

Inspired by Byzantine icons, Napoleon is depicted


here from a front view, with porcelain skin and an
impenetrable expression, wearing a laurel crown on
his head, similar to the emperors of Ancient Rome.
SECRET MESSAGE

Inspired by Byzantine icons, Napoleon is depicted


here from a front view, with porcelain skin and an
impenetrable expression, wearing a laurel crown on
his head, similar to the emperors of Ancient Rome.
SECRET MESSAGE
SECRET MESSAGE

Ermine fur, which is a royal symbol,


lines his cloak and forms the ruff on
which the collar of the Grand Master of
the Order of the Legion of honor is
presented.
SECRET MESSAGE

Ermine fur, which is a royal symbol,


lines his cloak and forms the ruff on
which the collar of the Grand Master of
the Order of the Legion of honor is
presented.
SECRET MESSAGE
SECRET MESSAGE

The purple robe is decorated with bees,


which symbolize immortality and
resurrection.  Considered to be the oldest
emblem of French sovereigns, they were
chosen by Napoleon to bind the new
dynasty to the origins of France.
SECRET MESSAGE

The purple robe is decorated with bees,


which symbolize immortality and
resurrection.  Considered to be the oldest
emblem of French sovereigns, they were
chosen by Napoleon to bind the new
dynasty to the origins of France.
SECRET MESSAGE
SECRET MESSAGE

The symbolic effect is reinforced by


Napoleon's imposing throne, which forms a
halo around his head. This made the
Napoleon rendered by Ingres an almost
divine power.
SECRET MESSAGE

The symbolic effect is reinforced by


Napoleon's imposing throne, which forms a
halo around his head. This made the
Napoleon rendered by Ingres an almost
divine power.
SECRET MESSAGE
SECRET MESSAGE

In his right hand, Napoleon holds the Hand of Justice


—an element of regalia, the most significant of all
royal emblems, and a symbol of judicial power. The
original was destroyed during the French Revolution,
so a perfect replica was made specially in 1804 for
Napoleon's coronation.
SECRET MESSAGE

In his right hand, Napoleon holds the Hand of Justice


—an element of regalia, the most significant of all
royal emblems, and a symbol of judicial power. The
original was destroyed during the French Revolution,
so a perfect replica was made specially in 1804 for
Napoleon's coronation.
SECRET MESSAGE
SECRET MESSAGE

In his left hand is Charlemagne's scepter,


which symbolizes executive power. This
gold scepter is topped with a statuette of
Charlemagne seated on a throne, wearing an
imperial crown and also holding a scepter
and an orb—a Christian symbol—all
arranged over a fleur-de-lis.
SECRET MESSAGE

In his left hand is Charlemagne's scepter,


which symbolizes executive power. This
gold scepter is topped with a statuette of
Charlemagne seated on a throne, wearing an
imperial crown and also holding a scepter
and an orb—a Christian symbol—all
arranged over a fleur-de-lis.
SECRET MESSAGE
SECRET MESSAGE

By his side is Charlemagne's sword, known as


the Joyeuse (Joyous). It was used to represent
military power in the coronations of French
Kings. Previously decorated with fleur-de-lis,
Napoleon had the sword covered with precious
stones for his coronation in 1804.
SECRET MESSAGE

By his side is Charlemagne's sword, known as


the Joyeuse (Joyous). It was used to represent
military power in the coronations of French
Kings. Previously decorated with fleur-de-lis,
Napoleon had the sword covered with precious
stones for his coronation in 1804.
SECRET MESSAGE
SECRET MESSAGE

Once he was declared Emperor in 1804,


Napoleon had to choose his emblem: he opted for
the Eagle. Tied to Ancient Rome, the Eagle is
associated with power and military victories. On
the day after his coronation, Napoleon had his
emblem placed on all the flags of his armies.
SECRET MESSAGE

Once he was declared Emperor in 1804,


Napoleon had to choose his emblem: he opted for
the Eagle. Tied to Ancient Rome, the Eagle is
associated with power and military victories. On
the day after his coronation, Napoleon had his
emblem placed on all the flags of his armies.
SECRET MESSAGE
Secret Messages of Jean-Auguste-Dominique Ingres'
Artwork
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Secret Messages of Jean-Auguste-


Dominique Ingres'
Artwork
THATS ALL, THANK YOU!
About Jean-Auguste-Dominique Jean-Auguste-Dominique Ingres'
Ingres' Artwork

Presentation made by:


 Daligdig, Laureen A.

Sumbitted to :
Ms. Rachell Jell
Secret Messages of Jean-Auguste-
Dominique Ingres'
Performance Artwork task in Arts

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