This document discusses guidelines for designing museum rooms and layout. It recommends that rooms ensure protection of exhibits from threats like theft, fire, damage, and dust. Exhibits should be placed to be easily viewed without effort in a spacious and selective arrangement. Lighting is also an important consideration, with options like overhead, window, and natural lighting discussed, each with advantages and disadvantages for properly illuminating exhibits. The overall museum layout should not be a continuous loop but have wings branching from the entrance.
This document discusses guidelines for designing museum rooms and layout. It recommends that rooms ensure protection of exhibits from threats like theft, fire, damage, and dust. Exhibits should be placed to be easily viewed without effort in a spacious and selective arrangement. Lighting is also an important consideration, with options like overhead, window, and natural lighting discussed, each with advantages and disadvantages for properly illuminating exhibits. The overall museum layout should not be a continuous loop but have wings branching from the entrance.
This document discusses guidelines for designing museum rooms and layout. It recommends that rooms ensure protection of exhibits from threats like theft, fire, damage, and dust. Exhibits should be placed to be easily viewed without effort in a spacious and selective arrangement. Lighting is also an important consideration, with options like overhead, window, and natural lighting discussed, each with advantages and disadvantages for properly illuminating exhibits. The overall museum layout should not be a continuous loop but have wings branching from the entrance.
and scientific interest room must : 1 Ensure protection against : - Theft - Fire - Damage - Damp - Aridity - Strong sunlight - Dust 2 Show work in best light ( in both senses of term) :
Normally achieved by dividing collection into objects for study (eg
engravings, drawings) kept in portfolios and stored in cupboards (with drawers) about 800 deep and 1600 high :
Objects for display (eg paintings, frescoes, statuary, ceramics,
furniture) 3 Exhibis must be so placed as to be seen without effort : Calls for selective and spacious arrangement, with variety and suitable room shape and sequence. So far as possible each group of pictures in 1 room or sequence of room and each picture wall to itself. These also provide more wall space in relation to ground area than large room, necessary for big picture. MUSEUM LAYOUT Not continuous circular itinerary but wings leading out from entrance. Side room for packing, dispatch , transparency section, restoration workshops, lecture room.
Museum sometimes in building originally designed for other
purposes. Exhibition room with side lighting :
Suitable hanging surface between 30˚
& 60˚ with room high of 6700 & cill high 2130 for pictures or 3040 – 3650 for sculpture , as calculated from Boston experiments. Exhibition room with successful use of available space :
Panels between central pillars can
be rearranged between supports as needed ; if outer side – wall of glass installed window arrangement of inner wall can also be varied LIGHTING Overhead Lighting :
Advantages : independent of orientation,
not affected by overhanging trees or neighbouring building, easily regulated (lamella ceiling), little reflection, light more widely spread over exhibit area.
Disadvantages : strong heat build – up, risk
of damage from water and condensation, only diffused light. Window Lighting :
View out (relaxing), room easily aired and
kept at even temperature, better light on groups and individual exhibits, illumination of showcases from back Natural Lighting :
Natural light can be used as a
major influence to dramatize and enliven the design of a building. Some architects use natural light as forming the building's design.