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    Jianne Cabildo
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    The document discusses leveling-up activities from 4 Southeast Asian countries: the Shwedagon Stupa in Myanmar, waterpuppetry in Vietnam, Gaung Bauk in Thailand, and Garudos in Cambodia. It then asks two questions about what was reflected in the art of Cambodia and Myanmar, and the medium and techniques used in most Vietnamese folk arts. The responses indicate tattoos similar to textile patterns were found on mummies in Myanmar, and that Vietnamese artists began fusing Eastern and Western styles using traditional mediums like silk and lacquer to create oil and silk paintings depicting pagodas and landscapes.

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    The document discusses leveling-up activities from 4 Southeast Asian countries: the Shwedagon Stupa in Myanmar, waterpuppetry in Vietnam, Gaung Bauk in Thailand, and Garudos in Cambodia. It then asks two questions about what was reflected in the art of Cambodia and Myanmar, and the medium and techniques used in most Vietnamese folk arts. The responses indicate tattoos similar to textile patterns were found on mummies in Myanmar, and that Vietnamese artists began fusing Eastern and Western styles using traditional mediums like silk and lacquer to create oil and silk paintings depicting pagodas and landscapes.

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    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
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    17 views6 pages

    Presentation 1

    Uploaded by

    Jianne Cabildo
    The document discusses leveling-up activities from 4 Southeast Asian countries: the Shwedagon Stupa in Myanmar, waterpuppetry in Vietnam, Gaung Bauk in Thailand, and Garudos in Cambodia. It then asks two questions about what was reflected in the art of Cambodia and Myanmar, and the medium and techniques used in most Vietnamese folk arts. The responses indicate tattoos similar to textile patterns were found on mummies in Myanmar, and that Vietnamese artists began fusing Eastern and Western styles using traditional mediums like silk and lacquer to create oil and silk paintings depicting pagodas and landscapes.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pptx, pdf, or txt
    of 6

    ANSWER: LEVELING-UP ACTIVITIES

    1. Shwedagon Stupa – B. Myanmar


    2. Waterpuppetry – D. Vietnam
    3. Gaung Bauk – C. Thailand
    4. Garudos – A. Cambodia
    ANSWER: THINKING
    WHAT YOU LEARNED
    1. What was reflected in the art of Cambodia
    and Myanmar?
    • Kelingad in mountine province the close examination of the kabayan
    mummies reveal that they have tattoos similar to patterns found body
    in their textile.
    2. What medium and technique/processes were used in
    most of Vietnamese folk arts? Why do you think so?
    • Vietnamese artists began to use traditional mediums such as silk,
    lacquer, and oil to create European-style artworks. The result was a
    dazzling fusion of East and West, with talented artists creating
    breathtaking silk and oil paintings usually depicting pagodas, the
    countryside, and Vietnamese historical events.

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