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    Music1 2012 dp5 Philippine Music Under The Spanish Era Part 1

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    Natasha Liliane Delgado Loot
    The Spanish missionaries introduced Catholicism to the early Philippine society through the liturgical mass which was celebrated in Latin using Gregorian chant, polyphonic masses, motets, and hymns. Natives were taught to sing and play instruments like guitar, violin, flute, harp, and organ. Some of the earliest Filipino composers like Marcelo Adonay composed masses and religious works that incorporated elements of Gregorian chant and were performed in the churches.

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    Music1 2012 dp5 Philippine Music Under The Spanish Era Part 1

    Uploaded by

    Natasha Liliane Delgado Loot
    11 views20 pages
    The Spanish missionaries introduced Catholicism to the early Philippine society through the liturgical mass which was celebrated in Latin using Gregorian chant, polyphonic masses, motets, and hymns. Natives were taught to sing and play instruments like guitar, violin, flute, harp, and organ. Some of the earliest Filipino composers like Marcelo Adonay composed masses and religious works that incorporated elements of Gregorian chant and were performed in the churches.

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    The Spanish missionaries introduced Catholicism to the early Philippine society through the liturgical mass which was celebrated in Latin using Gregorian chant, polyphonic masses, motets, and hymns. Natives were taught to sing and play instruments like guitar, violin, flute, harp, and organ. Some of the earliest Filipino composers like Marcelo Adonay composed masses and religious works that incorporated elements of Gregorian chant and were performed in the churches.

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    © All Rights Reserved
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    11 views20 pages

    Music1 2012 dp5 Philippine Music Under The Spanish Era Part 1

    Uploaded by

    Natasha Liliane Delgado Loot
    The Spanish missionaries introduced Catholicism to the early Philippine society through the liturgical mass which was celebrated in Latin using Gregorian chant, polyphonic masses, motets, and hymns. Natives were taught to sing and play instruments like guitar, violin, flute, harp, and organ. Some of the earliest Filipino composers like Marcelo Adonay composed masses and religious works that incorporated elements of Gregorian chant and were performed in the churches.

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    © All Rights Reserved
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    of 20

    Philippine

    Music
    during the
    Spanish
    Era
    In what ways and means did the
    Spanish missionaries taught the
    early Philippine society the
    Catholic faith?
    The Liturgy was celebrated
    Gregorian Chant,
    using
    Polyphonic Masses and Motets
    and Hymns,

    all in Latin.
    POLYPHONIC MUSIC
    - two or more independent melodies
    sung or played at the same time
    Ex.
    • A Home on the Rolling Sea - round
    • Halleluah from Messiah
    by George Friedrich Handel
    • Kyrie
    by Giovanni Pierluigi da Palestrina
     
    Natives were not only
    instructed in singing but also
    in playing various instruments
    like guitar, violin, flute, harp
    and organ.
    In 1857 a boy’s choir was formed in the
    Dominican convent of Sto. Domingo which
    evolved into a music school.

    Las Pinas Boy’s Choir


    Later a fine organ was installed
    in the church.

    The first orchestra was formed in the


    Augustinian Convent of Guadalupe in 1601.

    In 1643, Fray Juan de Torres established the


    Manila Orchestra. In 1742, the Colegio de Niños
    Tiples de la Iglesia Cathedral was founded.
    Between 1816-1824, Fr.
    Diego de Cerra built a
    unique instrument, the
    famous Las Piñas
    Bamboo Organ which is
    still being used for
    liturgical services in the
    Parish Church of St.
    Joseph. It contains 950
    bamboo pipes with 22
    stops, 43 pipes for each
    register and 12 pedals.
    Catholic faith was preached to the
    Parts of the
    natives through the introduction
    Liturgicalof the
    Mass
    liturgical mass that was in Latin and the
    music that went with it was Western.
    Kyrie
    Gloria
    Alleluia
    Credo
    Sanctus
    Pater Noster
    Agnus Dei
    KYRIE SANCTUS

    Sanctus, Sanctus, Sanctus,


    Kyrie eleison;
    Dominus Deus Sabaoth;
    Christe eleison; pleni sunt coeli et terra
    Kyrie eleison gloria tua
      Hosanna in excelsis
    Lord have mercy;
    Christ, have mercy; Holy, Holy, Holy,
    Lord God of Hosts;
    Lord, have mercy
    Heaven and earth are full of
    Your glory.
    Hosanna in the highest.
    SACRED MUSIC
    • Music written over the ages to be used in the
    sung liturgy of the Roman
    Catholic Church
     Gregorian chants and
    melodies
     Polyphonic pieces in
    the middle ages and
    the Renaissance

    • It is simple for the singing congregation and


    more elaborate as the degree of musicianship
    increases
    SINGING AND DANCING

    Singing and dancing


    Leaping and prancing
    La, la, la, la…
    Flutes raise their voices,
    Cello rejoices
    Music delights us
    music invites us to join in the dance
    Fa, la, la, la….
    SECULAR MUSIC

    • Non- sacred music that developed in the


    Medieval period and was used in the
    Renaissance
    • Love songs, political satire, dances and
    dramatic works
    • Drums, harps, recorders and bagpipes were the
    instruments used in secular music because they
    were easy for the travelling musicians to tote
    around
    • Common people sing these songs for
    entertainment
    Filipino Composers
    During the Spanish Era
    In 1870 the Augustinian
    Fray Toribio organized an
    orchestra at the San
    Agustin Church in
    Intramuros. The orchestra
    was led by Marcelo
    Adonay, the first native
    Filipino to compose a
    Mass. Other Filipino
    musicians were Pantaleon
    Lopez and Ladislao
    Bonus.
    MARCELO ADONAY
    1848 - 1928, Pakil, Laguna

    • Filipino composer,
    organist, conductor, and
    music teacher

    • Known as the “Prince of


    Philippine Church
    Music,” he was one of
    the most well-known
    Philippine musicians of
    the late 19th century
    • He was a self-taught musician, having taught
    himself to play the organ, piano, and violin
    through self-study. He was able to learn all
    of these while serving as a church boy at the
    San Agustin Church, where an uncle
    brought him when he turned eight years old.
    Pequeña Misa
    Solemne sobre
    Motivos de la
    Missa Regia del
    Canto Gregoriano

    – largest and most


    significant extant
    work
     
    Gloria
    Gloria in excelsis Deo Glory to God in the highest,
    et in terra pax hominibus and on earth peace to men
    bonae voluntatis. of good will.

    Laudamus te, We praise You,


    benedicimus te, we bless You,
    adoramus te, we adore You,
    glorificamus te, we glorify You,
    gratias agimus tibi we give thanks
    Religious Musical Works
    • Liberame (1869)
    • Lectio (1885)
    • Gazos a Nuestra Señora de la Consolacion
    (1890)
    • Vita Jesu (1891)
    • A San Pascual Bailon en Obando (1894)
    • Responsarium (1894)
    • Benedictus (1895)
    • Hosana (1899)
    • Pequeña Misa Solemne (1903)
    • A Nuestra Señora de Antipolo (1909)
    • A San Juan Bautista (1916)

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