The document contrasts different art styles including Dadaism's absurdism, Impressionism's focus on light and color painted outdoors, Cubism's fragmented realities, and Adorno's view that modern art like Cubism better captures modern society than Lukacs' preferences for social realism. It also includes images comparing a social realist painting to Picasso's cubist Guernica and discusses classical versus modern architecture.
The document contrasts different art styles including Dadaism's absurdism, Impressionism's focus on light and color painted outdoors, Cubism's fragmented realities, and Adorno's view that modern art like Cubism better captures modern society than Lukacs' preferences for social realism. It also includes images comparing a social realist painting to Picasso's cubist Guernica and discusses classical versus modern architecture.
The document contrasts different art styles including Dadaism's absurdism, Impressionism's focus on light and color painted outdoors, Cubism's fragmented realities, and Adorno's view that modern art like Cubism better captures modern society than Lukacs' preferences for social realism. It also includes images comparing a social realist painting to Picasso's cubist Guernica and discusses classical versus modern architecture.
nothing is art” Impressionism: focus on play of natural light and colours; reproduction of image as impressed upon the eyes; painting entirely out-of-doors while looking at the actual scene, instead of finishing up a painting from sketches in the studio; No sharp outlines, but mostly dabs and strokes. Cubism: new reality in paintings that depicted radically fragmented objects. Adorno believed that Lukacs could not see the power of the fragmented form of modern art to capture the truth about modern society. Image 1: a social realist painting Image 2: Picasso’s modernist (cubist) painting Guernica Architecture: Classical VS Modern