GRECHEN M.

CABUSAO
 PRE-TEST

• 1.______refers to the relationship of the size of

elements in a body of art.
• 2.____refers to the unity of the artwork,
specifically about the arrangement of the related
elements.
• 3. _____refers to the element that appeals to our
sense of feel on things, rough, smooth, bumpy, or
slippery. It pertains to the surface of an art piece.
• 4. ____refers to a series of connected
points.
• 5. _____refers to two dimensional
figures with height and width.
 Answer

• 1.Proportion
• 2. harmony
• 3. texture
• 4. line
• 5. shape and form
 Picture Analysis:

“bayanihan”by: Carlos Botong Francisco

 Objectives:

• Identify elements and

principles of arts
• Apply elements and
principles of arts in an
artwork
Elements and Principles of Design
Elements: Principles:
Line Balance
Shape Emphasis & Focal Point
Form Contrast
Color Movement
Value Variety
Texture Pattern & Repetition
Space Unity
Harmony/Gestalt
 LINE
A line is defined as a mark with length and direction, created by a point that
moves across a surface. A line can vary in length, width, direction, curvature, and
color.

Jasper Johns, 0-9 (continuous line) Gesture drawing

Contour, Diagonal, Broken, Curved, Outline, Implied, Vertical, zigzag,

Horizontal, Wavy, Slanted, Continuous, Solid, Narrow, Bold
 line

Jackson Pollock, Autumn Rhythm

LINE

Andy Goldsworthy
Keith Haring
 Shape
Shape is an enclosed space defined by other elements of art.
Shape is 2-Dimensional

Shape can be:

Geometric: Angular, man-made concept
Organic: curvilinear - found in nature

Fernana Leger, The City Matisse, from the series “Jazz”

Picasso, Three Musicians
 FORM
3 Dimensional Shape. Volume
MC Escher, Self Portrait
 Vincent Van Gogh, Shoes

Tamara de Lempicka
Portrait of Ira P. 1925
 Value
An element of art that refers to luminance or luminosity – the lightness or
darkness of a color.

Value is an especially important element in works of art

when color is absent. This is particularly likely with drawings, printmaking,
and photographs

Kathe Kollwitz,
Self portrait
 Value

Chuck Close Edward Weston, Pepper

(made w/ thumbprints!) (photograph)
 Texture
Texture refers to the surface quality or "feel" of an object, such as
roughness, smoothness, or softness. Actual texture can be felt while
simulated textures are implied by the way the artist renders the surface
area

Oppenheim
Fur-lined cup
 Texture
ACTUAL AND APPLIED

Albrecht Durer
Rhinocerus
Golsdworthy
 Color
Is an element of art with three properties

1) Hue, the name of the color, e.g. red, yellow, etc. 2) Intensity
or the purity and strength of the color 3) Value, or the lightness or
darkness of the color

Jasper Johns, Target

Delauney (primary colors)
Primary Colors
 Wassily Kandinsky
Piet Mondrian
 Warm Colors

• Colors that are often described as being higher in

temperature
• Reds, oranges, yellows
• Associated with fire and sun
• Optically, appear to advance
• Stimulating and passionate
Ex. Warm
 Cool

• Colors that are often described as being lower in

temperature
• Greens, Blues, and Violet
• Associated with water, sky, and spring
• Optically, they appear to recede
• Calming and depressing
Ex. Cool
 Color and Mood

Picasso, the Old Guitarist Van Gogh, the Night Cafe

 Space
Space is the empty or open area between, around, above, below, or
within objects. Shapes and forms are made by the space around and
within them. Space is often called three-dimensional or two-
dimensional.

MC Escher
 Space
Positive space is filled by a shape or form. Negative space surrounds a
shape or form.
 Space/Depth
May be created by overlapping, change in scale,
perspective placement, color theory, or projection toward the viewer.

David Hockney
Place Furstenberg, Paris, August 7,8,9, 1985 -#11985
 Balance
Balance is a sense of stability in the body of work.

Balance can be symmetrical (formal) or asymmetrical (informal)

Wayne Thiebaud, Around the Cake (formal balance)

Symmetrical/Formal Balance

Diane Arbus, Twins

 Symmetrical Balance

Leonardo da Vinci, The Last Supper 1495-1498

Asymmetrical Balance

Edgar Degas (informal balance)

Asymmetrical Balance
 Variety
When elements are changed in scale, color, or form.

Stuart Davis
Andy Warhol
 Movement
Movement adds excitement to your work by showing action and directing the viewers eye
throughout the picture plane.

Edward Munch, the Scream

 Movement

Umberto Boccioni,
Unique forms of continuity in space Marcel Duchamp, Nude Descending Staircase
Dominance & Subordination
The part of a composition that is emphasized, has the
greatest visual weight, the most important, powerful, or
has the most influence.
 Emphasis & Focal Point
Emphasis - Any forcefulness that gives importance to some feature or features of an
artwork; something singled out, stressed, or drawn attention to by means of contrast,
anomaly, or counterpoint

Focal Point = portion of an artwork's composition on which interest or attention centers

David Hockney
 Emphasis & Focal Point

Barbara Kruger Rene Magritte

 Pattern & Repetition
Involves multiples of the same element. Repeated elements can vary in size,
color, or axis placement. Repeated elements can create a pattern. The use of
repetition may be applied to all Visual Elements. Motion can be created by
repetition.

William Morris
Arts and Crafts Movement
Pattern & Repetition

Chuck Close, Self Portrait, detail

 Contrast
A large difference between two things,
such as light and shadow, color and black/white

Andy Warhol
Contrast

David, the Death of Marat

Economy
 Unity & Harmony
The quality of wholeness or oneness (Gestalt) that is achieved through the effective use of
the elements and principles of design.

Claude Monet
Haystacks
Unity

Cezanne

Wayne Theibaud
Unity

Van Gogh “Starry Night”

 ACTIVITY:

•What Elements
and Principles
stand out?
What Elements and Principles stand out?
What Elements and Principles stand out?

Goya, “The 5th of May”

What Elements and Principles stand out?

Gauguin
What Elements and Principles stand out?
 QUIZ:

____1.It is often called three-dimensional or two- dimensional

____2.It is a sense of stability in the body of work.
can be symmetrical (formal) or asymmetrical (informal).
____3.It is any forcefulness that gives importance to some
feature or features of an artwork; something singled out,
stressed, or drawn attention to by means of contrast, anomaly,
or counterpoint
_______4. is defined as a mark with length and direction,
created by a point that moves across a surface.
______5. refers to the surface quality or "feel" of an
object, such as roughness, smoothness, or softness.
Performance Task:

Create your own artwork by

applying the elements and
principles of design